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77 produkter

Raphael, Painter and Architect in Rome
Itineraries
AvFrancesco Benelli,Silvia Ginzburg
Häftad, Engelska, 2020
224 kr
Tillfälligt slut
Raphael arrived in Rome in 1508 and remained there until his death in 1520, working as painter and architect for popes Julius II and Leo X and for the most prestigious patrons. Here the artist changed his painting style several times, looking at the works of Michelangelo, Sebastiano del Piombo and the vast repertoire of ancient painting and sculpture. In the Eternal City Raphael practised architecture for the first time, designing buildings that reflected the models of Antiquity such as the Pantheon, the descriptions deriving from written sources such as Vitruvius' treaty on architecture, and the examples of modern architects like Donato Bramante.This guide supplies essential and up to date information on all the civil or religious buildings designed or built by Raphael in Rome, and the frescoes and paintings, housed in churches or museums, whether executed in the city or arrived there at a later stage.
Assembly of the Exalted
The Tibetan Shrine Room from the Alice S. Kandell Collection
AvDonald S. Lopez Jr,Rebecca Bloom
Inbunden, Engelska, 2018
685 kr
Skickas inom 7-10 vardagar
Assembly of the Exalted presents some 50 pieces from the remarkable collection of Alice S. Kandell. The works, dating from the late 13th century to the early 20th, include great masterpieces and emblematic examples of Tibetan Buddhist art. They are all presented here as the constituents of a Tibetan Buddhist shrine. Shrines, both modest and grand, are the primary sites of Tibetan Buddhist practice, whether it be reciting scriptures, performing rituals, saying prayers, or engaging in meditation. The introductory essays thus focus on the Tibetan Buddhist shrine, describing its evolution over the history of Buddhism, its special role in Tibet, and how the pieces in the Kandell Collection came to be assembled and displayed in shrines at institutions across America. Illustrated with vivid photography, forty short essays, each centered on a single work or set of objects, describe the pieces in terms of their importance for the practice of Buddhism, highlighting the many essential functions of Tibetan Buddhist art within the space of a shrine.
Vasari for Bindo Altoviti
Christ Carrying the Cross
AvBarbara Agosti,Michela Corsom. fl.
Häftad, Engelska, 2019
229 kr
Skickas inom 7-10 vardagar
The catalogue presents Christ Carrying the Cross, recently rediscovered by Carlo Falciani in a private collection, which was born out of the intense friendship between the painter and art historian Giorgio Vasari (1511-1574) with Bindo Altoviti (1491-1557), important banker and refined art collector and patron. The artwork was painted in 1553, just before Vasari's return to Florence to take service as court painter of the Duke Cosimo I de' Medici. The painting shows the extremely high quality reached by Vasari's production in Rome - where he was working for Pope Julius III and where the Florentine banker Bindo Altoviti had a palace and conducted business - and, at the same time, it shows the experimentations of his manner, characterised by the re-elaboration of modern and contemporary models, in this case works of Michelangelo, Francesco Salviati and Sebastiano del Piombo. Published to accompany an exhibition at the Gallerie Nazionali Barberini Corsini, Palazzo Corsini, Rome from 24 January-30 June 2019.Text in English and Italian.
100 Masterpieces of National Galleries Barberini and Corsini
AvYuri Primarosa
Häftad, Engelska, 2022
241 kr
Skickas inom 5-8 vardagar
The National Galleries Barberini and Corsini contain paintings and sculptures of exceptional historical and artistic value. Page after page, through the masterpieces of many of the greatest Italian artists from the Middle Ages to the 18th century (Angelico, Raphael, Piero di Cosimo, Bronzino, Lotto, Tintoretto, Cortona, Caravaggio, Bernini, Reni, Guercino, Batoni, Canaletto) the reader can follow the development of art history. The collections also include artwork by Holbein, Murille and Van Dyck, besides a few antique pieces. In addition to the 100 entries, there are descriptions of particularly important elements that are part of the palaces' architecture, such as Borromini's spiral staircase, Bernini's main staircase and the huge ceiling frescoed by Pietro da Cortona.
