Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies – serie
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1 873 kr
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This volume offers a wide range of sample passages from literature written in Latin in the British Isles during the period from about 1500 to 1800. It includes a general introduction to and bibliography to the Latin literature of these centuries, as well as Latin texts with English translations, introductions and notes. These texts present a rich panorama of the different literary genres, styles and themes flourishing at the time, illustrating the role of Latin texts in the development of literary genres, the diversity of authors writing in Latin in early modern Britain, and the importance of Latin in contemporary political, religious and scientific debates. The collection, which includes both texts by well-known authors (such as John Milton, Thomas More and George Buchanan) and previously unpublished items, can be used as a point of entry for students at school and university level, but will also be of interest to specialists in a number of academic disciplines.
536 kr
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This volume offers a wide range of sample passages from literature written in Latin in the British Isles during the period from about 1500 to 1800. It includes a general introduction to and bibliography to the Latin literature of these centuries, as well as Latin texts with English translations, introductions and notes. These texts present a rich panorama of the different literary genres, styles and themes flourishing at the time, illustrating the role of Latin texts in the development of literary genres, the diversity of authors writing in Latin in early modern Britain, and the importance of Latin in contemporary political, religious and scientific debates. The collection, which includes both texts by well-known authors (such as John Milton, Thomas More and George Buchanan) and previously unpublished items, can be used as a point of entry for students at school and university level, but will also be of interest to specialists in a number of academic disciplines.
411 kr
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This volume offers the first annotated English translation of the first two books of On Celibacy (1473) by the eminent Venetian humanist Ermolao Barbaro (1454-93); Books 3 and 4 of On Celibacy are presented, along with Barbaro’s On the Duty of the Ambassador, in the companion piece to this first volume. Setting out the historical context that crucially conditions Barbaro’s advocacy of the celibate life in Books 1 and 2, the introduction examines how On Celibacy seeks to justify a contemplative existence that rejects the career path expected of a figure of Barbaro’s standing within the Venetian patrician class.Beyond setting out the essential facts of Ermolao Barbaro’s life-story, Gareth Williams discusses how On Celibacy is set in counterpoise to the treatise On Marriage (1415) that was composed by Ermolao’s eminent grandfather, Francesco Barbaro. If the latter’s treatise was vitally concerned with the institution of marriage as a key factor in the safeguarding of family succession and the stability of patriciate participation in government at Venice, On Celibacy presents an alternative ideal whereby the celibate can proudly renounce civic life in the name of self-discovery and the pursuit of wisdom, his abilities simply unsuited to the rigors of civic life. On Celibacy is thus implicated in a much wider 15th-century debate about the claims of the contemplative as opposed to the active life – a debate that extends all the way back to Graeco-Roman antiquity.
1 258 kr
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This volume offers the first annotated English translation of the first two books of On Celibacy (1473) by the eminent Venetian humanist Ermolao Barbaro (1454-93); Books 3 and 4 of On Celibacy are presented, along with Barbaro’s On the Duty of the Ambassador, in the companion piece to this first volume. Setting out the historical context that crucially conditions Barbaro’s advocacy of the celibate life in Books 1 and 2, the introduction examines how On Celibacy seeks to justify a contemplative existence that rejects the career path expected of a figure of Barbaro’s standing within the Venetian patrician class.Beyond setting out the essential facts of Ermolao Barbaro’s life-story, Gareth Williams discusses how On Celibacy is set in counterpoise to the treatise On Marriage (1415) that was composed by Ermolao’s eminent grandfather, Francesco Barbaro. If the latter’s treatise was vitally concerned with the institution of marriage as a key factor in the safeguarding of family succession and the stability of patriciate participation in government at Venice, On Celibacy presents an alternative ideal whereby the celibate can proudly renounce civic life in the name of self-discovery and the pursuit of wisdom, his abilities simply unsuited to the rigors of civic life. On Celibacy is thus implicated in a much wider 15th-century debate about the claims of the contemplative as opposed to the active life – a debate that extends all the way back to Graeco-Roman antiquity.
