Atlantic Monthly Press – serie

From the National Book Award-longlisted author of Finding Florida, a sparkling, sweeping chronicle of the author’s life and discoveries in an ancient town in “Deep France,” from nearby prehistoric caves to medieval dynastic struggles to the colorful characters populating the area todayWhen T. D. Allman purchased an 800-year-old house in the mountain village of Lauzerte in southwestern France, he aimed to find refuge from the world's tumults. Instead, he found that humanity’s most telling melodramas, from the paleolithic to the post-modern, were graven in its stones and visible from its windows.Indeed, the history of France can be viewed from the perspective of Lauzerte and its surrounding area—just as Allman, from one window, can see Lauzerte unfold before him in the Place des Cornières, where he watches performances of the opera Tosca and each Saturday buys produce from “Fred, the Foie Gras Guy;” while from the other side facing the Pyrenees he surveys the fated landscape that generated many events giving birth to the modern world. The dynastic struggles of Eleanor of Aquitaine, he finds, led to Lauzerte’s remarkably progressive charter issued in 1241, which even then enshrined human rights in its 51 articles. From Eleanor’s marriage to English king Henry II in 1154 dates the never-ending melodrama pitting English arrogance against French resistance; in 2016 Brexit demonstrated that this perpetual contretemps is another of the vaster conditions life in Lauzerte illuminates. Allman chronicles the many conflicts that have swirled in the region, from the Catholic Church’s genocidal campaign to wipe out “heresy” there; to France’s own 16th-century Wars of Religion, which saw hundreds massacred in the town square, some inside his house; to World War II, during which Lauzerte was part of Nazi-occupied Vichy.In prose as crystalline as his view to the Pyrenees on a clear day, Allman animates Lauzerte and its surrounding communities—Cahors, Moissac, Montauban—all ever in thrall to the magnetic impulse of Paris. Witness to so many dramas over the centuries, his house comes alive as a historical protagonist in its own right, from its wine-cellar cave to the roof where he wages futile battle with pigeons, to the life lessons it conveys. “The onward march of history, my House keeps demonstrating, never takes a rest,” he observes, pulling us vividly into his world.

A definitive chronicle of the 1871 Chicago Fire as remembered by those who experienced it—from the author of Chicago and the American Literary Imagination.Over three days in October, 1871, much of Chicago, Illinois, was destroyed by one of the most legendary urban fires in history. Incorporated as a city in 1837, Chicago had grown at a breathtaking pace in the intervening decades—and much of the hastily-built city was made of wood. Starting in Catherine and Patrick O'Leary's barn, the Fire quickly grew out of control, twice jumping branches of the Chicago River on its relentless path through the city's three divisions. While the death toll was miraculously low, nearly a third of Chicago residents were left homeless and more were instantly unemployed.This popular history of the Great Chicago Fire approaches the subject through the memories of those who experienced it. Chicago historian Carl Smith builds the story around memorable characters, both known to history and unknown, including the likes of General Philip Sheridan and Robert Todd Lincoln. Smith chronicles the city's rapid growth and its place in America's post-Civil War expansion. The dramatic story of the fire—revealing human nature in all its guises—became one of equally remarkable renewal, as Chicago quickly rose back up from the ashes thanks to local determination and the world's generosity.As we approach the fire's 150th anniversary, Carl Smith's compelling narrative at last gives this epic event its full and proper place in our national chronicle."The best book ever written about the fire, a work of deep scholarship by Carl Smith that reads with the forceful narrative of a fine novel. It puts the fire and its aftermath in historical, political and social context. It's a revelatory pleasure to read." —Chicago Tribune

A bold, thought-provoking pathway to the national solidarity that could, finally, address the ills of racism in America“Racism is an existential threat to America,” Theodore R. Johnson declares at the start of his profound and exhilarating book. It is a refutation of the American Promise enshrined in our Constitution that all men and women are inherently equal. And yet racism continues to corrode our society. If we cannot overcome it, Johnson argues, while the United States will remain as a geopolitical entity, the promise that made America unique on Earth will have died.When the Stars Begin to Fall makes a compelling, ambitious case for a pathway to the national solidarity necessary to mitigate racism. Weaving memories of his own and his family’s multi-generational experiences with racism, alongside strands of history, into his elegant narrative, Johnson posits that a blueprint for national solidarity can be found in the exceptional citizenship long practiced in Black America. Understanding that racism is a structural crime of the state, he argues that overcoming it requires us to recognize that a color-conscious society—not a color-blind one—is the true fulfillment of the American Promise.Fueled by Johnson’s ultimate faith in the American project, grounded in his family’s longstanding optimism and his own military service, When the Stars Begin to Fall is an urgent call to undertake the process of overcoming what has long seemed intractable.

