Ambiances, Atmospheres and Sensory Experiences of Spaces – serie

This book examines the concept of darkness through a range of cultures, histories, practices and experiences. It engages with darkness beyond its binary positioning against light to advance a critical understanding of the ways in which darkness can be experienced, practised and conceptualised. Humans have fundamental relationships with light and dark that shape their regular social patterns and rhythms, enabling them to make sense of the world. This book ‘throws light’ on the neglect of these social patterns to emphasize how the diverse values, meanings and influences of darkness have been rarely considered. It also examines the history of our relationship with the dark and highlights how normative attitudes towards it have emerged, while also emphasising its cultural complexity by considering a contemporary range of alternative experiences and practices. Challenging notions of darkness as negative, as the antithesis of illumination and enlightenment, this book explores the rich potential of darkness to stimulate our senses and deepen our understandings of different spaces, cultural experiences and creative engagements. Offering a rich exploration of an emergent field of study across the social sciences and humanities, this book will be useful for academics and students of cultural and media studies, design, geography, history, sociology and theatre who seek to investigate the creative, cultural and social dimensions of darkness.

The book delves into the affective, embodied, and sensory dimensions of traffic and urban mobility. It brings together key phenomenological and post-phenomenological readings to challenge taken for granted assumptions of urban traffic.Through the experiences of traffic users in Ho Chi Minh City, Vietnam, the book provides fascinating pathways into structures and processes that make up phenomenal traffic worlds. It explores the nature of the traffic experience, modalities of existence within it, and the wide spectrum of awarenesses involved in making sense from non-sense. The book offers rich theoretical insights on how we feel our way through our affect-laden worlds. Through empirical examples from the urban traffic in Ho Chi Minh City, the book explores this fluid, constantly changing complex collective of ongoing negotiations we call ‘traffic,’ often emotional, involving and producing all kinds of entities. It develops a range of philosophical concepts in order to better understand the complex relationships between humans and non-humans in everyday settings.Offering innovative insights into the structures, authorities, materialities and forms of power that shape our experiences of traffic, this book will be of interest to students, scholars and practitioners interested in philosophy, cultural geography, mobilities, transport studies, cultural studies, and urban studies.

This book engages artistic interventions in the aerial elements to investigate the aesthetics and politics of atmosphere.Sensing Art in the Atmosphere: Elemental Lures and Aerosolar Practices traces the potential of artistic, community-driven experiments to amplify our sensing of atmosphere, marrying attentions to atmospheric affect with visceral awareness of the materials, institutions and processes hovering in the air. Drawing on six years of practice-led research with artistic and activist initiatives Museo Aero Solar and Aerocene, initiated by artist Tomás Saraceno, each chapter develops creative relations to atmosphere from the studio to stratospheric currents. Through narrative-led writing, the voices of artists and collaborators are situated and central. In dialogue with these aerographic stories and sites, the book develops a notion of elemental lures: the sensual and imaginative propositions of aerial, atmospheric and meteorological phenomena. The promise of elemental lures, Engelmann suggests, is to reconcile our sensing of atmosphere with the myriad social, cultural and political forces suspended in it. Through tales of floating journeys, shared envelopes of breath and surreal levitations, the book foregrounds the role of art in crafting alternative modes of perceiving, moving and imagining (in) the air.The book ends with a call for elemental experiments in the geohumanities. It makes an important and original contribution to elemental geographies, the geohumanities and interdisciplinary scholarship on air and atmosphere.

This book explores the notion of affective space in relation to architecture. It helps to clarify the first-person, direct experience of the environment and how it impacts a person’s emotional states, influencing their perception of the world around them.Affective space has become a central notion in several discussions across philosophy, geography, anthropology, architecture and so on. However, only a limited selection of its key features finds resonance in architectural and urban theory, especially the idea of atmospheres, through the work of German phenomenologist Gernot Böhme. This book brings to light a wider range of issues bound to lived corporeal experience. These further issues have only received minor attention in architecture, where the discourse on affective space mostly remains superficial. The theory of atmospheres, in particular, is often criticized as being a surface-level, shallow theory as it is introduced in an unsystematic and fragmented fashion, and is a mere "easy to use" segment of what is a wider and all but impressionistic analytical method. This book provides a broader outlook on the topic and creates an entry point into a hitherto underexplored field.The book’s theoretical foundation rests on a wide range of non-architectural sources, primarily from philosophy, anthropology and the cognitive sciences, and is strengthened through cases drawn from actual architectural and urban space. These cases make the book more comprehensible for readers not versed in contemporary philosophical trends.