1 873 kr
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Compiled by a team of international experts, this volume showcases the best of the huge abundance of literature written in Latin in Europe from about 1500 to 1800. A general introduction provides readers with the context they need before diving into the 19 high-quality short Latin extracts and English translations. Together these texts present a rich panorama of the different literary genres, styles and themes that flourished at the time, and include authors such as Erasmus, Buchanan, Leibniz and Newton, along with less well-known writers.From the vast array of material available, a varied and meaningful sample of texts has been carefully curated by the editors of the volume. Passages not only exhibit literary merit or historical importance, but also illustrate the role of the complete texts from which they have been selected in the development of Neo-Latin literature. They reflect the wide range of authors writing in Latin in early modern Europe, as well as the importance of Latin in the history of ideas.As with all volumes in the series, section introductions and accompanying notes on every text provide orientation on the material for students.
536 kr
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Compiled by a team of international experts, this volume showcases the best of the huge abundance of literature written in Latin in Europe from about 1500 to 1800. A general introduction provides readers with the context they need before diving into the 19 high-quality short Latin extracts and English translations. Together these texts present a rich panorama of the different literary genres, styles and themes that flourished at the time, and include authors such as Erasmus, Buchanan, Leibniz and Newton, along with less well-known writers.From the vast array of material available, a varied and meaningful sample of texts has been carefully curated by the editors of the volume. Passages not only exhibit literary merit or historical importance, but also illustrate the role of the complete texts from which they have been selected in the development of Neo-Latin literature. They reflect the wide range of authors writing in Latin in early modern Europe, as well as the importance of Latin in the history of ideas.As with all volumes in the series, section introductions and accompanying notes on every text provide orientation on the material for students.
452 kr
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Compiled by a team of experts in the field, this volume brings to view an array of Latin texts produced in British universities from c.1500 to 1700. It includes a comprehensive introduction to the production of Neo-Latin and Neo-Greek in the early modern university, the precise circumstances and broader environments that gave rise to it, plus an associated bibliography. 12 high-quality sections, each prefaced by its own short introduction, set forth the Latin (and occasionally Greek) texts and accompanying English translations and notes. Each section provides focused orientation and is arranged in such a way as to ensure the volume's accessibility to scholars and students at all levels of familiarity with Neo-Latin. Passages are taken from documents that were composed in seats of learning across the British Isles, in Oxford, Cambridge, Dublin, Edinburgh and St Andrews, and adduce a wide range of material from orations and disputational theses to collections of occasional verse, correspondence, notebooks and university drama.This anthology as a whole conveys a sense of the extent of Latin’s role in the academy and the span of remits in which it was deployed. Far from simply offering a snapshot of discrete projects, the contributions collectively offer insights into the broader culture of the early modern university over an extended period. They engage with the administrative operations of institutions, pedagogical processes and academic approaches, but also high-level disputes and the universities’ relationship with the worlds of politics, new science and intellectual developments elsewhere in Europe.
1 399 kr
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Compiled by a team of experts in the field, this volume brings to view an array of Latin texts produced in British universities from c.1500 to 1700. It includes a comprehensive introduction to the production of Neo-Latin and Neo-Greek in the early modern university, the precise circumstances and broader environments that gave rise to it, plus an associated bibliography. 12 high-quality sections, each prefaced by its own short introduction, set forth the Latin (and occasionally Greek) texts and accompanying English translations and notes. Each section provides focused orientation and is arranged in such a way as to ensure the volume's accessibility to scholars and students at all levels of familiarity with Neo-Latin. Passages are taken from documents that were composed in seats of learning across the British Isles, in Oxford, Cambridge, Dublin, Edinburgh and St Andrews, and adduce a wide range of material from orations and disputational theses to collections of occasional verse, correspondence, notebooks and university drama.This anthology as a whole conveys a sense of the extent of Latin’s role in the academy and the span of remits in which it was deployed. Far from simply offering a snapshot of discrete projects, the contributions collectively offer insights into the broader culture of the early modern university over an extended period. They engage with the administrative operations of institutions, pedagogical processes and academic approaches, but also high-level disputes and the universities’ relationship with the worlds of politics, new science and intellectual developments elsewhere in Europe.
