Early Drama, Art, and Music Monograph – serie
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37 produkter
37 produkter
Del 12 - Early Drama, Art, and Music Monograph
Shakespeare's Play Within Play
Medieval Imagery and Scenic Form in Hamlet, Othello, and King Lear
Inbunden, Engelska, 1990
270 kr
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In his foreword to the volume, Clifford Davidson praises Guilfoyle's application of the concept of scenic form in her study of Hamlet, Othello, and King Lear, and her exposition of Shakespeare's historical consciousness, noting her sensitive examination of the shape of the playwright's scenes when placed against traditional visual configurations and related textual resonances. Any student of Shakespeare will benefit from the nuanced study of his imagery and how it helps to color his characters and the action in his plays.
Del 13 - Early Drama, Art, and Music Monograph
Holy Week and Easter Ceremonies and Dramas from Medieval Sweden
Inbunden, Engelska, 1990
333 kr
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Included here are the texts, translations, musical transcriptions, and facsimiles of the Swedish music-dramas for Holy Week and Easter: Depositio, Elevatio, and Visitatio Sepulchri.
Del 13 - Early Drama, Art, and Music Monograph
Holy Week and Easter Ceremonies and Dramas from Medieval Sweden
Häftad, Engelska, 1990
261 kr
Skickas inom 5-8 vardagar
Included here are the texts, translations, musical transcriptions, and facsimiles of the Swedish music-dramas for Holy Week and Easter: Depositio, Elevatio, and Visitatio Sepulchri.
Del 14 - Early Drama, Art, and Music Monograph
Studies in Fifteenth-Century Stagecraft
Inbunden, Engelska, 1991
604 kr
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Before he suddenly passed away, John W. Robinson was working on a manuscript that he saw as effecting a marriage between the dramatic and the theatrical, as he felt there was too large a divide between literary scholars and practitioners of the theater. In it, Robinson stated that his "purpose it to expound as plays the New Testament plays of the Wakefield Master and some of the related York plays, including two by the York Realist. . . . hop[ing] to show that the meaning and effect of the Wakefield Master's and York Realist's plays will not appear unless they are approached with the understanding that they were performed, with some idea of how they were performed, and with some appreciation of what they meant to a medieval audience." That manuscript is presented here, a close study of eight plays and the elements Robinson considers essential to performance: playwright, sponsors, location, plot, script, players, and audience.
Del 15 - Early Drama, Art, and Music Monograph
Crossing the Boundaries
Christian Piety and the Arts in Italian Medieval and Renaissance Confraternities
Inbunden, Engelska, 1991
305 kr
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Despite the paramount importance of confraternities (especially to males) in medieval European society, scholars have tended to neglect not only the social role they played but also the influence they had on the art, drama, music, and thinking of the society in which they not only existed but thrived. This collection of essays serves to illuminate this oft-ignored facet of medieval society, and each essay carefully examines some element of the influence of confraternities on society and its products.
Del 16 - Early Drama, Art, and Music Monograph
Illustrations of the Stage and Acting in England to 1580
Inbunden, Engelska, 1991
333 kr
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This richly illustrated book surveys representations of the stage and acting from manuscript illuminations, stained glass, sculpture, woodcarving, wall paintings, and the woodcuts that appear in playbooks produced by the first English printers.
Del 5 - Early Drama, Art, and Music Monograph
Word, Picture, and Spectacle
Häftad, Engelska, 1984
300 kr
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Each of these diverse essays confronts important issues in the study of medieval art, literature, and drama. The topics covered include the symbolism of scatological illustration in Gothic manuscripts (Karl Wentersdorf), connections between word and picture in religious art (Roger Ellis), and the relationship perceived between divine and human creativity (R. W. Hanning), while Clifford Davidson provides an exploration in the phenomenology of space and time in medieval theater.
Del 6 - Early Drama, Art, and Music Monograph
Homo, Memento Finis
The Iconography of Just Judgement in Medieval Art and Drama
Inbunden, Engelska, 1985
307 kr
Skickas inom 11-20 vardagar
The medieval cycle plays from such cities as York and Chester culminated in a drama about the end of time, the Last Judgment. David Bevington and the other contributors to this book look at this final event of history as depicted in pre-modern times, and the result is a work of scholarly precision that, according to Bevington's introduction, attempts to see medieval drama in the context of other medieval art forms.