Art of Impermanence
Japanese Works from the John C Weber Collection and Mr & Mrs John D Rockefeller
AvAdiana Proser
Inbunden, Engelska, 2020
626 kr
Skickas inom 5-8 vardagar
This catalogue presents masterpieces of calligraphy, painting, sculpture, ceramics, lacquers, and textiles from two of America's greatest Japanese art collections, which are featured in a landmark exhibition at the Asia Society in New York, from February to April, 2020. Impermanence is a pervasive subject in Japanese philosophy and art, and recognising the role of ephemerality is key to appreciating much of Japan's artistic production. The dazzling range of art and objects in this beautifully photographed exhibition catalogue show the broad, yet nuanced, ways that the notion of the ephemeral manifests itself in the arts of Japan throughout history. Insightful contributions from noted scholars explore the aesthetics of impermanence in religion, literature, artefacts, the tea ceremony, and popular culture in objects dating from the late Jomon period (ca. 1000-300 B.C.E.) to the 20th century.Contents:The Art of the Ephemeral;Works in the Exhibition:I. Retrieving Lost Worlds; II. Buddhism: Perpetual Impermanence; III. Tea: Choreographed Ephemerality; IV. Transforming Impermanence into Art.Published to accompany an exhibition at the Asia Society Museum, New York, between 11 February and 26 April 2020.
Stardust
The Work and Life of Jeweler Extraordinaire Frédéric Zaavy
AvGilles Hertzog,John Taylorm. fl.
Inbunden, Kinesiska, 2020
808 kr
Skickas inom 7-10 vardagar
Frédéric Zaavy's brilliant career asa master jeweller shone like a meteor but flamed out far too soon. Zaavy considered himself heir to the legacy of Jean-Baptiste Tavernier, gem dealer to Louis XIV, and was chosen as the exclusive jeweller for the 21st century revival of Fabergé. Zaavy's artistic genius lay in painting with precious stones and in engineering remarkable settings to hold those stones almost invisibly. His works achieved a preëminence in the thousand-year evolution of French jewellery. The influences on his life and work were myriad. Nature, quantum physics, art, music, spirituality, poetry, literature, and even science fiction all shaped his extraordinary world view and taste. He was a philosopher jeweller. Stardustencapsulates the last year of his life, from the moment he learned he would soon die, right through to the end, with his life still at full throttle.With a text by acclaimed French philosophical writer Gilles Hertzog and a stunning visual narrative by celebrated photographers John Bigelow Taylor and Dianne Dubler, Zaavy's work and life are presented in a portrait of what was and of what might have been.Text in English and Simplified Chinese.
Comparative Hell
AvAdriana Proser
Inbunden, Engelska, 2023
665 kr
Skickas inom 7-10 vardagar
Hell has been embodied and portrayed in terrifying, bizarre, and occasionally humorous incarnations across religions and cultures for millennia. Whether considered as places of eternal or finite punishment, underworlds provide a rich setting for a potent cast of characters that have caught the imaginations of artists and patrons who have shaped the visual cultures of Asia’s systems of belief, particularly Buddhism, Hinduism, Jainism, and Islam. Through masterpieces from West Asia, South Asia, Southeast Asia, East Asia, and the diaspora, paired with essays from renowned scholars, this publication explores both differences and similarities in conceptions of the afterlife and artistic practices from religion to religion and culture to culture. This journey through judgment, punishment, and even the pro-mise of salvation sheds light on the fundamental questions of life, death, and existence.
Il Corpo e l’Anima
Da Donatello a Michelangelo Scultura Italiana del Rimascimento
AvMarc Bormand,Beatrice Paolozzi Strozzim. fl.
Inbunden, Italienska, 2022
623 kr
Skickas inom 7-10 vardagar
This exhibition, being held at the musée du Louvre in Paris, and its catalogue follow those dedicated to Florentine sculpture in the early Renaissance, 1400-1460, that took place in 2013-14 (Le Printemps de la Renaissance). The period scrutinised is 1460-1520 but the geographical coordinates are widened to include Northern Italy (Venice, Milan, Pavia, Padua, Bologna) and Rome as the artistic landscape of Italy becomes more complex. Some of the great sculptors, in fact, travelled and their style and their ideas influenced pre-existing local tradition.These new artistic languages share a common characteristic: the relationship to Greco-Roman Antiquity, especially in the representation of grace and passion: the expression of pathos and the theatrical quality of religious works, the symbolic richness of profane works and finally the development of a new and refined style which will find its highest expression in Roman classicism and in the work of Michelangelo.The catalogue includes the works of, among others, Donatello, Antonio Pollaiolo, Bertoldo di Giovanni, Giovanfrancesco Rustici, Francesco di Giorgio Martini, Guido Mazzoni, Bartolomeo Bellano, Cristoforo Solari, Tullio Lombardo, Andrea Riccio, and Bambaia, Sansovino, and Michelangelo.Text in Italian.
