Dr Rosemary Golding, Open University, UK

• Volume 1: Organising MusicAcknowledgementsChronologyBibliographyGeneral Introduction: Texts and Documents in the History of Music in Nineteenth-Century BritainIntroduction – volume 1Part 1. Careers and profession 1. Charles Dibdin, The Professional Life of M. Dibdin, Written by Himself vol. 1 (London: published by the author, 1803), pp. 11-30, 352. Anon. ‘The Fund for the Support of Decayed Musicians’ in The Quarterly Musical Magazine and Review vol. 1 no. 1 (1818), pp. 67-72; anon., ‘Mara, Billington, and Catalani’ vol. 1 no. 2 (1818), pp. 164-170; and Richard Mackenzie Bacon [‘Vetus’], ‘On the Character of Musicians’ vol. 1 no. 3 (1818), pp. 284-294 3. H. Byerley Thomson, The Choice of a Profession. A Concise Account and Comparative Review of the English professions (London: Chapman and Hall, 1857), Chapter 16 ‘The Profession of Music’ pp. 308-194. Mary Cowden Clarke, The Life and Labours of Vincent Novello (London: Novello & Co., 1863), pp. 1-7, 18-22, 51-605. Benjamin Lumley, Reminiscences of the Opera (London: Hurst and Blackett, 1864), pp. 23-30 6. Charles Salaman, ‘On Music as a Profession in England’ in Proceedings of the Musical Association 6th Sess. (1879–80), pp. 107–247. Henry Fisher, ‘Entering the Profession’ and ‘Organization of the Profession’, in The Musical Profession (London: J. Curwen & Sons, 1888), pp. 7-22, 329-3398. Augustus Harris, ‘The Opera in England: Some Notes and Reminiscences’ in The New Review, 9, 52 (September 1893), pp. 257-67 9. Charles Hallé in C.E. Hallé and Marie Hallé (ed.), Life and Letters of Sir Charles Hallé, being an Autobiography with Correspondence and Diaries (London: Smith, Elder & Co., 1896), pp. 101-13310. Emily Soldene, My Theatrical and Musical Recollections (London: Downey & Co., 1897), pp. 9-19, 56-6111. Wilhemina Wimble, ‘Incomes for Ladies: Singing as a Profession’ in The Lady’s Realm, an Illustrated Monthly Magazine vol. 5 (November 1898-April 1899) pp. 375-37712. Frank Mott Harrison, Reminiscences of Madame Pratten: Guitariste and Composer (Bournemouth: Barnes and Mullins, 1899), pp. 26-30, 53-58, 70-72Part 2. Societies and Concert Life13. Anon., ‘The Concert of Antient Music, or King’s Concert’ in The Quarterly Musical Magazine and Review, 1, 1 (1818), pp. 58-6714. Anon., ‘Musical Societies’ in The Dublin Literary Gazette no. 6 (6 February 1830), p. 94 and ‘Music’ no. 8 (20 February 1830), p. 12615. John Hullah, ‘A Visit to the Madrigal Society’ in Bentley’s Miscellany vol. 1 (1 January 1837), pp. 465-469 16. Lowell Mason, ‘Letter XLVI’, Musical Letters From Abroad (New York: Mason Brothers, 1854), pp. 251-617. George Hogarth, The Philharmonic Society of London, from its Foundation 1813, to its Fiftieth Year, 1862 (London: Bradbury & Evans, 1862), pp. 1-1118. John Ella, ‘London Benefit Concerts’, ‘Classical Chamber Music’, ‘Musical Union Statistics’, ‘The Musical Union’, Musical Sketches, Abroad, and at Home (London: Ridgway, 1869), pp. 137-141, 348-350, 350-351, 55-619. The Glasgow Choral Union in The Musical Times and Singing Class Circular: Anon., ‘Glasgow Choral Union’ in vol. 18 no. 418 (1 December 1877), pp. 594-596, 605; ‘Occasional Notes’ in vol. 19 no. 420 (1 February 1878), pp. 78; Anon., ‘Glasgow Choral Union Concerts’ in