Image – serie
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56 produkter
56 produkter
148 kr
Skickas inom 5-8 vardagar
219 kr
Skickas inom 5-8 vardagar
219 kr
Skickas inom 5-8 vardagar
New Thoughtfulness in Contemporary China – Critical Voices in Art and Aesthetics
Häftad, Engelska, 2021
433 kr
Skickas inom 11-20 vardagar
Globalization euphoria and enthusiasm for the West are on the decline in contemporary China. Critical voices make themselves heard in artistic and cultural circles, turning towards their personal everyday lives to take stock. Their questions revolve around concrete experiences in the radical upheaval of lifeworlds, the continued significance of traditions after many of them have been thoroughly uprooted, and the paradoxes produced by the predominance of neo-liberalism. The 17 positions assembled in this volume provide a vivid illustration of such a »new thoughtfulness« in a wide variety of aspects ranging from aesthetics and art to theatre and photography.
371 kr
Skickas inom 3-6 vardagar
911 kr
Skickas inom 3-6 vardagar
What is the cultural dimension of sustainability? This book offers a thought-provoking answer, with a theoretical synthesis on »cultures of sustainability«. Describing how modernity degenerated into a culture of unsustainability, to which the arts are contributing, Sacha Kagan engages us in a fundamental rethinking of our ways of knowing and seeing the world. We must learn not to be afraid of complexity, and to re-awaken a sensibility to patterns that connect. With an overview of ecological art over the past 40 years, and a discussion of art and social change, the book assesses the potential role of art in a much needed transformation process.
Del 60 - Image
Contesting Visibility
Photographic Practices on the East African Coast
Häftad, Engelska, 2013
420 kr
Skickas inom 11-20 vardagar
Since the introduction of photography by commercial studio photographers and the colonial state in Kenya, this global medium has been intensely debated and contested among Muslims on the cosmopolitan East African coast. This book does not only explore the making, circulation, and consumption of popular photographs, but also the other side, their rejection and obliteration, an essential aspect of a medium's history that should not be neglected. It deals with various »social spaces of refusal« in the local Muslim milieu and in that of »traditional« spirit mediums in which (gendered) visibility was (and is) contested in various and creative ways. It focuses on the »aesthetics of withdrawal«: the various ways and techniques that process the photographic act as well as the photographic image to theatricalize the surface of the image in new ways by veiling, masking, and concealing. In a fragmented historical perspective, Heike Behrend seeks to complement, decenter, and counter the history of photography as it has been told by the West and to narrate another history beginning with preceding local media such as textiles and spirit possession.
587 kr
Skickas inom 11-20 vardagar
Scientific research on climate change has given rise to a variety of images picturing climate change. These range from colorful expert graphics, model visualizations, photographs of extreme weather events like floods, droughts or melting ice, symbols like polar bears, to animated and interactive visualizations. Climate change graphics have not only increased knowledge about the subject, they have begun to influence popular awareness of global weather events. The status of climate pictures today is particularly crucial, as global climate change as a long-term process cannot be seen.When images are widely distributed, they are able to shape how the world is thought about and seen. It is this implicit basic assumption of the power of images to influence reality that this book addresses: today's images might become the blueprint for tomorrow's realities.»Image Politics of Climate Change« combines a wide interdisciplinary range of perspectives and questions, treated here in sixteen interdisciplinary case studies. The author's specializations include both visual practice and theory: in the fields of climate sciences, computer graphics, art, curating, art history and visual studies, communication and cultural science, environmental and science & technology studies. The close interlinking of these viewpoints promotes in-depth insights into issues of production and analysis of climate visualization.
445 kr
Skickas inom 11-20 vardagar
How to account for the peculiar attraction of certain photos? How to deal with the specific use of images in particular contexts? Monika Schwärzler presents a variety of photographic case studies exploring visual phenomena from the point of view of media analysis as well as from sociological, aesthetic, and psychoanalytic perspectives. The topics range from a new reading of Thomas Struth's street photographs to CERN photos with their charged rhetoric, from the assault of photographic close-ups to speculations on an anonymous slide collection featuring a woman with an ever-present white handbag. The book is intended for an audience receptive to the analytical appeal of images, prepared to go beyond what can be taken at face value.
510 kr
Skickas inom 11-20 vardagar
How is photography connected to global practices? This is a first edited collection to trace the relationship between history, photography and memory in a global perspective on three interrelated levels: firstly, in the artistic and cultural production of pictures, secondly, in the decoding of colonial and contemporary photography, and thirdly, in collecting photographs in picture archives dealing with colonial, anthropological and family photography. The contributions sketch the contested field of global photography and trace the manifold intertwinements between historical and contemporary photographs.
