Flashpoints – serie
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70 produkter
70 produkter
303 kr
Skickas inom 5-8 vardagar
Paterson, 1913 is designed to be played during the time typically devoted to teaching the Progressive Era in the U.S. history survey course. Set in America’s “Silk City", Paterson, New Jersey, the game pits manufacturers, who try to keep Paterson’s key economic engine running, against labour leaders, who demand a general strike to achieve better working conditions across the silk industry. In the middle of this conflict are townspeople who must decide whom to support and how to survive a labour struggle that seems to have no end in sight.From the award-winning Reacting to the Past community, Flashpoints is a new series of immersive role-playing activities designed to help students bring historical ideas and forces to life. Games are designed to take about one week of class time in a survey course, between two and four class sessions. Drawing on primary sources to craft arguments and inform debates, students develop critical thinking and historical empathy. Classroom-tested materials for students and instructors ensure a smooth “flipped classroom” experience.
303 kr
Skickas inom 5-8 vardagar
Raising the Eleventh Pillar brings to life the debates surrounding ratification of the U.S. Constitution. Delegates to the New York State Ratifying Convention first debate the nature of representative government before considering issues such as the size of the lower house and recall. Drawing on primary sources, Federalists and Antifederalists must convince undecided voters—and the ending could prove explosive.From the award-winning Reacting to the Past community, Flashpoints is a new series of immersive role-playing activities designed to help students bring historical ideas and forces to life. Games are designed to take about one week of class time in a survey course, between two and four class sessions. Drawing on primary sources to craft arguments and inform debates, students develop critical thinking and historical empathy. Classroom-tested materials for students and instructors ensure a smooth “flipped classroom” experience.
Del 1 - FlashPoints
On Pain of Speech
Fantasies of the First Order and the Literary Rant
Häftad, Engelska, 2010
528 kr
Skickas inom 5-8 vardagar
"On Pain of Speech" tracks the literary rant, an expression of provocation and resistance that imagines the power to speak in its own name where no such right is granted. Focusing on the 'politics of address', Dina Al-Kassim views the rant through the lens of Michel Foucault's notion of the biopolitical subject and finds that its abject address is an essential yet overlooked feature of modernism. Deftly approaching disparate fields - decadent modernism, queer studies, subjection, critical psychoanalysis, and postcolonial avant-garde - and encompassing both Euro-American and Francophone Arabic modernisms, she offers an ambitious theoretical perspective on the ongoing redefinition of modernism. She includes readings of Jane Bowles, Abdelwahab Meddeb, and Oscar Wilde, and invokes a wide range of ideas, including those of Theodor Adorno, Sigmund Freud, Jacques Lacan, Judith Butler, Jean Laplanche, and Eve Kosofsky Sedgwick.
575 kr
Skickas inom 5-8 vardagar
Combining original historical research with literary analysis, Adam Barrows takes a provocative look at the creation of world standard time in 1884 and rethinks the significance of this remarkable moment in modernism for both the processes of imperialism and for modern literature. As representatives from twenty-four nations argued over adopting the Prime Meridian, and thereby measuring time in relation to Greenwich, England, writers began experimenting with new ways of representing human temporality. Barrows finds this experimentation in works as varied as Victorian adventure novels, high modernist texts, and South Asian novels - including the work of James Joyce, Virginia Woolf, H. Rider Haggard, Bram Stoker, Rudyard Kipling, and Joseph Conrad. Demonstrating the investment of modernist writing in the problems of geopolitics and in the public discourse of time, Barrows argues that it is possible, and productive, to rethink the politics of modernism through the politics of time.
