Visar resultat för..."woodland point"

”Moscrop skriver engagerat i en mysrysare som leker med skräcken för det okända.[…] Känslan av ovisshet och isolerad vildmarksmiljö är effektiv och påträngande…” Thomas Jonsson, btj-häftet nr 3, 2022 Eli Walker och Marishka Taranova är på flykt undan sitt för­flutna och tror att de har hittat det perfekta gömstället när de kommer till Woodland Point. I den pittoreska byn i New ­Jerseys djupa skogar, lever invånarna sedan generationer i ­självvald isolering från omvärlden. Men under sensommaren 1838 sätter en rad mystiska händelser skräck i hela samhället. Som före detta konstapel i London är Eli idealisk för ­uppdraget att ta reda på vad det egentligen är som händer. På sin jakt efter sanningen inser han att en välbevarad hemlighet har vaknat till liv och att det pågår en kraftmätning i Woodland Point. Följ Eli och hans unga kompanjon Marishka i denna gast­kramande berättelse som tar oss till 1800-talets ­London, Vilnius och Amerika.

”Moscrop skriver engagerat i en mysrysare som leker med skräcken för det okända.[…] Känslan av ovisshet och isolerad vildmarksmiljö är effektiv och påträngande…”Thomas Jonsson, btj-häftet nr 3, 2022Eli Walker och Marishka Taranova är på flykt undan sitt förflutna och tror att de har hittat det perfekta gömstället när de kommer till Woodland Point. I den pittoreska byn i New Jerseys djupa skogar, lever invånarna sedan generationer i självvald isolering från omvärlden. Men under sensommaren 1838 sätter en rad mystiska händelser skräck i hela samhället. Som före detta konstapel i London är Eli idealisk för uppdraget att ta reda på vad det egentligen är som händer. På sin jakt efter sanningen inser han att en välbevarad hemlighet har vaknat till liv och att det pågår en kraftmätning i Woodland Point.Följ Eli och Marishka i denna gastkramande berättelse som tar oss till 1800-talets London, Vilnius och Amerika.

Marishka Taranova och Eli Walker är på flykt undan sitt för­flutna och tror att de har hittat det perfekta gömstället när de kommer till Woodland Point. I den pittoreska byn i New ­Jerseys djupa skogar, lever invånarna sedan generationer i ­självvald isolering från omvärlden. Men under sensommaren 1838 sätter en rad mystiska händelser skräck i samhället. Som före detta konstapel i London är Eli idealisk för ­uppdraget att ta reda på vad det egentligen är som händer. På sin jakt efter sanningen inser han att en välbevarad hemlighet har vaknat till liv och att det pågår en kraftmätning i Woodland Point. Följ Eli och hans unga kompanjon Marishka i denna gast­kramande berättelse som tar oss till 1800-talets ­London, Vilnius och Amerika.

Safety first…desire a dangerous second When a blaze is set to cover up a murder, National Park firefighter Aslen Woods is drawn into the investigation. Forced to partner with Murray Simpson—her overprotective childhood friend and park investigator—Aslen faces new dangers and old heartbreak. As the killer turns the investigation into a deadly game, will their connection survive or tear them apart? Perfect for fans of: 🏡 Small-town romance💓 Forced proximity👨‍🚒 Firefighter

Urban Wildscapes is one of the first edited collections of writings about urban ‘wilderness’ landscapes. Evolved, rather than designed or planned, these derelict, abandoned and marginal spaces are frequently overgrown with vegetation and host to a wide range of human activities. They include former industrial sites, landfill, allotments, cemeteries, woods, infrastructural corridors, vacant lots and a whole array of urban wastelands at a variety of different scales. Frequently maligned in the media, these landscapes have recently been re-evaluated and this collection assembles these fresh perspectives in one volume. Combining theory with illustrated examples and case studies, the book demonstrates that urban wildscapes have far greater significance, meaning and utility than is commonly thought, and that an appreciation of their particular qualities can inform a far more sustainable approach to the planning, design and management of the wider urban landscape.The wildscapes under investigation in this book are found in diverse locations throughout the UK, Europe, China and the US. They vary in scale from small sites to entire cities or regions, and from discrete locations to the imaginary wildscapes of children’s literature. Many different themes are addressed including the natural history of wildscapes, their significance as a location for all kinds of playful activity, the wildscape as ‘commons’ and the implications for landscape architectural practice, ranging from planting interventions in wildscapes to the design of the urban public realm on wildscape principles.

