Oddly Modern Fairy Tales – serie

A man is changed into a flea and must bring his future parents together in order to become human again. A woman convinces a river god to cure her sick son, but the remedy has mixed consequences. A young man must choose whether to be close to his wife's soul or body. And two deaf mutes transcend their physical existence in the garden of dreams. Strange and fantastical, these fairy tales of Bla Balzs (1884-1949), Hungarian writer, film critic, and famous librettist of Bluebeard's Castle, reflect his profound interest in friendship, alienation, and Taoist philosophy. Translated and introduced by Jack Zipes, one of the world's leading authorities on fairy tales, The Cloak of Dreams brings together sixteen of Balzs's unique and haunting stories. Written in 1921, these fairy tales were originally published with twenty images drawn in the Chinese style by painter Mariette Lydis, and this new edition includes a selection of Lydis's brilliant illustrations. Together, the tales and pictures accentuate the motifs and themes that run throughout Balzs's work: wandering protagonists, mysterious woods and mountains, solitude, and magical transformation.His fairy tales express our deepest desires and the hope that, even in the midst of tragedy, we can transcend our difficulties and forge our own destinies. Unusual, wondrous fairy tales that examine the world's cruelties and twists of fate, The Cloak of Dreams will entertain, startle, and intrigue.

Originally issued in 1934, The Fairies Return was the first collection of modernist fairy tales ever published in England, and it marked the arrival of a satirical classic that has never been surpassed. Even today, this reimagining of fourteen timeless tales--from "Puss in Boots" to "Little Red Riding Hood"--is still fresh and bold, giving readers a world steeped not in once upon a time, but in the here and now. Longtime favorites in this playfully subversive collection are retold for modern times and mature sensibilities. In "Jack the Giant Killer," Jack becomes a trickster who must deliver England from the hands of three ogres after a failed government inquiry. "Ali Baba and the Forty Thieves" is set in contemporary London and the world of financial margins and mergers. In "The Little Mermaid," a young Canadian girl with breathtaking swimming skills is lured by the temptations of Hollywood. And Cinderella becomes a spinster and holy woman, creating a very different happily ever after. These tales expose social anxieties, political corruption, predatory economic behavior, and destructive appetites even as they express hope for a better world.A new introduction from esteemed fairy-tale scholar Maria Tatar puts the collection in context. From stockbrokers and socialites to shopkeepers and writers, the characters in The Fairies Return face contemporary challenges while living in the magical world of fairy tales.

Originally published in 1927, Told Again is an enchanting collection of elegant fairy tales, showcasing the formidable talents of a writer who used magical realism before the term had even been invented. Walter de la Mare (1873-1956) was one of the most celebrated writers of children's literature during the first half of the twentieth century--so much so that W. H. Auden edited a selection of his poems and British children could recite de la Mare's verses by heart. His abundant literary gifts can be savored once more in this new edition. With marvelous black and white illustrations by A. H. Watson, this volume includes a splendid introduction by Philip Pullman, the contemporary master of fantasy literature. The significance of the nineteen adapted classics in Told Again lies in de la Mare's poetic insights and graceful prose, which--as Pullman indicates in his introduction--soften and sweeten the originals, making these tales appropriate for younger readers. In "The Four Brothers," the siblings allow the princess to choose her own husband rather than argue over her; and in "Rapunzel," de la Mare discreetly leaves out details of the prince's tortured, blind search for his love.Familiar stories, such as "Little Red Riding-Hood," "Rumplestiltskin," and "The Sleeping Beauty" are also made new through de la Mare's expansive, descriptive, and lyrical prose. Pullman covers important details about de la Mare's life and captures the stylistic intention behind the rewriting of these wonderful favorites. Reviving the work of a writer who exemplified a romantic vision and imagination, Told Again is a remarkable retelling of fairy tales touched by mystery and magic.

Kurt Schwitters revolutionized the art world in the 1920s with his Dadaist Merz collages, theater performances, and poetry. But at the same time he was also writing extraordinary fairy tales that were turning the genre upside down and inside out. Lucky Hans and Other Merz Fairy Tales is the first collection of these subversive, little-known stories in any language and the first time all but a few of them have appeared in English. Translated and introduced by Jack Zipes, one of the world's leading authorities on fairy tales, this book gathers thirty-two stories written between 1925 and Schwitters's death in 1948--including a complete English-language recreation of The Scarecrow, a children's book illustrated with avant-garde typography that Schwitters created with Kate Steinitz and De Stijl founder Theo van Doesburg. Lucky Hans and Other Merz Fairy Tales also includes brilliant new illustrations that evoke the 1920s, 1930s, and 1940s. Schwitters wrote these darkly humorous, satirical, and surreal tales at a time when traditional German fairy tales were being co-opted by the Nazis.Filled with sharp critiques of German life during the Weimar and early Nazi eras, Schwitters's tales are rich with absurdist events and insist that not everyone--and perhaps not anyone--lives happily ever after. In "Lucky Hans," the starving protagonist tries to catch a rabbit only to have it shed its fur like a coat and run off naked into the forest. In other tales, a sarcastic gypsy stands in for a fairy godmother and an army recruit is arrested for growing to monstrous size. Lucky Hans and Other Merz Fairy Tales is a delightfully strange and surprising book.