396 kr
Skickas inom 5-8 vardagar
Set against the cultural and political backdrop of interwar Europe and the Americas, "Poetry in Pieces" is the first major study of the Peruvian poet Cesar Vallejo (1892-1938) to appear in English in more than thirty years. Vallejo lived and wrote in two distinct settings - Peru and Paris - which were continually crisscrossed by new developments in aesthetics, politics, and practices of everyday life; his poetry and prose therefore need to be read in connection with modernity in all its forms and spaces. Michelle Clayton combines close readings of Vallejo's writings with cultural, historical, and theoretical analysis, connecting Vallejo - and Latin American poetry - to the broader panorama of international modernism and the avant-garde, and to writers and artists such as Rainer Maria Rilke, James Joyce, Georges Bataille, and Charlie Chaplin. "Poetry in Pieces" sheds new light on one of the key figures in twentieth-century Latin American literature, while exploring ways of rethinking the parameters of international lyric modernity.
482 kr
Skickas inom 5-8 vardagar
Countering impressions of Moses reinforced by Sigmund Freud in his epoch-making "Moses and Monotheism", this concise, engaging work begins with the perception that the story of Moses is at once the most nationalist and the most multicultural of all foundation narratives. Weaving together various texts - biblical passages, philosophy, poems, novels, opera, and movies - Barbara Johnson explores how the story of Moses has been appropriated, reimagined, and transmitted across cultures and historical moments. But she finds that already in the Bible, the story of Moses is a multicultural story, the story of someone who functions well in a world to which he, unbeknownst to the casual observer, does not belong. Using the Moses story as a lens through which to view questions at the heart of contemporary literary, philosophical, and ethical debates, Johnson shows how, through a close analysis of this figure's recurrence through time, we might understand something of the paradoxes, if not the impasses of contemporary multiculturalism.
Del 5 - FlashPoints
Disarming Words
Empire and the Seductions of Translation in Egypt
Häftad, Engelska, 2011
606 kr
Skickas inom 5-8 vardagar
In a book that radically challenges conventional understandings of the dynamics of cultural imperialism, Shaden M. Tageldin unravels the complex relationship between translation and seduction in the colonial context. She examines the afterlives of two occupations of Egypt - by the French in 1798 and by the British in 1882 - in a rich comparative analysis of acts, fictions, and theories that translated the European into the Egyptian, the Arab, or the Muslim. Tageldin finds that the encounter with European Orientalism often invited colonized Egyptians to imagine themselves 'equal' to or even 'masters' of their colonizers, and thus, paradoxically, to translate themselves toward - virtually into - the European. Moving beyond the domination/resistance binary that continues to govern understandings of colonial history, Tageldin redefines cultural imperialism as a politics of translational seduction, a politics that lures the colonized to seek power through empire rather than against it, thereby repressing its inherent inequalities.She considers, among others, the interplays of Napoleon and Hasan al-'Attar; Rifa'a al-Tahtawi, Silvestre de Sacy, and Joseph Agoub; Cromer, 'Ali Mubarak, Muhammad al-Siba'i, and Thomas Carlyle; Ibrahim 'Abd al-Qadir al-Mazini, Muhammad Husayn Haykal, and Ahmad Hasan al-Zayyat; and, Salama Musa, G. Elliot Smith, Naguib Mahfouz, and Lawrence Durrell. In conversation with new work on translation, comparative literature, imperialism, and nationalism, Tageldin engages postcolonial and poststructuralist theorists from Frantz Fanon, Edward Said, and Gayatri Spivak to Jean Baudrillard, Walter Benjamin, Emile Benveniste, and Jacques Derrida.
Del 6 - FlashPoints
Wings for Our Courage
Gender, Erudition, and Republican Thought
Häftad, Engelska, 2011
497 kr
Skickas inom 5-8 vardagar
On January 6, 1537, Lorenzino de' Medici murdered Alessandro de' Medici, the duke of Florence. This episode is significant in literature and drama, in Florentine history, and in the history of republican thought, because Lorenzino, a classical scholar, fashioned himself after Brutus as a republican tyrant-slayer. "Wings for Our Courage" offers an epistemological critique of this republican politics, its invisible oppressions, and its power by reorganizing the meaning of Lorenzino's assassination around issues of gender, the body, and political subjectivity. Stephanie H. Jed brings into brilliant conversation figures including the Venetian nun and political theorist Archangela Tarabotti, the French feminist writer Hortense Allart, and others in a study that closely examines the material bases - manuscripts, letters, books, archives, and bodies - of writing as generators of social relations that organize and conserve knowledge in particular political arrangements.In her highly original study Jed reorganizes republicanism in history, providing a new theoretical framework for understanding the work of the scholar and the social structures of archives, libraries, and erudition in which she is inscribed.
