Conditio Judaica – serie
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104 produkter
104 produkter
1 855 kr
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Del 79 - Conditio Judaica
Figuren des Messianischen in Schriften deutsch-jüdischer Intellektueller 1900-1933
Inbunden, Tyska, 2011
2 403 kr
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This study investigates the function of the recourse to the messianic tradition of Judaism among German-Jewish intellectuals in the first third of the 20th century. Messianic figures of thought play an important role in the Jewish discourse of identity. Moreover, they are used productively in the creation of general theories in the realm of cultural studies, especially regarding the philosophy of language and history and the theological-political complex. Here, all the considered authors (Benjamin, Bloch, Broch, Buber, Landauer, Rosenzweig, Scholem) secularize Jewish Messianism in one way or another, thus transforming the Messiah into the “messianic”. This also means, however, that the messianic figures of speech include not only figures of thought but also rhetorical figures of speech or tropes that reflect various constellations of sacrality and secularity in the modern era. Tension between the secular and the sacred, and also between cultural particularity and universality, forms part of the modern adaptation of Jewish Messianism, as does the possibility of a sudden dialectical critical shift to an affirmation of violence.
Del 80 - Conditio Judaica
Auf den Spuren der Schrift
Israelische Perspektiven einer internationalen Germanistik
Inbunden, Tyska, 2011
2 403 kr
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This book-series, initiated in 1992, has an interdisciplinary orientation; it is published in English and German and comprises research monographs, collections of essays and editions of source texts dealing with German-Jewish literary and cultural history, in particular from the period covering the 18th to 20th centuries.The closer definition of the term German-Jewish applied to literature and culture is an integral part of its historical development. Primarily, the decisive factor is that from the middle of the 18th century German gradually became the language of choice for Jews, and Jewish authors started writing in German, rather than Yiddish or Hebrew, even when they were articulating Jewish themes. This process is directly connected an historical change in mentality and social factors which led to a gradual opening towards a non-Jewish environment, which in its turn was becoming more open. In the Enlightenment, German society becomes the standard of reference – initially for an intellectual elite. Against this background, the term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that explicit or implicit Jewish themes, motifs, modes of thought or models can be identified in them.From the beginning of the 19th century at the latest, however, the image of Jews in the work of non-Jewish writers, determined mainly by anti-Semitism, becomes a factor in German-Jewish literature. There is a tension between Jewish writers’ authentic reference to Jewish traditions or existence and the anti-Semitic marking and discrimination against everything Jewish which determines the overall development of the history of German-Jewish literature and culture. This series provides an appropriate forum for research into the whole problematic area.
1 772 kr
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Del 82 - Conditio Judaica
Joseph Roth
Europäisch-jüdischer Schriftsteller und österreichischer Universalist
Inbunden, Tyska, 2011
2 479 kr
Skickas inom 5-8 vardagar
This book-series, initiated in 1992, has an interdisciplinary orientation; it is published in English and German and comprises research monographs, collections of essays and editions of source texts dealing with German-Jewish literary and cultural history, in particular from the period covering the 18th to 20th centuries.The closer definition of the term German-Jewish applied to literature and culture is an integral part of its historical development. Primarily, the decisive factor is that from the middle of the 18th century German gradually became the language of choice for Jews, and Jewish authors started writing in German, rather than Yiddish or Hebrew, even when they were articulating Jewish themes. This process is directly connected an historical change in mentality and social factors which led to a gradual opening towards a non-Jewish environment, which in its turn was becoming more open. In the Enlightenment, German society becomes the standard of reference – initially for an intellectual elite. Against this background, the term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that explicit or implicit Jewish themes, motifs, modes of thought or models can be identified in them.From the beginning of the 19th century at the latest, however, the image of Jews in the work of non-Jewish writers, determined mainly by anti-Semitism, becomes a factor in German-Jewish literature. There is a tension between Jewish writers’ authentic reference to Jewish traditions or existence and the anti-Semitic marking and discrimination against everything Jewish which determines the overall development of the history of German-Jewish literature and culture. This series provides an appropriate forum for research into the whole problematic area.