Japan on the Jesuit Stage
Two 17th-Century Latin Plays with Translation and Commentary
Häftad, Engelska, 2022
440 kr
Skickas
The Jesuits were a major source of European information on Japan from the late 16th to early 17th century. Not only were they active missionaries but they also produced linguistic, religious and cultural tracts, regional chronicles, as well as hundreds of Latin plays written in imitation of classical Greco-Roman theatre but set in Japan. An intriguing yet underexplored segment of Jesuit school theatre is that which stages non-classical, non-Western subjects such as Japan, and this volume is the first to present Latin texts of two of these plays alongside full English translations, commentaries and an extensive introduction.The plays in question - Martyrs of Japan and Victor the Japanese - were performed in Koblenz and Munich, in 1625 and 1665 respectively, and are collated from original 17th-century manuscripts for this edition. They were based on specific events which took place in Japan in 1597 and 1613, and their main characters are historically attested Japanese Catholic converts and their pagan peers.The juxtaposition of the Latin texts and original English translations makes the plays newly accessible to a wide readership, shedding light on the ways in which Western classical humanism rooted in ancient Mediterranean theatre became intertwined with momentous historical developments across the globe to produce these unique spectacles. The introduction and commentary examine the historical, cultural and literary contexts and provide guidance on interpretative and stylistic issues, allowing for a full appreciation of the plays in which pagan classical, Christian, early modern European and Japanese elements come together.
Japan on the Jesuit Stage
Two 17th-Century Latin Plays with Translation and Commentary
Inbunden, Engelska, 2022
1 484 kr
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The Jesuits were a major source of European information on Japan from the late 16th to early 17th century. Not only were they active missionaries but they also produced linguistic, religious and cultural tracts, regional chronicles, as well as hundreds of Latin plays written in imitation of classical Greco-Roman theatre but set in Japan. An intriguing yet underexplored segment of Jesuit school theatre is that which stages non-classical, non-Western subjects such as Japan, and this volume is the first to present Latin texts of two of these plays alongside full English translations, commentaries and an extensive introduction.The plays in question - Martyrs of Japan and Victor the Japanese - were performed in Koblenz and Munich, in 1625 and 1665 respectively, and are collated from original 17th-century manuscripts for this edition. They were based on specific events which took place in Japan in 1597 and 1613, and their main characters are historically attested Japanese Catholic converts and their pagan peers.The juxtaposition of the Latin texts and original English translations makes the plays newly accessible to a wide readership, shedding light on the ways in which Western classical humanism rooted in ancient Mediterranean theatre became intertwined with momentous historical developments across the globe to produce these unique spectacles. The introduction and commentary examine the historical, cultural and literary contexts and provide guidance on interpretative and stylistic issues, allowing for a full appreciation of the plays in which pagan classical, Christian, early modern European and Japanese elements come together.
- Nyhet
1 407 kr
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Christian Wedsted (1720–57) was a Moravian missionary, scribe and translator. Alongside his formal duties, he also composed a significantamount of Latin poetry. Here presented together for the first time alongside English translations are the 40 Latin poems that Wedsted composed during his time with the Moravians in Germany, England and Pennsylvania. A critical introduction and commentary provide historical, literary and religious context for Wedsted’s oeuvre, which contains birthday poems, impassioned religious verses and personal anecdotes about life in colonial Pennsylvania. At about 1200 lines, the poems make up one of the largest extant collections of original 18th-century Latin poetry from the Americas.Wedsted’s poems demonstrate how central Moravian piety was to his identity. Almost all his poems double as letters, and many are addressedto important Moravian personalities like Ludwig von Zinzendorf, August Spangenberg and Matthew Hehl. Wedsted’s poems weave together classical material and Christian material to create an original and unique project in colonial America. Many of the poems are experiments in genre that put ancient models and meters to work in new contexts. Wedsted’s Latin poetry thus offers readers the chance to witness first-hand a peculiar life lived during some dramatic moments in Moravian history.
1 327 kr
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Martin Luther wrote a number of Latin poems, mostly using traditional classical metres, over the course of his career. He used them to praise friends, insult adversaries and express his faith in times of distress. Up until now, Luther’s Neo-Latin poetry has largely fallen through the disciplinary cracks. Literary scholars have traditionally paid more attention to the Latin verse of more celebrated humanist poets such as Petrarch. Students of the Reformation have concentrated far more often on Luther’s prose and his famous German hymns than on his Latin poems. Even scholars who are familiar with Luther’s Neo-Latin poetry have dismissed it as of only marginal significance.As this book demonstrates, Luther’s Latin verses are valuable cultural products that amply reward scholarly reconsideration. Springer’s volume is the first to provide English translations of all of them. It also includes extensive introductions and line-by-line annotations for each of the poems, situating them within their literary traditions and contemporary contexts. As such, it enables readers to see that far from being a reformer who more or less repudiated the Classics, or someone who merely dabbled in them, Luther was a confident, even bold, Latin poet, who was serious about working out his own distinctive synthesis between Christianity and the language and literature of the ancient Romans.