Del 7 - Early Drama, Art, and Music Monograph
Fleury Playbook
Essays and Studies
Häftad, Engelska, 1985
409 kr
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Growing out of a symposium on the Fleury Playbook at the International Congress on Medieval Studies, this book includes essays from the symposium, as well as additional papers written by scholars whose specialties were not represented at the conference. Each essay covers a unique topic in the study of the Playbook, utilizing a diverse set of methodological tools and interdisciplinary approaches for subjects which have not heretofore received adequate scholarly attention. The topics at hand are each of significant interest to the field at large.
Del 8 - Early Drama, Art, and Music Monograph
Saint Play in Medieval Europe
Inbunden, Engelska, 1986
614 kr
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This illustrated volume intelligently provides a much-needed introduction to what may have been the most popular variety of drama in the Middle Ages: the saint play. A comprehensive and collaborative survey is provided with an emphasis on interdisciplinary study rather than only literary analysis. While the saint play in England is the connecting theme of the volume, the papers explore other topics necessary to fully understand the culture of the saint play, such as the genre as manifest on the continent, including plays in French, Italian, and German.
Del 9 - Early Drama, Art, and Music Monograph
Idea of Music
An Introduction to Musical Aesthetics in Antiquity and the Middle Ages
Inbunden, Engelska, 1988
405 kr
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Music has long been neglected by aestheticians, who tend to privilege discussions of visual arts and literature. In this volume, Herbert M. Schueller brings the aesthetics of music into the fold, tracing the development of the idea from classical antiquity through the medieval period. He writes in a manner accessible to scholars whose specialties lie outside of technical music theory, keeping in mind especially the aesthetician but also general medieval scholars, and even the general reader.
Del 10 - Early Drama, Art, and Music Monograph
Monophonic Lauda and the Lay Religious Confraternities of Tuscany and Umbria in the Late Middle Ages
Inbunden, Engelska, 1988
550 kr
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The study of popular hymnody is remote not only from contemporary experience but also from very many contemporary scholars. A great deal of this remove stems from the complicated origins and history of this important genre. The Monophonic Lauda aims to present for the first time an English study of the form, as such a text has not been available before. This also necessitates an exploration of previous scholarship on the lauda, though the book is not devoted to this particular exercise. The volume is well illustrated, including musical notation and black-and-white plates.
Del 11 - Early Drama, Art, and Music Monograph
Iconoclasm vs. Art and Drama
Inbunden, Engelska, 1989
323 kr
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The radical Protestantism that led to the suppression of religious drama in England also by the early years of Queen Elizabeth I destroyed perhaps the majority of ecclesiastical art in the country. The essays in this book provide analysis of the intellectual and religious motivation as well as new historical information concerning this phase of iconoclasm.
Häftad, Engelska, 2023
483 kr
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The Play about the Antichrist (Ludus de Antichristo) was composed around 1160 at the imperial Bavarian abbey of Tegernsee, at a critical point in the power-struggle between the papacy and Emperor Frederick Barbarossa. This new translation, with accompanying Latin edition, reveals this drama to be strikingly representative of the role that theatrical performance played in shaping contemporary politics, diplomacy, and public opinion. It also shows how drama functioned as an integral component of the educational curricula of elite monastic institutions like Tegernsee, where political administrators and diplomats were trained.In this new translation, Carol Symes provides the first full and faithful rendering of the play’s dynamic language, maintaining the meter, rhyme scheme, and stage directions of the Latin original and restoring the liturgical elements embedded in the text. Kyle A. Thomas, whose dedicated research provides the foundation for an analysis of the play’s broader contexts, also brings perspectives from the first fully staged modern production that tested the theatricality of the translation and provides a new historical and dramaturgical analysis of the play’s rich interpretive and performative possibilities.
Del 25 - Early Drama, Art, and Music Monograph
Material Culture and Medieval Drama
Inbunden, Engelska, 1999
466 kr
Skickas
The contributions by distinguished American and British scholars to this volume recognize that early drama depended on specific developments in material culture in order to achieve its effects, which included both visual and auditory means of appealing to audiences. The discussions range from the parchment and paper on which the plays were written to the instruments which enhanced their production. Of special interest is Mary Remnant's survey of musical instruments available to producers; she is the recognized expert on medieval English instruments.
Del 28 - Early Drama, Art, and Music Monograph
Gesture in Medieval Drama and Art
Inbunden, Engelska, 2001
333 kr
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Gesture and movement on stage in early drama have previously received very little attention in scholarship. The present collection of essays is the first book to present sensible, penetrating, and wide-ranging discussions of the gestural effects that were integral to the early stage. In addition to consideration of the influence of classical rhetoric and reference to medieval texts and documents, the essays carefully bring to bear evidence from the art of the period and hence will be of great importance for those interested in the visual arts as well as the theater; eschewing both the naive methodologies promoted in past criticism and ephemeral theoretical concerns, the book is truly ground-breaking. These essays will need to be perused by every serious theater historian or student of art concerned with the late Middle Ages.