Perino del Vaga for Michelangelo
The Spalliera of the Last Judgment in the Spada Gallery
AvBarbara Agosti,Silvia Ginzburg
Häftad, Engelska, 2021
360 kr
Skickas inom 5-8 vardagar
In 1542 Pope Paolo III Farnese, with the approval of Michelangelo, commissioned to Perino del Vaga (1501–1547) a tapestry basement for the Last Judgement in the Sistine Chapel (Vatican).The Spalliera was never completed, but its model, painted on canvas, was later acquired by cardinal Bernardino Spada to be placed in his roman palace (now Galleria Spada), where it was used in radically different fashion as a frieze, completed with parts by other artists.The book is the first in-depth study of this work and of its significance in Perino’s artistic career, marked by an intense dialogue with Michelangelo’s art. It also explores the importance attributed by Michelangelo to decoration, apparently antithetical to the heroic dimension for which he is celebratedThe reception of the Spalliera by different artists is studied through a group of drawings deriving from it and lasting until the baroque age, as attested by Rubens.
Girodet. "Imitations d'Anacréon"
AvMarie-Pierre Salé
Franska, 2022
535 kr
Skickas inom 5-8 vardagar
The charming painter of Endymion's Sleep, Atala's Funeral and Chateaubriand's Portrait was also a poet. Thanks to his classical education, Girodet (1767-1824) was the author of free translations of ancient Greek and Latin poets.In 1808 he tried the to imitate and at the same time illustrate the Odes of Anacreon, whose edition was published posthumously. The Musée du Louvre holds the precious manuscript of this intense and complex work, in which the poetic research and graphic invention — compositions or vignettes — intertwine with the text. Only a facsimile could restore this organic whole in its integrity. This book reconstructs the history of the manuscript, the various stages of the project and the posthumous versions, and analyses the artist's aesthetic sources. Girodet's handwriting is sometimes difficult to decode, but the complete transcription allows the reader to appreciate all the refinements and to rediscover the charm of Anacreontic poetry.Text in French.
Medici Portraits
At the Uffizi and Galleria Palatina
AvAdele Milozzi
Häftad, Engelska, 2023
186 kr
Skickas inom 5-8 vardagar
The Medici family ruled unofficially and later as dukes the city of Florence and Tuscany, from the end of 14th to the end of the 18th century. Under their patronage the Renaissance was born.The members of this powerful family were able to build their public image in a sophisticated cultural environment where famous artists such as Raphael, Pontormo, Bronzino, Vasari, as well as poets, men of letters, scientists, humanists, were active. Portraits played an important role in this public relations strategy. The portrait types were quite different: from State portraits to family portraits, from those depicting the young heirs of the family name to those of the women that either ruled or played important roles in the dynastic allegiances.In this guide the marvellous works, held in Florence’s Uffizi Gallery and Palazzo Pitti, are presented in chronological order making possible to trace the main stages in the history and genealogy of the Medici family.
carnet Meuricoffre: portraits d'Antoine Jean Gros
AvLaura Angelucci
Franska, 2022
442 kr
Skickas inom 5-8 vardagar
The identical reproduction of the Meuricoffre album, acquired by the Louvre in 2018, is a good opportunity to leaf through one of the only two portrait books attributed to the French painter Antoine-Jean Gros (1771-1835). It is a testimony to Gros' activity as a portrait painter during his stay in Italy (1793-1800) and illustrates the privileged relationship that the painter had in Genoa with the family of the Franco-Swiss banker Jean-Georges Meuricoffre. The beautiful gallery of portraits, drawn in the intimacy of this family, restores the physiognomies of representatives of Franco-Swiss high society who were in contact with the Meuricoffre family at the time and, through them, with Gros.The study that accompanies the publication of the notebook reveals the hitherto unknown identity of these characters. A material description of the album, an essential scientific support for its understanding, completes the subject.Text in French.
