Expanding Frontiers: Interdisciplinary Approaches to Studies of Women, Gender, and Sexuality – serie
Visar alla böcker i serien Expanding Frontiers: Interdisciplinary Approaches to Studies of Women, Gender, and Sexuality. Handla med fri frakt och snabb leverans.
67 produkter
67 produkter
Inbunden, Engelska, 2018
523 kr
Skickas inom 10-15 vardagar
The Jazz Age, a phenomenon that shaped American leisure culture in the early twentieth century, coincided with the growth of Kansas City, Missouri, from frontier town to metropolitan city. Though Kansas City’s music, culture, and stars are well covered, Queering Kansas City Jazz supplements the grand narrative of jazz history by including queer identities in the city’s history while framing the jazz-scene experience in terms of identity and space. Cabarets, gender impressionism clubs, and sites of sex tourism in Kansas City served as world-making spaces for those whose performance of identity transgressed hegemonic notions of gender, sexuality, race, and class. Amber R. Clifford-Napoleone takes an interdisciplinary approach to provide a critical deconstruction of how the jazz scene offered a space for nonnormative gender practice and performance and acted as a site of contested identity and spatial territory.Few books examine the changing ideas about gender in the turn-of-the-century Great Plains, under the false assumption that people in middle-American places experienced cultural shifts only as an aftershock of events on the coasts. This approach overlooks the region’s contested territories, identities, and memories and fails to adequately explain the social and cultural disruptions experienced on the plains. Clifford-Napoleone rectifies this oversight and shows how Kansas City represents the complexity of the jazz scene in America as a microcosm of all the other people who made the culture, clubs, music, and cabarets of the age possible.
Inbunden, Engelska, 2018
694 kr
Skickas inom 10-15 vardagar
Breaking every prescription of ideal femininity, American actresses of the mid-nineteenth century appeared in public alongside men, financially supported nuclear and extended families, challenged domestic common law, and traveled the globe in the transnational theater market. While these women expanded professional, artistic, and geographic frontiers, they expanded domestic frontiers as well: publicly, actresses used the traditional rhetoric of domesticity to mask their very nontraditional personal lives, instigating historically significant domestic innovations to circumvent the gender constraints of the mid-nineteenth century, reinventing themselves and their families in the process.Nan Mullenneaux focuses on the personal and professional lives of more than sixty women who, despite their diverse backgrounds, each made complex conscious and unconscious compromises to create profit and power. Mullenneaux identifies patterns of macro and micro negotiation and reinvention and maps them onto the waves of legal, economic, and social change to identify broader historical links that complicate notions of the influence of gendered power and the definition of feminism; the role of the body/embodiment in race, class, and gender issues; the relevance of family history to the achievements of influential Americans; and national versus inter- and transnational cultural trends. While Staging Family expands our understanding of how nineteenth-century actresses both negotiated power and then hid that power, it also informs contemporary questions of how women juggle professional and personal responsibilities-achieving success in spite of gender constraints and societal expectations.
Inbunden, Engelska, 2016
619 kr
Skickas inom 10-15 vardagar
A 2017 Choice Outstanding Academic TitleIntersectionality intervenes in the field of intersectionality studies: the integrative examination of the effects of racial, gendered, and class power on people’s lives. While “intersectionality” tends to circulate merely as a buzzword, Anna Carastathis joins other critical voices in urging a more careful reading. Challenging the narratives of arrival that surround it, Carastathis argues that intersectionality is a horizon, illuminating ways of thinking that have yet to be realized; consequently, calls to “go beyond” intersectionality are premature. A provisional interpretation of intersectionality can disorient habits of essentialism, categorical purity, and prototypicality and overcome dynamics of segregation and subordination in political movements.Through a close reading of critical race theorist KimberlÉ Williams Crenshaw’s germinal texts, published more than twenty-five years ago, Carastathis urges analytic clarity, contextual rigor, and a politicized, historicized understanding of this pervasive concept. Intersectionality’s roots in social justice movements and critical intellectual projects-specifically black feminism-must be retraced and synthesized with a decolonial analysis so that its potential to actualize coalitions can be enacted.
