Armour and Weapons – serie

First translation into English of a wide-ranging military treatise from the late middle ages.Pietro Monte's Collectanea is a wide-ranging treatise on the arts of knighthood, focusing on martial arts, athletics, arms and armour, and military practice, but touching on subjects as diverse as diet, zoology and the design of life preservers. Monte, a courtier, soldier and scholar who won the respect of men like Leonardo da Vinci and Baldesar Castiglione, wrote the work in Spanish in the late 1400s, and later produced an expanded Latin translation. The Latin version, published in Milan in 1509, forms the basis of this translation.Monte describes the techniques of personal combat with various weapons, including the two-handed and one-handed sword, pollaxe, and dagger, as well as wrestling, armored and mounted combat. He also documents the athletic activities used by knights to hone their physical abilities: running, jumping, throwing, and vaulting. Finally, the Collectanea is the solemedieval text to provide extensive discussion of the design of arms and armour.This translation includes an illustrated introduction to Monte and his technical subject-matter, as well as a translation of Book 5 of Monte's De Dignoscendis Hominibus (1492), which overlaps much of the technical content of the Collectanea.JEFFREY L. FORGENG is curator of Arms and Armour and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

English translation of one of the most significant medieval texts on fighting with swords.Completed in 1482, Johannes Lecküchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Lecküchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Lecküchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches.This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content.Jeffrey L. Forgeng is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

First full translation of an important treatise on chivalric horsemanship.Written around 1430, Duarte of Portugal's remarkable treatise on chivalric horsemanship, the Livro do Cavalgar (Book on Riding), is the sole substantial contemporary source to survive on the definitive physical skill of themedieval knight. It also stands out from the body of technical writings of the Middle Ages for its intelligence, insight, and intellectual versatility, ranging from psychological reflections on horsemanship and its implications for human ethics, to the details of how to couch a lance under the arm without getting it caught on armour. Under the general rubric of horsemanship Duarte covers a range of topics that include jousting, tourneying, and hunting, aswell as the physical apparatus of equestrianism and various cultural styles of riding.However, despite its importance for scholarship, its language and technical content have so far resisted proper translation, a need whichthis book fills. The introduction provides not only the background to make Duarte's text comprehensible, but for the first time offers modern audiences a systematic point of access to the subject of medieval equestrianism in general.JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and Adjunct Professor of History at Worcester Polytechnic Institute.

Sheds light on the skills and techniques of the medieval military engineer, over a thousand year sweep.The results of medieval engineering still surround us - cathedrals, castles, stone bridges, irrigation systems. However, the siege artillery, siege towers, temporary bridges, earthwork emplacements and underground mines used for war have left little trace behind them; and there is even less of the engineers themselves: the people behind the military engineering achievements. The evidence for this neglected group is studied here. The author begins byconsidering the evolution of military technology across centuries, and the impact of new technologies in the context of the economic and social developments which made them possible. He looks at how military engineers obtained their skills, and the possible link with scholastic scientific awareness. With the increased survival of government records from the middle ages, engineers acquire names and individuals can be identified. And the fifteenth century -the age of polymaths such as Leonardo da Vinci - saw a new type of literate military engineer, part of a recognized profession, but with its roots in a thousand years of historical development. PETER PURTON, D Phil (Oxon), FSA, has written extensively on medieval fortifications and siege warfare; his publications include the comprehensive two-volume history of the medieval siege (Boydell, 2010).

English translation of one of the most significant medieval texts on fighting with swords.Completed in 1482, Johannes Lecküchner's Art of Combat with the "Langes Messer" (Messerfechtkunst) is among the most important documents on the combat arts of the Middle Ages. The Messer was a single-edged, one-handed utility sword peculiar to central Europe, but Lecküchner's techniques apply to cut-and-thrust swords in general: not only is this treatise the single most substantial work on the use of one-handed swords to survive from this period, but it is the most detailed explanation of the two-handed sword techniques of the German "Liechtenauer" school dating back to the 1300s. Lecküchner's lavish manuscript consists of over four hundred illustrations with explanatory text, in which the author, a parish priest, rings the changes on bladework, deceits, and grappling, with techniques ranging from life-or-death escapes from an armed assailant to slapstick moves designed to please the crowd in public fencing matches.This translation, complete with all illustrations from the manuscript, makes the treatise accessible for the first time since the author's untimely death less than a year after its completion left his major work to be lost for generations. An extensive introduction, notes, and glossary analyze and contextualize the work and clarify its technical content.JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and teaches as Adjunct Professor of History at Worcester Polytechnic Institute.

