As we read the wilderness narrative, we are confronted with a wide variety of cues that shape our sense of what kind of narrative it is, often in conflicting ways. It often appears to be history, but it also contains genres and content that are not historiographical. To explain this unique blend, Roskop charts a path through Akkadian and Egyptian administrative and historiographical texts, exploring the way the itinerary genre was used in innovative ways as scribes served new literary goals that arose in different historical and social situations. She marries literary theory with philology and archaeology to show that the wilderness narrative came about as Israelite scribes used both the itinerary genre and geography in profoundly creative ways, creating a narrative repository for pieces of Israelite history and culture so that they might not be forgotten but continue to shape communal life under new circumstances.The itinerary notices also play an important role in the growth of the Torah. Many scholars have expressed frustration with historical criticism because it seems at times to focus more on deconstructing a narrative than explaining how this composite text manages to work as a whole. The Wilderness Itineraries explores the way that fractures in the itinerary chain and geographical problems serve both as clues to the composition history of the wilderness narrative and as cues for ways to navigate these fractures and read this composite text as a unified whole. Readers will gain insight into the technical skill and creativity of ancient Israelite scribes as they engaged in the process of simultaneously preserving and actively shaping the Torah as a work of historiography without parallel.

In this volume, Kenneth Way explores the role of donkeys in the symbolism and ceremonies of the biblical world. His study stands alone in providing a comprehensive examination of donkeys in ancient Near Eastern texts, the archaeological record, and the Hebrew Bible. Way demonstrates that donkeys held a distinct status in the beliefs and rituals of the ancient Near East and especially Canaan-Israel.The focus on ceremony and symbol encompasses social and religious thoughts and practices that are reflected in ancient texts and material culture relating to the donkey. Ceremonial considerations include matters of sacrifice, treaty ratification, consumption, death, burial, “scapegoat” rituals, and foundation deposits; symbolic considerations include matters of characterization, association, function, behavior, and iconographic depiction. However, the distinction between ceremony and symbol is not strict. In many cases, these two categories are symbiotic. The need for this study on donkeys is very apparent in the disciplines that study the biblical world. There is not a single monograph or article that treats this subject comprehensively. Philologists have discussed the meaning of the Amorite phrase “to kill a jackass,” and archaeologists have discussed the phenomenon of equid burials. But until now, neither philologists nor archaeologists have attempted to pull together all the ceremonial and symbolic data on donkeys from burials, ancient Near Eastern texts, and the Hebrew Bible. Way’s study fills this void.

The vision for this impressive work on temple architecture in the Levant grew out of the author’s work on Roman temple designs on the Iberian Peninsula and continual references to Semitic influences on the designs of sanctuaries both on the Peninsula and in North Africa. It was assumed that Phoenician colonization had brought with it the full flowering of Levantine architectural forms. As Mierse began to search for relevant material on the ancient Levant, however, he discovered that no overall synthesis had ever been written, and it was virtually impossible to recognize and isolate Semitic elements in architectural forms. This book addresses this need.The analysis presented here is comparative and follows the methodology most commonly employed by architectural historians throughout the twentieth century. It is a formalist approach and permits the isolation of lines of continuity and the detection of discontinuity. While Mierse relies heavily on this traditional method, he also introduces some approaches from the postprocessual school of archaeology in its attempts to discern an appropriate way for cult to be investigated by archaeology.The sanctuaries that this book presents were erected between the end of the Late Bronze Age (conventionally assigned the date of 1200 B.C.E.) and the annexation of the Levantine region into the Assyrian Empire (when Mesopotamia again became highly influential in the region). The topic concerns temples that were produced during the period when the Levant was its own entity and politically independent of Egypt, Mesopotamia, or Anatolia. During this period, the designs chosen for inclusion in this book must reflect local choices rather than resulting from imposed outside concepts.The architecture that emerged in the wake of the downfall of the Late Bronze Age and the subsequent reemergence of social cohesiveness manifested significant changes in form and function. The five centuries under review reveal exciting developments in sacred architecture and show that, although the architects of the first millennium B.C.E. maintained important lines of continuity with the developments of the previous two millennia, they were also capable of creating novel forms to meet new needs.Included in this fascinating volume are 90 pages of photos, drawings, floor plans, and maps.

