Texas Christian University Press – förlag

The four essays that make up this volume are based upon and expand the lectures Ricoeur delivered at Texas Christian University, 27-30 November 1973, as their Centennial Lectures. They may be read as separate essays, but they may also be read as step by step approximations of a solution to a single problem, that of understanding language at the level of such productions as poems, narratives and essays, whether literary or philosophical. In other words, the central problem at stake in these four essays is that of works; in particular, that of language as a work.

First published in 1974, The Improbable Rise of Redneck Rock grew out of a magazine article coauthored by Jan Reid. His first book was a sensation in Texas. It portrayed an Austin-based live music explosion variously described as progressive country, cosmic cowboys, and outlaw country. The book has been hailed as a model of how to write about popular music and the life of performing musicians. Written in nine months, Reid's account focuses on predecessors of the 1960s and the swarm of newborn venues, the most enduring one the justly famed Armadillo World Headquarters; profiles of singer-songwriters that included Jerry Jeff Walker, Michael Martin Murphey, Steven Fromholz, B.W. Stevenson, Willis Alan Ramsey, Bobby Bridger, Rusty Wier, Kinky Friedman, and the one who became an international star and one of America's most treasured performers, Willie Nelson; and the rowdy heat-stricken debut of Willie's Fourth of July Picnics.Though Reid has resisted the writerly trend of specialization in his career, his debut brought him back to popular music and musicians' lives in Layla and Other Assorted Love Songs, Texas Tornado: The Music and Times of Doug Sahm, and now a related novel, The Song Leader. The Improbable Rise of Redneck Rock is a landmark of popular culture in Texas and the Southwest. Readers will be glad to once more have it back.

Philip Atlee's debut novel, The Inheritors, is a scathing social critique and forgotten American classic that achieved a "lost book" status due to intense local controversy. Published in 1940, the novel provides an unflinching, thinly-veiled portrayal of the hedonistic lives of the "dollar aristocracy" in Fort Worth, Texas, the author's own social circle. The story, written with a style drawing comparisons to Hemingway, Fitzgerald, or O'Hara, follows two aimless young men, George Jimble and Cavin Jarvis, as they navigate a world of privilege defined by excessive drinking, casual sex, and general dissipation. These so-called "inheritors" are the well-groomed, educated, yet morally bankrupt, offspring of wealthy cattle and oil tycoons, educated in a system that prizes profit over responsibility. They express a profound disdain for the superficiality of their country club set, engaging in petty grifts and even arson out of sheer boredom and a lack of purpose.< The book's realistic and unflattering depiction of the town's elite caused a local scandal; copies were reportedly bought up en masse by outraged society members (including potentially the author's own mother) and the book was banned from the public library shelves. This suppression effectively forced the novel into obscurity, lending it the status of a lost, underground cult classic for decades. Considered well ahead of its time and long a mainstay on literary critic A.C. Greene’s ‘Fifty Best Books About Texas’, The Inheritors is a powerful, brutal, and insightful exploration of inherited wealth and moral decay in early 20th-century America. It was later republished as a paperback under the title The Naked Year in 1954 and is seeing a modern resurgence in interest with an upcoming reprint from TCU Press.

In a play that is realistic, sometimes humorous, and always profoundly moving, Larry L. King deals with the problems of aging and our mistaken stereotypes and impersonal treatment of the elderly. Cowboy Bennett, long a resident of the Golden Shadows Senior Citizens Home, is a man with not only memories of the past but also dreams of the future for himself and his companions—especially the charming widow, Flora Harper. At the play’s end, you'll want to stand and yell, “Ya! Ya!” with Cowboy.The Golden Shadows Old West Museum is based on Michael Blackman’s short story, which was named the Best Short Fiction of 1973 by the Texas Institute of Letters. The text of the short story is included in this edition.