Inbunden, Engelska, 2016
637 kr
Skickas inom 10-15 vardagar
Undesirable Practices examines both the intended and the unintended consequences of “imperial feminism” and British colonial interventions in “undesirable” cultural practices in northern Ghana. Jessica Cammaert addresses the state management of social practices such as female circumcision, nudity, prostitution, and “illicit” adoption as well as the hesitation to impose severe punishments for the slave dealing of females, particularly female children. She examines the gendered power relations and colonial attitudes that targeted women and children spanning pre- and postcolonial periods, the early postindependence years, and post-Nkrumah policies. In particular, Cammaert examines the limits of the male colonial gaze and argues that the power lay not in the gaze itself but in the act of “looking away,” a calculated aversion of attention intended to maintain the tribal community and retain control over the movement, sexuality, and labor of women and children.With its examination of broader time periods and topics and its complex analytical arguments, Undesirable Practices makes a valuable contribution to literature in African studies, contemporary advocacy discourse, women and gender studies, and critical postcolonial studies.
Inbunden, Engelska, 2022
1 138 kr
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As the twentieth century dawned, progressive educators established a national organization for adolescent girls to combat what they believed to be a crisis of girls’ education. A corollary to the Boy Scouts of America, founded just a few years earlier, the Camp Fire Girls became America’s first and, for two decades, most popular girls’ organization. Based on Protestant middle-class ideals-a regulatory model that reinforced hygiene, habit formation, hard work, and the idea that women related to the nation through service-the Camp Fire Girls invented new concepts of American girlhood by inviting disabled girls, Black girls, immigrants, and Native Americans to join. Though this often meant a false sense of cultural universality, in the girls’ own hands membership was often profoundly empowering and provided marginalized girls spaces to explore the meaning of their own cultures in relation to changes taking place in twentieth-century America.Through the lens of the Camp Fire Girls, Jennifer Helgren traces the changing meanings of girls’ citizenship in the cultural context of the twentieth century. Drawing on girls’ scrapbooks, photographs, letters, and oral history interviews, in addition to adult voices in organization publications and speeches, The Camp Fire Girls explores critical intersections of gender, race, class, nation, and disability.
E-bok
Engelska, 2016537 kr
Läs direkt efter köp
Undesirable Practices examines both the intended and the unintended consequences of “imperial feminism” and British colonial interventions in “undesirable” cultural practices in northern Ghana. Jessica Cammaert addresses the state management of social practices such as female circumcision, nudity, prostitution, and “illicit” adoption as well as the hesitation to impose severe punishments for the slave dealing of females, particularly female children. She examines the gendered power relations and colonial attitudes that targeted women and children spanning pre- and postcolonial periods, the early postindependence years, and post-Nkrumah policies. In particular, Cammaert examines the limits of the male colonial gaze and argues that the power lay not in the gaze itself but in the act of “looking away,” a calculated aversion of attention intended to maintain the tribal community and retain control over the movement, sexuality, and labor of women and children.With its examination of broader time periods and topics and its complex analytical arguments, Undesirable Practices makes a valuable contribution to literature in African studies, contemporary advocacy discourse, women and gender studies, and critical postcolonial studies.
E-bok
PDF, Engelska, 2016537 kr
Läs direkt efter köp
Undesirable Practices examines both the intended and the unintended consequences of “imperial feminism” and British colonial interventions in “undesirable” cultural practices in northern Ghana. Jessica Cammaert addresses the state management of social practices such as female circumcision, nudity, prostitution, and “illicit” adoption as well as the hesitation to impose severe punishments for the slave dealing of females, particularly female children. She examines the gendered power relations and colonial attitudes that targeted women and children spanning pre- and postcolonial periods, the early postindependence years, and post-Nkrumah policies. In particular, Cammaert examines the limits of the male colonial gaze and argues that the power lay not in the gaze itself but in the act of “looking away,” a calculated aversion of attention intended to maintain the tribal community and retain control over the movement, sexuality, and labor of women and children.With its examination of broader time periods and topics and its complex analytical arguments, Undesirable Practices makes a valuable contribution to literature in African studies, contemporary advocacy discourse, women and gender studies, and critical postcolonial studies.