The wolf is tricked by Red Riding Hood into strangling her grandmother and is subsequently arrested. Sleeping Beauty and Cinderella do not live happily ever after. And the fairies are saucy, angry, and capricious. Fairy Tales for the Disillusioned collects thirty-six tales, many newly translated, by writers associated with the decadent literary movement, which flourished in France in the late nineteenth century. Written by such creative luminaries as Charles Baudelaire, Anatole France, and Guillaume Apollinaire, these enchanting yet troubling stories reflect the concerns and fascinations of a time of great political, social, and cultural change. Recasting well-known favorites from classic French fairy tales, as well as Arthurian legends and English and German tales, the updated interpretations in this collection allow for more perverse settings and disillusioned perspectives--a trademark style and ethos of the decadent tradition. In these stories, characters puncture the optimism of the naive, talismans don't work, and the most deserving don't always get the best rewards.The fairies are commonly victims of modern cynicism and technological advancement, but just as often are dangerous creatures corrupted by contemporary society. The collection underlines such decadent themes as the decline of civilization, the degeneration of magic and the unreal, gender confusion, and the incursion of the industrial. The volume editors provide an informative introduction, biographical notes for each author, and explanatory notes throughout. Subverting the conventions of the traditional fairy tale, these old tales made new will entertain and startle even the most disenchanted readers.

A man is changed into a flea and must bring his future parents together in order to become human again. A woman convinces a river god to cure her sick son, but the remedy has mixed consequences. A young man must choose whether to be close to his wife's soul or body. And two deaf mutes transcend their physical existence in the garden of dreams. Strange and fantastical, these fairy tales of Bela Balazs (1884-1949), Hungarian writer, film critic, and famous librettist of Bluebeard's Castle, reflect his profound interest in friendship, alienation, and Taoist philosophy. Translated and introduced by Jack Zipes, one of the world's leading authorities on fairy tales, The Cloak of Dreams brings together sixteen of Balazs's unique and haunting stories. Written in 1921, these fairy tales were originally published with twenty images drawn in the Chinese style by painter Mariette Lydis, and this new edition includes a selection of Lydis's brilliant illustrations. Together, the tales and pictures accentuate the motifs and themes that run throughout Balazs's work: wandering protagonists, mysterious woods and mountains, solitude, and magical transformation.His fairy tales express our deepest desires and the hope that, even in the midst of tragedy, we can transcend our difficulties and forge our own destinies. Unusual, wondrous fairy tales that examine the world's cruelties and twists of fate, The Cloak of Dreams will entertain, startle, and intrigue.

A collection of twenty-eight brilliant and strange stories, inspired by Japanese folk tales and written by renowned Western expatriate Lafcadio HearnLafcadio Hearn (1850–1904) was one of the nineteenth century’s best-known writers, his name celebrated alongside those of Mark Twain and Robert Louis Stevenson. Born in Greece and raised in Ireland, Hearn was a true prodigy and world traveler. He worked as a reporter in Cincinnati, New Orleans, and the West Indies before heading to Japan in 1890 on a commission from Harper’s. There, he married a Japanese woman from a samurai family, changed his name to Koizumi Yakumo, and became a Japanese subject. An avid collector of traditional Japanese tales, legends, and myths, Hearn taught literature and wrote his own tales for both Japanese and Western audiences. Japanese Tales of Lafcadio Hearn brings together twenty-eight of Hearn’s strangest and most entertaining stories in one elegant volume.Hearn’s tales span a variety of genres. Many are fantastical ghost stories, such as “The Corpse-Rider,” in which a man foils the attempts of his former wife’s ghost to haunt him. Some are love stories in which the beloved is not what she appears to be: in “The Story of Aoyagi,” a young samurai narrowly escapes the wrath of his lord for marrying without permission, only to discover that his wife is the spirit of a willow tree. Throughout this collection, Hearn’s reverence for Japan shines through, and his stories provide insights into the country’s artistic and cultural heritage.With an introduction by Andrei Codrescu discussing Hearn’s life and work, as well as a foreword by Jack Zipes, Japanese Tales of Lafcadio Hearn provides a unique window into one writer’s multicultural literary journey.