A multidisciplinary overview of current research into the enduringly fascinating martial artefact which is the sword.The sword is the most iconic of all weapons. Throughout history, it has connected various, sometimes conflicting, dimensions of human culture: physical combat and representation of political power, definition of gender roles and refinement of body techniques, evolution of craftsmanship and mythological symbolism.The articles collected here explore these dimensions, from a variety of disciplines, among them archaeology, medieval history, museum conservation, and linguistics. They cover topics from the production and combat use of Bronze Age swords via medieval fencing culture to the employment of the sword in modern military. They question traditional sword typologies and wide-spread theories about sword making, discuss medieval sword terminology and the use of swords as royal insignia, and describe the scientific methods for approaching original finds. Arising from an international conference held at Deutsches Klingenmuseum Solingen (the German Blade Museum), the volume provides fresh insights into the forms the sword can take, and the thoughts it inspires.LISA DEUTSCHER and MIRJAM E. KAISER work in prehistoric archaeology, specialising in La Tène and Bronze Age swords, respectively. SIXT WETZLER is the deputy director of the German Blade Museum; his research focuses on the history of edged weapons, and their use.Contributors:Matthias Johannes Bauer, Holger Becker, Jan-Heinrich Bunnefeld, Rachel J. Crellin, Vincenzo D'Ercole, Andrea Dolfini, Raphael Hermann, Daniel Jaquet, Robert W. Jones, Ulrich Lehmann, Claus Lipka, Stefan Maeder, Michael Mattner, Florian Messner, Nicole Mölk, Ingo Petri, Stefan Roth, Fabrizio Savi, Ulrike Töchterle, Iason-Eleftherios Tzouriadis, Marion Uckelmann, Henry Yallop

First comprehensive study of English artillery in the late Middle Ages, bringing out its full impact on areas beyond the military.One of the most important technological developments of the Middle Ages was the adoption of gunpowder weapons in medieval Europe. From the fourteenth century onwards, this new technology was to eventually transform the conduct ofwarfare beyond all recognition with important implications for European and global history. Guns came to be used in all aspects of military operations, with kings, nobles and burgesses all spending large sums of money on these prestigious weapons. The growing effectiveness of gunpowder artillery prompted major changes in the design of fortifications, the composition of armies, the management of logistics and administrative systems.This book is the first full-length study of the unique English experience of gunpowder weapons, tracing their development from their introduction in the reign of Edward III to the end of the fifteenth century. The rich records of the English Exchequer and urban accounts are used to explore their role in campaigns, in sieges, on the battlefield, at sea and their role in the defence of towns, royal castles and the fortifications of the Pale of Calais. It provides a comprehensive framework for the speed of technological advances and the factors responsible for these changes, as well as an in-depth discussion of individual gun types.DAN SPENCER obtained his PhD from the University of Southampton.

Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them."A substantial and impressive piece of scholarship, one that will serve scholars and enthusiasts of medieval arms and armour very well indeed". Dr Robert W. Jones, Franklin and Marshall CollegeMedieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with fifty-two images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.

The sword is an important and multi-faceted symbol of military power, royal and communal authority, religion and mysticism. This study takes the sword beyond its functional role as a tool for killing, considering it as a cultural artefact, and the broader meaning and significance it had to its bearer.It should be on the bookshelf of anybody who claims to be interested in the importance of the sword in medieval life and thought and their cultural significance in the past - and present. Robert Woosnam-Savage, Royal Armouries.We see the sword as an object of nobility and status, a mystical artefact, imbued with power and symbolism. It is Roland's Durendal, Arthur's Excalibur, Aragorn's Narsil. A thing of beauty, its blade flashes in the sun, and its hilt gleams with opulent decoration. Yet this beauty belies a bloody function, for it is also a weapon that appears crude and brutal, requiring great strength to wield: cleaving armour, flesh, and bone. This wide-ranging book uncovers the breadth of the sword's place within the culture of high medieval Europe. Encompassing swords both real and imagined, physical, and in art and literature, it shows them as a powerful symbol of authority and legitimacy. It looks at the practicalities of the sword, including its production, as well as challenging our preconceptions about when and where it was used. In doing so, it reveals a far less familiar culture of swordsmanship, beyond the elite, in which swordplay was an entertainment, taught in the fencing school by masters such as Lichtenauer, Talhoffer, and Fiore, and codified in fencing manuals, or fechtbücher. The book also considers how our modern attempts to reconstruct medieval swordsmanship on screen, and in re-enactment and Historical European Martial Arts (or HEMA), shape, and have been shaped by, our preconceptions of the sword. As a whole, the weapon is shown to be at once far more mundane, and yet just as special, as we imagine it.