Inbunden, Engelska, 2016
523 kr
Skickas inom 10-15 vardagar
Offering a unique vantage point from which to view black women’s body image and Caribbean migration, Romance with Voluptuousness illuminates how first- and second-generation immigrant black Caribbean women engage with a thick body aesthetic while living in the United States. Using personal accounts, Romance with Voluptuousness examines the ways in which black women with heritage in the English-speaking Caribbean participate in, perpetuate, and struggle with the voluptuous beauty standard of the black Caribbean while living in the hegemony of thinness cultivated in the United States. It highlights how black Caribbean women negotiate issues of body image deriving from both Caribbean and American pressures to maintain a particular body shape and contend with discourses and practices surrounding the body that aim to marginalize and exclude them from economic, social, and political spaces. By focusing on diasporic Caribbean women’s “romance” with voluptuousness, Kamille Gentles-Peart explores the transnational flow of beauty ideals and examines how ideas about beauty in the Caribbean diaspora help to shape the experiences of Caribbean black women in the United States.
461 kr
Läs direkt efter köp
Offering a unique vantage point from which to view black women’s body image and Caribbean migration, Romance with Voluptuousness illuminates how first- and second-generation immigrant black Caribbean women engage with a thick body aesthetic while living in the United States. Using personal accounts, Romance with Voluptuousness examines the ways in which black women with heritage in the English-speaking Caribbean participate in, perpetuate, and struggle with the voluptuous beauty standard of the black Caribbean while living in the hegemony of thinness cultivated in the United States. It highlights how black Caribbean women negotiate issues of body image deriving from both Caribbean and American pressures to maintain a particular body shape and contend with discourses and practices surrounding the body that aim to marginalize and exclude them from economic, social, and political spaces. By focusing on diasporic Caribbean women’s “romance” with voluptuousness, Kamille Gentles-Peart explores the transnational flow of beauty ideals and examines how ideas about beauty in the Caribbean diaspora help to shape the experiences of Caribbean black women in the United States.
E-bok
PDF, Engelska, 2016461 kr
Läs direkt efter köp
Offering a unique vantage point from which to view black women’s body image and Caribbean migration, Romance with Voluptuousness illuminates how first- and second-generation immigrant black Caribbean women engage with a thick body aesthetic while living in the United States. Using personal accounts, Romance with Voluptuousness examines the ways in which black women with heritage in the English-speaking Caribbean participate in, perpetuate, and struggle with the voluptuous beauty standard of the black Caribbean while living in the hegemony of thinness cultivated in the United States. It highlights how black Caribbean women negotiate issues of body image deriving from both Caribbean and American pressures to maintain a particular body shape and contend with discourses and practices surrounding the body that aim to marginalize and exclude them from economic, social, and political spaces. By focusing on diasporic Caribbean women’s “romance” with voluptuousness, Kamille Gentles-Peart explores the transnational flow of beauty ideals and examines how ideas about beauty in the Caribbean diaspora help to shape the experiences of Caribbean black women in the United States.
Inbunden, Engelska, 2019
508 kr
Skickas inom 10-15 vardagar
Merging critical theory, autobiography, and sexological archival research, Queer Embodiment provides insight into what it means to have a legible body in the West. Hil Malatino explores how intersexuality became an anomalous embodiment assumed to require correction and how contesting this pathologization can promote medical reform and human rights for intersex and trans people.Malatino traces both institutional and interpersonal failures to dignify non–sexually dimorphic bodies and examines how the ontology of gender difference developed by modern sexologists conflicts with embodied experience. Malatino comprehensively shows how gender-normalizing practices begin at the clinic but are amplified thereafter through mechanisms of institutional exclusion and through Eurocentric culture’s cis-centric and bio-normative notions of sexuality, reproductive capacity, romantic partnership, and kinship.Combining personal accounts with archival evidence, Queer Embodiment presents intersexuality as the conceptual center of queerness, the figure through which nonnormative genders and desires are and have been historically understood. We must reconsider the medical, scientific, and philosophical discourse on intersexuality underlying contemporary understandings of sexed selfhood in order to understand gender anew as a process of becoming that exceeds restrictive binary logic.
E-bok
Engelska, 2016294 kr
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A 2017 Choice Outstanding Academic TitleIntersectionality intervenes in the field of intersectionality studies: the integrative examination of the effects of racial, gendered, and class power on people’s lives. While “intersectionality” tends to circulate merely as a buzzword, Anna Carastathis joins other critical voices in urging a more careful reading. Challenging the narratives of arrival that surround it, Carastathis argues that intersectionality is a horizon, illuminating ways of thinking that have yet to be realized; consequently, calls to “go beyond” intersectionality are premature. A provisional interpretation of intersectionality can disorient habits of essentialism, categorical purity, and prototypicality and overcome dynamics of segregation and subordination in political movements.Through a close reading of critical race theorist KimberlÉ Williams Crenshaw’s germinal texts, published more than twenty-five years ago, Carastathis urges analytic clarity, contextual rigor, and a politicized, historicized understanding of this pervasive concept. Intersectionality’s roots in social justice movements and critical intellectual projects-specifically black feminism-must be retraced and synthesized with a decolonial analysis so that its potential to actualize coalitions can be enacted.
