Liz Clarke – illustratör

In the summer of 1263, Nahmanides (Rabbi Moses ben Nahman, ca 1195-1270), who was Aragon (1213-1276) to debate with a Dominican Friar named Paul about specific claims concerning the Messiah in Judaism and Christianity. Friar Paul had converted from Judaism to Christianity as an adult, so he brought with him some knowledge of rabbinic texts, which he used to challenge the faith of Jews in Provence and northern Spain. His strategy was entirely innovative. Using passages from the Talmud, a foundation of Jewish life in the diaspora claimed that Jewish leaders recognized that Jesus was the messiah. The Barcelona dispuation was an officially sanctioned opportunity for Friar Paul to perform this kind of argument. it was conducted in a public forum at the roayal palace before an audience of Jewish and Christian dignitaries The two disputants, each thoroughly convinced of the indisputable truth of his own religious faith and theological interpretations, argued for his position before a panel of judges headed by James I himself. Nina Caputo's new graphic history tells the story of the Barcelona Disputation from Nahmanides' perspective.By combining the visual power of graphics with primary sources, contextualizing essays, historiography, and study questions, Debating Truth explores issues of the nature of truth, interfaith relations, and the complicated dynamics between Christians, Jews and Muslims in the medieval Mediterranean.

Oberbrechen: A German Village Confronts Its Nazi Past is a new title in OUP's Graphic History Series that chronicles the events of the Holocaust and its aftermath in a small village in rural Germany. Based on meticulous research and using powerful visual storytelling, the book provides a multilayered narrative that explores the experiences of both Jewish and non-Jewish villagers from the First World War to the present. Its focus on how "ordinary" people experienced this time offers a new and illuminating insight into everyday life and the processes of violence, rupture, and reconciliation that characterized the history of the twentieth century in Germany and beyond. The graphic narrative is accompanied by source documents published in English translation for the first time, an essay on the wider historical context, and an incisive reflection on the writing of this book--and of history more broadly.

The First Black Marines: An Oral History tells the extraordinary stories of the men who made history as the first African Americans to serve in the US Marine Corps. Based on extensive oral history interviews with a group of veterans conducted by the authors, this new title in OUP's Graphic History Series documents the experiences of these men as they underwent training at the segregated Camp Montford Point in Jacksonville, North Carolina, during the 1940s and served in the Pacific theater of World War II. Narrated in the authentic voices of the Marines and featuring powerful imagery, this book provides a personal and moving account of the challenges they faced and overcame as pioneers in the US military during the Jim Crow era of widespread racial segregation and discrimination. The graphic history is accompanied by a highly accessible introduction to an inquiry-based approach to historical research and the methodology of oral history that empowers students to develop and conduct their own research projects in their communities. In addition, the book includes a brief overview of the historical context in which the Marines' stories unfold as well as a carefully chosen set of primary documents.

The dramatic story of the slave ship Neirsee springs vividly to life in Rafe Blaufarb's graphic mircohistory, Inhuman Traffic. The story, set in the early nineteenth century, moves from the slave port of Old Calabar to the Caribbean and to the courts of Britain and France where the history of the illegal slave trade, slavery in the Caribbean, and diplomatic history all come into focus as Blaufarb follows the ship, its crew, and its captives. Students will be taken in by the vivid drawings and the rich narrative, but they will also find themselves immersed in an unusual learning experience. Blaufarb not only presents the history of the ship and captives, he takes the reader inside the project itself. He explains how he came upon the story, how he and his editor envisioned the project, and how he worked with the illustrator Liz Clarke to craft the 350 "cells" that compose the book. He and Clarke even take the reader inside archives in Britain and France which are themselves illustrated and their histories explained. Like all the best examples of the genre, Inhuman Traffic tells a compelling story through a complex interplay of image and text -- it will keep students reading, and learning, to the very end.

Inspired by the resounding success of Abina and the Important Men (OUP, 2011), Mendoza the Jew combines a graphic history with primary documentation and contextual information to explore issues of nationalism, identity, culture, and historical methodology through the life story of Daniel Mendoza. Mendoza was a poor Sephardic Jew from East London who became the boxing champion of Britain in 1789. As a Jew with limited means and a foreign-sounding name, Mendoza was an unlikely symbol of what many Britons considered to be their very own "national" sport. Whereas their adversaries across the Channel reputedly settled private quarrels by dueling with swords or pistols--leaving widows and orphans in their wake--the British (according to supporters of boxing) tended to settle their disputes with their fists. Mendoza the Jew provides an exciting and lively alternative to conventional lessons on nationalism. Rather than studying learned treatises and political speeches, students can read a graphic history about an eighteenth-century British boxer that demonstrates how ideas and emotions regarding the "nation" permeated the practices of everyday life. Mendoza's story reveals the ambivalent attitudes of British society towards its minorities, who were allowed (sometimes grudgingly) to participate in national life by braving pain and injury in athletic contests, but whose social mobility was limited and precarious.

A Kirkus Reviews Best YA Book of 2022 A USBBY 2023 Outstanding International BookA 2022 Foreword INDIES Bronze Winner (Graphic Novels & Comics Category)Honorable mention, 2023 Children's Africana Book Awards2022 VLA Graphic Novel Diversity Award Overfloweth honoreeNominated for the TLA Maverick ListAll Rise: Resistance and Rebellion in South Africa revives six true stories of resistance by marginalized South Africans against the country’s colonial government in the years leading up to Apartheid. In six parts—each of which is illustrated by a different South African artist—All Rise shares the long-forgotten struggles of ordinary, working-class women and men who defended the disempowered during a tumultuous period in South African history. From immigrants and miners to tram workers and washerwomen, the everyday people in these stories bore the brunt of oppression and in some cases risked their lives to bring about positive change for future generations.This graphic anthology breathes new life into a history dominated by icons, and promises to inspire all readers to become everyday activists and allies. The diverse creative team behind All Rise, from an array of races, genders, and backgrounds, is a testament to the multicultural South Africa dreamed of by the heroes in these stories—true stories of grit, compassion, and hope, now being told for the first time in print.