457 kr
Kommande
Martin Luther wrote a number of Latin poems, mostly using traditional classical metres, over the course of his career. He used them to praise friends, insult adversaries and express his faith in times of distress. Up until now, Luther’s Neo-Latin poetry has largely fallen through the disciplinary cracks. Literary scholars have traditionally paid more attention to the Latin verse of more celebrated humanist poets such as Petrarch. Students of the Reformation have concentrated far more often on Luther’s prose and his famous German hymns than on his Latin poems. Even scholars who are familiar with Luther’s Neo-Latin poetry have dismissed it as of only marginal significance.As this book demonstrates, Luther’s Latin verses are valuable cultural products that amply reward scholarly reconsideration. Springer’s volume is the first to provide English translations of all of them. It also includes extensive introductions and line-by-line annotations for each of the poems, situating them within their literary traditions and contemporary contexts. As such, it enables readers to see that far from being a reformer who more or less repudiated the Classics, or someone who merely dabbled in them, Luther was a confident, even bold, Latin poet, who was serious about working out his own distinctive synthesis between Christianity and the language and literature of the ancient Romans.
458 kr
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Roger Ascham is often classified as ‘a great mid-Tudor humanist’ and he is perhaps best known for his role as tutor to Elizabeth I. His most famous works, The Scholemaster and Toxophilus, have been extensively quarried and anthologised in studies on prose style and English humanism. By contrast, his Neo-Latin works that engaged with theology and key Reformation concerns have languished in the shadows of modern scholarship. Ascham’s Themata Theologica (‘Theological Topics’) is one of these, and its content has the potential to open up many an investigative avenue into the intellectual and religious culture of the sixteenth century. This is the first volume to offer a corresponding English translation. The Themata can be dated to the early to mid- 1540s, and was composed by Ascham while still at Cambridge University and serving as a senior fellow at St John’s College. The work mainly comprises a compendium of relatively short commentaries on Scriptural verses (both Old and New Testament), many of which developed into expositions on difficult philosophical concepts, such as the notion of felix culpa (literally, ‘happy fault’) and some of the most intractable theological questions of the day, including the nature of sin, adiaphora (‘matters of indifference’), justification and free will. This little-known text offers a rare opportunity to trace the course of Ascham’s own religious maturation, but also offers fresh insights into the confessional climate at Cambridge University during one of the most turbulent periods of the Reformation in England.
1 405 kr
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Roger Ascham is often classified as ‘a great mid-Tudor humanist’ and he is perhaps best recognised for his role as tutor to Elizabeth I. His most famous works, The Scholemaster and Toxophilus, have been extensively excerpted in studies on prose style and English humanism. By contrast, his Latin works that centred on theology and key Reformation concerns have languished in the shadows of modern scholarship. Ascham’s Themata Theologica (Theological Propositions), composed in the late 1530s and early 1540s, is one of these. This little-known text of eleven ‘themes’ offers a rare opportunity both to trace the course of Ascham’s own religious development and to take the temperature of the confessional climate at Cambridge University during one of the most turbulent periods of the Reformation.The present edition, in addition to producing the first English translation of this text, aims to show the ways in which this work can cast fresh light on sixteenth-century intellectual culture by illuminating a critical phase of religious reform and biblical scholarship in England.The essays set forth in this volume present key insights into what Ascham considered essential in the English Church, and how his Christian compatriots should worship.
Neo-Latin Verse of Urban VIII, Alexander VII and Leo XIII
Three Papal Poets from Baroque to Risorgimento
Häftad, Engelska, 2025
459 kr
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A fascinating insight into the most talented Latin poets to occupy the Papal throne after Pius II Piccolomini in the 15th century, this book offers translations of and commentaries on the major poems of the three popes (all Italians): Urban VIII Barberini, Alexander VII Chigi and Leo XIII Pecci. Their highly accomplished Neo-Latin poems owe much to the major Latin poets and are significant instances of classical reception, but also cast an interesting light on their lives, times and papacies.Urban (elected pope in 1623) published a mixture of secular and religious verse, drawing on the hexameter epistles of Horace and the lyrics of Catullus and writing Horatian material in praise of Alessandro Farnese, governor of the Netherlands for Philip II of Spain, and the Spanish martyr St Laurence. Alexander (elected pope in 1655) like Urban combines secular and religious themes and often uses Horatian frameworks, writing hexameter accounts of some of the journeys he made as a papal diplomat in Germany and an Horatian ode on the fall of the Protestant stronghold of La Rochelle (1628). Leo’s poetry was mostly religious and published during his papacy (1878-1903); his Horatian ode on the new millennium of 1900 was widely read, and other works include an elegy which links a shrine of the Virgin with the Battle of Lepanto; an Horatian satire on moderate diet; and hymns to saints which combine early Christian and Horatian forms.