This book explores the notion of affective space in relation to architecture. It helps to clarify the first-person, direct experience of the environment and how it impacts a person’s emotional states, influencing their perception of the world around them.Affective space has become a central notion in several discussions across philosophy, geography, anthropology, architecture and so on. However, only a limited selection of its key features finds resonance in architectural and urban theory, especially the idea of atmospheres, through the work of German phenomenologist Gernot Böhme. This book brings to light a wider range of issues bound to lived corporeal experience. These further issues have only received minor attention in architecture, where the discourse on affective space mostly remains superficial. The theory of atmospheres, in particular, is often criticized as being a surface-level, shallow theory as it is introduced in an unsystematic and fragmented fashion, and is a mere "easy to use" segment of what is a wider and all but impressionistic analytical method. This book provides a broader outlook on the topic and creates an entry point into a hitherto underexplored field.The book’s theoretical foundation rests on a wide range of non-architectural sources, primarily from philosophy, anthropology and the cognitive sciences, and is strengthened through cases drawn from actual architectural and urban space. These cases make the book more comprehensible for readers not versed in contemporary philosophical trends.

The book delves into the affective, embodied, and sensory dimensions of traffic and urban mobility. It brings together key phenomenological and post-phenomenological readings to challenge taken for granted assumptions of urban traffic.Through the experiences of traffic users in Ho Chi Minh City, Vietnam, the book provides fascinating pathways into structures and processes that make up phenomenal traffic worlds. It explores the nature of the traffic experience, modalities of existence within it, and the wide spectrum of awarenesses involved in making sense from non-sense. The book offers rich theoretical insights on how we feel our way through our affect-laden worlds. Through empirical examples from the urban traffic in Ho Chi Minh City, the book explores this fluid, constantly changing complex collective of ongoing negotiations we call ‘traffic,’ often emotional, involving and producing all kinds of entities. It develops a range of philosophical concepts in order to better understand the complex relationships between humans and non-humans in everyday settings.Offering innovative insights into the structures, authorities, materialities and forms of power that shape our experiences of traffic, this book will be of interest to students, scholars and practitioners interested in philosophy, cultural geography, mobilities, transport studies, cultural studies, and urban studies.

This book examines the concept of darkness through a range of cultures, histories, practices and experiences. It engages with darkness beyond its binary positioning against light to advance a critical understanding of the ways in which darkness can be experienced, practised and conceptualised. Humans have fundamental relationships with light and dark that shape their regular social patterns and rhythms, enabling them to make sense of the world. This book ‘throws light’ on the neglect of these social patterns to emphasize how the diverse values, meanings and influences of darkness have been rarely considered. It also examines the history of our relationship with the dark and highlights how normative attitudes towards it have emerged, while also emphasising its cultural complexity by considering a contemporary range of alternative experiences and practices. Challenging notions of darkness as negative, as the antithesis of illumination and enlightenment, this book explores the rich potential of darkness to stimulate our senses and deepen our understandings of different spaces, cultural experiences and creative engagements. Offering a rich exploration of an emergent field of study across the social sciences and humanities, this book will be useful for academics and students of cultural and media studies, design, geography, history, sociology and theatre who seek to investigate the creative, cultural and social dimensions of darkness.

We live in atmospheres, we talk about them and we move through them. They offer us an important route into comprehending several aspects of human life and experience, what is important to people, the environments life is played out in, and the processes of change and possible futures. Atmospheres are an ephemeral yet inescapable element of our everyday experiential and conceptual environments. They are continually beyond our grasp as they undergo constant transformation.By interrogating atmospheres, this book arrives at new ways of thinking about the relationships between people, space, time and events. Atmospheres and the Experiential World explores the ways we engage with these affective modes, and the possibilities they offer for researchers, designers and policy-makers to make and intervene in the world.Chapters propose an approach to atmospheres that is not fixed to certain forms or boundaries. Instead, this book argues that atmospheres should be conceptualised as dynamic and changing configurations that allow analytical insight into a range of topics when we think in, about and through them. This book offers scholars, designers and creative practitioners, professionals and students a research-based way of understanding and intervening in atmospheres.

