Literary Lives – serie

A clearly written, insightful study of Nabokov the novelist, providing an expert analysis of the 17 novels he wrote during a career spanning more than 50 years: one of the most impressive, challenging, and controversial literary achievements of our time.

This Literary Life draws extensively from the playwright's correspondences, notebooks, and archival papers to offer an original angle to the discussion of Williams's life and work, and the times and circumstances that helped produce it.

Linda Wagner-Martin brings a wealth of new information to this detailed portrait of Hemingway and his world, concentrating particularly on his friendships with women and the history of his four marriages.

This volume on Blake follows the writer's life and combines biography and critical analysis. Covering Blake's early career, his major works and his work as a visual artist, this new study will be a must for all Blake scholars and enthusiasts. Recent discoveries concerning Blake's forebears and their religion make this new study additionally timely.

At the heart of this 'Literary Life' are fresh interpretations of Keats's most loved poems, alongside other neglected but rich poems. The readings are placed in the context of his letters to family and friends, his medical training, radical politics of the time, his love for Fanny Brawne, his coterie of literary figures and his tragic early death.

The most sustained criticism and ambitious theory that had ever been attempted in English, the Biographia was Coleridge's major statement to a literary culture in which he sought to define and defend all imaginative life. This book offers a reading of Coleridge in the context of that culture and the institutions that comprised it.

How was Ted Hughes's poetry affected by Sylvia Plath? What is the importance of his early life on the Yorkshire moors with his elder brother, that he called Paradise? How did writing Birthday Letters affect his attitude to his life and career? This book attempts to answer these questions by a close study of Hughes's poetic development.

By the time of her death in 1992, Angela Carter had come to be regarded as one of the most successful and original British authors of the twentieth-century, and her writing has subsequently become the focus of a burgeoning body of criticism. This book disentangles the cult of Angela Carter as 'the fairy godmother of magical realism' from her own claims to be a materialist and a 'demythologiser' by placing her within the social, political and theoretical context within which she wrote. Drawing on Carter's own autobiographical articles as well as her novels and short stories, this study examines her engagement with topical issues such as national (particularly English) identity, class, politics and feminism, assessing the relationship between her life, her times and her art.

Gary Waller surveys Spenser's career in terms of the material conditions of its production - the often overlooked material factors of race, gender, class, agency - and the resonant 'places' which influenced his career - court, church, nation, colony. The book includes an original account of the gender politics of Spenser's work and his difficult position between Ireland and England, the 'homes' about which he held ambivalent feelings. Waller also discusses the 'place' the biographer occupies in writing a literary life.

This account of Orwell's life is chiefly concerned with what influenced Orwell, his relations with publishers and editors, and the analysis of certain key experiences - the deposition that during the Spanish Civil War he was guilty of espionage and high treason; his work at the BBC; his interest in pamphlet literature; and his time as a war correspondent. There is a detailed assessment of his earnings from 1922 to 1945 and a fresh look at his attitudes to class, women, and religious belief. Special attention is paid to his essays.

Thomas Hardy in the Literary Lives series relates Hardy's life to his career as a writer, giving particular attention to his determination as a young man to make literature his career, his methodical preparation during the first thirty years of his life for that career, the writing of his fourteen published novels and the fame they brought him, and then, the culmination of his life as writer, his emergence in his remaining thirty years as one of the very greatest of English poets and the writer of The Dynasts.

Matthew Arnold, the foremost Victorian 'man of letters', forged a unique literary career, first as an important post-Romantic poet and then as a prose writer who profoundly influenced the formation of modern literary and cultural studies. Machann challenges the popular image of Arnold as an elitist intellectual and shows how his poetry and prose grew out of his personal life and his passionate engagement with the world, emphasizing the journal publications that drove his career as a literary, social and religious critic.

Waugh's life and his literary life exist in fascinating, dynamic relationship. Virtually all of his fiction was autobiographical, yet he maintained that his novels were 'objects', unrelated to the life of their author. This study traces the shifting relationship of ascertainable fact and imaginative fiction throughout Waugh's career, focusing on the endless negotiation he conducted between life and art, and on why, from being author of the anarchic, hilarious Decline and Fall , he transformed himself into the author of the romantic, eschatological Brideshead Revisited .

This comprehensive overview of Mary Shelley's life as an author frequently reads like an anthology of extracts from some of the most lurid and sensationalist novels of the early 19th century.

Emphasizing Frances Burney's professionalism and her courage, Janice Farrar Thaddeus shows the protean writer who recognised her abilities and exercised them, always carefully shaping her career.

This is not a straightforward biography but rather an attempt to describe and examine Yeats as a phenomenon, partly shaped by forces and movements around him and partly shaping the public events of his time. His position in literary, political and cultural matters is detailed and the book offers, through the study of Yeats, an introduction to the fashions of ideas between the late nineteenth and early twentieth centuries.

This new book on the Brontes concentrates on the way in which the literary interests and expressions of Charlotte and Emily were built up. It makes use of recent research into background and reading matter to investigate the development of the authors' poetry and novels.