vol. 19 no. 421 (1 March 1878), pp. 163–6420. Leonard Charles Venables, ‘Introduction’, ‘Selection of Music’, and ‘Concert Profits and Losses’, in The Choral Society (London: J. Curwen & Sons, 1888), pp. 1-3, 65-69, 70-74 21. Robert A. Marr, Music for the People: A Retrospect of the Glasgow International Exhibition, 1888, with an Account of the Rise of Choral Societies in Scotland (Edinburgh and Glasgow: John Menzies & Co, 1889), pp. ciii-cxvi22. J. A. Webster, ‘Letter 1: Introductory’, Letters of a Musical Critic: Short Critical Review of Music in Glasgow; season 1893-94 (Glasgow: Morison Bros., 1894), pp. 13-1823. Anon., ‘The Concert of the Future’ in Monthly Musical Record vol. 25 issue 299 (November 1895), pp. 241-242Part 3. Festivals and Competitions24. Daniel Lysons, History of the origin and progress of the Meeting of the Three Choirs of Gloucester, Worcester, and Hereford, and of the Charity connected with it (Gloucester: D. Walker, 1812), pp. 250-26225. George Farquhar Graham, 'Introduction', An Account of the first Edinburgh Musical Festival (Edinburgh: James Ballantyne & Co., 1816), pp. 1-1426. Anon., ‘Carmarthen Eisteddfod’ in The Cambro-Briton vol. 1 no. 1 (September 1819), pp. 35-36; and John Parry, ‘Eisteddfod at Wrexham’ in The Cambro-Briton vol. 2 no. 15 (November 1820), pp. 139-14227. Anon., ‘Grand Musical Festivals’ in Quarterly Musical Magazine and Review vol. 6 no. 22 (April 1824), pp. 244-250 28. John Crosse, An Account of the Grand Musical Festival, held in September, 1823, in the Cathedral Church of York; for the Benefit of the York County Hospital, and the General Infirmaries at Leeds, Hull, and Sheffield: to which is prefixed, a Sketch of the Rise and Progress of Musical Festivals in Great Britain, with Biographical and Historical Notes (York: John Wolstenholme, 1825), pp. 140-153 and 159-16829. Solomon Sackbut [Thomas Oliphant], Comments of a Chorus Singer at the Royal Musical Festival in Westminster Abbey (London: A. Seguin, 1834)30. Lowell Mason, Letter XLVI ‘The Norwich Musical Festival’, Musical Letters From Abroad (New York: Mason Brothers, 1854), pp. 258-286 31. A.M. Wakefield, ‘Foundation Stones of English Music: Music Festivals’, in Murray's Magazine: a home and colonial periodical for the general reader, vol. 4, no. 22 (October 1888), pp. 489-50132. Leonard Charles Venables, ‘Choral Competitions’, in The Choral Society (London: J. Curwen & Sons, 1888), pp. 144-15133. Joseph N. Hampson, Origin, History & Achievements of the Besses-o’ th’-Barn Band (Northampton: Jos. Rogers, 1893), pp. 48-6634. R. Newmarch, ‘The Origins of the Musical Competition Festivals: 1885-1900’, in Mary Wakefield: a Memoir (Kendal, 1912), pp. 79-93Part 4. Outside the Concert Hall35. Anon. ‘Street Music’ in The Examiner issue 1927 (4 January 1845), pp. 2-3; and J.G., ‘Street Music’ in The Musical World vol. 20 no. 8 (20 February 1845), p. 8836. J. E. Ritchie, ‘The Canterbury Hall’ and ‘The Southwark Music Hall’, in The Night Side of London (London: William Tweedie, 1857), pp. 58-65, 221-22637. Charles Babbage, ‘Observations on Street Nuisances’, extracted from Passages in the Life of a Philosopher (London: John Murray, 1864), pp. 3-28.38. Anon., The nuisance of street music; or, A plea for the sick, the sensitive, and the