Myths – serie

The perfect introduction to the world of Korean myth and legend. Korean myths are a living and evolving part of society, in both the North and South. With the export of Korean film across the globe, K-pop, fashion, K-dramas, literature and comics there is a growing desire to understand the folklore and mythical underpinnings of contemporary Korean Culture. Insu and Bella Fenkl bring together a wealth of knowledge of both the new and the old, the traditional and the modern to guide the reader through this fascinating history and help understand the people, their traditions and culture. From the Changsega (‘Song of Creation’) sung by shamans, to the gods, goddesses and monsters who inhabit the cosmos, including the god Mireuk, creator of the world, and the giant Grandma Mago, who was able to create mountains from the mud on her skirt, these myths have been disseminated for centuries and continue to resonate in popular culture today.

When Theo Griepenkerl happens upon the fifth Gospel in a war-torn Iraqi museum, he can't believe his luck. Driven by greed and a lust for fame, he capitalises on his find by publishing it. His book is a sensation. But he can hardly imagine the incendiary consequences his discovery will have for Christians, Arabs, homicidal maniacs and Amazon customers alike.The Fire Gospel is a brilliant piece of storytelling, dazzlingly outrageous and utterly gripping.

Baba Yaga is an old hag who lives in a house built on chicken legs and kidnaps small children. She is one of the most pervasive and powerful creatures in all mythology. She appears in many forms: as Pupa, a tricksy, cantankerous old woman who keeps her legs tucked into a huge furry boot; as a trio of mischievous elderly women who embark on the trip of a lifetime to a hotel spa; and as a villainous flock of ravens, black hens and magpies infected with the H5N1 virus. But what story does Baba Yaga have to tell us today? This is a quizzical tale about one of the most pervasive and poerful creatures in all mythology, and an extraordinary yarn of identity, secrets, storytelling and love.

The essential guide to the world of Aztec mythology, based on Nahuatl-language sources that challenge the colonial history passed down to us by the Spanish. How did the jaguar get his spots? What happened to the four suns that came before our own? Where was Aztlan, mythical homeland of the Aztecs? For decades, the popular image of the Mexica people – better known today as the Aztecs – has been defined by the Spaniards who conquered them. Their salacious stories of pet snakes, human sacrifice and towering skull racks have masked a complex world of religious belief. To reveal the rich mythic tapestry of the Aztecs, Camilla Townsend returns to the original tales, told at the fireside by generations of Indigenous Nahuatl-speakers. Through their voices we learn the contested histories of the Mexica and their neighbours in the Valley of Mexico – the foundations of great cities, the making and breaking of political alliances, the meddling of sometimes bloodthirsty gods – and understand more clearly how they saw their world and their place in it. The divine principle of Ipalnemoani connected humans with all of nature and spiritual beliefs were woven through the fabric of Aztec life, from the sacred ministrations of the ticitl, midwives whose rituals saw women through childbirth, to the inevitable passage to Mictlan, ‘our place of disappearing together’ – the land of the dead.

The perfect introduction to the gods, heroes and ancestors of the great Maya civilization. Highly complex and divided into politically fragmented noble houses, the Maya civilization produced a diverse and complicated mythology that varies between groups and retellings. For example, there are three different myths about the origins of the sun and moon, in one creation myth animals and objects rise up to torment humanity; whilst in another, pots shatter and speak, unleashing demons upon the people. Elsewhere, heroes descend to the ballcourt of the underworld where trees grow fruit in the likeness of severed heads, the ancestors converse with animals and the Maize God is caught in a perpetual cycle of death and rebirth. But to the Maya these were more than fireside tales, these myths formed the foundation of their culture, weaving together their ancestral and primordial pasts into a cohesive and meaningful narrative. In The Maya Myths Mallory Matsumoto skilfully evokes the enduring vibrancy of Maya culture, from the peak of the Maya hieroglyphic tradition in the eighth century AD, through the invasions of the Spanish conquistadors up to the present day. The book draws from texts, images and Maya oral histories, reflecting a history of contact and change, rather than a sealed-off past. The Maya region has always been fragmented, leading to a unique cultural and linguistic diversity resulting in a varied and intriguing mixture of stories. Here are well-known texts like the Books of Chilam Balam and the Popol Vuh, Spanish texts, as well as lesser-known sources. This will highlight the richness and varied nature of Maya myths, offering readers a deeper understanding of the communities that produced these captivating stories.

This handy guide to the Greek and Roman Myths brings classical mythology to life. Written by a bestselling author on Ancient Greece and Rome, the book features an engaging blend of stories, facts and quotations from ancient authors, and places ancient myths in a modern context, discussing the ‘afterlives’ of the myths and the relevance of their messages today. Factfiles on heroes and heroines and family trees of the gods also make this a useful reference book for students.