Some argued it would save the U.S. after 9/11. Instead, the CIA’s enhanced interrogation program came to be defined as American torture. The Forever Prisoner, a primary source for the recent HBO Max film directed by Academy Award winner Alex Gibney, exposes the full story behind the most divisive CIA operation in living memory.Six months after 9/11, the CIA captured Abu Zubaydah and announced he was number three in Al Qaeda. Frantic to thwart a much-feared second wave of attacks, the U.S. rendered him to a secret black site in Thailand, where he collided with retired Air Force psychologist James Mitchell. Arguing that Abu Zubaydah had been trained to resist interrogation and was withholding vital clues, the CIA authorized Mitchell and others to use brutal “enhanced interrogation techniques” that would have violated U.S. and international laws had not government lawyers rewritten the rulebook.In The Forever Prisoner, Cathy Scott-Clark and Adrian Levy recount dramatic scenes inside multiple black sites around the world through the eyes of those who were there, trace the twisted legal justifications, and chart how enhanced interrogation, a key “weapon” in the global “War on Terror,” metastasized over seven years, encompassing dozens of detainees in multiple locations, some of whom died. Ultimately that war has cost 8 trillion dollars, 900,000 lives, and displaced 38 million people—while the U.S. Senate judged enhanced interrogation was torture and had produced zero high-value intelligence. Yet numerous men, including Abu Zubaydah, remain imprisoned in Guantanamo, never charged with any crimes, in contravention of America’s ideals of justice and due process, because their trials would reveal the extreme brutality they experienced.Based on four years of intensive reporting, on interviews with key protagonists who speak candidly for the first time, and on thousands of previously classified documents, The Forever Prisoner is a powerful chronicle of a shocking experiment that remains in the headlines twenty years after its inception, even as US government officials continue to thwart efforts to expose war crimes.Silenced by a CIA pledge to keep him imprisoned and incommunicado forever, Abu Zubaydah speaks loudly through these pages, prompting the question as to whether he and others remain detained not because of what they did to us but because of what we did to them.

The vivid, behind-the-scenes story of perhaps the most consequential political moment in American history—Abraham Lincoln’s history-changing nomination to lead the Republican Party in the 1860 presidential electionIllinois lawyer Abraham Lincoln had a record of political failure. In 1858, he had lost a celebrated Senate bid against incumbent Stephen Douglas, his second failed Senate run, and had not held public office since one term in Congress a decade earlier. As the Republican National Convention opened in mid-May 1860 in Chicago, powerful New York Senator William Seward was the overwhelming favorite for the presidential nomination, with notables like Salmon Chase and Edward Bates in the running. Few thought Lincoln stood a chance—though stubborn Illinois circuit Judge David Davis had come to fight for his friend anyway.Such was the political landscape as Edward Achorn’s The Lincoln Miracle opens on Saturday, May 12, 1860. Chronicling the tense political drama as it unfolded over the next six days, Achorn explores the genius of Lincoln’s quiet strategy, the vicious partisanship tearing apart America, the fierce battles raging over racism and slavery, and booming Chicago as a symbol of the modernization transforming the nation. Closely following the shrewd insiders on hand, from Seward power broker Thurlow Weed to editor Horace Greeley — bent on stopping his former friend, Seward—Achorn brings alive arguably the most consequential political story in America’s history.From smoky hotel rooms to night marches by the Wide Awakes, the new Republican youth organization, to fiery speeches on the floor of the giant convention center called The Wigwam, Achorn portrays a political climate even more contentious than our own today, out of which the seemingly impossible long shot prevailed, to the nation’s everlasting benefit. As atmospheric and original as Achorn’s previous Every Drop of Blood, The Lincoln Miracle is essential reading for any Lincoln aficionado as it is for anyone who cares about our nation’s history.