studious, by a London physician (London: Henry Renshaw, 1869), pp. 1-11.39. H. R. Haweis, ‘Musical Amateurs’ and ‘Street Music’, in Music and Morals (London: Strahan & Co., 1871), pp. 524-542, 548-57040. Henry C. Lunn, ‘Amateurs’ in The Musical Times and Singing Class Circular vol. 18 no. 413 (1 July 1877), pp. 326-327; and ‘Home Music-Worship’ in The Musical Times and Singing Class Circular vol. 21 no. 453 (1 November 1880), pp. 537-53941. Anon. ‘Music Halls’ in All The Year Round vol. 25 no. 619 (9 October 1880), pp. 520-52442. Percy Hetherington Fitzgerald, Music Hall Land: An Account of the Natives, Male and Female, Pastimes, Songs, Antics, and General Oddities of That Strange Country (London: Ward and Downey, 1890), pp. 1-1143. Dorothy Wallis [Walter Besant], ‘At the Music Hall’ in Longman’s Magazine vol. 22 no. 128 (1 June 1893), pp. 163-16944. Mathilde Marchesi, Marchesi and Music (London: Harper & Brothers, 1897), pp. 57-60IndexVolume 2: Music and SocietyChronologyGeneral Introduction: Texts and Documents in the History of Music in Nineteenth-Century BritainIntroduction – Volume 2Part 1. Religion1. Anon. ‘Church Music’ in The Quarterly Musical Magazine and Review vol. 4 no. 13 (January 1822), pp. 33-442. Maria Hackett, ‘Cambridge’ and ‘Canterbury’, in A Brief Account of Cathedral and Collegiate Schools (London: J. Nichols, 1824), pp. 7-123. John Antes La Trobe, ‘Prologue’ in The Music of the Church considered in its various branches (London: Seeley and Burnside, 1831), pp. 1-104. Anon., A Few Words on Church Music in reference to Plain Chant and Ecclesiastical Harmony (London: J. Burns, 1848), pp. 3-195. Samuel Sebastian Wesley, A Few Words on Cathedral Music and the Musical System of the Church, with a Plan of Reform (London: Rivington; London: Chappell; Leeds: Slocombe, 1849), pp. 5-14, 42-776. John Hullah, Music in the Parish Church: A Lecture delivered at Newcastle-On-Tyne at a meeting of the Durham and Northumberland Association for the Promotion of Church Music, November 5th 1855 (London: John W. Parker & Son, 1856), pp. 3-307. Isaac Robson, Instrumental Music in Worship (London: A.W. Bennett; Manchester: William Bremner, 1859), pp. 3-128. Anon., ‘Church Music and the Ritual Commission’ in The Musical Standard vol. 7 no. 163 (Sep 14, 1867), pp. 158-159; vol. 7 no. 164 (Sep 21, 1867), p. 175; and vol. 7 no. 165 (Sep 28, 1867), pp. 190-1929. James Glasgow, Section IV 'Light of Nature', Section V 'Musical Faculty', Section VI 'Attractiveness', and Section X 'Books and Choirs', Heart and Voice: Instrumental Music in Christian Worship not Divinely Authorised (Belfast: C. Aitchison and J. Cleeland, 1873), pp. 204-217, 235-23710. William Booth, ‘Good Singing’ in The Christian Mission Magazine (August 1877), pp. 202-20911. John Spencer Curwen, ‘The Temple Church’, ‘The Jewish Synagogue Service’ and ‘Presbyterian Church, Regent Square’, Studies in Worship Music: Chiefly as Regards Congregational Singing (1880), pp. 163-6, 188-191, 202-205 12. S.A. Barnett, ‘The Mission of Music’, International Journal of Ethics vol. 9 no. 4 (July 1899), pp. 494-504Part 2. Class13. 