Artists In Focus; V&A – serie

A delightful gift book devoted to the art and design of Vanessa Bell, a central figure in the internationally popular Bloomsbury group. The painter Vanessa Bell initiated a step change in modern British art, bringing the bright palette and bold stylization of the Parisian avant-garde to London. She was a central figure in the Bloomsbury group, alongside members of her family and close circle including Virginia Woolf, Clive Bell and Duncan Grant. This book explores Bell’s radical approach to art and life through her paintings and designs for interiors, gardens, book jackets and more, bringing her work out of the shadow of her male contemporaries while celebrating her collaborative approach. Illustrated by over 100 striking images drawn from the V&A’s important collection of her work, this engaging overview also considers Bell’s unique, artisanal designs for the Omega Workshops and for Charleston Farmhouse in Sussex, her family residence, foregrounding the home as a crucial site of modernity.

John Constable is one of the greatest painters of the English weather. His depictions of the sky are essential components of all his landscape paintings, from famous works such as The Hay Wain and Salisbury Cathedral from the Meadows to his numerous cloud studies painted on Hampstead Heath, culminating in paintings in which the landscape beneath the ever-changing sky is completely absent.Constable kept a weather diary and was endlessly fascinated by the sky. In a letter written in 1821 to friend John Fisher, Bishop of Salisbury, Constable commented, ‘That landscape painter who does not make his skies a very material part of his composition, neglects to avail himself of one of his greatest aids ... It will be difficult to name a class of landscape in which the sky is not the key note, the standard of scale, and the chief organ of sentiment.’Written by Mark Evans, a leading authority on the work of John Constable, Constable’s Skies captures the artist’s fascination with the sky and brings together his depictions of the English weather from throughout his career. It will appeal to a broad readership of museum visitors and art lovers, as well as practising landscape painters keen to learn new skills by studying the work of one of the most enduringly popular English artists of all time.

A passionate advocate of craftsmanship over mass-production, William Morris (1834– 1896) designed a huge variety of objects, but it is his highly original carpet, fabric and wallpaper patterns that have continued to capture the imagination and exert their influence on the decorative arts. Around 600 such designs are attributed to Morris, of which the vast majority are based on natural forms, including trees, plants and flowers. This beautifully designed, accessibly priced gift book offers a wealth of designs by Morris in which flowers are the principal motif, bringing together not only completed patterns but also working drawings in pen and watercolour, and examples of his pearwood, floral-pattern printing blocks. It also explores examples of the sources that inspired Morris’s flower-based designs: his own gardens at the Red House in Kent, Kelmscott Manor in Oxfordshire and elsewhere; 16th- and 17th-century herbals; illuminated medieval manuscripts; late medieval and Renaissance tapestries; and a range of decorated objects, particularly from the Islamic world, that Morris studied at the South Kensington Museum (now the V&A). Authored by Rowan Bain, curator at the William Morris Gallery in Walthamstow, north London, and lavishly illustrated with almost 100 colour illustrations, this exquisite book will both inform and delight

Aubrey Beardsley (1872–1898) was only 25 when he died from tuberculosis, but in his short life he established a reputation as one of the most accomplished – and controversial – illustrators of his day, whose contribution to the visual language of Art Nouveau was profound. Astonishingly, all his work was created in the course of only six years, and is today instantly recognizable for its use of black ink and flowing lines on white paper – and its erotically charged subject matter. Not all his work was lubricious – some of it was political, poking fun at the decadent mores of the time – but much of it was, taking its stylistic inspiration from Japanese shunga and Greek vase painting and its thematic inspiration from mythology, history, poetry and drama. This beautifully designed, accessibly priced gift book offers a wealth of illustrations by Beardsley, and introduces his exquisitely wrought drawings and prints to a new audience. With a text by Jan Marsh and around 110 illustrations from the extensive collections of the Victoria and Albert Museum, this book brings together a carefully curated selection of works from Beardsley’s tragically short but highly productive life.

Charles Francis Annesley Voysey (1857–1941) is, with William Morris, one of the most enduringly popular designers of the Arts & Crafts Movement. A practising architect, Voysey also designed a broad range of applied arts objects, from furniture, ceramics, and metalwork to wallpaper, carpets, tiles, and fabrics. His pattern designs, created from the 1880s to the early 1930s, are among his best-known works today. His wallpaper and textile designs are characterized by simple, stylized, rhythmic patterns that base their motifs on forms found in the natural world. Plants abound, but so too do birds and animals, represented as silhouettes or in soft pastel shades. This elegant, accessibly priced volume offers a wealth of colourful designs by Voysey in which birds and animals are the principal motifs. Written by Karen Livingstone, a published expert on Voysey and the Arts & Crafts Movement, this book brings together not only completed patterns but also working drawings in pencil and watercolour. Voysey's Birds and Animals will both inform and delight, appealing to a broad readership of museum visitors and lovers of art and design.