Neo-Latin Verse of Urban VIII, Alexander VII and Leo XIII
Three Papal Poets from Baroque to Risorgimento
Inbunden, Engelska, 2024
1 407 kr
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A fascinating insight into the most talented Latin poets to occupy the Papal throne after Pius II Piccolomini in the 15th century, this book offers translations of and commentaries on the major poems of the three popes (all Italians): Urban VIII Barberini, Alexander VII Chigi and Leo XIII Pecci. Their highly accomplished Neo-Latin poems owe much to the major Latin poets and are significant instances of classical reception, but also cast an interesting light on their lives, times and papacies.Urban (elected pope in 1623) published a mixture of secular and religious verse, drawing on the hexameter epistles of Horace and the lyrics of Catullus and writing Horatian material in praise of Alessandro Farnese, governor of the Netherlands for Philip II of Spain, and the Spanish martyr St Laurence. Alexander (elected pope in 1655) like Urban combines secular and religious themes and often uses Horatian frameworks, writing hexameter accounts of some of the journeys he made as a papal diplomat in Germany and an Horatian ode on the fall of the Protestant stronghold of La Rochelle (1628). Leo’s poetry was mostly religious and published during his papacy (1878-1903); his Horatian ode on the new millennium of 1900 was widely read, and other works include an elegy which links a shrine of the Virgin with the Battle of Lepanto; an Horatian satire on moderate diet; and hymns to saints which combine early Christian and Horatian forms.
De persecutione Anglicana by Robert Persons S.J.
A Critical Edition of the Latin Text with English Translation, Commentary and Introduction
Inbunden, Engelska, 2023
1 407 kr
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Presenting the text of a notorious Jesuit attack on Queen Elizabeth I’s treatment of her Catholic subjects, this volume highlights the European context of the English Reformation and Robert Persons’s role as propagandist. In De persecutione Anglicana, Robert Persons (1546–1610) graphically describes the conditions in prisons, the harassment of Catholics at home and the gruesome manner of execution for treason. The work culminates in the arrest of the famous Jesuit martyr Edmund Campion, with rapidly revised versions bringing the narrative up to date after Campion’s execution on 1 December 1581. Written in Latin to appeal to readers throughout Europe, it was translated into French, Italian and German, making it arguably the most important Latin martyrological work by an English Catholic of the Elizabethan period. This critical edition comprises the Latin text, English translation and commentary, and a textual history, appending additional material from the revised versions.Persons was actively involved in the drive to restore Roman Catholicism in England, as missionary strategist, controversialist and founder of English colleges abroad. He worked closely with the superior general of the Society of Jesus, Claudio Acquaviva, negotiating with Philip II of Spain, the Duke of Guise, the Duke of Parma and successive popes. Thanks to the growth of early modern British Catholic studies, his prolific and provocative English writings attract increasing scholarly attention, but his Latin texts have often been glossed over.
De persecutione Anglicana by Robert Persons S.J.
A Critical Edition of the Latin Text with English Translation, Commentary and Introduction
Häftad, Engelska, 2025
459 kr
Skickas inom 10-15 vardagar
Presenting the text of a notorious Jesuit attack on Queen Elizabeth I’s treatment of her Catholic subjects, this volume highlights the European context of the English Reformation and Robert Persons’s role as propagandist. In De persecutione Anglicana, Robert Persons (1546–1610) graphically describes the conditions in prisons, the harassment of Catholics at home and the gruesome manner of execution for treason. The work culminates in the arrest of the famous Jesuit martyr Edmund Campion, with rapidly revised versions bringing the narrative up to date after Campion’s execution on 1 December 1581. Written in Latin to appeal to readers throughout Europe, it was translated into French, Italian and German, making it arguably the most important Latin martyrological work by an English Catholic of the Elizabethan period. This critical edition comprises the Latin text, English translation and commentary, and a textual history, appending additional material from the revised versions.Persons was actively involved in the drive to restore Roman Catholicism in England, as missionary strategist, controversialist and founder of English colleges abroad. He worked closely with the superior general of the Society of Jesus, Claudio Acquaviva, negotiating with Philip II of Spain, the Duke of Guise, the Duke of Parma and successive popes. Thanks to the growth of early modern British Catholic studies, his prolific and provocative English writings attract increasing scholarly attention, but his Latin texts have often been glossed over.