730 kr
Skickas inom 5-8 vardagar
This insightful book tracks the concept of culture across a range of scholarly disciplines and much of the twentieth and early twenty-first centuries - years that saw the emergence of new fields and subfields (cultural studies, the new cultural history, literary new historicism, as well as ethnic and minority studies) and came to be called "the cultural turn". Since the 1990s, however, the idea of culture has fallen out of scholarly favor. Susan Hegeman engages with a diversity of disciplines, including anthropology, literary studies, sociology, philosophy, psychology, and political science, to historicize the rise and fall of the cultural turn and to propose ways that culture may still be a vital concept in the global present.
Del 8 - FlashPoints
English Heart, Hindi Heartland
The Political Life of Literature in India
Häftad, Engelska, 2012
498 kr
Skickas inom 5-8 vardagar
"English Heart, Hindi Heartland" examines Delhi's postcolonial literary world - its institutions, prizes, publishers, writers, and translators, and the cultural geographies of key neighborhoods - in light of colonial histories and the globalization of English. Rashmi Sadana places internationally recognized authors such as Salman Rushdie, Anita Desai, Vikram Seth, and Aravind Adiga in the context of debates within India about the politics of language and alongside other writers, including K. Satchidanandan, Shashi Deshpande, and Geetanjali Shree. Sadana undertakes an ethnographic study of literary culture that probes the connections between place, language, and text in order to show what language comes to stand for in people's lives. In so doing, she unmasks a social discourse rife with questions of authenticity and cultural politics of inclusion and exclusion. "English Heart, Hindi Heartland" illustrates how the notion of what is considered to be culturally and linguistically authentic not only obscures larger questions relating to caste, religious, and gender identities, but that the authenticity discourse itself is continually in flux.In order to mediate and extract cultural capital from India's complex linguistic hierarchies, literary practitioners strategically deploy a fluid set of cultural and political distinctions that Sadana calls "literary nationality". Sadana argues that English, and the way it is positioned among the other Indian languages, does not represent a fixed pole, but rather serves to change political and literary alliances among classes and castes, often in surprising ways.
730 kr
Skickas inom 5-8 vardagar
"The Cylinder" investigates the surprising proliferation of cylindrical objects in the nineteenth century, such as steam engines, phonographs, panoramas, rotary printing presses, silos, safety locks, and many more. Examining this phenomenon through the lens of kinematics, the science of forcing motion, Helmut Muller-Sievers provides a new view of the history of mechanics and of the culture of the industrial revolution, including its literature that focuses on the metaphysics and aesthetics of motion. Muller-Sievers explores how nineteenth-century prose falls in with the specific rhythm of cylindrical machinery, re-imagines the curvature of cylindrical spaces, and conjoins narrative progress and reflection in a single stylistic motion. Illuminating the intersection of engineering, culture, and literature, he argues for a concept of culture that includes an epoch's relation to the motion of its machines.