E-bok
PDF, Engelska, 2016294 kr
Läs direkt efter köp
A 2017 Choice Outstanding Academic TitleIntersectionality intervenes in the field of intersectionality studies: the integrative examination of the effects of racial, gendered, and class power on people’s lives. While “intersectionality” tends to circulate merely as a buzzword, Anna Carastathis joins other critical voices in urging a more careful reading. Challenging the narratives of arrival that surround it, Carastathis argues that intersectionality is a horizon, illuminating ways of thinking that have yet to be realized; consequently, calls to “go beyond” intersectionality are premature. A provisional interpretation of intersectionality can disorient habits of essentialism, categorical purity, and prototypicality and overcome dynamics of segregation and subordination in political movements.Through a close reading of critical race theorist KimberlÉ Williams Crenshaw’s germinal texts, published more than twenty-five years ago, Carastathis urges analytic clarity, contextual rigor, and a politicized, historicized understanding of this pervasive concept. Intersectionality’s roots in social justice movements and critical intellectual projects-specifically black feminism-must be retraced and synthesized with a decolonial analysis so that its potential to actualize coalitions can be enacted.
Inbunden, Engelska, 2019
619 kr
Skickas inom 10-15 vardagar
In Gothic Queer Culture, Laura Westengard proposes that contemporary U.S. queer culture is gothic at its core. Using interdisciplinary cultural studies to examine the gothicism in queer art, literature, and thought-including ghosts embedded in queer theory, shadowy crypts in lesbian pulp fiction, monstrosity and cannibalism in AIDS poetry, and sadomasochism in queer performance-Westengard argues that during the twentieth and twenty-first centuries a queer culture has emerged that challenges and responds to traumatic marginalization by creating a distinctly gothic aesthetic.Gothic Queer Culture examines the material effects of marginalization, exclusion, and violence and explains why discourse around the complexities of genders and sexualities repeatedly returns to the gothic. Westengard places this queer knowledge production within a larger framework of gothic queer culture, which inherently includes theoretical texts, art, literature, performance, and popular culture.By analyzing queer knowledge production alongside other forms of queer culture, Gothic Queer Culture enters into the most current conversations on the state of gender and sexuality, especially debates surrounding negativity, anti-relationalism, assimilation, and neoliberalism. It provides a framework for understanding these debates in the context of a distinctly gothic cultural mode that acknowledges violence and insidious trauma, depathologizes the association between trauma and queerness, and offers a rich counterhegemonic cultural aesthetic through the circulation of gothic tropes.
Häftad, Engelska, 2018
327 kr
Skickas inom 10-15 vardagar
In Wrapped in the Flag of Israel, Smadar Lavie analyzes the racial and gender justice protest movements in the State of Israel from the 2003 Single Mothers’ March to the 2014 New Black Panthers and explores the relationships between these movements, violence in Gaza, and the possibility of an Israeli attack on Iran.Lavie equates bureaucratic entanglements with pain-and, arguably, torture-in examining a state that engenders love and loyalty among its non-European Jewish women citizens while simultaneously inflicting pain on them. Weaving together memoir, auto-ethnography, political analysis, and cultural critique, Wrapped in the Flag of Israel presents a model of bureaucracy as divine cosmology that is both lyrical and provocative. Lavie’s focus on the often-minimized Mizraḥi population juxtaposed with the state’s monolithic culture suggests that Israeli bureaucracy is based on a theological notion that inserts the categories of religion, gender, and race into the foundation of citizenship.In this revised and updated edition Lavie connects intra-Jewish racial and gendered dynamics to the 2014 Gaza War, providing an extensive afterword that focuses on the developments in Mizraḥi feminist politics and culture between 2014 and 2016 and its relation to Palestinians.