1 562 kr
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Presenting a range of Neo-Latin poems written by distinguished classical scholars across Europe from c. 1490 to c. 1900, this anthology includes a selection of celebrated names in the history of scholarship. Individual chapters present the Neo-Latin poems alongside new English translations (usually the first) and accompanying introductions and commentaries that annotate these verses for a modern readership, and contextualise them within the careers of their authors and the history of classical scholarship in the Renaissance and early modern period.An appealing feature of Renaissance and early modern Latinity is the composition of fine Neo-Latin poetry by major classical scholars, and the interface between this creative work and their scholarly research. In some cases, the two are actually combined in the same work. In others, the creative composition and scholarship accompany each other along parallel tracks, when scholars are moved to write their own verse in the style of the subjects of their academic endeavours. In still further cases, early modern scholars produced fine Latin verse as a result of the act of translation, as they attempted to render ancient Greek poetry in a fitting poetic form for their contemporary readers of Latin.
474 kr
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Presenting a range of Neo-Latin poems written by distinguished classical scholars across Europe from c. 1490 to c. 1900, this anthology includes a selection of celebrated names in the history of scholarship. Individual chapters present the Neo-Latin poems alongside new English translations (usually the first) and accompanying introductions and commentaries that annotate these verses for a modern readership, and contextualise them within the careers of their authors and the history of classical scholarship in the Renaissance and early modern period.An appealing feature of Renaissance and early modern Latinity is the composition of fine Neo-Latin poetry by major classical scholars, and the interface between this creative work and their scholarly research. In some cases, the two are actually combined in the same work. In others, the creative composition and scholarship accompany each other along parallel tracks, when scholars are moved to write their own verse in the style of the subjects of their academic endeavours. In still further cases, early modern scholars produced fine Latin verse as a result of the act of translation, as they attempted to render ancient Greek poetry in a fitting poetic form for their contemporary readers of Latin.
411 kr
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This book offers the first annotated translation into English of two works of the eminent Venetian humanist, Ermolao Barbaro (1454–93). Books 3 and 4 of On Celibacy seek to justify a contemplative existence at a far remove from the active life and career-path expected of a figure of Barbaro’s standing within the Venetian patriciate; Books 1 and 2 of On Celibacy are presented in the companion-piece to this second volume. The second work presented here is Barbaro’s short treatise On the Duty of Ambassador (1488): based on Barbaro’s own practical experience as a Venetian envoy abroad, this treatise outlines the conduct expected of the dedicated career diplomat.Viewed against each other, Barbaro’s On Celibacy and On the Duty of the Ambassador offer contrasting perspectives on the wider 15th-century debate about the claims of the reflective as opposed to the active life – a debate that extends all the way back to Greco-Roman antiquity. In On Celibacy the young Barbaro is committed to a life that proudly renounces civic engagement in the name of self-discovery and inner fulfilment. Yet a different Barbaro asserts himself in On the Duty of the Ambassador: he now presents himself as a committed public servant in a work that is ahead if its time in theorizing the nature of ‘modern’ Renaissance diplomacy. On a personal level, these two works capture the profound dichotomy in Barbaro’s life between his humanist devotion to scholarship on the one hand and, on the other, his call of duty to the Republic of Venice.
1 260 kr
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This book offers the first annotated translation in English of two works of the eminent Venetian humanist, Ermolao Barbaro (1454-93). Books 3 and 4 of On Celibacy seek to justify a contemplative existence at a far remove from the active life and career-path expected of a figure of Barbaro’s standing within the Venetian patriciate; Books 1 and 2 of On Celibacy are presented in the companion piece to this second volume. The second work presented here is Barbaro’s short treatise On the Duty of Ambassador (likely written in mid- to late-1489): based on Barbaro’s own practical experience as a Venetian envoy abroad, this treatise outlines the conduct expected of the dedicated career diplomat.Viewed against each other, Barbaro’s On Celibacy and On the Duty of the Ambassador offer contrasting perspectives on the wider 15th-century debate about the claims of the reflective as opposed to the active life – a debate that extends all the way back to Greco-Roman antiquity. In On Celibacy the young Barbaro is committed to a life that proudly renounces civic engagement in the name of self-discovery and inner fulfilment. Yet a different Barbaro asserts himself in On the Duty of the Ambassador: he now presents himself as a committed public servant in a work that is ahead if its time in theorizing the nature of ‘modern’ Renaissance diplomacy. On a personal level, these two works capture the profound dichotomy in Barbaro’s life between his humanist devotion to scholarship on the one hand and, on the other, his burden of duty to the Republic of Venice.