Del 10 - FlashPoints
Polymorphous Domesticities
Pets, Bodies, and Desire in Four Modern Writers
Häftad, Engelska, 2012
559 kr
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"Polymorphous Domesticities" maps out the play of gender, sexuality, and alternative forms of domesticity in the works of four modern European and American writers - Edith Wharton, Djuna Barnes, Colette, and J.R. Ackerley. What these four writers have in common is a defiance of patriarchal paradigms in their lives as well as in their works. Not only did they live outside the norms of the heterosexual family unit, they also pursued and wrote about alternative lifestyles that prominently involved animals. Through close readings from a feminist perspective, Juliana Schiesari reconfigures the ways in which interspecies relationships inflect domestic spheres, reading the "Other" through the lens of gender, home, and family. As she explores how domestic life is refigured by the presence of animals, Schiesari challenges anthropocentric frames of reference and brings the very definition of "human" into question.
Del 12 - FlashPoints
Fear of French Negroes
Transcolonial Collaboration in the Revolutionary Americas
Häftad, Engelska, 2012
517 kr
Skickas inom 5-8 vardagar
"The Fear of French Negroes" is an interdisciplinary study that explores how people of African descent responded to the collapse and reconsolidation of colonial life in the aftermath of the Haitian Revolution (1791-1845). Using visual culture, popular music and dance, periodical literature, historical memoirs, and state papers, Sara E. Johnson examines the migration of people, ideas, and practices across imperial boundaries. Building on previous scholarship on black internationalism, she traces expressions of both aesthetic and experiential transcolonial black politics across the Caribbean world, including Hispaniola, Louisiana and the Gulf South, Jamaica, and Cuba. Johnson examines the lives and work of figures as diverse as armed black soldiers and privateers, female performers, and newspaper editors to argue for the existence of "competing inter-Americanisms" as she uncovers the struggle for unity amidst the realities of class, territorial, and linguistic diversity.These stories move beyond a consideration of the well-documented anxiety insurgent blacks occasioned in slaveholding systems to refocus attention on the wide variety of strategic alliances they generated in their quests for freedom, equality and profit.
Del 11 - FlashPoints
Flesh and Fish Blood
Postcolonialism, Translation, and the Vernacular
Häftad, Engelska, 2012
544 kr
Skickas inom 5-8 vardagar
In "Flesh and Fish Blood" Subramanian Shankar breaks new ground in postcolonial studies by exploring the rich potential of vernacular literary expressions. Shankar pushes beyond the postcolonial Anglophone canon and works with Indian literature and film in English, Tamil, and Hindi to present one of the first extended explorations of representations of caste, including a critical consideration of Tamil Dalit (so-called untouchable) literature. Shankar shows how these vernacular materials are often unexpectedly politically progressive and feminist, and provides insight on these oft-overlooked - but nonetheless sophisticated - South Asian cultural spaces. With its calls for renewed attention to translation issues and comparative methods in uncovering disregarded aspects of postcolonial societies, and provocative remarks on humanism and cosmopolitanism, "Flesh and Fish Blood" opens up new horizons of theoretical possibility for postcolonial studies and cultural analysis.
512 kr
Skickas inom 11-20 vardagar
For a half century, the American intellectual Fredric Jameson has been a driving force in literary and cultural theory. In Periodizing Jameson, Phillip E. Wegner builds upon Jameson’s unique dialectical method to demonstrate the value of Jameson’s tools—periodization, the fourfold hermeneutic, and the Greimasian semiotic square, among others—and to develop virtuoso readings of Jameson’s own work and the history of the contemporary American university in which it unfolds.Wegner shows how Jameson’s work intervenes in particular social, cultural, and political situations, using his scholarship both to develop original explorations of nineteenth-century fiction, popular films, and other prominent theorists, and to examine the changing fortunes of theory itself. In this way, Periodizing Jameson casts new light on the potential of and challenges to humanist intellectual work in the present.
541 kr
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Mariano Siskind’s groundbreaking debut book redefines the scope of world literature, particularly regarding the place of Latin America in its imaginaries and mappings. In Siskind’s formulation, world literature is a modernizing discursive strategy, a way in which cultures negotiate their aspirations to participate in global networks of cultural exchange, and an original tool to reorganize literary history. Working with novels, poems, essays, travel narratives, and historical documents, Siskind reads the way Latin American literary modernity was produced as a global relation, from the rise of planetary novels in the 1870s and the cosmopolitan imaginaries of modernism at the turn of the twentieth century, to the global spread of magical realism. With its unusual breadth of reference and firm but unobtrusive grounding in philosophy, literary theory, and psychoanalysis, Cosmopolitan Desires will have a major impact in the fields of Latin American studies and comparative literature.