This book engages artistic interventions in the aerial elements to investigate the aesthetics and politics of atmosphere.Sensing Art in the Atmosphere: Elemental Lures and Aerosolar Practices traces the potential of artistic, community-driven experiments to amplify our sensing of atmosphere, marrying attentions to atmospheric affect with visceral awareness of the materials, institutions and processes hovering in the air. Drawing on six years of practice-led research with artistic and activist initiatives Museo Aero Solar and Aerocene, initiated by artist Tomás Saraceno, each chapter develops creative relations to atmosphere from the studio to stratospheric currents. Through narrative-led writing, the voices of artists and collaborators are situated and central. In dialogue with these aerographic stories and sites, the book develops a notion of elemental lures: the sensual and imaginative propositions of aerial, atmospheric and meteorological phenomena. The promise of elemental lures, Engelmann suggests, is to reconcile our sensing of atmosphere with the myriad social, cultural and political forces suspended in it. Through tales of floating journeys, shared envelopes of breath and surreal levitations, the book foregrounds the role of art in crafting alternative modes of perceiving, moving and imagining (in) the air.The book ends with a call for elemental experiments in the geohumanities. It makes an important and original contribution to elemental geographies, the geohumanities and interdisciplinary scholarship on air and atmosphere.

This book explores the role atmospheres play in shared emotion. With insights from leading scholars in the field, Atmospheres and Shared Emotions investigates key issues such as the relation between atmospheres and moods, how atmospheres define psychopathological conditions such as anxiety and schizophrenia, what role atmospheres play in producing shared aesthetic experiences, and the significance of atmospheres in political events. Calling upon disciplinary methodologies as broad as phenomenology, film studies, and law, each of the chapters is thematically connected by a rigorous attention on the multifaceted ways atmosphere play an important role in the development of shared emotion. While the concept of atmosphere has become a critical notion across several disciplines, the relationship between atmospheres and shared emotion remains neglected. The idea of sharing emotion over a particular event is rife within contemporary society. From Brexit to Trump to Covid-19, emotions are not only experienced individually, they are also grasped together. Proceeding from the view that atmospheres can play an explanatory role in accounting for shared emotion, the book promises to make an enduring contribution to both the understanding of atmospheres and to issues in the philosophy of emotion more broadly. Offering both a nuanced analysis of key terms in contemporary debates as well as a series of original studies, the book will be a vital resource for scholars in contemporary philosophy, aesthetics, human geography, and political science.

This book explores the role atmospheres play in shared emotion. With insights from leading scholars in the field, Atmospheres and Shared Emotions investigates key issues such as the relation between atmospheres and moods, how atmospheres define psychopathological conditions such as anxiety and schizophrenia, what role atmospheres play in producing shared aesthetic experiences, and the significance of atmospheres in political events. Calling upon disciplinary methodologies as broad as phenomenology, film studies, and law, each of the chapters is thematically connected by a rigorous attention on the multifaceted ways atmosphere play an important role in the development of shared emotion. While the concept of atmosphere has become a critical notion across several disciplines, the relationship between atmospheres and shared emotion remains neglected. The idea of sharing emotion over a particular event is rife within contemporary society. From Brexit to Trump to Covid-19, emotions are not only experienced individually, they are also grasped together. Proceeding from the view that atmospheres can play an explanatory role in accounting for shared emotion, the book promises to make an enduring contribution to both the understanding of atmospheres and to issues in the philosophy of emotion more broadly. Offering both a nuanced analysis of key terms in contemporary debates as well as a series of original studies, the book will be a vital resource for scholars in contemporary philosophy, aesthetics, human geography, and political science.

This book offers original insights into cultural transformations of the sensory with particular emphasis on environments and technologies, articulating a special moment in the sensory history of urban Europe as people’s relationship with their environment is increasingly shaped through digital technologies. It is a much-needed addition to Sensory Studies literature with its firmly grounded empirical and theoretical perspectives. It provides radical and impactful food for thought on sensory engagements with urban environments. After reading the book, the reader will have a profound understanding of the original methodology of sensobiographic walking, as well as transdisciplinary and transgenerational ethnographies in different cultural contexts – in this case three European cities.The book is aimed at a large audience of readers. It is equally useful for social and human scientists and students finalizing their MA degrees or working on their doctoral or post-doctoral work, and essential reading for environmental planners, youth workers, city planners and architects, among others.