Fifteen families. Four hundred years. The complex saga of the White Anglo-Saxon Protestant elite in America’s history.For decades, writers from Cleveland Amory to Joseph Alsop to the editors of Politico have proclaimed the diminishment of the White Anglo-Saxon Protestants, who for generations were the dominant socio-cultural-political force in America. While the WASP elite has, in the last half century, indeed drifted from American centrality to the periphery, its relevance and impact remain, as Michael Gross reveals in his compelling chronicle.From Colonial America’s founding settlements through the Gilded Age to the present day, Gross traces the complex legacy of American WASPs—their profound accomplishments and egregious failures—through the lives of fifteen influential individuals and their very privileged, sometimes intermarried families. As the Bradford, Randolph, Morris, Biddle, Sanford, Peabody and Whitney clans progress, prosper and periodically stumble, defining aspects in the four-century sweep of American history emerge: our wide, oft-contentious religious diversity; the deep scars of slavery, genocide, and intolerance; the creation and sometime mis-use of astonishing economic and political power; an enduring belief in the future; an instinct to offset inequity with philanthropy; an equal capacity for irresponsible, sometimes wanton, behavior.“American society was supposed to be different,” writes Gross, “but for most of our history we have had a patriciate, an aristocracy, a hereditary oligarchic upper class, who initiated the American national experiment.” In previous acclaimed books such as 740 Park and Rogues’ Gallery, Gross has explored elite culture in microcosm; expanding the canvas, Flight of the WASP chronicles it across four centuries and fifteen generations in an ambitious and consequential contribution to American history.

The police call him Merkury. He’s a killer who seems to choose his victims at random. He leaves no evidence behind, and no witnesses. Except for one. But what did she really see?When Kate Summerlin was eleven years old, she climbed out her bedroom window on a spring night, looking for a taste of freedom in the small college town where she was living with her parents. But what she found as she wandered in the woods near her house was something else: the body of a beautiful young woman, the first of Merkury’s victims. And before she could come to grips with what she was seeing, she heard a voice behind her—the killer’s voice—saying: “Don’t turn around.”Now, at the age of twenty-nine, Kate is a successful true crime writer, but she has never told anyone the truth about what happened on that long-ago night. When Merkury claims yet another victim—a college student named Bryan Cayhill—Kate finds herself drawn back to the town where everything started. She sets out to make sense of this latest crime, but the deeper she gets into the story, the more she comes to realize that it’s far from over. Her search for the truth about Merkury is leading her down into a dark labyrinth, and if she hopes to escape, she’ll have to meet him once again—this time face to face.

From the author of Book of the Little Axe, nominated for the Hurston/Wright Legacy Award, and the critically acclaimed 'Til the Well Runs Dry, a riveting literary novel with the sharp edges of a thriller about the abuses of history and the costs of revenge, set between Washington, D.C., and Johannesburg, South AfricaPrudence Wright seems to have it all: a loving husband, Davis; a spacious home in Washington, D.C.; and the former glories of a successful career at McKinsey, which now enables her to dedicate her days to her autistic son, Roland. When she and Davis head out for dinner with one of Davis’s new colleagues on a stormy summer evening filled with startling and unwelcome interruptions, Prudence has little reason to think that certain details of her history might arise sometime between cocktails and the appetizer course.Yet when Davis’s colleague turns out to be Matshediso, a man from Prudence’s past, she is transported back to the formative months she spent as a law student in South Africa in 1996. As an intern at a Johannesburg law firm, Prudence attended sessions of the Truth and Reconciliation hearings that uncovered the many horrors and human rights abuses of the Apartheid state, and which fundamentally shaped her sense of righteousness and justice. Prudence experienced personal horrors in South Africa as well, long hidden and now at risk of coming to light. When Matshediso finally reveals the real reason behind his sudden reappearance, he will force Prudence to examine her most deeply held beliefs and to excavate inner reserves of resilience and strength.Lauren Francis-Sharma’s previous two novels have established her as a deft chronicler of history and its intersections with flawed humans struggling to find peace in unjust circumstances. With keen insight and gripping tension, Casualties of Truth explosively mines questions of whether we are ever truly able to remove the stains of our past and how we may attempt to reconcile with unquestionable wrongs.

“Like the love child of Edgar Allan Poe and Arthur Conan Doyle . . . delightful to read.”—NPR.org, on The ForgersA New York Times Book Review Paperback Row Pick of the WeekA gripping literary thriller that brings readers inside the world of expert forgery, rivalrous fury, and generations of dark family secrets, with Mary Shelley’s voice and life woven throughoutLiterary forger Henry Slader, assaulted and presumed dead by his longtime nemesis, Will, awakens in a shallow grave, suffocating in dirt. Concussed and disoriented, Slader exhumes himself and sets out to exact revenge on his rival, orchestrate Will’s downfall, and make a fortune along the way—armed with a devastating secret about Will’s past.Slader quickly draws in Will’s daughter, Nicole, wielding his threats against her father to blackmail her into forging inscriptions by such authors as Poe, Hemingway, James Joyce, and Gertrude Stein. As Nicole’s skill grows, so does her devotion to—and doubts about—her father’s integrity, until she commits the ultimate betrayal for the sake of his freedom. With breathtakingly precise background knowledge and virtuoso execution, Nicole forges a suite of brilliantly convincing and surpassingly valuable letters by Frankenstein author Mary Shelley—planting within them the seeds of Slader’s doom.Moving between upstate New York, a village in Ireland, London, and ending in a shocking standoff at the site of Mary Shelley’s grave in a coastal town in Southern England, The Forger’s Requiem is both a compelling standalone novel and the crescendo ending to the trilogy Joyce Carol Oates has called “lethally enthralling to read.”