512 kr
Skickas inom 11-20 vardagar
Can literature make it possible to represent histories that are otherwise ineffable? Making use of the Deleuzian concept of ""the powers of the false,"" Doro Wiese offers readings of three novels that deal with the Shoah, with colonialism, and with racialized identities. She argues that Jonathan Safran Foer's Everything Is Illuminated, Richard Flanagan's Gould's Book of Fish, and Richard Powers's The Time of Our Singing are novels in which a space for unvoiced, silent, or silenced difference is created. Seen through the lens of Deleuze and his collaborators' philosophy, literature is a means for mediating knowledge and affects about historical events. Going beyond any simple dichotomy between true and untrue accounts of what ""really"" happened in the past, literature's powers of the false incite readers to long for a narrative space in which painful or shameful stories can be included.
419 kr
Skickas inom 5-8 vardagar
Hayden White borrows the title for The Practical Past from philosopher Michael Oakeshott, who used the term to describe the accessible material and literary-artistic artifacts that individuals and institutions draw on for guidance in quotidian affairs. The Practical Past, then, forms both a summa of White's work to be drawn upon and a new direction in his thinking about the writing of history.White's monumental Metahistory: The Historical Imagination in Nineteenth-Century Europe (1973) challenged many of the commonplaces of professional historical writing and wider assumptions about the ontology of history itself. It formed the basis of his argument that we can never recover ""what actually happened""in the past and cannot really access even material culture in context. Forty years on, White sees ""professional history"" as falling prey to narrow specialization, and he calls upon historians to take seriously the practical past of explicitly ""artistic"" works, such as novels and dramas, and literary theorists likewise to engage historians.
512 kr
Skickas inom 11-20 vardagar
The antifascist exile beginning in 1933 led to a cooling among the émigrés of the artistic and literary modernist experiments of the Weimar Republic and to a return to realism and the traditional novel form. Epic and Exile examines the Popular Front– oriented cultural initiatives of the 1930s less in terms of their political strategy than in their function as a cultural and literary program for the exiles, implying a specific relationship to questions of artistic form, historical conceptions, and indeed the political as such. A popular front aesthetics is, Bivens argues, realist and modernist at once, and, in its focus on the opacities and contradictions of everyday life as a historical formation, it is particularly concerned with problems of the epic form.
1 492 kr
Skickas inom 10-15 vardagar
Since 1988, J. Hillis Miller has traveled to China to lecture on literary theory, especially the role of globalization in literary theory. Over time, he has assisted in the development of distinctively Chinese forms of literary theory, Comparative Literature, and World Literature. The fifteen lectures gathered in An Innocent Abroad span both time and geographic location, reflecting his work at universities across China for more than twenty-five years.More important, they reflect the evolution of Miller’sthinking and of the lectures’ contexts in China as these have markedly changed over the years, especially on either side of Tiananmen Square and in light of China’s economic growth and technological change. A foreword by the leading theorist Fredric Jameson provides additional context.
1 492 kr
Skickas inom 10-15 vardagar
How are we to read the world after the fall of the Berlin Wall? Form and Instability brings notions of figuration and translation to bear on the post-1989 condition. ""Eastern Europe"" in this book is more than a territory. Marked by belatedness and untimely remainders, it is an unstable object that is continually misapprehended. From the intersection of comparative literature, area studies, and literary theory, Anita Starosta considers the epistemological and aesthetic consequences of the disappearance of the Second World. Literature here becomes a critical lens in its own right—both object and method, it confronts us with the rhetorical dimension of language and undermines the ideological and hermeneutic coherence of established categories. In original readings of Joseph Conrad and Witold Gombrowicz, among other twentieth-century writers, Form and Instability unsettles cultural boundaries as we know them.
