Talisman Publishing – förlag

The magisterial two volume set of books with a foreword by Joko Widodo, the President of Indonesia, is the standard work on an ancient Balinese artform that has fascinated the outside world since the early 20th century. Richly illustrated with more than onethousand images, it represents the fruit of more than four years of dedicated work by a team of experts including photographer Doddy Obenk and designer Ni Luh Ketut Sukarniasih who have diligently researched archives and collections around the world. The main texts consist of an essay by I Made Bandem, a renowned Balinese dancer and scholar, on still living dancing traditions. This is supplemented by a detailed history, written by Bruce W. Carpenter, tracing back the origins of this remarkable performance art to the pre-Hindu era. Other texts concern sacred never before photographed masks and biographies of famous mask makers and dancers. The gallery, a separate volume is 360 pages in length. It is an illustrated compendium of Balinese masks from the 16th to 20th century sourced from great museum, institutional, private and temple collections with extensive captions and supplementary information. This book is not only for scholars or those specialized in Balinese studies but also a general audience including those interested in international performing arts, sculpture, Asian art and history.

The history of Asia can be told through its great port cities: Guangzhou (Canton), Shanghai, Nagasaki, Basra, Aden, Jeddah, Kolkata (Calcutta), Mumbai (Bombay), Colombo, Batavia (Jakarta), Manila, Singapore, and many others. For millennia, port cities have been centres of global trade and the exchange of goods, peoples, cultures and ideas. They developed into cosmopolitan, multicultural societies and evolved distinctive, hybrid styles of art, architecture, material culture and ways of living. They were also crucibles of innovation, and have played an enormous, though under-appreciated, role in the spread of new technologies, new forms of creative expression and new ways of thinking throughout Asia. This book takes the reader on an epic journey across maritime Asia and the Indian Ocean, stopping at 60 port cities along the coasts and rivers of China, the Indian subcontinent, Southeast Asia, Japan, Korea, the Middle East and Africa. The timeframe of the book is equally sweeping, reaching back some two thousand years to port cities of the distant past and forward again to those of the present. The stories of these great port cities are brought alive through explorations of artworks in museums, literature, architecture, food, fashion and popular culture. Every chapter is illustrated with photographs, maps or archival material. Stopping and sojourning at each of these port cities, museum director Kennie Ting tells an evocative, multi-layered tale of their living heritage, even as he paints a vivid picture of their importance in history. In doing so, he follows in the footsteps of generations of explorers and travellers who have wandered across the globe in the quest for knowledge, and recorded their experiences for posterity.

F.J.L. Ghijsels; A Quiet Collector is the fascinating story of the evolution of an important collection of Indonesian art between 1910-1929. One of the most renowned colonial architects in the first half of the 20th century, the discovery that Ghijsels was also an avid collector comes as a surprise. Born in Java in the 19th century and educated in Holland, Ghijsels was a member of a new generation that in contrast to his predecessors greatly prized the artistic heritage of the land of his birth. A dedicated modernist, he was a member of a small but highly influential group of architects and city planners including Wolff Schoemakker, Henri Maclaine Pont and the fiery Thomas Kersten all of whom were graduates or affiliated with Delft University of Technology. Together with the architects P.A.J. Moojen and Cosmos Citroen, they would build many of the most iconic buildings, now heritage sites, in Indonesia that still influence young Indonesian architects. In addition they would, together prominent scholars, government leaders and art lovers, many who were also collectors, support cultural conferences, institutions and museums. Mostly held in Yogyakarta, these forums offered a unique opportunity for Indonesian intellectuals including many Javanese aristocrats to interact and work together despite this being frowned upon in official circles. After a long and successful career, Ghijsels would return to Europe to reunite with his family. Unfortunately the outbreak of World War Two would bring dramatic change and an early death. Until recently, like all the Dutch colonial architects, his legacy was largely ignored or forgotten in Holland. Richly illustrated with his architectural work and eclectic collection of often rare objects and art pieces, this book is a testament to a long lost era and the enduring beauty of Indonesian arts and crafts.

The Singapore shophouse is an architectural gem - a particular building form that is unique to the island. This book traces its development from rudimentary shophouse through various incarnations of decorative style - Neoclassical, Chinese Baroque, Jubilee-style, Edwardian, Rococo, Tropical Modern - all the while commenting on the various influences that fuelled its evolution. Each individual feature of the shophouse is examined, as is its change from rudimentary out-of-China structure to sophisticated dwelling house. Numerous examples of shophouse interiors today complete the odyssey - showcasing Shophouse as Temple, Clan House, Home, Boutique Hotel, Shop, Restaurant Coffeeshop and more, we see how these heritage buildings continue to be relevant in the era of the skyscraper and shopping mall. This is the first qualitative study of neo Chinese architecture and how it was effectively adapted by successive colonial authorities throughout the 19th and 20th centuries so much so that its enduring qualities of form and function continues to resonate.

This signature book describes the multiplicity of currencies that have been used in and around the island over the centuries, and how these culminate in the Singapore dollar today. The authors trace the impact, sometimes dramatic, of political and economic events and technological forces shaping these currencies. Singapore has followed its own development path, from the days when, in the first few decades of the colonial settlement, local merchants resisted currency reforms imposed on the island by the East India Company. Greater monetary autonomy was achieved in the second half of the 19th century when Singapore became a Crown colony in its own right. The drive towards self-representation culminated in full internal self-government in 1959, independence from British colonial rule in 1963 as part of the Federation of Malaysia, and the status of a sovereign nation in 1965. The introduction of Singapore's own currency in 1967 was a national milestone. In 1971, Singapore established the Monetary Authority of Singapore with the sovereign power to undertake monetary policy as it deemed most appropriate. Money has evolved from coins minted from precious metals to those struck from baser metals, to notes issued first by commercial banks and later by governments. The journey from commodity-based money to a purely fiat money has unfolded in parallel. The use of money in its electronic and more 'weightless' forms has also become increasingly common. The powerful effects this trend will have on the nature of money and banking are still unfolding. All these issues, and more, are examined in this book, published to mark the 50th anniversary of the founding of Singapore's central bank, the Monetary Authority of Singapore (MAS), in January 1971.

Siamese Anglophile is about the lifetime work of a Siamese born in London and nicknamed 'Teddy' by his English nanny. It is a heart-warming story of his eclectic and amusing experiences starting in 50s Britain and ending in 90s America. The Anglo-Saxon world is seen through the lens of an English speaking polyglot, with idiosyncratic insights and historical observations through a series of jobs from fruit-picking in Essex to performing as an extra in James Bond films at Pinewood studios to learning the ropes of the advertising industry in boomtown Manhattan. Here is a nostalgic memoir that starts more than half a century ago and conjures up the optimistic outlook of life at that time. Teddy's journey from London mailman to adman in Manhattan is amusingly told, with a wealth of fascinating anecdotes and historical references along the way, on working in post-war and sixties Britain, on the advertising business in the days before the Internet, and finally on teaching and travelling in America in the nineties. Teddy combines nostalgia and contemporary insights into the world of yesteryear peppered with wryly humorous narratives