This book offers original insights into cultural transformations of the sensory with particular emphasis on environments and technologies, articulating a special moment in the sensory history of urban Europe as people’s relationship with their environment is increasingly shaped through digital technologies. It is a much-needed addition to Sensory Studies literature with its firmly grounded empirical and theoretical perspectives. It provides radical and impactful food for thought on sensory engagements with urban environments. After reading the book, the reader will have a profound understanding of the original methodology of sensobiographic walking, as well as transdisciplinary and transgenerational ethnographies in different cultural contexts – in this case three European cities.The book is aimed at a large audience of readers. It is equally useful for social and human scientists and students finalizing their MA degrees or working on their doctoral or post-doctoral work, and essential reading for environmental planners, youth workers, city planners and architects, among others.

This book offers a diverse understanding and practical approach towards the growing area of atmosphere research, in the context of philosophy, geography and architecture.It begins by tracing back to the model of experience called the "pathic". Drawing on the phenomenology of theorists Hermann Schmitz and Gernot Böhme, introductory chapters offer a grounding for the beginnings of pathic research. The chapters go on to apply pathic framework to a range of practical cases from theatre studies to education. Atmospheres are often defined as affects one feels in a "lived space" and researchers are becoming more interested in the emotions we feel in natural and artificial environments across day to day life. By providing a critical re-evaluation of phenomenology and aesthetics, the book brings a series of unexplored and controversial subjects to light, opening up a new context for thinking about our everyday life and experiences inscribed within aesthetics, politics, literature, spatial practices and pedagogy and effectively merging abstract philosophy and concrete practice.This book is particularly poignant in the emerging field of Atmosphere and New Aesthetics research. Practitioners, academics and researchers working within Cultural Geography, Aesthetics, Art and Philosophy will find this book extremely valuable.

This book explores the atmospheric dimensions of music and sound. With multidisciplinary insights from music studies, sound studies, philosophy and media studies, chapters investigate music and sound as shared environmental feelings.This book probes into cutting edge conceptual issues at the forefront of contemporary discussions on atmosphere, atmospherology and affect. It also extends the spatial and relational focus towards fundamentally temporal questions of performance, process, timbre, resonance and personhood. The capacity of atmospheric relations to imbue a situation with an ambient feeling and to modulate social collectives is highlighted, as well as auditory experience as a means of connecting with feelings. In addition to original research, the volume features a first translation of an important text by German phenomenologist Hermann Schmitz, and a debate on affect and atmosphere between the philosophers Jan Slaby and Brian Massumi.This novel contribution to the field of music research provides a strong theoretical framework, as well as vibrant case studies, which will be invaluable reading for scholars and students of music, sound, aesthetics, media, anthropology and contemporary philosophy.

Ambiance, Tourism and the City considers how tourism and urban development affect the lived ambiances of contemporary cities around the world. As most of the existing literature on sensory atmospheres says little about the intersection between tourism and atmospheric production, this book affirms the centrality of the notion of ambiance as a mode of inquiry into the making and remaking of urban places for tourist consumption.The book takes the reader into the sensory worlds of a traditional Italian marketplace, a jungle park in Kuala Lumpur, a slum in the Colombian city of Medellín, or the "sun and sand" tourism destinations in Southern Spain, among other case studies. It offers new insights into the impact of tourism on the urban environment from multidisciplinary perspectives and a wide range of geographical regions across Europe, North America, Asia, and South America. Through these contemporary case studies, the book further deepens our understanding of the ways in which "ambiances" and "atmospheres" pervade the physical regeneration and sensory transformation of contemporary tourist destinations. Conversely, this book offers insights on the effects of tourism on everyday urban experience.By bringing together a diverse group of scholars and case studies to present a global perspective on the atmospheric production of the tourist city, this book is to serve as a valuable reference tool for researchers and undergraduate and postgraduate students with an interest in urban ambiances, tourism, cultural geography, and urban planning.Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