Inbunden, Engelska, 2019
508 kr
Skickas inom 10-15 vardagar
Events ranging from sexual abuse at Abu Ghraib to the end of “Don’t Ask, Don’t Tell” hint that important issues surrounding gender and sexuality remain at the core of political and cultural problems. Nonetheless, intersectional analyses of militarism that account for questions of race, class, and gender remain exceedingly rare. Abuses of the Erotic fills this gap by offering a comprehensive picture of how military values have permeated the civilian cultural sphere and by investigating connections between sexuality and militarism in the United States since the late 1980s. Josh Cerretti takes up the urgent task of applying an interdisciplinary, transnational framework to the role of sexuality in promoting, expanding, and sustaining the war on terror to understand the links between what Cerretti calls “domestic militarism” and later projects of state-backed violence and intervention. This work brings together scholarship on domestic and international militarization in relation to both homosexuality and heterosexuality to demonstrate how sexual and gender politics have been deployed to bolster U.S. military policies and, by tracking over a decade of militarized sexuality, how these instances have foundationally changed how we think of sexual and gender politics today.
Inbunden, Engelska, 2023
1 105 kr
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Women, Empires, and Body Politics at the United Nations, 1946–1975 tells the story of how women’s bodies were at the center of the international politics of women’s rights in the postwar period. Giusi Russo focuses on the United Nation Commission on the Status of Women and its multiple interactions with the colonial and postcolonial worlds, showing how-depending on the setting and the inquiry-liberal, imperial, and transnational feminisms could coexist.Russo suggests that in the early stages of identifying discriminating agents in women’s lives, UN commissioners overlooked the nation-state and went through a process of fighting discrimination without identifying the discriminator. However, it was the focus on empire that allowed for a clear identification of how gender constructs were instrumental to state politics and the exclusion of women. An emphasis on colonial practices also generated a focus on the body and radically shifted the commission’s politics from formal equality to a gender-based equilibrium of rights that emphasized practice rather than law. Through a multidisciplinary approach, Russo looks at the women living under colonial and postcolonial systems as the key actors in defining the politics of women’s rights at the UN.
Inbunden, Engelska, 2019
508 kr
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2020 Diamond Anniversary Book Award from the National Communication Association The increased visibility of transgender people in mainstream media, exemplified by Time magazine’s declaration that 2014 marked a “transgender tipping point,” was widely believed to signal a civil rights breakthrough for trans communities in the United States. In Terrorizing Gender Mia Fischer challenges this narrative of progress, bringing together transgender, queer, critical race, legal, surveillance, and media studies to analyze the cases of Chelsea Manning, CeCe McDonald, and Monica Jones. Tracing how media and state actors collude in the violent disciplining of these trans women, Fischer exposes the traps of visibility by illustrating that dominant representations of trans people as deceptive, deviant, and threatening are integral to justifying, normalizing, and reinforcing the state-sanctioned violence enacted against them.The heightened visibility of transgender people, Fischer argues, has actually occasioned a conservative backlash characterized by the increased surveillance of trans people by the security state, evident in debates over bathroom laws, the trans military ban, and the rescission of federal protections for transgender students and workers. Terrorizing Gender concludes that the current moment of trans visibility constitutes a contingent cultural and national belonging, given the gendered and racialized violence that the state continues to enact against trans communities, particularly those of color.
Inbunden, Engelska, 2020
1 138 kr
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Situated at the crossroads of queer theory and postcolonial studies, Hybrid Anxieties analyzes the intertwined and composite aspects of identities and textual forms in the wake of the French-Algerian War (1954–1962). C. L. Quinan argues that the war precipitated a dynamic in which a contestation of hegemonic masculinity occurred alongside a production of queer modes of subjectivity, embodiment, and memory that subvert norms. Innovations in literature and cinema were also directly impacted by the long and difficult process of decolonization, as the war provoked a rethinking of politics and aesthetics. The novels, films, and poetry analyzed in Hybrid Anxieties trace this imbrication of content and form, demonstrating how a postwar fracturing had both salutary and injurious effects, not only on bodies and psyches but also on artistic forms.Adopting a queer postcolonial perspective, Hybrid Anxieties adds a new impulse to the question of how to rethink hegemonic notions of gender, sexuality, and nationality, thereby opening up new spaces for considering the redemptive and productive possibilities of negotiating life in a postcolonial context. Without losing sight of the trauma of this particularly violent chapter in history, Hybrid Anxieties proposes a new kind of hybridity that, however anxious and anticipatory, emphasizes the productive forces of a queer desire to deconstruct teleological relationships between past, present, and future.