Modern science historians have typically treated the sciences of the ancient Near East as separate from historical and cultural considerations. At the same time, biblical scholars, dominated by theological concerns, have historically understood the Israelite god as separate from the natural world. Cooley’s study, bringing to bear contemporary models of science history on the one hand and biblical studies on the other hand, seeks to bridge a gap created by 20th-century scholarship in our understanding of ancient Near Eastern cultures by investigating the ways in which ancient authors incorporated their cultures’ celestial speculation in narrative.In the literature of ancient Iraq, celestial divination is displayed quite prominently in important works such as Enuma Eliš and Erra and Išum. In ancient Ugarit as well, the sky was observed for devotional reasons, and astral deities play important roles in stories such as the Baal Cycle and Shahar and Shalim. Even though the veneration of astral deities was rejected by biblical authors, in the literature of ancient Israel the Sun, Moon, and stars are often depicted as active, conscious agents. In texts such as Genesis 1, Joshua 10, Judges 5, and Job 38, these celestial characters, these “sons of God,” are living, dynamic members of Yahweh’s royal entourage, willfully performing courtly, martial, and calendrical roles for their sovereign.The synthesis offered by this book, the first of its kind since the demise of the pan-Babylonianist school more than a century ago, is about ancient science in ancient Near Eastern literature.

Arwad (now in Syria), Byblos (now Jbeil in Lebanon), Sidon (Saida in Lebanon), and Tyre (Sour in Lebanon)—the four major cites of Persian-period Phoenicia—all minted their own coins. Archaeologists and historians have found these coins to be a major resource for the reconstruction of Phoenician history. They have increasingly been able to use them to discern important details of Phoenicia’s political history that were previously unknown or were presented only from the perspective provided by the reports of the Greek historians or were based on knowledge of the Greek language, rather than being based on knowledge of Semitic languages and the iconography and inscriptions of the Phoenicians themselves.For more than two decades, Alain and Josette Elayi have researched the history of the Phoenician cities in the Persian period before Alexander’s conquest. In the first stage of their research, the authors provided an overview of the Phoenician economy under Persian rule. The second stage provided an analysis of all hoards, which included Phoenician coins dating to the Persian period. The third stage was an investigation of Phoenician weights, in which the Elayis used an original method that is also suited to numismatic studies. The fourth stage covered the monetary and political histories of the four Phoenician cities.In A Monetary and Political History of the Phoenician City of Byblos, the Elayis’ tour de force is the coin catalog, which introduces 1,662 silver Byblian coins, also published in 25 plates. In addition to the usual numismatic analysis (monetary production, number of issues, manufacturing techniques, and processes), this impressive volume provides information on monetary inscriptions and iconography and on the history of Byblos. The book is an indispensable reference for understanding coin circulation, trading exchanges, and even the wars involving the Greeks, Cypriots, and Egyptians in the Phoenician eastern Mediterranean.

Ancient Israel is widely regarded as having been set apart from the nations, representing a unique sociopolitical entity in the ancient world. United by a common tribal identity and a commitment to worshiping the God who delivered them from Egypt exclusively, the Israelites established an egalitarian community that stood in contrast to the hierarchical polities of their polytheistic.In spite of these traditions, modern scholarship for the most part has recognized the points of continuity between Canaanite religion and Israelite religion and concluded that the two religious systems largely developed from the same cultural milieu. However, scholars continue to contend that the Canaanites’ and Israelites’ social and political structures were distinct. Most scholars agree that the Israelites were geographical, economic, and/or political outsiders.The Land before the Kingdom of Israel responds to this modern perspective by contributing an original reconstruction of the sociopolitical landscape of the Late Bronze Age Levant that exposes points of continuity between the polities and populations that inhabited the land and those that were later identified with Israel. By examining multiple sources, Brendon Benz isolates and accounts for complex social and political realities that have gone unnoticed. In so doing, he sets the stage for viewing premonarchic Israel and the Bible’s depiction of it in a new way. In addition to shedding light on historical memories embedded in the books of Judges and Samuel that do not conform to conventional wisdom regarding Israel’s early history, Benz demonstrates that a contingent of the early Israelites was heir to the social and political structures of their Late Bronze Age Levantine predecessors.