Limoges Enamel Triptychs
Three Masterpieces from the Carrand Collection
AvPaola Venturelli,Ilaria Ciseri
Häftad, Engelska, 2022
235 kr
Skickas inom 5-8 vardagar
The French city of Limoges was world famous for the production of champlevé enamels during the Middle Ages. During the Renaissance a revival of Limoges enamels took place, but the technique employed was that of painted enamel. Triptychs with a sacred subject, conceived as a painting but shining like jewellery and built with durable materials, became popular. The three works held at the Bargello National Museum in Florence are attributable to Nardon Pénicaud (1470–1542), a primary artist with an active workshop. The three enamel paintings came from the famous collection of Louis Carrand, a Lyon antiquarian, who donated them to the Bargello in the 19th century. Their story is told in Ilaria Ciseri’s essay. Paola Venturelli analyses the historical and artistic aspects of the works and places them in the context of contemporary enamel production. The final contributions from the Opificio delle Pietre Dure address the conservation of the three delicate enamels and analyses materials and pigments.
Timeless Wonder
AvFrancesca Cappelletti,Francesca Cappellettim. fl.
Inbunden, Engelska, 2023
625 kr
Skickas inom 5-8 vardagar
The book investigates the birth of painting on stone and its development during the 17th century in Rome and Europe.
In Search of Eternity
Painting on and with Stone in Rome. Itinerary
AvFrancesca Cappelletti,Francesca Cappellettim. fl.
Häftad, Engelska, 2023
198 kr
Skickas inom 5-8 vardagar
Canvas as a pictorial support was only reluctantly adopted in Rome and even in the 17th century it was not universally employed. From 1530 until the first decade of the 17th century many altarpieces in Rome were instead painted on stone, especially on slate. The invention of the technique is due to Sebastiano del Piombo (1485–1547) who employed it in his monumental Nativity of the Virgin for the Chigi Chapel in Santa Maria del Popolo.This book presents a selection of the most significant stone altarpieces in Rome: San Marcello al Corso (Federico Zuccari), S. Maria della Vallicella (Rubens), S. Caterina dei Funari (Girolamo Muziano), San Silvestro al Quirinale (Scipione Pulzone), Santa Maria della Pace (Lavinia Fontana), Santa Maria Maggiore (Girolamo Siciolante) are among the churches included in this guide.
Cathedral of Cremona
Guide
AvFrancesco Frangi,Marco Tanzi
Häftad, Engelska, 2024
186 kr
Skickas inom 5-8 vardagar
Santa Maria Assunta in Cremona, among the great Romanesque cathedrals of the Po Valley in northern Italy, is not only one of the most renowned for its artwork, but also one in which the slow stratification of time is most evident. The names of the greatest masters, in the first person or in the medieval sense of workshop, follow one another in quick succession: Wiligelmo, Antelami, the excellent Marco Romano, the Campionesi, enrich the façade with grandiose and superb sculptures, aristocratic and earthy. In the interior, the cycle of frescoes in the main nave with the Stories from the Life of the Virgin and Christ shows, as nowhere else, the symptoms of the pressing renewal taking place in early 16th century Italian painting, from the faultless classicism of Boccaccio Boccaccino to the eccentric Altobello Melone and Gianfrancesco Bembo, the Brescian Romanino and the Friulian Pordenone, who is given the grand finale with the resounding Crucifixion on the counter façade. Alongside these two poles, the façade and the nave, there are masterpieces from all centuries: paintings, sculptures, and goldsmithing, including frescoes and canvases by the Campi, the greatest exponents of the 16th-century Cremonese school of painting.