1Anon., ‘Music, a Means of Popular Amusement and Education’ in Sharpe's London Journal of Entertainment and Instruction vol. 10 (1849) pp.257-25914. G. Hogarth and H.W. Wills, ‘Music in Humble Life’ in Household Words vol. 1 (11 May 1850), pp. 161-16415. Hugh Shimmin, ‘Recreation’, in Town Life (London: William Tweedie, 1858), pp. 121-13016. John Ella, ‘The Social Status of Musicians’, ‘English Dilettantism’ and ‘Fashion and Aristocracy’, in Musical Sketches Abroad, and at Home (London: Ridgway, 1869), pp. 57-61, 117-119, 167-16817. W.S. Jevons, ‘Amusements of the People’ in Contemporary Review (October 1878), pp. 498–51318. Florence Marshall, ‘Music and the People’ in The Nineteenth Century (December 1880) pp. 921-93219. Anon., ‘Music for the People’ in The Musical Times and Singing Class Circular vol. 22 no. 463 (1 September 11881), pp. 456-457 20. Anon., ‘Music and Society’ in The Musical Times and Singing Class Circular vol. 30 no. 562 (1 December 1889), pp. 716–71721. Lady Helen Craven, ‘Prologue’, in Notes of a Music-Lover (London: Richard Bentley and Son, 1897), pp. 1-3422. C. E. B. Russell and E. T. Campagnac, ‘Poor People’s Music Halls in Lancashire’ in The Economic Review vol. 10 no. 3 (July 1900), pp. 289-308Part 3. Gender23. Richard Mackenzie Bacon [‘Vetus’], ‘Music as a pursuit for men’ in The Quarterly Musical Magazine and Review vol. 2 issue 5 (January 1820), pp. 7-1424. H. R. Haweis, ‘Women and Music’ and ‘Dream Life’, in Music and Morals (London: Strahan & Co., 1871), pp. 112-11525. Frederick Crowest, ‘Women and Music’, Phases of Musical England (London: Remington, 1881), pp. 262-28726. Anon., ‘The Feminine in Music’ in The Musical Times and Singing Class Circular vol. 23 no. 476 (1 October 1882), pp. 521-52227. Stephen S. Stratton, 'Woman in Relation to Musical Art' in Proceedings of the Musical Association 9th session (1882-3), pp.115-13928. Anon., in The Musical Times and Singing Class Circular: ‘Women as Composers’ vol. 28 no. 528 (1 February 1887), pp. 80-82; and ‘Manliness in Music’ vol. 30 no. 558 (1 August 1889), pp. 460-46129. Anon., ‘Sex and Music’ in The Lancet vol. 139 no. 3585 (14 May 1892), p. 1097; and anon., ‘Sex and Music’ in The Musical Times and Singing Class Circular vol. 33 no. 592 (1 June 1892), pp. 337-33830. John F. Runciman, ‘Women as Musical Critics’ in The Monthly Musical Record vol. 25 no. 291 (1 March 1895), pp. 49-5031. Anon., ‘Popular Lady Composers’ in Strand Musical Magazine vol. 1 (January 1895), pp. 414-41532. Anon., ‘Women Violinists of the Victorian Era’ in The Lady’s Realm, an Illustrated Monthly Magazine vol. 5 (November 1898-April 1899), pp. 647-65433. Florence Fidler and Rosabel Watson, ‘Music as a Profession for Women’ in Englishwoman’s Year Book no. 19 (1899), pp. 132-133Part 4. Morality, Health and Wellbeing34. Marcellus, ‘On Music’ in The Belfast Monthly Magazine vol. 9 no. 53 (31 December 1812), pp. 430-432; and N. S., ‘Reply to Marcellus on Music’ in The Belfast Monthly Magazine vol. 10 no. 55 (28 February 1813), pp. 97-9935. J.A. Roebuck, On the Amusements of the Aristocracy and the People (London: Longley, 1835), pp. 1-836. J. G. Millingen, ‘Medical Powers of Music’, Curiosities of Medical Experience second edition (London: Bentley, 1839), 88-9537. Horatio Townsend the Younger, The Moral Uses of Music; a lecture (Dublin: George Herbert, 1862), pp. 15-26, 37-3838. Carl Engel, ‘Music and Medicine’, in Musical Myths and Facts vol. 2 (London: Novello, Ewer & Co., 1876), pp. 84-11339. Anon., in The Lancet: ‘Music as a remedy’ no. 3530 (25 April 1891), p. 951; ‘Music in the Treatment of Nervous Diseases’ no. 3532 (9 May 1891), p. 1055; and ‘Music in the Treatment of Disease’ no. 3534 (23 May 1891), p. 117040. Frederick K. Harford, in The British Medical Journal: ‘Music And Illness’ vol. 2 no. 1603 (Sep. 19, 1891), pp. 667-668; ‘The Guild Of St. Cecilia’ vol. 2 no. 1604 (Sep. 26, 1891), p. 714; and ‘Is Exhilarating Or Soft Music Best For Invalids?’ vol. 2 no. 1605 (Oct. 3, 1891), p. 77041. George Henry Dutton, Music & Phrenology. A Treatise on Vocalists, Instrumentalists, and Composers, with their Phrenological and Physiological Qualifications second edition (Skegness: G.H.J. Dutton, and London: L.N.Fowler, 1892), pp. 2-742. William W. Ireland ‘On Affections of the Musical Faculty in Cerebral Diseases’ in Journal of Mental Science vol. 40 no. 170 (July 1894), pp. 354-36743. Richard Legge, ‘Music and the Musical Faculty in Insanity’ in Journal of Mental Science vol. 40 no. 170 (July 1894), pp. 368-37544. Mary Wakefield, ‘Music and Morals’, in Ruskin on Music (London and Orpington: George Allen, 1894), pp. 112-142IndexVolume 3: Thinking about MusicChronologyGeneral Introduction: Texts and Documents in the History of Music in Nineteenth-Century BritainIntroduction – Volume 3Part 1. Music Criticism1. Richard Mackenzie Bacon, ‘Plan of the Work’ and ‘First Lines of Vocal Criticism’ in The Quarterly Musical Magazine and Review vol. 1 no. 1 (January 1818), pp. 1-10 and 72-752. Anon., ‘Amateur Criticism’ in The Quarterly Musical Magazine and Review vol. 6 no. 22 (April 1824), Letter to the Editor from Adelos, pp. 171-1773. Charles Kensington Salaman, ‘On Musical Criticism’ in Proceedings of the Musical Association 2nd session (1875-6), pp. 1–154. Edmund Gurney, ‘Musical Criticism’, The Power of Sound (London: Smith, Elder & Co., 1880), pp. 524-5395. John Stainer, ‘The principles of musical criticism’ in Proceedings of the Royal Musical Association 7th session (1880–1), pp. 35–526. Frederick Crowest, Phases of Musical England (London: Remington, 1881), Chapter 1 ‘Musical Criticism’ pp. 1-307. Charles V. Stanford ‘Some aspects of musical criticism in England’ in Fortnightly Review vol. 55 no. 330 (June 1894), pp. 826-318. John F. Runciman, ‘Musical Criticism and the Critics’ in The Fortnightly Review vol. 56 no. 332 (August 1894), pp. 170-183, and ‘The gentle art of musical criticism’ in The New Review vol. 12 (1895), pp. 612-6249. Ernest Newman, Gluck and the Opera: a Study in Musical History (London: Bertram Dobell, 1895), ‘Introduction’ pp. 1-1510. Edward A Baughan, ‘The Futility of Criticism’ in Monthly Musical Record vol. 27 no. 323 (November 1897), pp. 241-24311. Hermann Klein, Thirty Years of Musical Life in London, 1870-1900 (New York: Century, 1903), pp. 42-5812. Henry Davison, Music during the Victorian Era. From Mendelssohn to Wagner: Memoirs of J.W. Davison (London: Reeves, 1912), pp. 68-76Part 2. Listening to Music13. William Henry, ‘Cursory Remarks on Music, Especially on the Sources of the Pleasure which it Communicates’ in Edinburgh Monthly Magazine vol. 1 no. 4 (July-August 1817), pp. 343-347 and 459-46214. William Crotch, ‘On the Present State of the Public