This new book on the Brontes concentrates on the way in which the literary interests and expressions of Charlotte and Emily were built up. It makes use of recent research into background and reading matter to investigate the development of the authors' poetry and novels.

John Donne's individuality has been heavily stressed in the twentieth century. This book recognises the individuality of Donne's writing, but aims to relate this to the particular circumstances of his life and to the pressures of the period in which Donne lived. Both his poetry and his prose are seen less in purely aesthetic terms, therefore, than as products of a difficult life lived at a difficult time.

For the first time in an approachable, affordable volume this study treats the whole literary career of England's most distinguished protestant-republican poet and writer, considering the miscellaneous output in the light of contexts and political functions. It highlights self-presentational and persuasive characteristics, pays attention to the sense of vocation and also describes Milton's distinctive achievement in social genres. Milton's competitive humanist training is seen to accomodate uneasily to the specific demands of some public works. The book features unfamiliar texts, whilst canonical texts are set in the story of his long endeavours during a turbulent period in English history.

Part of a series which follows the outline of writers' working lives, aiming to trace the professional, publishing and social contexts which shaped their writing. This is a sympathetic portrait of the poet who overcame the obscurity of his origins to become the uncrowned Laureate of his age.

This comprehensive account of the writing life of Henry James aims at providing a critical overview of all his important writings, firmly set in two contexts: that of James's practical career as a novelist in America, England, and Europe; and that of the literary and intellectual climate of his time. By tracing the complex development of his career under such headings as 'American and Romantic', 'Victorian and Realist', 'Crisis and Experiment' and 'Master and Modernist', it gives a dynamic portrait, both factual and interpretative, of one of the greatest and most prolific novelists in the language, whose many-sided career began in the time of Thackeray and Dickens, and ended by ushering in the writings of Joyce and Woolf.

Thomas Hardy in the Literary Lives series relates Hardy's life to his career as a writer, giving particular attention to his determination as a young man to make literature his career, his methodical preparation during the first thirty years of his life for that career, the writing of his fourteen published novels and the fame they brought him, and then, the culmination of his life as writer, his emergence in his remaining thirty years as one of the very greatest of English poets and the writer of The Dynasts.

Thomas Hardy in the Literary Lives series relates Hardy's life to his career as a writer, giving particular attention to his determination as a young man to make literature his career, his methodical preparation during the first thirty years of his life for that career, the writing of his fourteen published novels and the fame they brought him, and then, the culmination of his life as writer, his emergence in his remaining thirty years as one of the very greatest of English poets and the writer of The Dynasts.

Throughout his long working life, Tennyson was experimenting with new forms and subjects. Widely read in a range of disciplines, he responsed to many of the personalities, events and discoveries of the Victorian age. Still widely regarded as an apologist for the 'establishment', Tennyson was always an outsider. Scourged by reviewers, and haunted by his own nervous disposition, Tennyson endured years of despair. Even when the tide turned in 1850 Tennyson remained a stern critic of his contemporaries.

In 'Percy Bysshe Shelly: A Literary Life' , Michael O'Neill gives a knowledgeable and balanced account of Shelley's literary career from his earliest published work to his last unfinished masterpiece, The Triumph of Life . The book draws on recent research about the poet and his age, but its sense of the ways in which texts and contexts interact is sharply independent. Issues discussed include Shelley's social background, his radical politics and his complex response to Enlightenment rationalism. O'Neill stresses Shelley's often disappointed search for an audience, connecting it with the growing sophistication of his poetry and poetics. For Shelley, a poet was the 'combined product' of 'internal powers' and 'external influences' (Preface to Prometheus Unbound ); this book explores how such a combination manifests itself in his own writings.

In 'Percy Bysshe Shelly: A Literary Life' , Michael O'Neill gives a knowledgeable and balanced account of Shelley's literary career from his earliest published work to his last unfinished masterpiece, The Triumph of Life . The book draws on recent research about the poet and his age, but its sense of the ways in which texts and contexts interact is sharply independent. Issues discussed include Shelley's social background, his radical politics and his complex response to Enlightenment rationalism. O'Neill stresses Shelley's often disappointed search for an audience, connecting it with the growing sophistication of his poetry and poetics. For Shelley, a poet was the 'combined product' of 'internal powers' and 'external influences' (Preface to Prometheus Unbound ); this book explores how such a combination manifests itself in his own writings.

Part of a series which offers accounts of the literary careers of the most widely read British and Irish authors. This volume looks at T.S.Eliot and traces the professional, publishing and social contexts which shaped his writing.

John Dryden was England's most outstanding and controversial writer for the last four decades of the seventeenth century. He dominated the literary world as a satirist, a skilled and versatile dramatist, a pioneer of literary criticism, a writer of religious poetry, and an eloquent translator from the great classical poets. The present book discusses Dryden's career both chronologically and thematically, taking issue with his enemies' denigration of his integrity, and revealing him as a subtle, passionate and sceptical writer.