A collection of political tales—first published in British workers’ magazines—selected and introduced by acclaimed critic and author Michael RosenIn the late nineteenth and early twentieth centuries, unique tales inspired by traditional literary forms appeared frequently in socialist-leaning British periodicals, such as the Clarion, Labour Leader, and Social Democrat. Based on familiar genres—the fairy tale, fable, allegory, parable, and moral tale—and penned by a range of lesser-known and celebrated authors, including Schalom Asch, Charles Allen Clarke, Frederick James Gould, and William Morris, these stories were meant to entertain readers of all ages—and some challenged the conventional values promoted in children’s literature for the middle class. In Workers’ Tales, acclaimed critic and author Michael Rosen brings together more than forty of the best and most enduring examples of these stories in one beautiful volume.Throughout, the tales in this collection exemplify themes and ideas related to work and the class system, sometimes in wish-fulfilling ways. In “Tom Hickathrift,” a little, poor person gets the better of a gigantic, wealthy one. In “The Man Without a Heart,” a man learns about the value of basic labor after testing out more privileged lives. And in “The Political Economist and the Flowers,” two contrasting gardeners highlight the cold heart of Darwinian competition. Rosen’s informative introduction describes how such tales advocated for contemporary progressive causes and countered the dominant celebration of Britain’s imperial values. The book includes archival illustrations, biographical notes about the writers, and details about the periodicals where the tales first appeared.Provocative and enlightening, Workers’ Tales presents voices of resistance that are more relevant than ever before.

Wry political fairy tales from a nineteenth-century politician that speak to our current timesÉdouard Laboulaye (1811–1883), one of nineteenth-century France’s most prominent politicians and an instrumental figure in establishing the Statue of Liberty, was also a prolific writer of fairy tales. Smack-Bam, or The Art of Governing Men brings together sixteen of Laboulaye’s most artful stories in new translations. Filled with biting social commentary and strong notions of social justice, these rediscovered tales continue to impart lessons today.Inspired by folktales from such places as Estonia, Germany, Iceland, and Italy, Laboulaye’s deceptively entertaining stories explore the relationships between society and the ruling class. In “Briam the Fool,” the hero refuses the queen’s hand after he kills the king. In “Zerbino the Bumpkin,” the king and prime minister are idiots, while the king’s daughter runs away with a woodcutter to an enchanted island. And in the title story, “Smack-Bam, or The Art of Governing Men,” a superficial prince is schooled by a middle-class woman who smacks him when he won’t engage in his lessons and follows him across Europe until he falls in love with her. In these worlds, shallow aristocrats come to value liberty, women are as assertive and intelligent as men, and protagonists experience compassion as they learn of human suffering.With an introduction by leading fairy-tale scholar Jack Zipes that places Laboulaye’s writing in historical context, Smack-Bam, or The Art of Governing Men presents spirited tales from the past that speak to contemporary life.

A new collection of subversive French fairy talesThe wolf is tricked by Red Riding Hood into strangling her grandmother and is subsequently arrested. Sleeping Beauty and Cinderella do not live happily ever after. And the fairies are saucy, angry, and capricious. Fairy Tales for the Disillusioned collects thirty-six tales, most newly translated, by writers associated with the decadent literary movement that flourished in late nineteenth-century France. These enchanting yet troubling stories reflect the concerns and fascinations of a time of great political, social, and cultural change. Recasting well-known favorites from classic French fairy tales, as well as Arthurian legends and English and German tales, these decadent fairy tales feature perverse settings and disillusioned perspectives, underlining such themes as the decline of civilization, the degeneration of magic and the unreal, gender confusion, and the incursion of the industrial. Complete with an informative introduction, biographical notes for each author, and explanatory notes throughout, these subversive tales will entertain and startle even the most disenchanted readers.

An enchanting collection that introduces the author and activist Naomi Mitchison to a new generation of readersThe Fourth Pig, originally published in 1936, is a wide-ranging collection of fairy tales, poems, and ballads that reflect the hopes and forebodings of their era but also resonate with those of today. From a retelling of “Hansel and Gretel” to the experimental title story, a dark departure from “The Three Little Pigs,” this book is a testament to the talents of Naomi Mitchison (1897–1999), who was an irrepressible phenomenon—a prominent Scottish political activist as well as a prolific author. Mitchison’s work, exemplified by the tales in this superb new edition, is stamped with her characteristic sharp wit, magical invention, and vivid political and social consciousness. Marina Warner, the celebrated scholar of myths and fairy tales and writer of fiction, provides an insightful introduction to Mitchison as a remarkable writer and personality.

