James Scarth Gale Library of Korean Literature – serie

Score One for the Dancing Girl presents more than a hundred stories from an early-nineteenth-century collection of yadam stories, the Kimun ch’onghwa (“Compendium of Records of Hearsay”). Prose tales that feature historical people and places but may also include fantastical elements, the yadam stories in this volume feature ghosts and magic, courtesans and sex, and court politics. They constitute both an entertaining literary collection and a rich treasure trove of information about life in seventeenth and eighteenth-century Korea.

The first volume in an ongoing series of translations of classic Korean literature by the Canadian missionary James Scarth Gale (1863–1937), Score One for the Dancing Girl includes the original literary Sinitic (hanmun) text and Gale’s English translation. Both the hanmun and English are extensively annotated.  Introductory essays by Ross King and Si Nae Park discuss the yadam genre, Gale’s life and career, and the ways in which his background as a Christian missionary affected the translations.

Redemption and Regret presents two previously unpublished typescripts of James Scarth Gale, a Canadian missionary to Korea for four decades (1888–1927). During his time in Korea, Gale developed into the foremost Western scholar of Korean history, language, and literature, completing the first translation of Korean literature into a Western language, the first translation of English literature into Korean, and the first comprehensive Korean-English dictionary. In addition to these translations, the typescripts entitled Pen Pictures of Old Korea (ca. 1910) and Old Corea (ca. 1925), each presented here with introductory essays, contain Gale’s observations of various cultural artifacts, behaviours, and practices.

Gale lived in Korea during a tumultuous and transformative period that witnessed the transition of the country from a "hermit" suzerain kingdom to an independent empire, and finally to a colonial possession of Japan. Pen Pictures of Old Korea and Old Corea preserve what Gale viewed as inevitably fated for extinction. This realization imbues his writings with a sense of ambivalence towards the "passing" of traditional Korea – owing to the conflict between his profound admiration for pre-modern Korean culture and his Western missionary identity, which demanded that the country adapt to a modern, Christian world.