1 227 kr
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Offering an anthology of the first history of Latin literature, Sicco Polenton’s Scriptorum illustrium Latinae linguae libri XVIII is a collection of biographies that spans the period from ancient Rome to the 15th century. Compiled between 1419 and 1433, the main focus of the Scriptores illustres is on the life and works of ancient Latin authors, but Polenton also displays a wider interest in the history of Roman culture, institutions and society, which he constantly interlaces with literary issues.This anthology offers the first English translation of carefully selected passages of the Scriptores illustres, in order to provide scholars and students with an accessible overview of the work’s structure and style, as well as its impact on early 15th-century scholarship. It is the first modern edition of Polenton’s work to be annotated, thereby providing an historical context for the work. The commentary sheds new light on the complexity of Polenton’s original research into his classical sources, and the anthology fills a gap in Anglophone scholarship, which has in recent decades paid little attention to Polenton and his intellectual profile.
Latin Poetry of Thomas Gray
Edited with Introduction, Translation and Commentary
Inbunden, Engelska, 2024
1 329 kr
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In the first full-scale edition of Thomas Gray’s Latin poetry, the Latin text and facing English translation are complemented by a detailed introduction and comprehensive commentary that situate Gray’s Latin verse in relation to his vernacular poetry, epistolary correspondence, and, especially, his appropriation of classical and Neo-Latin literature. This book also traces hitherto unlocated manuscripts of several of his Latin poems, and includes an editio princeps of recently discovered Latin verses pertaining to his Neapolitan sojourn.Gray’s Latin poetry presents an illuminating portrait of the artist as a young man, mapping his growth and development from his Etonian days to his undergraduate years at Cambridge University, to his continental journey and his return to England. Impressively eclectic in its scope and tone, it ranges from experimental renderings of English, Greek and Italian verse to more strikingly original pieces, including poetic reinterpretations of Alexander Pope’s Essay on Man and John Locke’s An Essay Concerning Humane Understanding. Gray looks back to a classical past, offering imaginative re-readings of Lucretius, Virgil and Horace. At the same time, his Latin verse is firmly rooted in a postclassical world. At its heart is the theme of presences, whether sacred, imagined, absent or remembered, conveyed with a linguistic ingenuity that facilitates the encoding of homoeroticism in a Neo-Latin language of sensibility.
1 329 kr
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This book offers an accessible translation and detailed commentary of Piccolomini's only comedy, Chrysis. Enea Silvio Piccolomini (1405-64), also known as Pope Pius II, is among the Quattrocento’s most interesting personalities. An intellectual and public figure, Piccolomini enjoyed remarkable range, one aspect of which is his capacity as a writer and, specifically as regards this volume, as a comedic dramaturge. This book offers a performable English translation of his play, Chrysis, along with a detailed introduction and accessibly written commentary.The Chrysis is unabashedly a Roman comedy written in the Plautine manner and reveals an awareness of many Latin literary forms. Within its historical context, the Chrysis is a highly interesting piece of Renaissance drama while being, at the same time, not as fully appreciated as it might have been. Piccolomini does not seem to have wanted it to be made public, for the play’s plot involves Catholic priests visiting a brothel. However, the Chrysis is also replete with classical allusions, from Catullus to Juvenal and Martial, thus demonstrating that Piccolomini was a serious poet and admirer of Latin literature.