This collection of poems by Vietnam veteran Bruce Weigl provides "a searing memento of the war that refuses to be forgotten" (San Francisco Chronicle)."Song of Napalm is more than a collection of beautifully wrought, heart-wrenching and often very funny poems. It's a narrative, the story of an American innocent's descent into hell and his excruciating return to life on the surface. Weigl may have written the best novel so far about the Vietnam War, and along the way a dozen truly memorable poems." —Russell Banks"Song of Napalm is one of the best books of any genre about the war—and about human endurance." —The Kansas City Star"Weigl bears true witness to the reality of war, and his work takes its place alongside the strongest war poetry of this century." —The Hudson Review"Reading these poems I am struck with something close to awe for the resilience of the human body and the human heart. I can only compare Song of Napalm with the remarkable poetry of Wilfred Owen and Robert Graves. I cherish Bruce Weigl's poetry as a great gift." —Larry Heinemann, author of Paco's Story

The last quarter century has been an extraordinary and turbulent period in the art world. It was a time of creative intensity during which a handful of artists, like Julian Schnabel, Jeff Koons, Keith Haring, and Jean-Michel Basquiat, managed, in their different ways, to cross over from the rarefied world of high art into popular culture. It was also a time when other promising careers and even whole movements, like Graffiti, spurted to life and then just as suddenly disappeared. During the astonishing boom years of the 1980s, the newly vigorous art market transformed the role of dealers and collectors to give them unprecedented power as tastemakers and the dangerous glamour of Hollywood power agents. And then came the bust.Writer Anthony Haden-Guest has moved within the art world, known the players, and reported on the scene for this entire span of time. True Colors draws on two decades of reporting to deliver an authoritative and deliciously inside account of the contemporary art world that will be the most talked-about book on art since The Shock of the New.Haden-Guest gives vivid portraits of the art world’s key players and dramatizes the pivotal moments in the always evolving scene. Skillfully conveying a sense of the intricate geography of the art world, he tells of its clashes of ambition, its intrigues, its power plays. This is how artists survive, or don’t survive. True Colors is filled with telling anecdotes and expertly told stories that cohere to give a sense of how the art world works, its current state, and where it may be going.

Dream Work, a collection of forty-five poems, follows both chrono­logically and logically Mary Oliver's American Primitive, which won her the Pulitzer Prize for the finest book of poetry published in 1983 by an American poet. The depth and diversity of perceptual awareness—so steadfast and radiant in American Primitive—continue in Dream Work. She has turned her attention in these poems to the solitary and difficult labors of the spirit—to accepting the truth about one's personal world, and to valuing the triumphs while transcending the fail­ures of human relationships.Whether by way of inheritance—as in her poem about the Holocaust—or through a painful glimpse into the present—as in "Acid," a poem about an injured boy begging in the streets of Indonesia—the events and tendencies of history take on a new importance here. More deeply than in her previous volumes, the sensibility behind these poems has merged with the world. Mary Oliver's willingness to be joyful continues, deepened by self-awareness, by experience, and by choice.

Over 175 recipes featuring the fish, shellfish, fruits, and vegetables of America’s tropical paradise."This instructive and exciting book is a must for anyone interested in Americana, good cuisine, and that last frontier of cooking, the Florida Keys."--Jacques Pepin

From its first mention in biblical references up through its emergence as the international cuisine of the nineties, yogurt has been the constant kitchen cure-all. And particularly in the last decade, nature’s greatest original prepared food has become a major staple in the American diet. Cooking with Yogurt explores the countless ways to fit yogurt into meals: as the main course; as a side dish; as a sauce for meats, vegetables, and grains; as a substitute for butter, mayonnaise, or eggs; as a complement to traditional ethnic foods; and as a low-calorie, low-fat alternative to rich dairy products.The 150 recipes in Cooking with Yogurt are delicious and healthy, yet marvelously simple to prepare. They span the entire range of culinary endeavor–from breakfast to a midnight snack, from hors d”oeuvres to mouthwatering deserts to thirst-quenching drinks. The variety will astound even the most imaginative cooks: there are recipes for Smoked Salmon Mousse, Indonesian Shrimp Barbecue, Vichyssoise, Roasted Eggplant Soup, Fajitas, Grilled Yogurt-Glazed Swordfish, and even savory breads and breakfast treats, such as Yogurt Chive Cornbread and Cinnamon Coffee Cake.Cooking with Yogurt is the perfect combination of elegant simplicity and delicious variety for all cooks everywhere.