In Western tradition, St. George is known as the dragon slayer. In the Middle East, he is called Khidr (“Green One”), and in addition to being a dragon slayer, he is also somehow the prophet Elijah. In this book, Robert D. Miller II untangles these complicated connections and reveals how, especially in his Middle Eastern guise, St. George is a reincarnation of the Canaanite storm god Baal, another “Green One” who in Ugaritic texts slays dragons.Combining art history, theology, and archeology, this multidisciplinary study demystifies the identity of St. George in his various incarnations, laying bare the processes by which these identifications merged and diverged. Miller traces the origins of this figure in Arabic and Latin texts and explores the possibility that Middle Eastern shrines to St. George lie on top of ancient shrines of the Canaanite storm god Baal. Miller examines these holy places, particularly in modern Israel and around Mount Hermon on the Syrian-Lebanese-Israeli border, and makes the convincing case that direct continuity exists from the Baal of antiquity to the St. George/Khidr of Christian lore.Convincingly argued and thoroughly researched, this study makes a unique contribution to such diverse areas as ancient Near Eastern studies, Roman history and religion, Christian hagiography and iconography, Quranic studies, and Arab folk religion.

In this book, Philip Zhakevich examines the technology of writing as it existed in the southern Levant during the Iron Age II period, after the alphabetic writing system had fully taken root in the region. Using the Hebrew Bible as its corpus and focusing on a set of Hebrew terms that designated writing surfaces and instruments, this study synthesizes the semantic data of the Bible with the archeological and art-historical evidence for writing in ancient Israel. The bulk of this work comprises an in-depth lexicographical analysis of Biblical Hebrew terms related to Israel’s writing technology. Employing comparative Semitics, lexical semantics, and archaeology, Zhakevich provides a thorough analysis of the origins of the relevant terms; their use in the biblical text, Ben Sira, the Dead Sea Scrolls, and ancient Hebrew inscriptions; and their translation in the Septuagint and other ancient versions. The final chapter evaluates Israel’s writing practices in light of those of the ancient world, concluding that Israel’s most common form of writing (i.e., writing with ink on ostraca and papyrus) is Egyptian in origin and was introduced into Canaan during the New Kingdom.Comprehensive and original in its scope, Scribal Tools in Ancient Israel is a landmark contribution to our knowledge of scribes and scribal practices in ancient Israel. Students and scholars interested in language and literacy in the first-millennium Levant in particular will profit from this volume.

In this book, Philip Zhakevich examines the technology of writing as it existed in the southern Levant during the Iron Age II period, after the alphabetic writing system had fully taken root in the region. Using the Hebrew Bible as its corpus and focusing on a set of Hebrew terms that designated writing surfaces and instruments, this study synthesizes the semantic data of the Bible with the archeological and art-historical evidence for writing in ancient Israel. The bulk of this work comprises an in-depth lexicographical analysis of Biblical Hebrew terms related to Israel’s writing technology. Employing comparative Semitics, lexical semantics, and archaeology, Zhakevich provides a thorough analysis of the origins of the relevant terms; their use in the biblical text, Ben Sira, the Dead Sea Scrolls, and ancient Hebrew inscriptions; and their translation in the Septuagint and other ancient versions. The final chapter evaluates Israel’s writing practices in light of those of the ancient world, concluding that Israel’s most common form of writing (i.e., writing with ink on ostraca and papyrus) is Egyptian in origin and was introduced into Canaan during the New Kingdom.Comprehensive and original in its scope, Scribal Tools in Ancient Israel is a landmark contribution to our knowledge of scribes and scribal practices in ancient Israel. Students and scholars interested in language and literacy in the first-millennium Levant in particular will profit from this volume.