Latin Poetry of Thomas Gray
Edited with Introduction, Translation and Commentary
Häftad, Engelska, 2026
554 kr
Kommande
In the first full-scale edition of Thomas Gray’s Latin poetry, the Latin text and facing English translation are complemented by a detailed introduction and comprehensive commentary that situate Gray’s Latin verse in relation to his vernacular poetry, epistolary correspondence, and, especially, his appropriation of classical and Neo-Latin literature. This book also traces hitherto unlocated manuscripts of several of his Latin poems, and includes an editio princeps of recently discovered Latin verses pertaining to his Neapolitan sojourn.Gray’s Latin poetry presents an illuminating portrait of the artist as a young man, mapping his growth and development from his Etonian days to his undergraduate years at Cambridge University, to his continental journey and his return to England. Impressively eclectic in its scope and tone, it ranges from experimental renderings of English, Greek and Italian verse to more strikingly original pieces, including poetic reinterpretations of Alexander Pope’s Essay on Man and John Locke’s An Essay Concerning Humane Understanding. Gray looks back to a classical past, offering imaginative re-readings of Lucretius, Virgil and Horace. At the same time, his Latin verse is firmly rooted in a postclassical world. At its heart is the theme of presences, whether sacred, imagined, absent or remembered, conveyed with a linguistic ingenuity that facilitates the encoding of homoeroticism in a Neo-Latin language of sensibility.
1 608 kr
Kommande
Offering the first scholarly edition and English translation of Praenotamenta, a treatise on ancient drama by Flemish scholar, editor and publisher Jodocus Badius Ascensius (1462-1535), along with his introductory notes to Terence's Andria, this book challenges existing scholarship and fosters an interdisciplinary approach to his work. Drawing on works on classical and literary criticism, intellectual history and drama, this edition will enable scholars to fully appreciate the role of Praenotamenta in the development of early modern dramatic criticism. Andrew J. Turner and Giulia Torello-Hill present a detailed analysis of the sources, composition, circulation and legacy of the treatise.First published in 1502 in Badius’s third edition of Terence’s plays, Praenotamenta was reprinted 18 times in the following twenty years, circulating widely across Europe. The treatise offered a diverse readership of educators, students, scholars and theatre practitioners a concise and accessible compendium of the main generic features of classical drama, its development and mise-en-scene – and its influence can be seen in treatises on poetics across Europe in France, Italy, Spain and England. Supported by a full introduction and commentary, the text and English translation of this important work are made accessible to a wide modern audience for the first time and will be essential reading for scholars in Classics, Neo-Latin and Theatre Studies.
1 407 kr
Skickas inom 10-15 vardagar
Published here for the first time in an accessible edition, Brasilienses Aurifodinae or “Brazilian Goldmines” is an 18th-century hexameter poem in Latin, by Brazilian author José Basílio da Gama (1741-95). Two addenda follow the text, translation, and commentary on this poem: an Appendix Compendiaria, which summarizes the content of the poem in simple prose; and a Quaestio Curiosa, where Gama answers common questions about his topic, as well as an alphabetically organized Index rerum notabilium.Gama, famous for his anti-Jesuit works in Portuguese and for his support of the liberal reformation of the Portuguese crown, touches in this work upon central questions of his time, such as life in the colonies, the use of slave labor, the relationship with the metropolis, and payment of taxes. He also showcases his technical knowledge of the extraction of gold and his scientific knowledge regarding geography, geology and mineralogy of the mining sites – not to mention his erudition in mastery of Latin and his familiarity with the Classical tradition.This edition contains the edited Latin text, as well as the first English translation of the work, an introductory study, and commentaries to the text.
Isaac Barrow's On the Turkish Religion
A Latin Poem on Islam from Ottoman Istanbul
Inbunden, Engelska, 2026
1 156 kr
Skickas inom 10-15 vardagar
This edition offers a novel perspective on seventeenth-century European-Islamic encounters by making accessible the Neo-Latin poem On the Turkish Religion (De Religione Turcica). Written by the Cambridge scholar Isaac Barrow during a visit to Istanbul in 1658, this poem shows how the knowledge and use of Latin contributed to the rise of early modern European oriental studies, both as a medium of information and as a vehicle of representation. As well as including an accessible translation and full text with commentary, Vozar lays out for the reader a detailed introduction explaining the background of Barrow’s travels, especially his meeting with the Polish-born Ottoman dragoman Ali Ufki, whose Latin Epitome of Islamic doctrine constituted Barrow’s main source. Comparison between the two texts reveals some of the ways in which Barrow converted Ufki’s work to polemical purposes in his Lucretian diatribe against the religion. As further elucidation of the context of Barrow's poem, Vozar includes in this edition a text and translation of a Latin letter that Barrow wrote to his Cambridge colleagues around the same time, in which he discusses the genesis of the poem as well as current affairs at the Ottoman court.