Album «Fra Bartolommeo»
AvLaura Angelucci,Louis Frank
Inbunden, Franska, 2024
614 kr
Skickas inom 5-8 vardagar
In 1922, Léon Bonnat bequeathed to the Louvre a wonderful album of almost forty drawings by one of the most famous painters of the Florentine Renaissance: Baccio della Porta, known as Fra Bartolommeo (1469-1517). The collection traces the career of the artist, who trained in Florence around 1485 with Cosimo Rosselli, but above all in the shadow of the most brilliant workshop of the period, that of Andrea del Verrocchio. Sensitive to the prodigious innovations coming out of this extraordinary environment, which had produced such geniuses as Botticelli, Ghirlandaio and Leonardo da Vinci in the previous decade, Baccio, as he was then known, studied above all with Lorenzo di Credi, to whom Verrocchio had entrusted the running of the workshop when he left Florence for Venice. Baccio also closely followed all the great Florentine painters of the last decade of the fifteenth century, in particular the works of foreigners who had been in Florence for several years, especially Pietro Perugino, and those of Ghirlandaio's workshop, then at the height of their popularity. The two volumes accurately reproduce the almost forty drawings in the Louvre album accompanied by a commentary written by two museum specialists.Text in French.
Art and Industry of Stucco Decoration in Europe from the Late 16th to the Early 18th Century
"L’arte e la tecnica delle decorazioni a stucco in Europa dalla fine del XVI all’inizio del XVIII secolo "
AvGiacinta Jean,Alberto Felicim. fl.
Häftad, Engelska, 2025
495 kr
Skickas
Stucco decorations have traditionally been studied considering their formal and artistic qualities. Although much research and numerous publications have explored the works of stucco artists and their cultural context, little attention has been paid to their professional role in relation to the other actors involved in the decorative process (architects, painters, sculptors, patrons), the technical skills of these artists, and how their know-how contributed to the great professional success they enjoyed. From the 16th to the 18th century, many of the stucco decorations in churches and palaces throughout Europe were made by masters from the border area between what is now Canton Ticino and Lombardy. This collection of essays aims to examine how these artists worked from Spain to Poland, from Denmark to Italy, via the Netherlands, France, Germany, the Czech Republic, Slovenia and Austria, adapting to the realities of the different contexts. The authors examine these issues with an interdisciplinary approach, considering art history and social history, the history of artistic techniques, and the science of materials. Text in English and Italian.
Martha Bibescu Queen of the Belle Époque
A Previously Unknown Portrait of Domenico Rupolo
AvElena Lago
Inbunden, Engelska, 2024
259 kr
Skickas inom 5-8 vardagar
Martha Bibescu (Bucharest, 1886 - Paris, 1973) was one of the greatest and most representative protagonists of the extraordinary world of the Belle Époque, of which Paris, which became her adopted city, was the capital. Linked to the most important political and intellectual personalities of the time, from the kings of Romania to King Alfonso XIII of Spain, from Charles de Gaulle to Winston Churchill and Marcel Proust, Martha intertwined her life with that of the sculptor and architect Domenico Rupolo (Caneva, 1861-1945), the creator of the radical modernisation, lasting almost twenty-five years, of the Bibescu palace in Mogoșoaia. To crown the profound association that bound him to Martha, Rupolo executed the hitherto unpublished marble portrait of her in 1933, on which this volume focuses. This face emerging enigmatically from the marble, a paradigm of the art and culture of an entire era, is a remarkable and unexpected addition to the portraiture of one of the most popular women of the 20th century.Text in English and Italian.
Sculpter à la Renaissance: Un art pour (é)mouvoir
Renaissance Sculpture: An Art to Persuade
AvMarc Bormand,Beatrice Paolozzi Strozzim. fl.
Häftad, Engelska, 2025
357 kr
Skickas inom 5-8 vardagar
This volume collects the papers presented at the international study conference Sculpting in the Renaissance: an art to (com)move / Sculpter à la Renaissance. Un art pour (é)mouvoir organised by the Musée du Louvre in Paris and the Castello Sforzesco in Milan to accompany the exhibition Le corps et l'âme. De Donatello à Michel-Ange. Scultures italiennes de la Renaissance (Officina Libraria, 2020), held between 2020 and 2021. With the involvement of some of the most important specialists in Renaissance sculpture, the aim was to investigate the interactions, influences and exchanges between the plastic arts and other Renaissance art forms capable of revealing feelings through expressions of the body, through the works of Agostino di Duccio, Donatello, Michelangelo and other local sculptors. The aim is also to place within their social, devotional and intellectual context the different manifestations of feeling of which sculpture is one of the privileged media. Sacred art themes in particular were addressed, in an attempt to explain their formal evolution in relation to the socio-cultural transformations of the time, but also to local traditions and their dramatisation.Text in English, French and Italian.