Ambiance, Tourism and the City considers how tourism and urban development affect the lived ambiances of contemporary cities around the world. As most of the existing literature on sensory atmospheres says little about the intersection between tourism and atmospheric production, this book affirms the centrality of the notion of ambiance as a mode of inquiry into the making and remaking of urban places for tourist consumption.The book takes the reader into the sensory worlds of a traditional Italian marketplace, a jungle park in Kuala Lumpur, a slum in the Colombian city of Medellín, or the "sun and sand" tourism destinations in Southern Spain, among other case studies. It offers new insights into the impact of tourism on the urban environment from multidisciplinary perspectives and a wide range of geographical regions across Europe, North America, Asia, and South America. Through these contemporary case studies, the book further deepens our understanding of the ways in which "ambiances" and "atmospheres" pervade the physical regeneration and sensory transformation of contemporary tourist destinations. Conversely, this book offers insights on the effects of tourism on everyday urban experience.By bringing together a diverse group of scholars and case studies to present a global perspective on the atmospheric production of the tourist city, this book is to serve as a valuable reference tool for researchers and undergraduate and postgraduate students with an interest in urban ambiances, tourism, cultural geography, and urban planning.Chapter 1 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND)] 4.0 license.

This book explores the atmospheric dimensions of music and sound. With multidisciplinary insights from music studies, sound studies, philosophy and media studies, chapters investigate music and sound as shared environmental feelings.This book probes into cutting edge conceptual issues at the forefront of contemporary discussions on atmosphere, atmospherology and affect. It also extends the spatial and relational focus towards fundamentally temporal questions of performance, process, timbre, resonance and personhood. The capacity of atmospheric relations to imbue a situation with an ambient feeling and to modulate social collectives is highlighted, as well as auditory experience as a means of connecting with feelings. In addition to original research, the volume features a first translation of an important text by German phenomenologist Hermann Schmitz, and a debate on affect and atmosphere between the philosophers Jan Slaby and Brian Massumi.This novel contribution to the field of music research provides a strong theoretical framework, as well as vibrant case studies, which will be invaluable reading for scholars and students of music, sound, aesthetics, media, anthropology and contemporary philosophy.

This book examines the intersections of silence with immersive arts and experiences. Silence and immersion may seem antithetical: while immersion is supposedly induced by acoustic and other stimuli, silence is commonly understood as the absence or opposite of sound. Since the eighteenth century, however, silence has been established as a multifarious and polyvalent cultural concept. Immersion, in turn, though often used as a simple "all-inclusive" term, has old and complex ontological and epistemological roots.Organized into three parts, this book brings critical, historical, and theoretical debates on silence into dialogue with different notions of immersion. The 16 theoretical articles and case studies engage in discovering and questioning the continued prominence of both concepts in aesthetics, culture, and media. Covering music, film, digital, visual and performance art, theater, video games, and theme parks, the chapters discuss both highly canonical and rarely examined artifacts. Written by scholars from Germany, Austria, France, and Switzerland, the interdisciplinary collection includes perspectives from musicology, film studies, cultural and media studies, gender studies, art history, and philosophy.Silence, Sounds, Music addresses both an academic and a wider audience. It will be of interest to anyone interested in music, sound, immersive experiences, the so-called experience economy, and contemporary art and culture.

This book offers an ethnographic exploration of the role that atmosphere plays in work processes undertaken within an urban design studio. It provides understandings of how architectural practices are fuelled with atmosphere in various configurations throughout different design phases of selected projects for construction. From the outside architectural practices commonly appear well-ordered and carefully considered, established by proof and rationally justified. This book though poaches on architects’ preserves in order to draw attention to features of unpredictability and uncertainty within the design phases. By opening up into the ‘machinery room’ of urban designers, the goal is not to spoil the plaster saint cover of a ‘starchitect’ business, but to remind about the crucial value that pockets of doubt issuing questions rather than answers, open-mindedness instead of single-mindedness, play to the processes of design production and creativity. The book identifies these pockets as atmospheres enveloping the architectural practice.

This book offers an ethnographic exploration of the role that atmosphere plays in work processes undertaken within an urban design studio. It provides understandings of how architectural practices are fuelled with atmosphere in various configurations throughout different design phases of selected projects for construction. From the outside architectural practices commonly appear well-ordered and carefully considered, established by proof and rationally justified. This book though poaches on architects’ preserves in order to draw attention to features of unpredictability and uncertainty within the design phases. By opening up into the ‘machinery room’ of urban designers, the goal is not to spoil the plaster saint cover of a ‘starchitect’ business, but to remind about the crucial value that pockets of doubt issuing questions rather than answers, open-mindedness instead of single-mindedness, play to the processes of design production and creativity. The book identifies these pockets as atmospheres enveloping the architectural practice.