Camels are first mentioned in the Bible as the movable property of Abraham. During the early monarchy, they feature prominently as long-distance mounts for the Queen of Sheba, and almost a millennium later, the Gospels tell us about the impossibility of a camel passing through a needle’s eye. Given the limited extrabiblical evidence for camels before circa 1000 BCE, a thorough investigation of the spatio-temporal history of the camel in the ancient Near and Middle East is necessary to understand their early appearance in the Hebrew Bible.Camels in the Biblical World is a two-part study that charts the cultural trajectories of two domestic species—the two-humped or Bactrian camel (Camelus bactrianus) and the one-humped or Arabian camel (Camelus dromedarius)—from the fourth through first millennium BCE and up to the first century CE. Drawing on archaeological camel remains, iconography, inscriptions, and other text sources, the first part reappraises the published data on the species’ domestication and early exploitation in their respective regions of origin. The second part takes a critical look at the various references to camels in the Hebrew Bible and the Gospels, providing a detailed philological analysis of each text and referring to archaeological data and zoological observations whenever appropriate. A state-of-the-art evaluation of the cultural history of the camel and its role in the biblical world, this volume brings the humanities into dialogue with the natural sciences. The novel insights here serve scholars in disciplines as diverse as biblical studies, (zoo)archaeology, history, and philology.

Do shifts in material culture instigate administrative change, or is it the shifting political winds that affect material culture? This is the central question that Shlomit Bechar addresses in this book, taking the transition from the Middle to Late Bronze Age (seventeenth–fourteenth centuries BCE) in northern Canaan as a test case.Combining archaeological and historical analysis, Bechar identifies the most significant changes evident in architectural and ceramic remains from this period and then explores how and why contemporary political shifts may have influenced, or been influenced by, these developments. Bechar persuasively argues that the Egyptian conquest of the southern Levant—enabled by local economic decline following the expulsion of the Hyksos and the fall of northern Syrian cities—was the impetus for these changes in ceramics and architecture. Using a macro-typological approach to examine the ceramic assemblages, she also discusses the impact of the influx of Aegean imports, suggesting that while “attached specialists” were primarily responsible for ceramic production in the Middle Bronze Age, Late Bronze Age ceramics were increasingly made by “independent specialists,” another important result of the new administrative system created following Thutmose III’s campaign.An important contribution to our understanding of the transition between the Middle and Late Bronze Ages, this original and insightful book will appeal to specialists in the Bronze Age Levant, especially those interested in using ceramic assemblages to examine social and political change.

As we read the wilderness narrative, we are confronted with a wide variety of cues that shape our sense of what kind of narrative it is, often in conflicting ways. It often appears to be history, but it also contains genres and content that are not historiographical. To explain this unique blend, Roskop charts a path through Akkadian and Egyptian administrative and historiographical texts, exploring the way the itinerary genre was used in innovative ways as scribes served new literary goals that arose in different historical and social situations. She marries literary theory with philology and archaeology to show that the wilderness narrative came about as Israelite scribes used both the itinerary genre and geography in profoundly creative ways, creating a narrative repository for pieces of Israelite history and culture so that they might not be forgotten but continue to shape communal life under new circumstances.The itinerary notices also play an important role in the growth of the Torah. Many scholars have expressed frustration with historical criticism because it seems at times to focus more on deconstructing a narrative than explaining how this composite text manages to work as a whole. The Wilderness Itineraries explores the way that fractures in the itinerary chain and geographical problems serve both as clues to the composition history of the wilderness narrative and as cues for ways to navigate these fractures and read this composite text as a unified whole. Readers will gain insight into the technical skill and creativity of ancient Israelite scribes as they engaged in the process of simultaneously preserving and actively shaping the Torah as a work of historiography without parallel.

In this volume, Kenneth Way explores the role of donkeys in the symbolism and ceremonies of the biblical world. His study stands alone in providing a comprehensive examination of donkeys in ancient Near Eastern texts, the archaeological record, and the Hebrew Bible. Way demonstrates that donkeys held a distinct status in the beliefs and rituals of the ancient Near East and especially Canaan-Israel.The focus on ceremony and symbol encompasses social and religious thoughts and practices that are reflected in ancient texts and material culture relating to the donkey. Ceremonial considerations include matters of sacrifice, treaty ratification, consumption, death, burial, “scapegoat” rituals, and foundation deposits; symbolic considerations include matters of characterization, association, function, behavior, and iconographic depiction. However, the distinction between ceremony and symbol is not strict. In many cases, these two categories are symbiotic. The need for this study on donkeys is very apparent in the disciplines that study the biblical world. There is not a single monograph or article that treats this subject comprehensively. Philologists have discussed the meaning of the Amorite phrase “to kill a jackass,” and archaeologists have discussed the phenomenon of equid burials. But until now, neither philologists nor archaeologists have attempted to pull together all the ceremonial and symbolic data on donkeys from burials, ancient Near Eastern texts, and the Hebrew Bible. Way’s study fills this void.