729 kr
Skickas inom 11-20 vardagar
»Roman Charity« investigates the iconography of the breastfeeding daughter from the perspective of queer sexuality and erotic maternity. The volume explores the popularity of a topic that appealed to early modern observers for its eroticizing shock value, its ironic take on the concept of Catholic »charity«, and its implied critique of patriarchal power structures. It analyses why early modern viewers found an incestuous, adult breastfeeding scene »good to think with« and aims at expanding and queering our notions of early modern sexuality. Jutta Gisela Sperling discusses the different visual contexts in which »Roman Charity« flourished and reconstructs contemporary horizons of expectation by reference to literary sources, medical practice, and legal culture.
587 kr
Skickas inom 11-20 vardagar
In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.
Aesthetic Practices and Spatial Configurations
Historical and Transregional Perspectives
Häftad, Engelska, 2027
495 kr
Kommande
Aesthetic practices shape and are shaped by spatial formations. The essays of this volume survey configurations of spaces as macro, micro and meso, and study from a transregional perspective the ways they are created, described, negotiated and appropriated across cultures. The interdisciplinary studies range from art history to anthropology and literary studies, and investigate the interdependence between material forms and environmental contexts. They explore the periodic re-invention of spaces through architectural, pictorial and discursive practices. This includes the geographical migration of images, objects and practices from one space to another, across a variety of constellations and spatial scales, and the accretion of cultural values around such migration.Case studies range from a religious temple under construction in today's Sao Paolo, the place of African art in the museum collections of the former GDR, 18th-century religious architecture in Beirut, the historicization of modernist architecture in Iraq, the pictorial evocations of sacred rivers in 16th-century India, literary descriptions of the Mughal capital Fatpur Sikri, to cosmological arrangements in Buddhist caves of the 6th century, among other topics.
Courting Dissolution
Adumbration, Alterity, and the Dislocation of Sacrifice from Space to Image
Inbunden, Engelska, 2016
1 409 kr
Skickas inom 11-20 vardagar
Michael Lent asks what role art has in colonisation and subsequent dissolution. He proposes a practice informed by the fatal strategies and 'raw' phenomenology of Jean Baudrillard as a challenge to a system of disappearance. Focusing on the otherness of space to prevent its ultimate dissolution, Lent promotes a spatial practice of radical alterity. Examining ideas of disappearance put forth by Baudrillard and Paul Virilio, he utilises art as a means for investigating loss of potentiality and experience through the representation of space, shifting their ideas – originally ascribed to objects – into a new emphasis.This book ultimately attempts to break a cyclical system that causes everything to disappear into representation and equivalency.
367 kr
Skickas inom 3-6 vardagar
According to Walter Benjamin, the past that is not recognized by the present threatens to disappear irretrievably. As a consequence, photographs cannot save the moment from oblivion by pure depiction alone, but only by keeping the depicted moment actual at every present moment.Instead of counting on the documentary quality of photography that speaks in the past tense of "what has been", Silke Helmerdig suggests a different approach to photography: an extension of a future subjunctive (photographic) tense speaking of "what could be, if", allowing one to think possible futures instead of harking back to the past.
587 kr
Skickas inom 11-20 vardagar
Collective Actions is one of the most significant artistic practices to emerge from Moscow Conceptualism. The group's enigmatic idea of 'Empty action' is the focal point for Marina Gerber's exploration of this practice in relation to labour in the late Soviet Union. Based on interviews with members of the group (Monastyrski, Panitkov, Alexeev, Makarevich, Elagina, Romashko, Hänsgen and Kiesewalter) she exposes the relation between their jobs, their individual art practices and their contribution to the collective in the context of post-Stalinist debates on labour and free time. Departing from the mundane fact that Collective Actions' practice took place in free time from work for the Soviet State, Gerber identifies Empty action as a form of 'art after work'.
587 kr
Skickas inom 11-20 vardagar
The proliferation of digital technology has changed our visual perception and the way we interpret terms such as 'representation', 'immersion', and 'virtuality'.Kresimir Purgar examines some of the topics fundamental to an understanding of the contemporary culture of images. The principal thesis of this volume is that we are witnessing the transitional period of images as not-representation-anymore and not-yet-immersion. Instead of just asking what images mean, we should ask ourselves what images are, how they appear, and what they do to us.The author proposes the comprehensive concept of "pictorial appearing" that takes into account phenomenological, semiotic, and art-historical perspectives on both old and new images.