E-bok
Engelska, 2018294 kr
Läs direkt efter köp
In Wrapped in the Flag of Israel, Smadar Lavie analyzes the racial and gender justice protest movements in the State of Israel from the 2003 Single Mothers’ March to the 2014 New Black Panthers and explores the relationships between these movements, violence in Gaza, and the possibility of an Israeli attack on Iran.Lavie equates bureaucratic entanglements with pain-and, arguably, torture-in examining a state that engenders love and loyalty among its non-European Jewish women citizens while simultaneously inflicting pain on them. Weaving together memoir, auto-ethnography, political analysis, and cultural critique, Wrapped in the Flag of Israel presents a model of bureaucracy as divine cosmology that is both lyrical and provocative. Lavie’s focus on the often-minimized Mizraḥi population juxtaposed with the state’s monolithic culture suggests that Israeli bureaucracy is based on a theological notion that inserts the categories of religion, gender, and race into the foundation of citizenship.In this revised and updated edition Lavie connects intra-Jewish racial and gendered dynamics to the 2014 Gaza War, providing an extensive afterword that focuses on the developments in Mizraḥi feminist politics and culture between 2014 and 2016 and its relation to Palestinians.
E-bok
PDF, Engelska, 2018294 kr
Läs direkt efter köp
In Wrapped in the Flag of Israel, Smadar Lavie analyzes the racial and gender justice protest movements in the State of Israel from the 2003 Single Mothers’ March to the 2014 New Black Panthers and explores the relationships between these movements, violence in Gaza, and the possibility of an Israeli attack on Iran.Lavie equates bureaucratic entanglements with pain-and, arguably, torture-in examining a state that engenders love and loyalty among its non-European Jewish women citizens while simultaneously inflicting pain on them. Weaving together memoir, auto-ethnography, political analysis, and cultural critique, Wrapped in the Flag of Israel presents a model of bureaucracy as divine cosmology that is both lyrical and provocative. Lavie’s focus on the often-minimized Mizraḥi population juxtaposed with the state’s monolithic culture suggests that Israeli bureaucracy is based on a theological notion that inserts the categories of religion, gender, and race into the foundation of citizenship.In this revised and updated edition Lavie connects intra-Jewish racial and gendered dynamics to the 2014 Gaza War, providing an extensive afterword that focuses on the developments in Mizraḥi feminist politics and culture between 2014 and 2016 and its relation to Palestinians.
E-bok
Engelska, 2018461 kr
Läs direkt efter köp
The Jazz Age, a phenomenon that shaped American leisure culture in the early twentieth century, coincided with the growth of Kansas City, Missouri, from frontier town to metropolitan city. Though Kansas City’s music, culture, and stars are well covered, Queering Kansas City Jazz supplements the grand narrative of jazz history by including queer identities in the city’s history while framing the jazz-scene experience in terms of identity and space. Cabarets, gender impressionism clubs, and sites of sex tourism in Kansas City served as world-making spaces for those whose performance of identity transgressed hegemonic notions of gender, sexuality, race, and class. Amber R. Clifford-Napoleone takes an interdisciplinary approach to provide a critical deconstruction of how the jazz scene offered a space for nonnormative gender practice and performance and acted as a site of contested identity and spatial territory.Few books examine the changing ideas about gender in the turn-of-the-century Great Plains, under the false assumption that people in middle-American places experienced cultural shifts only as an aftershock of events on the coasts. This approach overlooks the region’s contested territories, identities, and memories and fails to adequately explain the social and cultural disruptions experienced on the plains. Clifford-Napoleone rectifies this oversight and shows how Kansas City represents the complexity of the jazz scene in America as a microcosm of all the other people who made the culture, clubs, music, and cabarets of the age possible.
E-bok
PDF, Engelska, 2018461 kr
Läs direkt efter köp
The Jazz Age, a phenomenon that shaped American leisure culture in the early twentieth century, coincided with the growth of Kansas City, Missouri, from frontier town to metropolitan city. Though Kansas City’s music, culture, and stars are well covered, Queering Kansas City Jazz supplements the grand narrative of jazz history by including queer identities in the city’s history while framing the jazz-scene experience in terms of identity and space. Cabarets, gender impressionism clubs, and sites of sex tourism in Kansas City served as world-making spaces for those whose performance of identity transgressed hegemonic notions of gender, sexuality, race, and class. Amber R. Clifford-Napoleone takes an interdisciplinary approach to provide a critical deconstruction of how the jazz scene offered a space for nonnormative gender practice and performance and acted as a site of contested identity and spatial territory.Few books examine the changing ideas about gender in the turn-of-the-century Great Plains, under the false assumption that people in middle-American places experienced cultural shifts only as an aftershock of events on the coasts. This approach overlooks the region’s contested territories, identities, and memories and fails to adequately explain the social and cultural disruptions experienced on the plains. Clifford-Napoleone rectifies this oversight and shows how Kansas City represents the complexity of the jazz scene in America as a microcosm of all the other people who made the culture, clubs, music, and cabarets of the age possible.