The vision for this impressive work on temple architecture in the Levant grew out of the author’s work on Roman temple designs on the Iberian Peninsula and continual references to Semitic influences on the designs of sanctuaries both on the Peninsula and in North Africa. It was assumed that Phoenician colonization had brought with it the full flowering of Levantine architectural forms. As Mierse began to search for relevant material on the ancient Levant, however, he discovered that no overall synthesis had ever been written, and it was virtually impossible to recognize and isolate Semitic elements in architectural forms. This book addresses this need.The analysis presented here is comparative and follows the methodology most commonly employed by architectural historians throughout the twentieth century. It is a formalist approach and permits the isolation of lines of continuity and the detection of discontinuity. While Mierse relies heavily on this traditional method, he also introduces some approaches from the postprocessual school of archaeology in its attempts to discern an appropriate way for cult to be investigated by archaeology.The sanctuaries that this book presents were erected between the end of the Late Bronze Age (conventionally assigned the date of 1200 B.C.E.) and the annexation of the Levantine region into the Assyrian Empire (when Mesopotamia again became highly influential in the region). The topic concerns temples that were produced during the period when the Levant was its own entity and politically independent of Egypt, Mesopotamia, or Anatolia. During this period, the designs chosen for inclusion in this book must reflect local choices rather than resulting from imposed outside concepts.The architecture that emerged in the wake of the downfall of the Late Bronze Age and the subsequent reemergence of social cohesiveness manifested significant changes in form and function. The five centuries under review reveal exciting developments in sacred architecture and show that, although the architects of the first millennium B.C.E. maintained important lines of continuity with the developments of the previous two millennia, they were also capable of creating novel forms to meet new needs.Included in this fascinating volume are 90 pages of photos, drawings, floor plans, and maps.

Modern science historians have typically treated the sciences of the ancient Near East as separate from historical and cultural considerations. At the same time, biblical scholars, dominated by theological concerns, have historically understood the Israelite god as separate from the natural world. Cooley’s study, bringing to bear contemporary models of science history on the one hand and biblical studies on the other hand, seeks to bridge a gap created by 20th-century scholarship in our understanding of ancient Near Eastern cultures by investigating the ways in which ancient authors incorporated their cultures’ celestial speculation in narrative.In the literature of ancient Iraq, celestial divination is displayed quite prominently in important works such as Enuma Eliš and Erra and Išum. In ancient Ugarit as well, the sky was observed for devotional reasons, and astral deities play important roles in stories such as the Baal Cycle and Shahar and Shalim. Even though the veneration of astral deities was rejected by biblical authors, in the literature of ancient Israel the Sun, Moon, and stars are often depicted as active, conscious agents. In texts such as Genesis 1, Joshua 10, Judges 5, and Job 38, these celestial characters, these “sons of God,” are living, dynamic members of Yahweh’s royal entourage, willfully performing courtly, martial, and calendrical roles for their sovereign.The synthesis offered by this book, the first of its kind since the demise of the pan-Babylonianist school more than a century ago, is about ancient science in ancient Near Eastern literature.