An enchanting retelling of nineteen fairy tales, introduced by popular fantasy writer Philip PullmanOriginally published in 1927, Told Again is an enchanting collection of elegant fairy tales, showcasing the formidable talents of Walter de la Mare, one of the most celebrated writers of children’s literature during the first half of the twentieth century. His abundant literary gifts can be savored once more in this beautiful new edition. Nineteen adapted classics, including “Rapunzel,” “Little Red Riding-Hood,” “Rumplestiltskin,” and “The Sleeping Beauty,” are made new by de la Mare’s poetic insights and graceful prose, making these tales appropriate for younger readers. With marvelous black and white illustrations by A. H. Watson, this volume also presents a splendid introduction by Philip Pullman, the contemporary master of fantasy literature.

A collection of magical Italian folk and fairy tales—most in English for the first timeThe Pomegranates and Other Modern Italian Fairy Tales presents twenty magical stories published between 1875 and 1914, following Italy’s political unification. In those decades of political and social change, folklorists collected fairy tales from many regions of the country while influential writers invented original narratives in standard Italian, drawing on traditional tales in local dialects, and translated others from France. This collection features a range of these entertaining jewels from such authors as Carlo Collodi, most celebrated for the novel Pinocchio, and Domenico Comparetti, regarded as the Italian Grimm, to Grazia Deledda, the only Italian woman to have received the Nobel Prize in Literature. With one exception, all of these tales are appearing in English for the first time.The stories in this volume are linked by themes of metamorphosis: a man turns into a lion, a dove, and an ant; a handsome youth emerges from a pig’s body; and three lovely women rise out of the rinds of pomegranates. There are also more introspective transformations: a self-absorbed princess learns about manners, a melancholy prince finds joy again, and a complacent young woman discovers gratitude. Cristina Mazzoni provides a comprehensive introduction that situates the tales in their cultural and historical context. The collection also includes period illustrations and biographical notes about the authors.Filled with adventures, supernatural and fantastic events, and brave and flawed protagonists, The Pomegranates and Other Modern Italian Fairy Tales will delight, surprise, and astonish.

A collection of radical political fairy tales—some in English for the first time—from one of the great female practitioners of the genreHermynia Zur Mühlen (1883–1951), one of the twentieth century’s great political writers, was not seemingly destined for a revolutionary, unconventional literary career. Born in Vienna to an aristocratic Catholic family, Zur Mühlen married an Estonian count. But she rebelled, leaving her upper-class life to be with the Hungarian writer and Communist Stefan Klein, and supporting herself through translations and publications. Altogether, Zur Mühlen wrote thirty novels, mysteries, and story collections, and translated around 150 works, including those of Upton Sinclair, John Galsworthy, and Edna Ferber. A wonderful new addition to the Oddly Modern Fairy Tales series, The Castle of Truth and Other Revolutionary Tales presents English readers with a selection of Zur Mühlen’s best political fairy tales, some translated from German for the first time.In contrast to the classical tales of the Brothers Grimm and Hans Christian Andersen, Zur Mühlen’s candid, forthright stories focus on social justice and the plight of the working class, with innovative plots intended to raise the political consciousness of readers young and old. For example, in “The Glasses,” readers are encouraged to rip off the glasses that deceive them, while in “The Carriage Horse,” horses organize a union to resist their working and living conditions. In “The Broom,” a young worker learns how to sweep away injustice.With an informative introduction by Jack Zipes and period illustrations by George Grosz, John Heartfield, Heinrich Vogeler, and Karl Holtz, The Castle of Truth and Other Revolutionary Tales revives the legacy of a notable female artist whose literary and political work remains relevant in our own time.

A delightful collection of modern Chinese talesThe Dragon Daughter and Other Lin Lan Fairy Tales brings together forty-two magical Chinese tales, most appearing for the first time in English. These stories have been carefully selected from more than a thousand originally published in the early twentieth century under the pseudonyms Lin Lan and Lady Lin Lan—previously unknown in the West, and now acclaimed as the Brothers Grimm of China.The birth of the tales began in 1924, when one author, Li Xiaofeng, published a set of literary stories under the Lin Lan pen name, an alias that would eventually be shared by an editorial team. Together, this group gathered fairy tales (tonghua) from rural regions across China. Combining traditional oral Chinese narratives with elements from the West, the selections in this collection represent different themes and genres—from folk legends to comic tales. Characters fall for fairies, experience predestined love, and have love/hate relationships with siblings. Garden snails and snakes transform into cooking girls, and dragon daughters construct houses. An introduction offers historical and social context for understanding the role that the Lin Lan stories played in modern China. Appendixes include information on tale types and biographies of the writers and contributors.The Dragon Daughter and Other Lin Lan Fairy Tales is a captivating testament to the power of storytelling.