Best Easy Day Hikes Missouri Ozarks includes descriptions and detailed maps for twenty easy-to-follow trails, from scenic ridgetops to quiet valleys and cool hollows. Discover the petroglyphs strewn throughout the Rockywood Trail; stroll through a scenic mixed-hardwood trail on the Indian Point Trail; or explore some of the best remaining upland savannas in Missouri on the Chinquapin Trail.Look inside for:Casual hikes to challenging adventuresAfter-dinner strolls to full-day hikesHikes for everyone, including familiesMile-by-mile directions and clear trail mapsTrail Finder for best hikes for children, dogs, and viewsGPS coordinates

A reconsideration of the seminal projectile point typologyIn the 1964 landmark publication The Formative Cultures of the Carolina Piedmont, Joffre Coe established a projectile point typology and chronology that, for the first time, allowed archaeologists to identify the relative age of a site or site deposit based on the point types recovered there. Consistent with the cultural-historical paradigm of the day, the “Coe axiom” stipulated that only one point type was produced at one moment in time in a particular location. Moreover, Coe identified periods of “cultural continuity” and “discontinuity” in the chronology based on perceived similarities and differences in point styles through time.In Time, Typology, and Point Traditions in North Carolina Archaeology: Formative Cultures Reconsidered, I. Randolph Daniel Jr. reevaluates the Coe typology and sequence, analyzing their strengths and weaknesses. Daniel reviews the history of the projectile point type concept in the Southeast and revisits both Coe’s axiom and his notions regarding cultural continuity and change based on point types. In addition, Daniel updates Coe’s typology by clarifying or revising existing types and including types unrecognized in Coe’s monograph. Daniel also adopts a practice-centered approach to interpreting types and organizes them into several technological traditions that trace ancestral- descendent communities of practice that relate to our current understanding of North Carolina prehistory.Appealing to professional and avocational archaeologists, Daniel provides ample illustrations of points in the book as well as color versions on a dedicated website. Daniel dedicates a final chapter to a discussion of the ethical issues related to professional archaeologists using private artifact collections. He calls for greater collaboration between professional and avocational communities, noting the scientific value of some private collections.

Examines a host of rock art sites from Nova Scotia to Maryland.  Rock art, petroglyphs, and pictographs have been made by indigenous peoples for thousands of years. Images have been found on bedrock, cliff faces, ridge tops, and boulders and in rock shelters. Some rock surfaces are covered with abstract and geometric designs such as concentric circles, zigzag lines, grids, and cross-hatched and ladder-like patterns. Others depict humans, footprints and handprints, mammals, serpents, and mythic creatures. All were meticulously pecked, incised or painted. This ancient art form connects us to Native Americans' past, traditions, world views, and sacred places.  Rock Art in an Indigenous Landscape: From Atlantic Canada to Chesapeake Bay is the culmination of the research of preeminent rock art scholar Edward J. Lenik. Here, he profiles more than 64 examples of rock art in varied locations from Nova Scotia to Maryland. Chapters are organized geographically and lead the reader through coastal sites, rivers and streams, lakes and ponds, and upland sites.  Lenik discusses the rock art examples in the context of the indigenous landscape, noting the significance of the place of discovery. Coverage includes a meticulous description of the design or motif and suggestions of time frame, artist-makers, and interpretations. Where possible, indigenous views on the artifacts enrich the narrative. Other invaluable elements are a discussion of how to identify indigenous rock art; a glossary of rock art terms and features and archaeological culture periods; an up-to-date bibliography; and an appendix of a number of reported but unconfirmed petroglyph sites in the regions.