The Atmospheric City explores how people make sense of the feelings they get in and of urban spaces. Based on ethnographic fieldwork of everyday life in Copenhagen, Oslo, and Stockholm, it focuses on the atmospheric power of people, places, and phenomena.While the predominant focus of current urban planning tends to rest on economic growth, sustainability, or offering housing, transport, and activities to an increasing number of city residents, this book offers a different take, based on recent discussions in the social sciences about how cities feel. It calls attention to the mundane ways in which urban dwellers adapt and adopt their surroundings. It argues that atmospheric cities are characterised by a fundamental porosity that affects how people relate to places. This highlights why some places are sought after while others are avoided. Through concrete examples of people being in and moving through the city, the book shows how people attune and are attuned by designed urban spaces, often at the margins of attention, when they find comfort in the familiar and seek out the unexpected.This book is aimed at researchers, postgraduates, and practitioners interested in urban design and how people make sense of the feelings it evokes. It will be of interest to those in the fields of urban studies, urban design, planning, architecture urban geography, cultural geography, cultural studies and anthropology.

The Atmospheric City explores how people make sense of the feelings they get in and of urban spaces. Based on ethnographic fieldwork of everyday life in Copenhagen, Oslo, and Stockholm, it focuses on the atmospheric power of people, places, and phenomena.While the predominant focus of current urban planning tends to rest on economic growth, sustainability, or offering housing, transport, and activities to an increasing number of city residents, this book offers a different take, based on recent discussions in the social sciences about how cities feel. It calls attention to the mundane ways in which urban dwellers adapt and adopt their surroundings. It argues that atmospheric cities are characterised by a fundamental porosity that affects how people relate to places. This highlights why some places are sought after while others are avoided. Through concrete examples of people being in and moving through the city, the book shows how people attune and are attuned by designed urban spaces, often at the margins of attention, when they find comfort in the familiar and seek out the unexpected.This book is aimed at researchers, postgraduates, and practitioners interested in urban design and how people make sense of the feelings it evokes. It will be of interest to those in the fields of urban studies, urban design, planning, architecture urban geography, cultural geography, cultural studies and anthropology.

How do ambiances shape our sensory, social, and built environments? This book offers interdisciplinary perspectives to understand the profound ways in which ambiances redefine our experiences and perceptions of ordinary spaces.The study of ambiances is part of an important trend in the contemporary urban world, where increasing attention is being given to the sensitive and affective dimensions of space and experience. Beginning with an exploration of foundational concepts, this book then delves into the sensory, philosophical, and cultural dimensions of ambiances at the intersection of sensory environments and lived experiences. It explores the role of ambiances play in architectural design, urban spaces, and daily life. It engages with questions of contemporary sensibility, the sensitive experience of architectures and urban spaces, and the dialogue between the notion of ambiances and that of affective atmospheres. This book connects diverse perspectives of architects, philosophers, anthropologists and geographers to map the conceptual and practical territories of ambiances, from their roots in Francophone research to their broader global implications.This book offers an essential guide to the study of ambiances, providing a foundational and forward-looking exploration that is valuable for researchers and upper level undergraduates of architecture, urban studies, urban planning, human geography, anthropology and philosophy.

This book explores the way people participate with the Oslo Opera House, Norway. As an iconic and culture-led building, these different modes of participation reveal the tensions between staged space and individual experience.Movement, materiality, light, and art are viewed through an atmospheric lens to demonstrate how architecture can shape people’s engagement with, and understanding of, urban space. This book contributes to a growing literatureon atmosphere in relation to our experience of the built environment. In adopting this atmospheric perspective, the book speaks to the concerns of designers, users, and researchers interested in the way contemporary development infuses our cities with the experiential, as a means of developing access, participation, and democracy. It explores the ways in which people experience a building, held up against the claims, intentions, and assumptions that surround it. The book’s focus on design, participation, and experience, in relation to political ideals, will appeal to architects, planners, and academics concerned with the production of space. Equally, its underlying atmospheric contribution and methodological approach will be of interest to designers, scholars, professionals, and students of ambiance, affect and atmosphere, architecture, city planners and urban developers, human geographies, anthropology, and urban studies.