Places of the Impressionists
AvGiorgio Villani
Inbunden, Engelska, 2024
381 kr
Skickas inom 5-8 vardagar
More than other painters, the Impressionists wanted to shake off the dust of the studio, and swarmed the noisy streets of Paris, filling the cafés and living in garrets and humble little dwellings on the hill of Montmartre, which still seemed like the countryside at the time, its slopes covered with vineyards and vegetable gardens. Nor did they limit themselves to the city, planting their easels in the clearings of the forest of Fontainebleau, on the coast of Normandy, in the rustic villages in the Oise Valley and in Bougival and Argenteuil on the banks of the Seine. Like their Naturalist friends Zola and Maupassant, they liked to mix with the locals so they could experience the places directly, painting everywhere, even on a boat, like the one where Monet had his floating studio.
Wastework
Early Modern Stories from the Cutting Room Floor
AvFrancesca Borgo,Ruth Ezra
Häftad, Engelska, 2025
320 kr
Skickas inom 5-8 vardagar
Paper scraps, metal filings, wool shearings... dismantled sets, spoiled rags, animal blood...How did these ostensibly worthless by-products of art and industry avoid the flames of the kitchen hearth or the sweep of the apprentice’s broom to spark ingenuity, generate new forms, and propel further acts of creation? Wastework moves beyond the well-researched category of spoliation, foregrounding waste as a material expression of the practices of ordering and classification by which people adjudicated between collection and disposal, wanted and unwanted, salvation and loss. Authors follow the afterlives of spent books and soiled textiles, peek behind the curtain of machine theatre, and venture into the smith’s foundry and the chemist’s laboratory. Bringing together research from historians of art, architecture, science, and the environment, this volume examines acts of disposal and reuse and the consequences these carry for the study of early modern material culture. Drawing from the fields of discard studies and Eco materialism, contributors test the usefulness of contemporary formulations—secondary product cycles, material fatigue, metabolic flows, sustainability, recycling—while also proposing new categories with which to re-imagine the discarded past.
St Agnes extra moenia and Mausoleum of St Costanza
English Guide
AvSerena di Giovanni
Häftad, Engelska, 2026
186 kr
Kommande
The monumental complex of St Agnes is located on the Via Nomentana in the north-east of Rome. The site consists of an underground cemetery (catacombs), the remains of the ancient circiform sepulchral basilica, commissioned by the imperial family of emperor Constantine, the mausoleum dedicated to St Constance and the basilica of St Agnes Outside the Walls, built by Pope Honorius I (625-638) on the small room with an altar, venerated as the burial place of the martyr Agnes. The mausoleum dedicated to St Constance, which houses the remains of the imperial princess Constantine, is a splendid example of late antique architecture. The deambulatory is covered by a sumptuous mosaic decoration with Hellenised geometric motifs and cosmic-seasonal phytomorphic and zoomorphic elements, symbolic scenes such as the harvest and portraits of historical figures.The basilica of St Agnes, until the beginning of the 17th century, was below ground and to reach the ground floor a staircase was used. The basilica still retains many elements unchanged from the time of Pope Honorius: the splendid reused roman columns, the famous mosaic showing Agnes between Honorius I and Pope Symmachus, and the Proconnesian marble and porphyry facing of the apse... Above the high altar is the statue of St. Agnes, made by Nicolas Cordier from gilded metal, using an ancient oriental alabaster for the bust.
Poetry and Painting
Giovan Battista Marino and the “Marvelous” Passion
AvEmilio Russo,Patrizia Tosinim. fl.
Inbunden, Engelska, 2025
513 kr
Skickas
After the season of the great Renaissance painters, the prestige of the figurative arts grew as never before in history. During the 16th century, the artist went from being a common craftsman to holding a status equal to that of the greatest intellectuals of his time. The relationship between poetry and painting was consolidated in the 17th century, and became close, even competitive, when artists and men of letters confronted each other with the same themes. In this framework, the great poetry of Giovan Battista Marino (Naples, 1569-1625) plays a fundamental role. His compositions are rich in visual suggestions, derived as much from direct contact with the art collections he visited during his itinerant life as from the memory of the images of the great artists of the past. The Galeria (1620), one of his most famous books, projects onto the walls of an imaginary gallery the names of the artists and works of art that marked the poet's courtly experience.