Who were the Norse gods – the mighty Æsyr, led by Óðinn, and the mysterious Vanir? In The Norse Myths we meet this passionate and squabbling pantheon, and learn of the mythological cosmos they inhabit. Passages translated from the Old Norse bring this legendary world to life, from the myths of creation to ragnarök, the prophesied end of the world at the hands of Loki’s army of monsters and giants, and everything that comes in between: the problematic relationship between the gods and the giants, in which enmity and trickery are punctuated by marriages and seductions; the (mis) adventures of human heroes and heroines, with their family feuds, revenges, marriages and murders; and the interaction between the gods and mortals, as Óðinn, the Allfather, betrays his human protégés in order to recruit (dead) heroes for his army. Carolyne Larrington describes the myths’ origins in pre-Christian Scandinavia and Iceland, and their survival in artefacts and written sources, from Old Norse sagas and poems to the less approving accounts of medieval Christian writers. She traces their influences into the work of Wagner, William Morris and J.R.R. Tolkien, and even the recent Game of Thrones in the resurrection of the Fimbulvetr, or ‘Mighty Winter’.

This handy guide to Egyptian mythology explores how the ancient Nile-dwellers explained the world around them. It delves into the origins of life, the creation and evolution of the world, and the reigns of the gods on earth, before introducing us to the manifestations of Egypt’s deities in the natural environment; the inventive ways in which the Egyptians dealt with the invisible forces all around them; and the trials and tribulations of the life hereafter. This is the perfect introduction for modern readers to the mysteries of Egyptian mythology.

The new instalment in T&H’s successful myths series (after The Greek and Roman Myths and The Egyptian Myths) introduces the world of the Celts, their gods and goddesses, heroes, monsters and villains. As well as vividly exploring the tales, the author brings her expertise in the archaeology of the Iron Age and particularly shamanism to bear on the mythical worlds she describes, with evidence as diverse as the Gundestrup Cauldron and the famous bog bodies. Starting with a discussion of how myths are transmitted and by whom, the author continues with an account of the Irish and Welsh myths and their key actors and motifs, before moving on to consider themes such as heroes, animals, women, environment and the Otherworld. In her finale, the author asks how the myths survived the Christianization of Europe and looks at the influence of monastic chroniclers on the tales, which they preserved and adapted.

The perfect introduction to the world of Japanese myth and legend. This is a smart and succinct guide to the rich tradition of Japanese mythology, from the earliest recorded legends of Izanagi and Izanami, their divine offspring and the creation of Japan, to medieval tales of vengeful ghosts, through to the modern-day reincarnation of ancient deities as the heroes of mecha anime. While many around the world love Japan’s cultural exports, few are familiar with Japan’s unique mythology - enriched by Shinto, Buddhism and regional folklore. Mythology remains a living, evolving part of Japanese society, and the ways in which the people of Japan understand their myths are very different today even from a century ago, let alone over a millennium into the past. Offering much more than any competing overview of Japanese mythology, The Japanese Myths not only retells the ancient stories but also considers their place within the patterns of Japanese religions, culture and history, helping readers to understand the deep links between past and present in Japan, and the ways these myths live and grow. Joshua Frydman takes the very earliest written myths in the Kojiki and the Nihonshoki as his starting point, and from there traces Japan’s mythology through to post-war State Shinto, the rise of the manga industry in the 1960s, J-horror and modern-day myths. Reinventions and retellings of myth are present across all genres of contemporary Japanese culture, from its auteur cinema to renowned video games such as Okami. This book is for anyone interested in Japan, as knowing its myths allows readers to understand and appreciate its culture in a new light.

The essential guide to the complex, fascinating world of Chinese myths: retelling the stories and exploring their significance in Chinese culture. This is a concise and entertaining guide to the complex tradition of Chinese mythology. While many around the world are familiar with some aspects of Chinese myth – through Chinese New Year festivities or the classic adventures of the Monkey King in Journey to the West – few outside of China understand the richness of Chinese mythology, influenced by Daoism, Buddhism and Confucianism. Offering much more than any competing overview of Chinese mythology, The Chinese Myths not only retells the ancient stories but also considers their place within the patterns of Chinese religions, culture and history. Tao Tao Liu introduces us to an intriguing cast of gods, goddesses, dragons and monks, including: the ancient hero, Yi the Archer, who shot suns out of the sky to save humanity from a drought; Guanyin, the Goddess of Mercy and Compassion, to whom there are temples dedicated all over East Asia; and Madame White Snake, a water snake spirit in the guise of a mysterious widow, her story adapted into countless films and operas. This book is for anyone interested in China, as knowing its myths allows readers to understand and appreciate its culture in a new light.

It is 1938 and Sigmund Freud, suffering from the debilitating effects of cancer, has been permitted by the Nazis to leave Vienna. He seeks refuge in England, taking up residence in the house in Hampstead in which he will die only fifteen months later. But his last months are made vivid by the arrival of a stranger, who comes and goes according to Freud's state of health. Who is the mysterious visitor and why has he come to tell the famed proponent of the Oedipus complex his strange story?Set partly in pre-war London and partly in ancient Greece, Where Three Roads Meet is as brilliantly compelling as it is moving. Former psychoanalyst and acclaimed novelist Salley Vickers revisits a crime committed long ago which still has disturbing reverberations for us all.