Topographies of ′Borderland Schengen′ – Documental Images of Undocumented Migration in European Borderlands
Häftad, Engelska, 2021
590 kr
Skickas inom 11-20 vardagar
Analysing recent documentary films dealing with undocumented migration at the Schengen Area's fringes and against the backdrop of what has been termed the `European refugee crisis', Jan Kühnemund investigates the interface between migration discourses and image discourses. As an analytical framework, he conceptualises `Borderland Schengen' as a visual-political transnational space emerging from the interplay of migration movements and border policies. Putting the spaces and iconologies of `illegal' migration under scrutiny and aiming at establishing their protagonists as subjects, Kühnemund in this regard reads the films as attempts at discursive participation as an aesthetic political practice.
871 kr
Skickas inom 11-20 vardagar
Non-conformist, non-linear, unruly thought and action have always led to great works of art, pathbreaking inventions and forward-looking perspectives. But how can this precious good find its way into our everyday working life to help us deal with social, ecological and economic challenges? The crucial step, Ursula Bertram contends, is to reach a synergy of logically justifiable knowledge and the capacity to navigate in open systems. To find out how such synergy could come about, Ursula Bertram has observed the strategies and principles of artists, choreographers, musicians and unruly thinkers and compared them with the statements of physicists, mathematicians, managers and researchers. She shows that when artistic thought is circulated and probed in non-artistic fields, an extremely efficient pattern called artistic transfer emerges.With contributions by Werner Preißing and others.
1 154 kr
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30 years after the fall of the Berlin Wall, we live in a time of globalization and free trade. Nevertheless, 70 new border walls have been built in this period – put together, they would cover the total circumference of the Earth. While governments offer manifold justifications for building these separation barriers, they invariably attract the attention of artists. Is it merely the lure of transgression, however, that attracts them – or is there a deeper significance in the artistic encounter with border walls? And which artistic strategies do these artists employ to approach them?In order to address these questions, Élisa Ganivet revisits the history of border wall aesthetics and compares more recent border-related works by 100 artists, including Joseph Beuys (Berlin), Banksy (Israel-Palestine), and Frida Kahlo (Mexico-US). Through art and thus beyond art, we understand the flaws and shortcomings of supposedly well-oiled systems.With a preface by Élisabeth Vallet.
Portraits of Automated Facial Recognition – On Machinic Ways of Seeing the Face
Häftad, Engelska, 2021
670 kr
Skickas inom 3-6 vardagar
Automated facial recognition algorithms are increasingly intervening in society. This book offers a unique analysis of these algorithms from a critical visual culture studies perspective. The first part of this study examines the example of an early facial recognition algorithm called »eigenface« and traces a history of the merging of statistics and vision. The second part addresses contemporary artistic engagements with facial recognition technology in the work of Thomas Ruff, Zach Blas, and Trevor Paglen. This book argues that we must take a closer look at the technology of automated facial recognition and claims that its forms of representation are embedded with visual politics. Even more significantly, this technology is redefining what it means to see and be seen in the contemporary world.
Proximity and Distance in Northern Landscape Pho – Contemporary Criticism, Curation, and Practice
Häftad, Engelska, 2021
579 kr
Skickas inom 3-6 vardagar
Northern landscapes are both real places and representations, imagined spaces – notions which are bound to collide in landscape photography. In this book, photographers, academics, curators, and archivists from Germany, Finland, Scandinavia, the US, and the UK address urgent questions about environmental degradation, globalization, consumerism, and the role of new technologies of representation in relation to landscape. Wide-ranging case studies examine the interpretation, experience, and appropriation of landscape in northern Europe, northern England, Scotland, and the Nordic countries. The book explores tensions in landscape photography between an emphasis on proximity and the embodied experience of place and space, and an advocacy of distance and critical engagement and a questioning of the primacy of direct experience.
Del 165 - Image
Presence, Process, and the Pictorial Real – Perspectives on Painting
Häftad, Engelska, 2021
587 kr
Kommande
Painting, according to recent findings, dates back more than seventy thousand years, and, across the millenia, it proved to be an extremely robust and versatile medium of human self-reflection. Today, painting is a medium almost exclusively confined to the artistic production of pictures. It has lost its dominant position in contemporary art and has finally become one artistic medium amongst others. Given the incredible number of pictures produced today, it seems to be reasonable and relevant to discuss whether and how painting is still pertinent to contemporary image production. This book will offer a variety of perspectives on the role of painting in the 21st century to address these questions.