The first extensive study of the depiction of the armour in the Thun-Hohenstein Album against the vibrant artistic and cultural contexts that created it.In late medieval and early modern Europe, armour was more than a defensive technology for war or knightly sport. Its diverse types formed a complex visual language. Luxury armour was fitted precisely to a wearer's body, and its memorable details declared his status. Empty armour could evoke an owner's physical presence, prompting recollection of knightly personae, glittering pageantry, and impressive feats of arms. Its mnemonic power persisted long after the battle had ended, the trumpets had gone silent, and the dust had settled in the tournament arena.Previously believed to contain preliminary designs sketched by master armourers, the Thun-Hohenstein album is a bound collection of drawings by professional book painters depicting some of the most artistically and technologically innovative armours of the fifteenth and sixteenth centuries. Like a paper version of the princely armories that first formed during the 1500s, the album's images offered rich sites of meaning and memory. Their organization within the codex suggests the images' significance to their compiler. At the same time, the composition and details allow the reader to trace the transmission of recognizable armours, and the memories they embodied, from the anvil to the page. This book is the first to examine the album, and the armor it depicts, in their vibrant artistic and cultural context. In five thematic chapters, it moves from case studies of these drawings to explore the album's complex intersections with the genres of martial history, material culture, and literature. It also reveals the album's participation in cultures of remembrance that carried mythic, knightly personae constructed around powerful Habsburg princes forward in time from the Middle Ages into the early modern era, from the courts of the Holy Roman Empire to emerging urban audiences.

First full translation of an important treatise on chivalric horsemanship.Written around 1430, Duarte of Portugal's remarkable treatise on chivalric horsemanship, the Livro do Cavalgar (Book on Riding), is the sole substantial contemporary source to survive on the definitive physical skill of themedieval knight. It also stands out from the body of technical writings of the Middle Ages for its intelligence, insight, and intellectual versatility, ranging from psychological reflections on horsemanship and its implications for human ethics, to the details of how to couch a lance under the arm without getting it caught on armour. Under the general rubric of horsemanship Duarte covers a range of topics that include jousting, tourneying, and hunting, aswell as the physical apparatus of equestrianism and various cultural styles of riding.However, despite its importance for scholarship, its language and technical content have so far resisted proper translation, a need whichthis book fills. The introduction provides not only the background to make Duarte's text comprehensible, but for the first time offers modern audiences a systematic point of access to the subject of medieval equestrianism in general.JEFFREY L. FORGENG is curator of Arms and Armor and Medieval Art at the Worcester Art Museum, and Adjunct Professor of History at Worcester Polytechnic Institute.

Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them. Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with forty-six images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.

Copiously illustrated edition with translation of seminal texts on the joust in medieval Iberia.WINNER: UNIVERISTY OF GEORGIA CREATIVE RESEARCH MEDAL 2012WINNER: 2012 LA CORÓNICA INTERNATIONAL BOOK AWARDJousting was for some 500 years the major spectator sport in western Europe. And yet, despite its enormous popularity in the Middle Ages and the Renaissance, very little is known about its practicalities. How was the score determined and kept? How and why did jousting armour evolve, how effective was it, and how did it differ from the field armour worn by knights in battle? What constituted technical virtuosity in the lists? And why did jousting die out?This book uses previously untapped Iberian source material to provide answers to such questions. It focuses on three jousting manuals, written by practising champions at the time: Ponç de Menaguerra's Lo Cavaller (`The Knight', 1493); Juan Quijada de Reayo's Doctrina del arte de la cavalleria (`Doctrine of the Art of Chivalry', 1548); and Luis Zapata's Del Justador (`On the Jouster', c.1589-93). As well as editions, with the first English translation, of these important texts, it includes introductions and an analytical study; there are also chapters on the arms and armour of the joust. Nearly 200 colour and black-and-white illustrations, many never previously published, illuminate the sometimes complex technical terminology of these authors, and provide further evidence of how weapons and armour were actually used.

Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them.Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over seventy original documents are transcribed and translated, including wills, inventories, letters and chronicle accounts, from a period which saw rapid advances in military technology. The book also includes an extensive glossary, and is lavishly illustrated with images of both extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.

Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them."A substantial and impressive piece of scholarship, one that will serve scholars and enthusiasts of medieval arms and armour very well indeed". Dr Robert W. Jones, Franklin and Marshall CollegeMedieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with fifty-two images of extant armour and weapons from the period and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter and martial artist, to students of literature, military history, art and material culture.

The first extensive study of the depiction of the armour in the Thun-Hohenstein Album against the vibrant artistic and cultural contexts that created it.In late medieval and early modern Europe, armour was more than a defensive technology for war or knightly sport. Its diverse types formed a complex visual language. Luxury armour was fitted precisely to a wearer's body, and its memorable details declared his status. Empty armour could evoke an owner's physical presence, prompting recollection of knightly personae, glittering pageantry, and impressive feats of arms. Its mnemonic power persisted long after the battle had ended, the trumpets had gone silent, and the dust had settled in the tournament arena.Previously believed to contain preliminary designs sketched by master armourers, the Thun-Hohenstein album is a bound collection of drawings by professional book painters depicting some of the most artistically and technologically innovative armours of the fifteenth and sixteenth centuries. Like a paper version of the princely armories that first formed during the 1500s, the album's images offered rich sites of meaning and memory. Their organization within the codex suggests the images' significance to their compiler. At the same time, the composition and details allow the reader to trace the transmission of recognizable armours, and the memories they embodied, from the anvil to the page. This book is the first to examine the album, and the armor it depicts, in their vibrant artistic and cultural context. In five thematic chapters, it moves from case studies of these drawings to explore the album's complex intersections with the genres of martial history, material culture, and literature. It also reveals the album's participation in cultures of remembrance that carried mythic, knightly personae constructed around powerful Habsburg princes forward in time from the Middle Ages into the early modern era, from the courts of the Holy Roman Empire to emerging urban audiences.

Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them. Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over a hundred original documents are transcribed and translated, including wills and inventories, craft statutes, chronicle accounts, and challenges to single combat. The book also includes an extensive glossary, lavishly illustrated with forty-six images of extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.

Authoritative reference guide, using the documents in which arms and armour first appeared to explain and define them.Medieval arms and armour are intrinsically fascinating. From the smoke and noise of the armourer's forge to the bloody violence of the battlefield or the silken panoply of the tournament, weapons and armour - and those who made and bore them - are woven into the fabric of medieval society. This sourcebook will aid anyone who seeks to develop a deeper understanding by introducing and presenting the primary sources in which these artefacts are first mentioned. Over seventy original documents are transcribed and translated, including wills, inventories, letters and chronicle accounts, from a period which saw rapid advances in military technology. The book also includes an extensive glossary, and is lavishly illustrated with images of both extant armour and weapons from the period, and contemporary artistic depictions from illuminated manuscripts and other sources. This book will therefore be of interest to a wide audience, from the living history practitioner, crafter, and martial artist, to students of literature, military history, art, and material culture.

A major new exploration of the history and development of gunpowder weapons in the 15th century based on the artillery of the Dukes of Burgundy.The four Valois Dukes of Burgundy created, in little more than a century, a fabulously wealthy and independent state. Their centralised control and chancellery have bequeathed to us a vast treasure trove of documents, including accounts and inventories of the Masters of the artillery under the later Dukes. Although many of these were extracted and transcribed in the late nineteenth century, modern historians have largely ignored their unprecedented insights into fifteenth-century guns and their use. When Charles the Bold, the last Valois Duke, took on the combined Swiss confederate forces in 1476 he lost not just the battles and his personal fortune, but much of his artillerytrain as well. Of the dozens of cannons captured, at least 25 pieces survive in Swiss museums. The documents that survive from the Valois state give us, almost for the first time in medieval Europe, the ability to see the course of history in a period when Europe was undergoing some of the most profound changes before the 20th century.The Artillery of the Dukes of Burgundy is the first attempt to combine all these sources, bringing newand fresh insights into the development and use of artillery in the fifteenth century. Moreover this is the first modern study of medieval cannon, one of the most important discoveries of the post-classical world. KELLY DeVRIES has authored numerous books and articles on medieval warfare. ROBERT DOUGLAS SMITH formerly Head of Conservation in the Royal Armouries, Tower of London, is an acknowledged expert on medieval artillery. This study is thefirst major fruit of their combined researches.