Taste of this Nation’, in Substance of Several Courses of Lectures on Music (London, Longman, Rees, Orme, Brown, and Green, 1831), pp. 148-15815. William Gardiner, ‘On the Faculties of the Ear’, The Music of Nature (London: Longman, Rees, Orme, Brown, Green, and Longman, 1832), pp. 2-1116. Charles H. Purday, ‘Letter to the Editor’ in The Musical World vol. 3 no. 38, (2 December 1836), p. 19117. Vernon, ‘The Influence of Music on the Public’ in The Musical Times and Singing Class Circular vol. 5 no. 100 (1 September 1852), pp. 59- 6018. J.B. Macdonnell, ‘Classical Music and British Musical Taste’ in Macmillan's Magazine vol. 1 no. 5 (March 1860), pp. 383-38919. H.R. Haweis, ‘The Listener’ and ‘Planes of Emotion’, in Music and Morals (London: Strahan & Co., 1871), pp. 94-10020. Edmund Gurney, ‘The Two Ways of Hearing Music’, The Power of Sound (London: Smith, Elder & Co., 1880), pp. 104-11121. John Stainer, Music in its relation to the Intellect and the Emotions (London: Novello & Co., 1892), pp. 49-6422. W.H. Hadow, ‘Faculties of Appreciation’, Studies in Modern Music second series (London: Seeley and Co., 1895), pp. 3-2523. Herbert Francis Hayes Newington, ‘Some Mental Aspects of Music’ in Journal of Mental Science vol. 43 no. 183 (October 1897), pp. 704-723Part 3. Music Education24. Anne Gunn, An Introduction to Music (Edinburgh: C. Stewart & Co, 1803), pp. i-xiii25. Richard Mackenzie Bacon [‘Vetus’], 'On the Objects of Musical Education' in The Quarterly Musical Magazine and Review vol. 1 no. 4 (October 1818), pp. 421-42826. F.W. Horncastle, ‘Plan for the Formation of an English Conservatorio’ The Quarterly Musical Magazine and Review vol. 4 no. 14 (April 1822), pp. 129-13327. Anon., ‘Musical tuition; Letter to the Editor from The Father of a Family’, The Quarterly Musical Magazine and Review vol. 6 no. 23 (1824), pp. 306-30928. Eleanor Geary, Musical Education; with practical observations on the art of piano-forte playing (London: D’Almaine & Co., 1841), pp. 5-1729. Olivia Dussek Buckley, Musical Truths; or, an Analysis of Music (London: published for the author, 1843), pp. 13-3030. Joseph Mainzer, Music and Education (London: Longman, Brown, Green and Longmans, 1848), pp. 88-9631. John Hullah, Music as an Element of Education (London: John W. Parker and Son, 1854), p. 3-3032. John Evans and W.G. McNaught, ‘Order and Manner of Teaching’, in The School Music Teacher (London: J. Curwen & Sons, 1888), pp. 255-26833. Bettina Walker, My Musical Experiences (London: Richard Bentley and Son, 1890), pp. 15-3134. C.F. Abdy Williams, ‘Development of the Modern Requirements for Musical Degrees’, A Short Historical Account of the Degrees in Music at Oxford and Cambridge (London and New York: Novello, Ewer & Co., 1893), pp. 40-4435. Anon., ‘Mr. J. Spencer Curwen on the Tonic Sol-Fa Notation’ in Strand Musical Magazine vol. 1 no. 4 (April 1895), pp. 254-25536. Charles Hallé, ‘The Royal Manchester College of Music’ in Strand Musical Magazine vol. 1 no. 5 (May 1895), pp. 323-329Part 4. Theory and Philosophy37. George Farquhar Graham, ‘Essay’, An Account of the first Edinburgh Musical Festival (Edinburgh: James Ballantyne & Co., 1816), pp. 139-142, 147-16238. William Kitchener, Observations on Vocal Music (London: Hurst, Robinson & Co., and Edinburgh: Archibald Constable & Co., 1821), pp. 1-1739. Lady Elizabeth Eastlake, 'Music' in The Quarterly Review vol. 83 issue 166 (August 1848), pp. 481-86, 509-51540. Herbert Spencer ‘The Origin and Function of Music’ in Fraser’s Magazine (1857), pp. 396-40841. Henry Wylde, ‘Music in its Art-Mission’, in Music in its Art-Mysteries (London: L. Booth, 1867), pp. 105-12442. 