The Archaeology of Arcuate Communities is an edited collection of ten essays that illuminate how Indigenous communities of the Eastern Woodlands, from 10,000 BC to the 1550s, are analyzed and interpreted by archaeologists today. Volume editors Martin Menz, Analise Hollingshead, and Haley Messer define the persistent circular or “arcuate” pattern of Native settlements in this region as a spatial manifestation of community activities that reinforced group identity alongside plazas, mounds, and other architectural features.The varied case studies in this volume focus on specific communities, how they evolved, and the types of archaeological data that have been used to assess them. Part I, “Defining the Domestic Unit in Arcuate Communities,” reveals social distinctions between households and household clusters in arcuate communities, how they differ in terms of stylistic patterns and exchange, and how they combined to form distinct social groups at different scales within a broader community. Part II, “Organizing Principles of Arcuate Communities,” broadens the scope to identify the organizing principles of entire arcuate communities, such as the central role of plazas in structuring their development, how the distribution of households and central features within communities was contested and reorganized, and the importance of mounds in both delineating arcuate communities and marking their position on the landscape. Part III, “Comparison and Change in Arcuate Communities,” comprises case studies that examine changes in the organization of arcuate communities over time. Rounding out the volume is a concluding chapter that assesses how and why communities around the world formed in circular patterns.A valuable resource for archaeologists, this collection will also be of interest to those seeking to learn about Native North American settlement, ceremony, and community organization.

The Archaeology of Arcuate Communities is an edited collection of ten essays that illuminate how Indigenous communities of the Eastern Woodlands, from 10,000 BC to the 1550s, are analyzed and interpreted by archaeologists today. Volume editors Martin Menz, Analise Hollingshead, and Haley Messer define the persistent circular or “arcuate” pattern of Native settlements in this region as a spatial manifestation of community activities that reinforced group identity alongside plazas, mounds, and other architectural features.The varied case studies in this volume focus on specific communities, how they evolved, and the types of archaeological data that have been used to assess them. Part I, “Defining the Domestic Unit in Arcuate Communities,” reveals social distinctions between households and household clusters in arcuate communities, how they differ in terms of stylistic patterns and exchange, and how they combined to form distinct social groups at different scales within a broader community. Part II, “Organizing Principles of Arcuate Communities,” broadens the scope to identify the organizing principles of entire arcuate communities, such as the central role of plazas in structuring their development, how the distribution of households and central features within communities was contested and reorganized, and the importance of mounds in both delineating arcuate communities and marking their position on the landscape. Part III, “Comparison and Change in Arcuate Communities,” comprises case studies that examine changes in the organization of arcuate communities over time. Rounding out the volume is a concluding chapter that assesses how and why communities around the world formed in circular patterns.A valuable resource for archaeologists, this collection will also be of interest to those seeking to learn about Native North American settlement, ceremony, and community organization.

A guide to twenty-one historically themed bicycle tours in and around Dayton, Ohio Dayton boasts the largest contiguous bike trail network in the United States, and this guide for cycling enthusiasts and armchair travelers includes introductions to the city’s innovative cycling past and present, to beautiful country roads, and to vibrant urban landscapes.Bicycling Through Dayton is divided into three themes: “Sacred Ground,” “Changing the World,” and “Flying on a Bicycle.” In “Sacred Ground,” riders pass through many areas and structures, such as Fort Ancient, originally inhabited and cultivated by Native American people; the gravesite of Shawnee Chief Catecahassa, better known as Black Hoof; and the now vanished Randolph Settlement, where freed African American men and women in the 1840s were met with hostility upon arrival. Also included in this section are rides through majestic parks, colorful caves, and beautiful buildings, including Weaver Chapel at Wittenberg University. In “Changing the World,” tours focus on rides that highlight the richness of Ohio as a home of our nation’s educators, activists, engineers, innovators, and writers. “Flying on a Bicycle” pays homage to Ohio’s central role in the history of aviation and space exploration, featuring the birthplace of Orville and Wilbur Wright, the National Museum of the United States Air Force, and the home of Neil Armstrong.Readers can plan and export rides ahead of time using the QR code in the book to view turn-by-turn directions, detailed route maps, and photos of route sites. Bicycling Through Dayton helps cyclists and readers form a more intimate relationship with Ohio’s landscape by learning the history of Ohio and the people who came before us, all while enjoying a ride.