Del 83 - Conditio Judaica
Berthold Auerbach: Briefe an Seinen Freund Jakob Auerbach
Neuedition Der Ausgabe Von 1884 Mit Kommentaren Und Indices
Inbunden, Tyska, 2014
4 430 kr
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Del 84 - Conditio Judaica
Beziehung und Bruch in der Poetik Gertrud Kolmars
Verborgene deutsch-jüdische Diskurse im Gedicht
Inbunden, Tyska, 2012
1 669 kr
Skickas inom 5-8 vardagar
This book-series, initiated in 1992, has an interdisciplinary orientation; it is published in English and German and comprises research monographs, collections of essays and editions of source texts dealing with German-Jewish literary and cultural history, in particular from the period covering the 18th to 20th centuries.The closer definition of the term German-Jewish applied to literature and culture is an integral part of its historical development. Primarily, the decisive factor is that from the middle of the 18th century German gradually became the language of choice for Jews, and Jewish authors started writing in German, rather than Yiddish or Hebrew, even when they were articulating Jewish themes. This process is directly connected an historical change in mentality and social factors which led to a gradual opening towards a non-Jewish environment, which in its turn was becoming more open. In the Enlightenment, German society becomes the standard of reference – initially for an intellectual elite. Against this background, the term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that explicit or implicit Jewish themes, motifs, modes of thought or models can be identified in them.From the beginning of the 19th century at the latest, however, the image of Jews in the work of non-Jewish writers, determined mainly by anti-Semitism, becomes a factor in German-Jewish literature. There is a tension between Jewish writers’ authentic reference to Jewish traditions or existence and the anti-Semitic marking and discrimination against everything Jewish which determines the overall development of the history of German-Jewish literature and culture. This series provides an appropriate forum for research into the whole problematic area.
Del 85 - Conditio Judaica
Exilerfahrung und Konstruktionen von Identität 1933 bis 1945
Inbunden, Tyska, 2013
2 085 kr
Skickas inom 5-8 vardagar
This book-series, initiated in 1992, has an interdisciplinary orientation; it is published in English and German and comprises research monographs, collections of essays and editions of source texts dealing with German-Jewish literary and cultural history, in particular from the period covering the 18th to 20th centuries.The closer definition of the term German-Jewish applied to literature and culture is an integral part of its historical development. Primarily, the decisive factor is that from the middle of the 18th century German gradually became the language of choice for Jews, and Jewish authors started writing in German, rather than Yiddish or Hebrew, even when they were articulating Jewish themes. This process is directly connected an historical change in mentality and social factors which led to a gradual opening towards a non-Jewish environment, which in its turn was becoming more open. In the Enlightenment, German society becomes the standard of reference – initially for an intellectual elite. Against this background, the term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that explicit or implicit Jewish themes, motifs, modes of thought or models can be identified in them.From the beginning of the 19th century at the latest, however, the image of Jews in the work of non-Jewish writers, determined mainly by anti-Semitism, becomes a factor in German-Jewish literature. There is a tension between Jewish writers’ authentic reference to Jewish traditions or existence and the anti-Semitic marking and discrimination against everything Jewish which determines the overall development of the history of German-Jewish literature and culture. This series provides an appropriate forum for research into the whole problematic area.
Del 86 - Conditio Judaica
Gerson Stern
Zum Leben und Werk des jüdisch-deutschen Schriftstellers (1874–1956)
Inbunden, Tyska, 2013
2 342 kr
Skickas inom 5-8 vardagar
This book-series, initiated in 1992, has an interdisciplinary orientation; it is published in English and German and comprises research monographs, collections of essays and editions of source texts dealing with German-Jewish literary and cultural history, in particular from the period covering the 18th to 20th centuries.The closer definition of the term German-Jewish applied to literature and culture is an integral part of its historical development. Primarily, the decisive factor is that from the middle of the 18th century German gradually became the language of choice for Jews, and Jewish authors started writing in German, rather than Yiddish or Hebrew, even when they were articulating Jewish themes. This process is directly connected an historical change in mentality and social factors which led to a gradual opening towards a non-Jewish environment, which in its turn was becoming more open. In the Enlightenment, German society becomes the standard of reference – initially for an intellectual elite. Against this background, the term German-Jewish literature refers to the literary work of Jewish authors writing in German to the extent that explicit or implicit Jewish themes, motifs, modes of thought or models can be identified in them.From the beginning of the 19th century at the latest, however, the image of Jews in the work of non-Jewish writers, determined mainly by anti-Semitism, becomes a factor in German-Jewish literature. There is a tension between Jewish writers’ authentic reference to Jewish traditions or existence and the anti-Semitic marking and discrimination against everything Jewish which determines the overall development of the history of German-Jewish literature and culture. This series provides an appropriate forum for research into the whole problematic area.