4Henry C. Lunn, ‘Descriptive Music’ in The Musical Times and Singing Class Circular vol. 13 no. 310 (1 December 1868), pp. 599-60143. Edmund Gurney, ‘On Some Disputed Points in Music’ in Fortnightly Review vol. 20 no. 115 (July 1876), pp. 106-130.44. H. R. Haweis, My Musical Life (London: Longmans, Green, and Co., 1884), Book 2 Part 2 ‘The Rationale of Music’ in pp. 136-15945. Richard Wallaschek and James McKeen Cattell, ‘On the Origin of Music’ in Mind vol. 16 no. 63 (July 1891), pp. 375-38846. C. Hubert H. Parry, The Art of Music (London: Kegan Paul, Trench, Trübner & Co., 1893), Chapter 1 ‘Preliminaries’ pp. 1-1547. Ebenezer Prout, ‘The Relation of Musical Theory to Practice’ in The Monthly Musical Record vol. 25 no. 292 (1 April 1895), pp. 73-7748. Samuel Coleridge Taylor, 'On Music', Address to students at Streatham School of Music (November 1905), reprinted in Berwick Sayers, Samuel Coleridge-Taylor, Musician: His Life & Letters (London 1915), pp. 177-179IndexVolume 4: Music and British IdentityChronologyGeneral Introduction: Texts and Documents in the History of Music in Nineteenth-Century BritainIntroduction – volume 4Part 1. Reputation and Reception of British Music1. Anon., ‘On the State of Music in Scotland’ in Blackwood's Edinburgh Magazine vol. 3 no. 15 (June 1818), pp. 265-2702. George Hogarth [D.A.B.], ‘On the State of Music in Edinburgh’ in Blackwood's Edinburgh Magazine vol. 3 no. 17 (August 1818), pp. 538-5423. Anon., ‘Considerations on the Character of the English, as a Musical People; Letter to the Editor from Juvenis’, in Quarterly Musical Magazine and Review vol. 4 no. 13 (1822), pp. 134-1374. H. R. Haweis, ‘Music in England’, in Music and Morals (London: Strahan & Co., 1871), pp. 491-5055. F. Davenport, ‘Music in England’ in The Saint Pauls Magazine vol. 13 (September 1873), pp. 275-2846. Charles K. Salaman, ‘English Opera’, in The Musical Times and Singing Class Circular, vol. 18, no. 409 (1877), pp. 107–110.7. Frederick J. Crowest, ‘Our Musical Progress’, in Phases of Musical England (1881), pp. 288-3108. Alexander Mackenzie, ‘The Aspects and Prospects of Music in England’ in The Quarterly Musical Review vol. 3 no. 9 (February 1887), pp. 38-509. Arthur Sullivan, ‘About Music’ (1888) reprinted in Arthur Lawrence, Sir Arthur Sullivan: Life, Story, Letters and Reminiscences (London: J. Bowden 1899), pp. 261-28710. J. A. Fuller Maitland, ‘The Transition’, in English Music in the XIXth Century (London: Grant Richards, 1902), pp. 123-13911. W. Johnson Galloway, M.P., The Operatic Problem (London: John Long, 1902), pp. 7-18 12. Arthur Johnstone, ‘Music in the 19th Century’, in Musical Criticisms (Manchester: Manchester University Press, 1905), pp. 182-200Part 2. Compositional Schools and National Music13. Richard Mackenzie Bacon [‘Timotheus’], ‘Formation of an English School’ in The Quarterly Musical Magazine and Review vol. 1 no. 1 (1818), pp. 36-4514. John