Intimate Relations
Social Reform and the Late Nineteenth-Century South Asian Novel
Inbunden, Engelska, 2017
1 492 kr
Skickas inom 10-15 vardagar
Intimate Relations remaps the discussion on gender and the nation in South Asia through a close study of the domestic novel as a literary genre and a tool for social reform. As a product of the intersection of literary and social reform movements, in the late nineteenth century the domestic novel became a site for literary innovation and also for rethinking women’s roles in society and politics. Krupa Shandilya focuses primarily on social reform movements that negotiated the intimate relations between men and women in Hindu and Muslim society, namely, the widow remarriage act in Bengal (1856) and the education of women promoted by the Aligarh movement (1858–1900). Both movements were invested in recovering woman as a “respectable” subject for the Hindu and Muslim nation, where respectability connoted asexual spirituality. While most South Asian literary scholarship has focused on a normative Hindu woman, Intimate Relations couples discussion of the representation of the widow in bhadralok (upper-caste, middle-class) society with that of the courtesan of sharif (upper-class, Muslim, feudal) society in Bengali and Urdu novels from the 1880s to the 1920s. By drawing together their disparate histories in the context of contemporaneous social reform movements, Shandilya reflects on the similarities of Hindu and Islamic constructions of the gendered nation.
1 492 kr
Skickas inom 10-15 vardagar
Media Laboratories explores a pivotal time for South American literature of the 1930s and ’40s. Cinema, radio, and the typewriter, once seen as promising catalysts for new kinds of writing, began to be challenged by authors, workers, and the public. What happens when media no longer seem novel and potentially democratic but rather consolidated and dominant? Moving among the authors from Brazil, Argentina, and Uruguay, and among the genres of fiction, the essay, popular journalism, and experimental little magazines, Sarah Ann Wells shows how writers on the periphery of global modernity were fashioning alternative approaches to these media. Analyzing authors such as Clarice Lispector, Jorge Luis Borges, and Felisberto Hernández, along with their lesser-known contemporaries, Media Laboratories casts a wide net: from spectators of Hollywood and Soviet montage films, to inventors of imaginary media, to proletarian typists who embodied the machine-human encounters of the period. The text navigates contemporary scholarly and popular debates about the relationship of literature to technological innovation, media archaeology, sound studies, populism, and global modernisms. Ultimately, Wells underscores a question that remains relevant: what possibilities emerge when the enthusiasm for new media has been replaced by anxiety over their potentially pernicious effects in a globalizing, yet vastly unequal, world?
Acoustic Properties
Radio, Narrative, and the New Neighborhood of the Americas
Inbunden, Engelska, 2017
1 492 kr
Skickas inom 10-15 vardagar
Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas discovers the prehistory of wireless culture. It examines both the coevolution of radio and the novel in Argentina, Cuba, and the United States from the early 1930s to the late 1960s, and the various populist political climates in which the emerging medium of radio became the chosen means to produce the voice of the people.Based on original archival research in Buenos Aires, Havana, Paris, and the United States, the book develops a literary media theory that understands sound as a transmedial phenomenon and radio as a transnational medium. Analyzing the construction of new social and political relations in the wake of the United States' 1930s Good Neighbor Policy, Acoustic Properties challenges standard narratives of hemispheric influence through new readings of Richard Wright's cinematic work in Argentina, Severo Sarduy's radio plays in France, and novels by John Dos Passos, Manuel Puig, Raymond Chandler, and Carson McCullers. Alongside these writers, the book also explores Che Guevara and Fidel Castro's Radio Rebelde, FDR's fireside chats, Félix Caignet's invention of the radionovela in Cuba, Evita Perón's populist melodramas in Argentina, Orson Welles's experimental New Deal radio, Cuban and U.S. ""radio wars,"" and the 1960s African American activist Robert F. Williams's proto–black power Radio Free Dixie.From the doldrums of the Great Depression to the tumult of the Cuban Revolution, Acoustic Properties illuminates how novelists in the radio age converted writing into a practice of listening, transforming realism as they struggled to channel and shape popular power.