Let Them Haunt Us – How Contemporary Aesthetics Challenge Trauma as the Unrepresentable
Häftad, Engelska, 2021
670 kr
Skickas inom 3-6 vardagar
Let Them Haunt Us analyzes contemporary aesthetics engaged in trauma and critically challenges its canonical status as »unrepresentable«. Focusing on case studies in the aesthetic practices of Janet Cardiff and George Bures Miller, Omer Fast, Forensic Architecture, and Paul McCarthy this book proposes to redefine trauma as a productive framework to exploring individual, collective, and cultural conflicts addressed in current artistic and curatorial practices. Anna-Lena Werner considers the aesthetic realm as a potential forum that provides methods of understanding the humanitarian consequences of violence and warfare, and to reveal the effects of trauma on visual culture, collective memory, and politics.
743 kr
Skickas inom 3-6 vardagar
In 2001, Freestyle, a survey exhibition curated by Thelma Golden at the Studio Museum in Harlem, introduced both a young generation of artists of African descent and the ambitious yet knowingly opaque term post-black to a pre 9-11 and pre-Obama world. In Taking Stakes in the Unknown, Nana Adusei-Poku contextualizes the term post-black in its socio-historical and cultural context. Whilst exploring its present legacy and past potential, she examines works by artists who were defined as part of the post-black generation: Mark Bradford, Leslie Hewitt, Mickalene Thomas and Hank Willis Thomas – and, by expanding the scope of the definition, the Black German artist Philip Metz.
1 184 kr
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Since the late 1980s visibility has become a currency of social recognition, and a political issue. It also brought forth a new discipline, visual culture studies, and a hotly contested debate unfolded between art history and visual culture studies over the interpretation of visual culture, whose impact can still be felt today. In this first comparative study Susanne von Falkenhausen reveals the concepts of seeing as scholarly act that underwrite these competing approaches to visuality and society, along with the agendas of identity politics that motivate them. In close readings of key texts spanning from the early 20th century to the present the author crosses expertly between American, German, and British versions of art history, cultural studies, aesthetics, and film studies.
817 kr
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This volume is dedicated to the interrelation between temporality and representation. It presumes that time cannot be conceived of as an abstract chronometric order, but that it is referring to materiality, being measured, represented, expressed, recognized, experienced and evaluated, and therefore is always closely related to cultural contexts of perception and evaluation.The contributions from various disciplines are dedicated to the present and its plural conditions and meanings. They provide insights into the state of research with special emphasis on the global present as well as on art and aesthetics from the 18th century until today.The anthology includes contributions by Mieke Bal, Stefan Binder, Maximilian Bergengruen, Iris Därmann, Gabriele Genge, Boris Roman Gibhardt, Boris Groys, Maria Muhle, Johannes F. Lehmann, Nkiru Nzegwu, Francesca Raimondi, Christine Ross, Ludger Schwarte, Angela Stercken, Samuel Strehle, Timm Trausch, Patrick Stoffel, and Christina Wessely.
963 kr
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What is the subject of video?Charlotte Klink traces the development of electromagnetism in the pursuit of »Electric Seeing« that emerged in the 19th century as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so, she exposes how this development laid the foundation of what we know today as »video«. This comprehensive theory of video entails a discussion of the technological, historical, and etymological roots, the media-theoretical concepts of medium and index, the philosophical and art-theoretical environment in which video emerged in the 1960s, the psychoanalytic concept of the phantasm, and artworks by artists such as Yael Bartana, Hito Steyerl, and Bjørn Melhus.
312 kr
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Western humanism has established a reifying and predatory relation to the world. While its collateral visual regime, the perspectival image, is still saturating our screens, this relation has reached a dead end. Rather than desperately turning towards transhumanism and geoengineering, we need to readjust our position within community Earth. Facing this predicament, Ingrid Hoelzl and Rémi Marie develop the notion of the common image – understood as a multisensory perception across species; and common ethics – a comportment that transcends species-bound ways of living. Highlighting the notion of the common as opposed to the immune, the authors ultimately advocate otherness as a common ground for a larger than human communism.
Disturbed Ecologies
Photography, Geopolitics, and the Northern Landscape in the Era of Environmental Crisis
Häftad, Engelska, 2023
435 kr
Skickas
The imaginaries of northern landscape have not remained static in the era of ecological crisis but play a pivotal function within the geopolitics of visual representation. Such imaginaries can sanction those dominant discourses that frame environmental catastrophe as the consequence of undifferentiated human activity, but, it is argued, they also have the capacity to represent a complexity and heterogeneity frequently absent from this broad discursive field. The contributors to this volume engage with the practice, curation and utilization of photography and other lens-based media, to examine the critical role of visual culture in shaping and interrogating conceptions of environmental catastrophe.