Arwad (now in Syria), Byblos (now Jbeil in Lebanon), Sidon (Saida in Lebanon), and Tyre (Sour in Lebanon)—the four major cites of Persian-period Phoenicia—all minted their own coins. Archaeologists and historians have found these coins to be a major resource for the reconstruction of Phoenician history. They have increasingly been able to use them to discern important details of Phoenicia’s political history that were previously unknown or were presented only from the perspective provided by the reports of the Greek historians or were based on knowledge of the Greek language, rather than being based on knowledge of Semitic languages and the iconography and inscriptions of the Phoenicians themselves.For more than two decades, Alain and Josette Elayi have researched the history of the Phoenician cities in the Persian period before Alexander’s conquest. In the first stage of their research, the authors provided an overview of the Phoenician economy under Persian rule. The second stage provided an analysis of all hoards, which included Phoenician coins dating to the Persian period. The third stage was an investigation of Phoenician weights, in which the Elayis used an original method that is also suited to numismatic studies. The fourth stage covered the monetary and political histories of the four Phoenician cities.In A Monetary and Political History of the Phoenician City of Byblos, the Elayis’ tour de force is the coin catalog, which introduces 1,662 silver Byblian coins, also published in 25 plates. In addition to the usual numismatic analysis (monetary production, number of issues, manufacturing techniques, and processes), this impressive volume provides information on monetary inscriptions and iconography and on the history of Byblos. The book is an indispensable reference for understanding coin circulation, trading exchanges, and even the wars involving the Greeks, Cypriots, and Egyptians in the Phoenician eastern Mediterranean.

Ancient Israel is widely regarded as having been set apart from the nations, representing a unique sociopolitical entity in the ancient world. United by a common tribal identity and a commitment to worshiping the God who delivered them from Egypt exclusively, the Israelites established an egalitarian community that stood in contrast to the hierarchical polities of their polytheistic.In spite of these traditions, modern scholarship for the most part has recognized the points of continuity between Canaanite religion and Israelite religion and concluded that the two religious systems largely developed from the same cultural milieu. However, scholars continue to contend that the Canaanites’ and Israelites’ social and political structures were distinct. Most scholars agree that the Israelites were geographical, economic, and/or political outsiders.The Land before the Kingdom of Israel responds to this modern perspective by contributing an original reconstruction of the sociopolitical landscape of the Late Bronze Age Levant that exposes points of continuity between the polities and populations that inhabited the land and those that were later identified with Israel. By examining multiple sources, Brendon Benz isolates and accounts for complex social and political realities that have gone unnoticed. In so doing, he sets the stage for viewing premonarchic Israel and the Bible’s depiction of it in a new way. In addition to shedding light on historical memories embedded in the books of Judges and Samuel that do not conform to conventional wisdom regarding Israel’s early history, Benz demonstrates that a contingent of the early Israelites was heir to the social and political structures of their Late Bronze Age Levantine predecessors.

In Western tradition, St. George is known as the dragon slayer. In the Middle East, he is called Khidr (“Green One”), and in addition to being a dragon slayer, he is also somehow the prophet Elijah. In this book, Robert D. Miller II untangles these complicated connections and reveals how, especially in his Middle Eastern guise, St. George is a reincarnation of the Canaanite storm god Baal, another “Green One” who in Ugaritic texts slays dragons.Combining art history, theology, and archeology, this multidisciplinary study demystifies the identity of St. George in his various incarnations, laying bare the processes by which these identifications merged and diverged. Miller traces the origins of this figure in Arabic and Latin texts and explores the possibility that Middle Eastern shrines to St. George lie on top of ancient shrines of the Canaanite storm god Baal. Miller examines these holy places, particularly in modern Israel and around Mount Hermon on the Syrian-Lebanese-Israeli border, and makes the convincing case that direct continuity exists from the Baal of antiquity to the St. George/Khidr of Christian lore.Convincingly argued and thoroughly researched, this study makes a unique contribution to such diverse areas as ancient Near Eastern studies, Roman history and religion, Christian hagiography and iconography, Quranic studies, and Arab folk religion.

In this book, Philip Zhakevich examines the technology of writing as it existed in the southern Levant during the Iron Age II period, after the alphabetic writing system had fully taken root in the region. Using the Hebrew Bible as its corpus and focusing on a set of Hebrew terms that designated writing surfaces and instruments, this study synthesizes the semantic data of the Bible with the archeological and art-historical evidence for writing in ancient Israel. The bulk of this work comprises an in-depth lexicographical analysis of Biblical Hebrew terms related to Israel’s writing technology. Employing comparative Semitics, lexical semantics, and archaeology, Zhakevich provides a thorough analysis of the origins of the relevant terms; their use in the biblical text, Ben Sira, the Dead Sea Scrolls, and ancient Hebrew inscriptions; and their translation in the Septuagint and other ancient versions. The final chapter evaluates Israel’s writing practices in light of those of the ancient world, concluding that Israel’s most common form of writing (i.e., writing with ink on ostraca and papyrus) is Egyptian in origin and was introduced into Canaan during the New Kingdom.Comprehensive and original in its scope, Scribal Tools in Ancient Israel is a landmark contribution to our knowledge of scribes and scribal practices in ancient Israel. Students and scholars interested in language and literacy in the first-millennium Levant in particular will profit from this volume.