1 577 kr
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2 032 kr
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Del 89 - Conditio Judaica
Jüdisch-christliche Liebesbeziehungen im Werk Leopold Komperts
Inbunden, Tyska, 2015
2 230 kr
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1 744 kr
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2 085 kr
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1 669 kr
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This book is devoted to the study of the bilingual “parallel poems” of Ludwig Strauss (Aachen 1892 ˗ Jerusalem 1953) created between 1934 and 1952 in Palestine/Israel and which exist in two variants, a Hebrew and a German version, one of which is the original and the other a self-translation. The aim of this study is to compare the versions and their interpretation based on Strauss’s theoretical essays on poetry and translation, his political writings and works of literary criticism. Special attention is paid to Strauss’s concept (linked with the idea of messianic redemption) of poetry as a “fore-image” of a future true community of men and as “the earthly expression of the Absolute” directed at interpreting divine revelation and its “translation” into human language. In examining Strauss’s experiments with self-translation, by which he aimed at establishing a dialogue between languages, and between people and nations, this study considers the two processes of translation: from divine speech into human language and from one human language into another.
Del 94 - Conditio Judaica
Die Zionistische Komödie Im Drama Sammy Gronemanns
Über Ursprünge Und Eigenarten Einer Latenten Gattung
Inbunden, Tyska, 2020
1 855 kr
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2 218 kr
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1 484 kr
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Del 92 - Conditio Judaica
Hawdoloh Und Zapfenstreich
Erinnerungen an Die Ostjüdische Etappe 1916-1918
Inbunden, Tyska, 2020
1 442 kr
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Del 96 - Conditio Judaica
Land, Dorf, Kehilla
"Landjudentum" in Der Deutschen Und Deutsch-Jüdischen Erzählliteratur Bis 1918
Inbunden, Tyska, 2020
2 154 kr
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1 535 kr
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2 208 kr
Kommande
1 641 kr
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Investigating Franz Kafka's “Der Bau”
Towards an Understanding of His Late Narrative in a Jewish Context
Inbunden, Engelska, 2023
1 416 kr
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In 2016, the Israeli Supreme Court ruled that Max Brod’s posthumous papers which included a collection of Kafka’s manuscripts be transferred to the National Library of Israel in Jerusalem. If Kafka’s writings may be seen to belong to Jewish national culture and if they may be considered part of Israel’s heritage, then their analysis within a Jewish framework should be both viable and valuable. This volume is dedicated to the research of Franz Kafka’s late narrative “The Burrow” and its autobiographical and theological significance. Research is extended to incorporate many fields of study (architecture, sound studies, philosophy, cultural studies, Jewish studies, literary studies) to illustrate the dynamics at work within the text which reveal the Jewish aspects implicitly thematicized. Examination of the structure created, the nature of sound perceived, the atmosphere experienced and the acts performed by the protagonist serve as the foundation of this analysis and offer new access to Kafka’s work by presenting an interpretive, space-semantic approach. “Der Bau” is presented as a life concept given the task of constituting identity, highlighting the critical link between the literary and biographical Kafka and demonstrating the necessity of understanding the author as a Jewish writer to understand his late narrative. For her outstanding research project, Andrea Newsom Ebarb was awarded the “Forschungsförderpreis der Vereinigung der Freunde der Universität Mainz e.V.” in 2023.
Del 100 - Conditio Judaica
Der Israelische Dichter Elazar Benyoëtz Zwischen Deutsch Und Hebräisch
Zweisprachigkeit ALS Poetische Kraft
Inbunden, Tyska, 2024
1 719 kr
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Del 99 - Conditio Judaica
Das Nachleben Des Propheten Jeremia Bei Stefan Zweig Und Franz Werfel
Inbunden, Tyska, 2024
2 138 kr
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Del 104 - Conditio Judaica
Adelsstand ALS Lebensziel
Die Autorin Rebecca Friedländer Zwischen Assimilationsstrategien Und Selbstbehauptung
Inbunden, Tyska, 2026
1 068 kr
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Del 103 - Conditio Judaica
Die Zerstörung Jerusalems in Deutschsprachiger Erzählliteratur Über Den Jüdisch-Römischen Krieg
Antijudaismus, Antisemitismus Und Nationalismus
Inbunden, Tyska, 2026
1 686 kr
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Del 101 - Conditio Judaica
Deutschsprachige Jüdische Gegenwartsliteratur Und Die Postmoderne
Zu Kritischen Inszenierungen Poststrukturalistischer Perspektiven Im Erinnerungsdiskurs Der Shoah
Inbunden, Tyska, 2025
1 463 kr
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Del 102 - Conditio Judaica
Der Briefwechsel Zwischen David Vogel Und ADA Nadler-Vogel
Inbunden, Tyska, 2026
937 kr
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