Christopher Dresser (1834–1904) is one of the most influential British designers of all time and he is widely regarded as Britain’s first independent industrial designer. His works still look remarkably modern more than a century later. Like his contemporary William Morris, Dresser advocated for an ‘honesty of materials’, but unlike Morris he fully embraced industrial techniques, designing for the growing consumer market. Dresser’s fascination with the arts of Japan and his advocacy of Owen Jones’s principle that ornament should be geometrical in form resulted in a range of designs that look surprisingly minimal for their time. Affordable, well-designed, functional and commercially successful, the objects that Dresser designed – wallpapers, textiles, carpets, ceramics, furniture and, most famously, metalwork – were industrially produced by manufacturers across the UK, the US and continental Europe. This compact, beautifully produced book on the work of Christopher Dresser begins with a brief introduction to his life and work before presenting 75 of his most important pieces, each accompanied by a narrative-style caption. It will appeal to anyone interested in modern design.With 117 illustrations in colour

Dante Gabriel Rossetti (1828–1882), best known and admired for his striking and seductive portraits of women, was one of the founding members of the Pre-Raphaelite Brotherhood, a group of artists whose work is inspired by the art of the early Italian Renaissance. Rossetti’s powerful and unconventional portraits, with their sumptuous, jewel-like colours, are explored in this beautiful gift book. Examples have been drawn from the full range of Rossetti’s work – including paintings, drawings, print illustrations, decorative designs and staged photographs – and chart the artist’s lively engagement with mythology, history, literature, biblical subjects and modern life. Rossetti defined his experiences through his passion for his subjects and this book traces his deliberate intertwining of art and life. His models such as Jane Morris, Elizabeth Siddal and his sister Christina, were his inspiration and, in his rejection of conventional beauty, he redefined difference as desirable. Through his view of women – in which admiration veered towards fixation, praise towards possession – Rossetti confronted the staid 19th-century public with a new and powerful image of women, and the allure of that power is still felt today.With 126 illustrations in colour

A beautifully designed gift book devoted to the work of the renowned ceramics firm Wedgwood. Looking back at key moments in Wedgwood’s design history, this book celebrates the visual power and great design encapsulated by Wedgwood from its founding in 1759 to the present day. The name ‘Wedgwood’ has come to stand for something far beyond its illustrious and energetic founder: uniting art and industry; introducing design and artistic collaborations; the iconic blue and white of Wedgwood jasper. This book tells that story through the lens of design, reflecting the continuing role that Wedgwood and its designers, artists and employees played in setting trends, responding to the market and producing high-quality, desirable ceramics for a broad range of consumers, yet tied to the traditions established by Josiah Wedgwood in the eighteenth century. It presents highlights from the V&A Wedgwood Collection, reflecting the unique proposition of Wedgwood’s business: by operating in both the ‘ornamental’ and ‘useful’ markets, Wedgwood was able to bring innovative ceramic design to large areas of a captive market. These ceramics and their stories demonstrate the artistic heritage, craft and innovation that have become synonymous with the Wedgwood name.

A beautiful and informative gift book devoted to Edward Bawden's representations of England. Edward Bawden (1903-1989) was a printmaker, painter, illustrator and designer. He studied and later taught at the Royal College of art, served as a war artist in WW2 and worked extensively as a commercial artist for companies including London Transport, Fortnum and Mason, Shell-Mex, the Folio Society and Chatto and Windus. Aside from the years he spent in France, the Middle East and North Africa while serving as a war artist, and later visits to Canada and Ireland, Bawden rarely travelled far from home, but found inspiration in the fields and farms of his native Essex, at the seaside, and in classic London scenes: Kew Gardens, the Royal Parks, the Tower of London and St Paul’s Cathedral, and the iron-and-glass monuments to Victorian engineering such as Liverpool Street station and the markets in Spitalfields and Smithfield. This book celebrates England as represented by Bawden in 85 works held in the V&A’s collection, including prints, posters, drawings, paintings, murals and advertising material. The illustrations include such early pieces as his poster Map of the British Empire for an exhibition in 1924; his mural English Garden Delights, designed for the Orient Line Navigation Company in 1946; illustrations for books including Good Food, The Gardener’s Diary and Life in an English Village; advertising work for London Transport, Shell and Fortnum & Mason; the poster Lifeguards, created to mark the coronation of Queen Elizabeth II in 1953; and a varied selection of linocuts and watercolours. As this book demonstrates, it was England, with its quiet landscapes, its pleasures and pastimes, its history and ceremonies, its traditions and recreations, that was the source of Bawden's finest and most engaging work.