It started fifty years ago with a couple of baseball games. Then came pro football, basketball, hockey, more baseball, the Olympics, golf, bowling, stock car racing, skiing, tennis, volleyball, badminton, darts, and anything else producers could find to sell a few beers. Every man who hasn’t gone out into the woods to find his wild man is plunked down on the living room sofa in front of the twenty-seven-inch-diagonal screen.Marriages crumble, family time disappears, hardbodies go to flab–TV sports are taking over the world.Now, just in the nick of time, Norman Chad offers a hilarious, biting, and incisive look at television sports. First he takes to task the excesses of sports TV: too much viewing (and its effect on the home), too much college basketball, too much talk from announcers, too much figure skating, too many replays, and too many jock analysts–not to mention the biggest, loudest personalities bringing us the games: Dick Vitale, Chris Berman, Tim McCarver, and John Madden. Next, he poses some questions: What’s wrong with ‘monday Night Football,” and how can we fix it? What’s it like to watch twenty-four consecutive hours of ESPN? What’s with the explosion of all-sports radio, and how can we stop it? Does golf really need to be televised? Finally, Chad offers a few radical solutions–eliminating all jock analysts, for instance, or simply announcing games yourself from the home–and then concludes that the only answer just may be complete abstinence from all sports viewing.Hold On, Honey, I’ll Take You to the Hospital at Halftime is the first book to take a humorous look at the hugely popular phenomenon of TV sports and is certain to appeal to all armchair quarterbacks–as well as to all wives who would like to turn off the tube and get their husbands to rake the yard.

Zulu, The Rap Factor's protagonist and Miami's hottest P.I., is badder than Shaft and gets more women into bed than James Bond. When a beautiful young rapper poised for the top of the charts is found dead in her apartment, not a mark on her perfect ebony body, Zulu is off and jamming. What ensues is fully worthy of the writer who has been praised by Vanity Fair for his "cool, stylish puzzlers" and by the Los Angeles Times as one capable of "four-star pop entertainment." "This novel has gas, written in the mile-a-minute, rat-a-tat style of rap. [Delacorta] mixes John D. McDonald, Dashiell Hammett and Mickey Spillane, along with a healthy dose of wit and pure fun, and comes up with one of the best reads of the summer." -- The Washington Post Book World

This diverse and captivating anthology presents twenty-seven stories, essays, and poems by some of today's most prominent authors, including Raymond Carver, Annie Dillard, E. Annie Proulx, Peter Matthiessen, Tim Cahill, Barbara Lloyd, Geoffrey Wolff, and Rick Bass. From icebreakers on Lake Michigan to the twelve-meter yachts of America's Cup, Boats: An Anthology covers a wide geographical and emotional spectrum and will appeal equally to boating aficionados, lovers of contemporary literature, and anyone who has ever enjoyed an afternoon on the water. "Write your name all over the endpapers first. This anthology is a definite keeper." - San Francisco Tribune; "Here is a beautifully written book to be appreciated by old salts and landlubbers alike. There are many moods and feelings here, conveying to the reader humor, terror, calm, joy, beauty - all the seductions of the sea." - Parade.

One of the most original novels of Los Angeles in recent years, Stars Screaming takes us beyond the shimmering phenomenon of Hollywood into back streets strewn with the fallout of fame and fortune. Ray Burk is a network censor struggling to break into The Business as a screenwriter. As his wife begins to lose her grip on reality, Burk spends entire days in his car on an endless journey through Los Angeles. His path weaves the present of his dissolving family with the shattering events of his past, circling into the Los Angeles underworld, where his friends, lovers, and enemies intertwine with a volatile mix of pimps, winos, and washed-up starlets who drink away the afternoons trying to recapture the glory days that somehow evaded them. And as the dark secrets emerge, Burk too begins to unravel.Spanning an arc from the golden 1930s to the bitter 1970s, Stars Screaming is a remarkable portrait of a lost era that captures the moment when the American dream fell apart.