In this book, Philip Zhakevich examines the technology of writing as it existed in the southern Levant during the Iron Age II period, after the alphabetic writing system had fully taken root in the region. Using the Hebrew Bible as its corpus and focusing on a set of Hebrew terms that designated writing surfaces and instruments, this study synthesizes the semantic data of the Bible with the archeological and art-historical evidence for writing in ancient Israel. The bulk of this work comprises an in-depth lexicographical analysis of Biblical Hebrew terms related to Israel’s writing technology. Employing comparative Semitics, lexical semantics, and archaeology, Zhakevich provides a thorough analysis of the origins of the relevant terms; their use in the biblical text, Ben Sira, the Dead Sea Scrolls, and ancient Hebrew inscriptions; and their translation in the Septuagint and other ancient versions. The final chapter evaluates Israel’s writing practices in light of those of the ancient world, concluding that Israel’s most common form of writing (i.e., writing with ink on ostraca and papyrus) is Egyptian in origin and was introduced into Canaan during the New Kingdom.Comprehensive and original in its scope, Scribal Tools in Ancient Israel is a landmark contribution to our knowledge of scribes and scribal practices in ancient Israel. Students and scholars interested in language and literacy in the first-millennium Levant in particular will profit from this volume.

Camels are first mentioned in the Bible as the movable property of Abraham. During the early monarchy, they feature prominently as long-distance mounts for the Queen of Sheba, and almost a millennium later, the Gospels tell us about the impossibility of a camel passing through a needle’s eye. Given the limited extrabiblical evidence for camels before circa 1000 BCE, a thorough investigation of the spatio-temporal history of the camel in the ancient Near and Middle East is necessary to understand their early appearance in the Hebrew Bible.Camels in the Biblical World is a two-part study that charts the cultural trajectories of two domestic species—the two-humped or Bactrian camel (Camelus bactrianus) and the one-humped or Arabian camel (Camelus dromedarius)—from the fourth through first millennium BCE and up to the first century CE. Drawing on archaeological camel remains, iconography, inscriptions, and other text sources, the first part reappraises the published data on the species’ domestication and early exploitation in their respective regions of origin. The second part takes a critical look at the various references to camels in the Hebrew Bible and the Gospels, providing a detailed philological analysis of each text and referring to archaeological data and zoological observations whenever appropriate. A state-of-the-art evaluation of the cultural history of the camel and its role in the biblical world, this volume brings the humanities into dialogue with the natural sciences. The novel insights here serve scholars in disciplines as diverse as biblical studies, (zoo)archaeology, history, and philology.

Do shifts in material culture instigate administrative change, or is it the shifting political winds that affect material culture? This is the central question that Shlomit Bechar addresses in this book, taking the transition from the Middle to Late Bronze Age (seventeenth–fourteenth centuries BCE) in northern Canaan as a test case.Combining archaeological and historical analysis, Bechar identifies the most significant changes evident in architectural and ceramic remains from this period and then explores how and why contemporary political shifts may have influenced, or been influenced by, these developments. Bechar persuasively argues that the Egyptian conquest of the southern Levant—enabled by local economic decline following the expulsion of the Hyksos and the fall of northern Syrian cities—was the impetus for these changes in ceramics and architecture. Using a macro-typological approach to examine the ceramic assemblages, she also discusses the impact of the influx of Aegean imports, suggesting that while “attached specialists” were primarily responsible for ceramic production in the Middle Bronze Age, Late Bronze Age ceramics were increasingly made by “independent specialists,” another important result of the new administrative system created following Thutmose III’s campaign.An important contribution to our understanding of the transition between the Middle and Late Bronze Ages, this original and insightful book will appeal to specialists in the Bronze Age Levant, especially those interested in using ceramic assemblages to examine social and political change.