One of the most significant occurrences in the history of design was the creation of the English Landscape Garden. Accounts of its genesis…the surprising structural change from the formal to a seeming informal are numerous. But none has ever been quite convincing and none satisfactorily placed the contributions of Stephen Switzer. Unlike his contemporaries, Switzer - an 18th century author of books on gardening and agricultural improvement - grasped a quite new principle: that the fashionable pursuit of great gardens should be "rural and extensive", rather than merely the ornamentation of a particular part of an estate. Switzer saw that a whole estate could be enjoyed as an aesthetic experience, and by the process of improving its value, could increase wealth. By encouraging improvers to see the garden in his enlarged sense, he opened up the adjoining countryside, the landscape, and made the whole a subject of unified design. Some few followed his advice immediately, such as Bathurst at Cirencester. But it took some time for his ideas to become generally accepted. Could this vision, and its working out in practice between 1710 and 1740 be the very reason for such changes? 300 years after the first volume of his writings began to be published; this book offers a timely critical examination of lessons learned and Switzer’s roles. In major influential early works at Castle Howard and Blenheim, and later the more "minor" works such as Spy Park, Leeswood or Rhual, the relationships between these designs and his writings is demonstrated. In doing so, it makes possible major reassessment of the developments, and thus our attitudes to well-known works. It provides an explanation of how he, and his colleagues and contemporaries first made what he had called Ichnographia Rustica, or more familiarly Modern Gardening from the mid-1740s, land later landscape gardens. It reveals an exceptional innovator, who by transforming the philosophical way in which nature was viewed, integrated good design with good farming and horticultural practice for the first time. It raises the issue of the cleavage in thought of the later 18th century, essentially whether the ferme ornee as the mixture of utile and dulci was the perfect designed landscape, or whether this was the enlarged garden with features of "unadorned nature"? The book discusses these considerable and continuing contrary influences on later work, and suggests Switzer has many lessons for how contemporary landscape and garden design ought be perceived and practised.

One of the most significant occurrences in the history of design was the creation of the English Landscape Garden. Accounts of its genesis…the surprising structural change from the formal to a seeming informal are numerous. But none has ever been quite convincing and none satisfactorily placed the contributions of Stephen Switzer. Unlike his contemporaries, Switzer - an 18th century author of books on gardening and agricultural improvement - grasped a quite new principle: that the fashionable pursuit of great gardens should be "rural and extensive", rather than merely the ornamentation of a particular part of an estate. Switzer saw that a whole estate could be enjoyed as an aesthetic experience, and by the process of improving its value, could increase wealth. By encouraging improvers to see the garden in his enlarged sense, he opened up the adjoining countryside, the landscape, and made the whole a subject of unified design. Some few followed his advice immediately, such as Bathurst at Cirencester. But it took some time for his ideas to become generally accepted. Could this vision, and its working out in practice between 1710 and 1740 be the very reason for such changes? 300 years after the first volume of his writings began to be published; this book offers a timely critical examination of lessons learned and Switzer’s roles. In major influential early works at Castle Howard and Blenheim, and later the more "minor" works such as Spy Park, Leeswood or Rhual, the relationships between these designs and his writings is demonstrated. In doing so, it makes possible major reassessment of the developments, and thus our attitudes to well-known works. It provides an explanation of how he, and his colleagues and contemporaries first made what he had called Ichnographia Rustica, or more familiarly Modern Gardening from the mid-1740s, land later landscape gardens. It reveals an exceptional innovator, who by transforming the philosophical way in which nature was viewed, integrated good design with good farming and horticultural practice for the first time. It raises the issue of the cleavage in thought of the later 18th century, essentially whether the ferme ornee as the mixture of utile and dulci was the perfect designed landscape, or whether this was the enlarged garden with features of "unadorned nature"? The book discusses these considerable and continuing contrary influences on later work, and suggests Switzer has many lessons for how contemporary landscape and garden design ought be perceived and practised.

Add your own unique twist to the timeless folk art style with this modern, step-by-step drawing guide.In Modern Folk Art, popular surface pattern designer and illustrator Sandra Hutter guides you through 75 easy-to-follow tutorials for drawing beloved folk art motifs. Along with vibrant illustrations, this charming book provides simple instructions for creating your own folk art, from tools, techniques, and color palettes to getting creative when adding details, patterns, and designs. Learn how to draw a variety of popular folk art illustrations in the chapters of:Florals & BotanicalsFruits, Veggies & SnacksFriendly CreaturesEveryday ObjectsHolidaysLetteringEnjoy encouraging tips with every tutorial on how to be bold with your creativity! The key to captivating folk art is adding color and details to make your creations stand out. Modern Folk Art is a fun and fresh take on this timeless art style. Whether you’re a seasoned crafter or a novice, you’ll feel your creativity blossom with this comprehensive guide to the cheerful world of folk art.