605 kr
Läs direkt efter köp
Breaking every prescription of ideal femininity, American actresses of the mid-nineteenth century appeared in public alongside men, financially supported nuclear and extended families, challenged domestic common law, and traveled the globe in the transnational theater market. While these women expanded professional, artistic, and geographic frontiers, they expanded domestic frontiers as well: publicly, actresses used the traditional rhetoric of domesticity to mask their very nontraditional personal lives, instigating historically significant domestic innovations to circumvent the gender constraints of the mid-nineteenth century, reinventing themselves and their families in the process.Nan Mullenneaux focuses on the personal and professional lives of more than sixty women who, despite their diverse backgrounds, each made complex conscious and unconscious compromises to create profit and power. Mullenneaux identifies patterns of macro and micro negotiation and reinvention and maps them onto the waves of legal, economic, and social change to identify broader historical links that complicate notions of the influence of gendered power and the definition of feminism; the role of the body/embodiment in race, class, and gender issues; the relevance of family history to the achievements of influential Americans; and national versus inter- and transnational cultural trends. While Staging Family expands our understanding of how nineteenth-century actresses both negotiated power and then hid that power, it also informs contemporary questions of how women juggle professional and personal responsibilities-achieving success in spite of gender constraints and societal expectations.
E-bok
PDF, Engelska, 2018605 kr
Läs direkt efter köp
Breaking every prescription of ideal femininity, American actresses of the mid-nineteenth century appeared in public alongside men, financially supported nuclear and extended families, challenged domestic common law, and traveled the globe in the transnational theater market. While these women expanded professional, artistic, and geographic frontiers, they expanded domestic frontiers as well: publicly, actresses used the traditional rhetoric of domesticity to mask their very nontraditional personal lives, instigating historically significant domestic innovations to circumvent the gender constraints of the mid-nineteenth century, reinventing themselves and their families in the process.Nan Mullenneaux focuses on the personal and professional lives of more than sixty women who, despite their diverse backgrounds, each made complex conscious and unconscious compromises to create profit and power. Mullenneaux identifies patterns of macro and micro negotiation and reinvention and maps them onto the waves of legal, economic, and social change to identify broader historical links that complicate notions of the influence of gendered power and the definition of feminism; the role of the body/embodiment in race, class, and gender issues; the relevance of family history to the achievements of influential Americans; and national versus inter- and transnational cultural trends. While Staging Family expands our understanding of how nineteenth-century actresses both negotiated power and then hid that power, it also informs contemporary questions of how women juggle professional and personal responsibilities-achieving success in spite of gender constraints and societal expectations.
Inbunden, Engelska, 2019
584 kr
Skickas inom 10-15 vardagar
Postcolonial Hauntologies is an interdisciplinary and comparative analysis of critical, literary, visual, and performance texts by women from different parts of Africa. While contemporary critical thought and feminist theory have largely integrated the sexual female body into their disciplines, colonial representations of African women’s sexuality “haunt” contemporary postcolonial African scholarship, which-by maintaining a culture of avoidance about women’s sexuality-generates a discursive conscription that ultimately holds the female body hostage. Ayo A. Coly employs the concepts of “hauntology” and “ghostly matters” to formulate an explicative framework in which to examine postcolonial silences surrounding the African female body as well as a theoretical framework for discerning the elusive and cautious presences of female sexuality in the texts of African women.In illuminating the pervasive silence about the sexual female body in postcolonial African scholarship, Postcolonial Hauntologies challenges hostile responses to critical and artistic voices that suggest the African female body represents sacred ideological-discursive ground on which one treads carefully, if at all. Coly demonstrates how “ghosts” from the colonial past are countered by discursive engagements with explicit representations of women’s sexuality and bodies that emphasize African women’s power and autonomy.