Parry, ‘Welsh Music No. I’ in The Cambro-Briton vol. 1 no. 1 (September 1819), pp. 13-14 and ‘Welsh Music No. II’ in The Cambro-Briton vol. 1 no. 2 (October 1819), pp. 52-5415. Richard Edgcumbe, ‘Observations on English Music’, Musical Reminiscences, containing an account of the Italian Opera in England, from 1773 to 1823 2nd edition (London: W. Clarke, 1827), pp. 142-14516. Anon., ‘The Music of Ireland, Wales and Scotland’, in Music in England, Ireland, Wales, and Scotland from the earliest ages to the present time (London: Cradock and Co., 1845), pp. 21-2617. Henry C. Lunn, ‘A Few Thoughts on the Schools of Music’, Musings of a Musician: a series of popular sketches, illustrative of musical matters and musical people 2nd edition (London: Simpkin, Marshall & Co., 1846), pp. 1-518. G. A. Macfarren, ‘The National Music of Our Native Land’, The Musical Times and Singing Class Circular vol. 14 no. 329 (1 July 1870), pp. 519-522 and ‘The National Music of Our Native Land (Concluded)’, The Musical Times and Singing Class Circular vol. 14 no. 330 (1 August 1870), pp. 551-55519. W. Barry, ‘The Current Street Ballads of Ireland’ in Macmillan's Magazine vol. 25 no. 147 (January 1872), pp. 190-199.20. Henry Brinley Richards, 'Preface', in The Songs of Wales (Caneuon Cymru) 4th edn (London: Boosey, 1879), pp. 1-321. J.S. Blackie, ‘Songs, Popular, of the Scottish Highlanders’ in Macmillan's Magazine vol. 52 (1885), pp. 304-31322. Frederick J. Crowest, ‘Wanted! An English Musical Style’ in The National Review vol. 9 no. 50 (April 1887), pp. 208-213.23. Anon., ‘Dr Parry and the English School’ in The Musical Herald (1 November 1892), pp. 323-32624. Annie W. Patterson, ‘The Characteristic Traits of Irish Music’ in Proceedings of the Musical Association, 23rd Sess. (1896-1897), pp. 91-111Part 3. Europe, Empire and Beyond25. W. Ouseley, ‘Anecdotes of Indian Music’, in The Belfast Monthly Magazine vol. 2 no. 6 (31 January 1809), pp. 6-726. Richard Mackenzie Bacon, ‘Sketch on the State of Music in London’ in The Quarterly Musical Magazine and Review vol. 4 no. 14 (1822), pp. 237-24127. Anon., ‘Foreign Institutions and English Judgment’ in The Quarterly Musical Magazine and Review vol. 8 no. 32 (1826), pp. 405-41628. Richard Edgcumbe, Musical Reminiscences, containing an account of the Italian Opera in England, from 1773 fourth edition (London: John Andrews, 1834), pp. 201-22129. Henry Fothergill Chorley, ‘The Brunswick Festival: The Oratorio – the Ball’, Music and Manners in France and Germany vol. 1 (London: Longman, Orme, Brown, Green, and Longmans, 1841), pp. 254-27130. Anon., ‘German Music’ in The Musical Times and Singing Class Circular vol. 8 no. 185 (1 July 1858), pp. 268-270, 27531. Carl Engel, ‘Introduction’, (extract) in An Introduction to the Study of National Music; Comprising Researches into Popular Songs, Traditions, and Customs (London: Longmans, Green, Reader, and Dyer, 1866), pp. 1-1332. Joseph Kaines, ‘On Some of the Racial Aspects of Music’ in The Journal of the Anthropological Institute of Great Britain and Ireland vol. 1 (1872), pp. xxviii-xxxvi33. T. F. W., ‘A Pilgrimage to the Shrine of Wagner’ in The Irish Monthly, vol. 16, no. 184 (1888), pp. 581–591.34. C. Hubert H. 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