Grove Press UK – serie

When Ada Calhoun found herself in the throes of a midlife crisis, she thought that she had no right to complain. She was married with children and a good career. So why did she feel miserable? And why did it seem that other Generation X women were miserable, too? Calhoun decided to find some answers. She looked into housing costs, HR trends, credit card debt averages and divorce data. At every turn, she saw a pattern: sandwiched between the Boomers and the Millennials, Gen X women were facing new problems as they entered middle age, problems that were being largely overlooked. Speaking with women across America about their experiences as the generation raised to 'have it all,' Calhoun found that most were exhausted, terrified about money, under-employed, and overwhelmed. Instead of their issues being heard, they were told instead to lean in, take 'me-time' or make a chore chart to get their lives and homes in order. In Why We Can't Sleep, Calhoun opens up the cultural and political contexts of Gen X's predicament and offers solutions for how to pull oneself out of the abyss - and keep the next generation of women from falling in. The result is reassuring, empowering and essential reading for all middle-aged women, and anyone who hopes to understand them.

Unfortunately people and tribes degenerate. They lose their teeth, forget their language, until finally they're bending meekly on the fields and cutting straw with a scythe.Leemut, a young boy growing up in the forest, is content living with his hunter-gatherer family. But when incomprehensible outsiders arrive aboard ships and settle nearby, with an intriguing new religion, the forest begins to empty - people are moving to the village and breaking their backs tilling fields to make bread. Meanwhile, Leemut and the last forest-dwelling humans refuse to adapt: with bare-bottomed primates and their love of ancient traditions, promiscuous bears, and a single giant louse, they live in shacks, keep wolves, and speak to snakes.Told with moving and satirical prose, The Man Who Spoke Snakish is a fiercely imaginative allegory about a boy, and a nation, standing on the brink of dramatic change.