480 kr
Skickas inom 5-8 vardagar
The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the creation and significance of the trans feminine as an allegorical figure from its origins in late nineteenth-century sexological writing to subsequent writings in the fields of psychoanalysis, Modernist fiction, and contemporary Queer Theory.The first study to identify the process by which medical sources simplified the diversity of trans feminine experience into a single diagnostic narrative of transsexuality, The New Woman illuminates how trans women were identified as archetypes for the redefinition of sex roles in works by artists and writers such as Aldous Huxley, James Joyce, Djuna Barnes, T. S. Eliot, and Jean Genet. She demonstrates how Modernism borrowed the sexological trans feminine as the embodiment of the ""sexual anarchy"" of the period.Thus illuminating the trans feminine's Modernist provenance, The New Woman examines foundational works in Queer Theory to demonstrate how the Modernist trans feminine allegory was resuscitated at the end of the twentieth century. Insightful and seminal, The New Woman debunks the pervasive reflex beginning in the 1990s to connect trans people to a perceived collapse in sexual differences by revealing the late nineteenth-century and Modernist roots of the figure.
1 492 kr
Skickas inom 10-15 vardagar
The New Woman: Literary Modernism, Queer Theory, and the Trans Feminine Allegory traces the creation and significance of the trans feminine as an allegorical figure from its origins in late nineteenth-century sexological writing to subsequent writings in the fields of psychoanalysis, Modernist fiction, and contemporary Queer Theory.The first study to identify the process by which medical sources simplified the diversity of trans feminine experience into a single diagnostic narrative of transsexuality, The New Woman illuminates how trans women were identified as archetypes for the redefinition of sex roles in works by artists and writers such as Aldous Huxley, James Joyce, Djuna Barnes, T. S. Eliot, and Jean Genet. She demonstrates how Modernism borrowed the sexological trans feminine as the embodiment of the ""sexual anarchy"" of the period.Thus illuminating the trans feminine's Modernist provenance, The New Woman examines foundational works in Queer Theory to demonstrate how the Modernist trans feminine allegory was resuscitated at the end of the twentieth century. Insightful and seminal, The New Woman debunks the pervasive reflex beginning in the 1990s to connect trans people to a perceived collapse in sexual differences by revealing the late nineteenth-century and Modernist roots of the figure.
480 kr
Skickas inom 5-8 vardagar
Civilizing War traces the historical transformation of civil war from a civil affair into an uncivil crisis. Civil war is today synonymous with the global refugee crisis, often serving as grounds for liberal-humanitarian intervention and nationalist protectionism.In Civilizing War, Nasser Mufti situates this contemporary conjuncture in the long history of British imperialism, demonstrating how civil war has been and continues to be integral to the politics of empire. Through comparative readings of literature, criticism, historiography, and social analysis, Civilizing War shows how writers and intellectuals of Britain’s Anglophone empire articulated a “poetics of national rupture” that defined the metropolitan nation and its colonial others.Mufti’s tour de force marshals a wealth of examples as diverse as Thomas Carlyle, Benjamin Disraeli, Friedrich Engels, Arthur Conan Doyle, Rudyard Kipling, Joseph Conrad, V. S. Naipaul, Nadine Gordimer, and Michael Ondaatje to examine the variety of forms this poetics takes—metaphors, figures, tropes, puns, and plot—all of which have played a central role in Britain’s civilizing mission and its afterlife. In doing so, Civilizing War shifts the terms of Edward Said’s influential Orientalism to suggest that imperialism was not only organized around the norms of civility but also around narratives of civil war.