Del 29 - Early Drama, Art, and Music Monograph
Paying the Piper
Music in Pre-1642 Cheshire
Inbunden, Engelska, 2002
333 kr
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In Paying the Piper Elizabeth Baldwin studies the early music situation in a single county, Cheshire, from the late Middle Ages to the beginning of the Civil War, focusing on music outside the regular control of the church and looking not only at the trained professional but at music makers, from the performers at guild feasts to the gentleman who takes music lessons and the alehousekeeper who plays the pipes. Baldwin attempts to set the performer of music in a social, economic, legal, and possibly political context. Who was performing music, where, when, and why? What instruments were played, and by whom? What attitudes were there towards music, and how did they vary according to circumstances and religious affiliation? Did Cheshire’s special status with respect to the Statute of Vagabonds really make any difference to the performers in the county?
Del 29 - Early Drama, Art, and Music Monograph
Paying the Piper
Music in Pre-1642 Cheshire
Häftad, Engelska, 2002
507 kr
Skickas inom 5-8 vardagar
In Paying the Piper Elizabeth Baldwin studies the early music situation in a single county, Cheshire, from the late Middle Ages to the beginning of the Civil War, focusing on music outside the regular control of the church and looking not only at the trained professional but at music makers, from the performers at guild feasts to the gentleman who takes music lessons and the alehousekeeper who plays the pipes. Baldwin attempts to set the performer of music in a social, economic, legal, and possibly political context. Who was performing music, where, when, and why? What instruments were played, and by whom? What attitudes were there towards music, and how did they vary according to circumstances and religious affiliation? Did Cheshire's special status with respect to the Statute of Vagabonds really make any difference to the performers in the county?
Del 30 - Early Drama, Art, and Music Monograph
Improvisation in the Arts of the Middle Ages and Renaissance
Inbunden, Engelska, 2003
242 kr
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One impression that stands out from this collection is the extent to which improvisation was an important factor in all of the arts. As each of the authors assembles a case by ferreting out bits and pieces of information having to do with a single art, the weight of the assembled material lends additional strength to each case. By considering the overall picture that results, as well as that made by each of the individual studies, the reader is able to see much more clearly the role played by improvisation from the late Middle Ages through to the time of Shakespeare and beyond. A careful reading of the essays brings with it the awareness that to ignore improvisation is to distort the art in a major way. In light of the present volume, the very concept of faithful historical re-creation takes on a much broader and more complex character.
Del 26 - Early Drama, Art, and Music Monograph
Worlde and the Chylde
Inbunden, Engelska, 1999
452 kr
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The Worlde and the Chylde, issued by the press of Wynkyn de Worde in 1521, is one of the very earliest plays published in England. It also has very considerable interest for its adaptation of the Ages of Man iconography, which is extensively treated in the introduction, notes, and illustrations.
Del 27 - Early Drama, Art, and Music Monograph
Coventry Corpus Christi Plays
Inbunden, Fornengelska, 2000
371 kr
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One of the greatest medieval drama cycles in England was mounted annually at Coventry at Corpus Christi until suppressed in 1579, and is of particular importance because it was almost certainly seen by William Shakespeare when he was a boy in nearby Stratford-upon-Avon. The two extant pageants from this cycle have been re-edited and are presented here for the first time in a modern critical edition. The introduction provides a full survey of knowledge about the Coventry cycle from the local dramatic records and other sources of information. Comprehensive critical and textual notes are included as well as a select bibliography and glossary. Appendices print the earliest fragments of the Weavers' pageant, texts of royal entries from the Coventry Leet Book, the songs (including the famous Coventry Carol) from the Shearmen and Taylors' pageant, and an analysis of various versions of the Doctors play.
Del 19 - Early Drama, Art, and Music Monograph
Tretise of Miraclis Pleyinge
Häftad, Engelska, 2012
292 kr
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Clifford Davidson's newly revised and expanded edition of A Tretise of Miraclis Pleyinge makes available the most significant text of dramatic criticism in Middle English. A polemic against the playing of "miraclis," the Tretise is frequently linked to the Wycliffite or Lollard movements of the late fourteenth and early fifteenth centuries. In an essay on the text's dialect, Paul A. Johnston, Jr. definitively identifies the Tretise as the work of two authors who lived in adjacent counties in the Midlands.