Häftad, Engelska, 2019
327 kr
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A 2017 Choice Outstanding Academic TitleIntersectionality intervenes in the field of intersectionality studies: the integrative examination of the effects of racial, gendered, and class power on people’s lives. While “intersectionality” tends to circulate merely as a buzzword, Anna Carastathis joins other critical voices in urging a more careful reading. Challenging the narratives of arrival that surround it, Carastathis argues that intersectionality is a horizon, illuminating ways of thinking that have yet to be realized; consequently, calls to “go beyond” intersectionality are premature. A provisional interpretation of intersectionality can disorient habits of essentialism, categorical purity, and prototypicality and overcome dynamics of segregation and subordination in political movements.Through a close reading of critical race theorist KimberlÉ Williams Crenshaw’s germinal texts, published more than twenty-five years ago, Carastathis urges analytic clarity, contextual rigor, and a politicized, historicized understanding of this pervasive concept. Intersectionality’s roots in social justice movements and critical intellectual projects-specifically black feminism-must be retraced and synthesized with a decolonial analysis so that its potential to actualize coalitions can be enacted.
Inbunden, Engelska, 2020
1 173 kr
Skickas inom 10-15 vardagar
2021 Lambda Literary Awards Finalist Nepantla Squared maps the lives of two transgender mestiz@s, one during the turn of the twentieth century and one during the turn of the twenty-first century, to chart the ways race, gender, sex, ethnicity, and capital function differently in different times. To address the erasure of transgender mestiz@ realities from history, Linda Heidenreich employs an intersectional analysis that critiques monopoly and global capitalism. Heidenreich builds on the work of Gloria AnzaldÚa’s concept of nepantleras, those who could live between and embody more than one culture, to coin the term nepantla², marking times of capitalist transition where gender was also in motion. Transgender mestiz@s, too, embodied that movement.Heidenreich insists on a careful examination of the multiple in-between spaces that construct lives between cultures and genders during in-between times of shifting empire and capital. In so doing, they offer an important discussion of race, class, nation, and citizenship centered on transgender bodies of color that challenges readers to rethink the way they understand the gendered social and economic challenges of today.
Inbunden, Engelska, 2019
775 kr
Skickas inom 10-15 vardagar
While news reports about Pakistan tend to cover Taliban attacks and bombings, and academics focus on security issues, the environment often takes a backseat in media reportage and scholarship. In particular, Pakistani women’s attachment to their environment and their environmental concerns are almost always ignored. Shazia Rahman traces the ways in which Pakistani women explore alternative, environmental modes of belonging, examines the vitality of place-based identities within Pakistani culture, and thereby contributes to evolving understandings of Pakistani women-in relation to both their environment and to various discourses of nation and patriarchy.Through an astute analysis of such works as Sabiha Sumar’s Khamosh Pani (2003), Mehreen Jabbar’s Ramchand Pakistani (2008), Sorayya Khan’s Noor (2006), Uzma Aslam Khan’s Trespassing (2003), and Kamila Shamsie’s Burnt Shadows (2009), Rahman illuminates how Pakistani women’s creative works portray how people live with one another, deal with their environment, and intuit their relationship with the spiritual. She considers how literary and cinematic documentation of place-based identities simultaneously critiques and counters stereotypes of Pakistan as a country of religious nationalism and oppressive patriarchy. Rahman’s analysis discloses fresh perspectives for thinking about the relationship between social and environmental justice.
E-bok
Engelska, 2019294 kr
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Merging critical theory, autobiography, and sexological archival research, Queer Embodiment provides insight into what it means to have a legible body in the West. Hil Malatino explores how intersexuality became an anomalous embodiment assumed to require correction and how contesting this pathologization can promote medical reform and human rights for intersex and trans people.Malatino traces both institutional and interpersonal failures to dignify non–sexually dimorphic bodies and examines how the ontology of gender difference developed by modern sexologists conflicts with embodied experience. Malatino comprehensively shows how gender-normalizing practices begin at the clinic but are amplified thereafter through mechanisms of institutional exclusion and through Eurocentric culture’s cis-centric and bio-normative notions of sexuality, reproductive capacity, romantic partnership, and kinship.Combining personal accounts with archival evidence, Queer Embodiment presents intersexuality as the conceptual center of queerness, the figure through which nonnormative genders and desires are and have been historically understood. We must reconsider the medical, scientific, and philosophical discourse on intersexuality underlying contemporary understandings of sexed selfhood in order to understand gender anew as a process of becoming that exceeds restrictive binary logic.