1 492 kr
Skickas inom 10-15 vardagar
Civilizing War traces the historical transformation of civil war from a civil affair into an uncivil crisis. Civil war is today synonymous with the global refugee crisis, often serving as grounds for liberal-humanitarian intervention and nationalist protectionism.In Civilizing War, Nasser Mufti situates this contemporary conjuncture in the long history of British imperialism, demonstrating how civil war has been and continues to be integral to the politics of empire. Through comparative readings of literature, criticism, historiography, and social analysis, Civilizing War shows how writers and intellectuals of Britain’s Anglophone empire articulated a “poetics of national rupture” that defined the metropolitan nation and its colonial others.Mufti’s tour de force marshals a wealth of examples as diverse as Thomas Carlyle, Benjamin Disraeli, Friedrich Engels, Arthur Conan Doyle, Rudyard Kipling, Joseph Conrad, V. S. Naipaul, Nadine Gordimer, and Michael Ondaatje to examine the variety of forms this poetics takes—metaphors, figures, tropes, puns, and plot—all of which have played a central role in Britain’s civilizing mission and its afterlife. In doing so, Civilizing War shifts the terms of Edward Said’s influential Orientalism to suggest that imperialism was not only organized around the norms of civility but also around narratives of civil war.
1 492 kr
Skickas inom 10-15 vardagar
Taking cues from Walter Benjamin’s fragmentary writings on literary-historical method, Late Colonial Sublime reconstellates the dialectic of Enlightenment across a wide imperial geography, with special focus on the fashioning of neo-epics in Hindi and Urdu literary cultures in British India. Working through the limits of both Marxism and postcolonial critique, this book forges an innovative approach to the question of late romanticism and grounds categories such as the sublime within the dynamic of commodification. While G. S. Sahota takes canonical European critics such as Theodor Adorno and Max Horkheimer to the outskirts of empire, he reads Indian writers such as Muhammad Iqbal and Jayashankar Prasad in light of the expansion of instrumental rationality and the neotraditional critiques of the West it spurred at the onset of decolonization.By bringing together distinct literary canons—both metropolitan and colonial, hegemonic and subaltern, Western and Eastern, all of which took shape upon the common realities of imperial capitalism—Late Colonial Sublime takes an original dialectical approach. It experiments with fragments, parallaxes, and constellational form to explore the aporias of modernity as well as the possible futures they may signal in our midst. A bold intervention into contemporary debates that synthesizes a wealth of sources, this book will interest readers and scholars in world literature, critical theory, postcolonial criticism, and South Asian studies.
480 kr
Skickas inom 5-8 vardagar
Globalizing Race explores how intersections between French antisemitism and imperialism shaped the development of European racial thought. Ranging from the African misadventures of the antisemitic Marquis de Morès to the Parisian novels and newspapers of late nineteenth-century professional antisemites, Dorian Bell argues that France’s colonial expansion helped antisemitism take its modern, racializing form—and that, conversely, antisemitism influenced the elaboration of the imperial project itself.Globalizing Race radiates from France to place authors like Guy de Maupassant and Émile Zola into sustained relation with thinkers from across the ideological spectrum, including Hannah Arendt, Friedrich Nietzsche, Frantz Fanon, Karl Marx, Max Horkheimer, and Theodor Adorno. Engaging with what has been called the “spatial turn” in social theory, the book offers new tools for thinking about how racisms interact across space and time. Among these is what Bell calls racial scalarity. Race, Bell argues, did not just become globalized when European racism and antisemitism accompanied imperial penetration into the farthest reaches of the world. Rather, race became most thoroughly global as a method for constructing and negotiating the different scales (national, global, etc.) necessary for the development of imperial capitalism.As France, Europe, and the world confront a rising tide of Islamophobia, Globalizing Race also brings into fascinating focus how present-day French responses to Muslim antisemitism hark back to older, problematic modes of representing the European colonial periphery.