This book explores the way people participate with the Oslo Opera House, Norway. As an iconic and culture-led building, these different modes of participation reveal the tensions between staged space and individual experience.Movement, materiality, light, and art are viewed through an atmospheric lens to demonstrate how architecture can shape people’s engagement with, and understanding of, urban space. This book contributes to a growing literatureon atmosphere in relation to our experience of the built environment. In adopting this atmospheric perspective, the book speaks to the concerns of designers, users, and researchers interested in the way contemporary development infuses our cities with the experiential, as a means of developing access, participation, and democracy. It explores the ways in which people experience a building, held up against the claims, intentions, and assumptions that surround it. The book’s focus on design, participation, and experience, in relation to political ideals, will appeal to architects, planners, and academics concerned with the production of space. Equally, its underlying atmospheric contribution and methodological approach will be of interest to designers, scholars, professionals, and students of ambiance, affect and atmosphere, architecture, city planners and urban developers, human geographies, anthropology, and urban studies.

Creative Urban Atmospheres explores the potential for urban planners, researchers, and artists to intervene in the atmosphere of spectacle dominating current neoliberal urbanism strategies through sensory and sound-based artistic interventions drawing from Tactical Urbanism and Research-Creation. This book equips readers with tools and insights needed to address the pressing challenges of urban livability and inclusiveness in the face of neoliberal urbanism.Through engaging discussions and a case study conducted in Montreal’s Quartier des Spectacles, the book demonstrates how sound-based and sensory interventions can reshape urban atmospheres, fostering cohabitation and inclusiveness for diverse populations. Key features include an interdisciplinary emphasis on the intertwinements of academic research, artistic practice, and participatory community engagement, ensuring that readers gain both theoretical understanding and practical approaches. With its focus on innovative methods such as Research-Creation and socially engaged art, this book not only critiques existing urban strategies but also empowers planners, artists, and communities with tactics for collaboratively transforming underused urban spaces into vibrant, livable, and inclusive social environments.This book is designed for a diverse audience deeply invested in the future of urban spaces. It will be of interest to urban planners seeking innovative approaches to address urban polarization and promote inclusiveness, as well as academic researchers in urban studies and geography exploring the intersections of Tactical Urbanism and sensory interventions. Artists, designers, and architects will find inspiration in its emphasis on creative, participatory approaches while policymakers and community advocates can draw practical insights for fostering livable, inclusive cities. It also speaks to anyone with a vested interest in the challenges facing contemporary cities, including gentrification, touristification, and neoliberal urban pressures on the most marginalized groups.

We live in atmospheres, we talk about them and we move through them. They offer us an important route into comprehending several aspects of human life and experience, what is important to people, the environments life is played out in, and the processes of change and possible futures. Atmospheres are an ephemeral yet inescapable element of our everyday experiential and conceptual environments. They are continually beyond our grasp as they undergo constant transformation.By interrogating atmospheres, this book arrives at new ways of thinking about the relationships between people, space, time and events. Atmospheres and the Experiential World explores the ways we engage with these affective modes, and the possibilities they offer for researchers, designers and policy-makers to make and intervene in the world.Chapters propose an approach to atmospheres that is not fixed to certain forms or boundaries. Instead, this book argues that atmospheres should be conceptualised as dynamic and changing configurations that allow analytical insight into a range of topics when we think in, about and through them. This book offers scholars, designers and creative practitioners, professionals and students a research-based way of understanding and intervening in atmospheres.

Interest in sensory atmospheres and architectural and urban ambiances has been growing for over 30 years. A key figure in this field is acclaimed German philosopher Gernot Böhme whose influential conception of what atmospheres are and how they function has been only partially available to the English-speaking public. This translation of key essays along with an original introduction charts the development of Gernot Böhme's philosophy of atmospheres and how it can be applied in various contexts such as scenography, commodity aesthetics, advertising, architecture, design, and art.The phenomenological analysis of atmospheres has proved very fruitful and its most important, and successful, application has been within aesthetics. The material background of this success may be seen in the ubiquitous aestheticization of our lifeworld, or from another perspective, of the staging of everything, every event and performance. The theory of atmospheres becoming an aesthetic theory thus reveals the theatrical, not to say manipulative, character of politics, commerce, of the event-society. But, taken as a positive theory of certain phenomena, it offers new perspectives on architecture, design, and art. It made the spatial and the experience of space and places a central subject and hence rehabilitated the ephemeral in the arts. Taking its numerous impacts in many fields together, it initiated a new humanism: the individual as a living person and his or her perspective are taken seriously, and this fosters the ongoing democratization of culture, in particular the possibility for everybody to participate in art and its works.