Del 31 - Early Drama, Art, and Music Monograph
Mary of Nemmegen
The ca. 1518 Translation and the Middle Dutch Analogue, Mariken van Nieumeghen
Inbunden, Engelska, 2016
1 353 kr
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Mary of Nemmegen, a prose condensation in English of the Middle Dutch play Mariken van Nieumeghen, is an important example of the literature that was imported from Holland in the early part of the sixteenth century. It also may be compared to Everyman, described as a treatise "in the manner of a moral play." Mary of Nemmegen is an analogue of the Faustus story. As such, it is also a window on the obsession in its own time with the occult.
Del 33 - Early Drama, Art, and Music Monograph
Liturgical Drama and the Reimagining of Medieval Theater
Inbunden, Engelska, 2017
1 467 kr
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The expression "liturgical drama" was formulated in 1834 as a metaphor and hardened into formal category only later in the nineteenth century. Prior to this invention, the medieval rites and representations that would forge the category were understood as distinct and unrelated classes: as liturgical rites no longer celebrated or as theatrical works of dubious quality. This ground-breaking work examines "liturgical drama" according to the contexts of their presentations within the manuscripts and books that preserve them.
Del 32 - Early Drama, Art, and Music Monograph
Jeu d'Adam
MS Tours 927 and the Provenance of the Play
Inbunden, Engelska, 2017
1 212 kr
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The Jeu d'Adam is an Anglo-Norman mid-twelfth-century representation of several biblical stories, including the temptation of Adam and Eve and the subsequent fall, Cain and Abel, and the prophets Isaiah and Daniel. Its framework builds on the Latin responses of the mass during the liturgical season of Septuagesima, from before Lent to Easter. This collection of essays explores whether this early play was monastic or secular, its Anglo-Norman character, and the text's musical provenance.
Inbunden, Engelska, 2017
1 535 kr
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This full-length study investigates how sermons and vernacular religious drama worked as media for public learning, how they combined this didactic aim with literary exigencies, and how plays acquired and reflected authority. The interrelation between sermons and vernacular drama, formerly assumed to be a close one, is addressed from historical connections, performative aspects, and the portrayal of penance. The work demonstrates the subtly different purposes and contents and outlines the unique ways in which they operate within late medieval England.
Inbunden, Engelska, 2017
1 484 kr
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This book examines the late sixteenth- and early seventeenth-century engagement with a crucial part of Britain's past, the period between the withdrawal of the Roman legions and the Norman Conquest. A number of early modern plays suggest an underlying continuity, an essential English identity linked to the land and impervious to change. This book considers the extent to which ideas about early modern English and British national, religious, and political identities were rooted in cultural constructions of the pre-Conquest past.
Inbunden, Engelska, 2018
1 563 kr
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Del 20 - Early Drama, Art, and Music Monograph
Early Drama, Art, and Music Documents
A Paleography Handbook
Inbunden, Engelska, 1993
251 kr
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There are few experiences as discouraging to a researcher trained in art history, drama, music, folk arts, or social history as the first encounter with an original medieval or Renaissance document. Despite Satan's claim, there is little comfort in the company of others who are miserable, but it may be comforting to know that many untrained researchers have learned to read original documents without formal instruction or years of practice. While some of the skills of a professional paleographer—the ability to identify various transitional hands, localize regional variations, or date documents by their handwriting, for instance—do require considerable training, a researcher can learn on his or her own to make some sense of a manuscript with little help on the way letters were formed, on standard abbreviations and formulaic constructions, and on the sheer need to practice transcription. Wasson here provides the basic tools necessary to transcribe documents, without regard for the historical development of alphabets, letter forms, and the like. This manual will be of great interest to scholars of the arts in need of a guide for their journeys into the archives.
Häftad, Engelska, 1993
261 kr
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Audrey Ekdahl Davidson was a professor of music for many years at Western Michigan University. In honor of her retirement and her history with the Society for Old Music, an organization that she founded in 1966, this collection of music has been selected and prepared. The transcriptions were all designed for performances by the Society for Old Music, and were used in concerts for the local community, the International Congress on Medieval Studies, and other audiences in Michigan. The Society's concerts ranged from medieval chant and monophonic song to polyphonic choral works, and each concert focused on a particular topic, perhaps most successfully when music-drama was joined to liturgical display. The collection is a fitting tribute to tireless scholar, and an asset to any student of early music performance.