Facciate Palinsesto / Palimpsest Facades
Monumenti medievali nei processi di trasformazione urbana e architettonica / Medieval Monuments in the Processes of Urban and Architectural Transformation
AvLaura Cavazzini,Paola Vitolo
Häftad, Engelska, 2027
434 kr
Kommande
The volume analyses a selected series of "palimpsest facades" of buildings of medieval foundation between Italy and France, in which transformation, restoration and redecoration interventions carried out in later eras speak of the human and material history of cities and their spaces. Facades are an expression of the buildings’ intended uses, and at the same time vehicles of political, social and cultural messages. Within the complex phenomena of renovation, restoration, and reconstruction, external pictorial and sculptural decorations therefore play a role of great importance, revealing events and interests that transition from the private to the public sphere. Often reconstructable only through written sources, or denounced by the still visible material traces, changes and transformations represent a manifestation of the processes of historical memory and the dynamics that accompany them. These essays, in Italian and English, address previously unpublished aspects of fundamental monuments of medieval art, from Saint Denis in Paris to the Scrovegni Chapel in Padua, passing through the Cathedral of Reims and San Petronio in Bologna.Text in English and Italian.
Women Painters in Rome
Guidebook
AvIlaria Arcangeli
Häftad, Engelska, 2025
235 kr
Skickas inom 5-8 vardagar
Published in conjunction with the exhibition Roma pittrice. Artiste al lavoro tra XVI e XIX secolo (Rome paints. Women Artists at Work Between the 16th and 19th Centuries), at the Museo di Roma in Palazzo Braschi, this guide highlights to an even wider audience the presence of several women artists who where either born in Rome or made the eternal city their place of study and work. Starting from the artists represented in the Capitoline collections, such as Maria Felice Tibaldi (Subleyras), Angelika Kauffmann, Laura Piranesi, Luise Seidler and Emma Gaggiotti (Richards), the book includes other important artists who worked in the city, such as Lavinia Fontana, Artemisia Gentileschi, Giovanna Garzoni and many others, sometimes less known, whose oeuvre has been discovered in recent decades. The initial essay presents the gradual integration of women painters into the cosmopolitan Roman art market, with their laborious achievement of full access to education and to the most prestigious art institutions of the city and then explores the numerous pictorial genres to which they devoted themselves. The second part of the guidebook includes 56 biographies of these artists, revealing a rich and varied production until recently overlooked.
Sforza Castle's 100 Masterpieces
AvFrancesca Tasso
Häftad, Engelska, 2027
239 kr
Kommande
In the heart of Milan, the Civic Museums of the Sforza Castle hold an extraordinary heritage spanning centuries of history and art. Room after room, through one hundred masterpieces selected from paintings, sculptures and artefacts, the volume takes the reader on a fascinating journey from the Middle Ages to the twentieth century. The guide, agile and richly illustrated, retraces the variety of the Sforza collections, along with the most representative works, such as the Madonna Trivulzio by Andrea Mantegna, the Pietà Rondanini by Michelangelo, the engravings by Albrecht Dürer, the Funerary monument of Gaston de Foix by Bambaia, the Argo by Bramantino in the Treasury Room or the decorations by Leonardo da Vinci in the Sala delle Assi.An introductory essay illustrates its history, from its origins to the transformation into a museum, while clear and rigorous notes guide the reader through contexts, styles and iconographies. An accessible yet meticulous guide, designed for enthusiasts, scholars, and visitors, offering an organic selection of the treasures preserved in the Sforza Castle.
Vernacular of Money
Classical Architecture in the City of London
AvLuca Jellinek
Häftad, Engelska, 2026
239 kr
Kommande
The City of London is a special place; presently associated with business and high-level finance in particular. It is a frenetic, changing cityscape but despite the bluster it retains evidence of a fascinating history and a wealth of sumptuous architectural detail. The Vernacular of Money: Classical Architecture in the City of London documents and illustrates this wealth of institutional and commercial buildings that draw inspiration from Classical architectural canon, reinterpreting and adapting it to coeval requirements.From graceful livery halls like the Goldsmiths’, to palatial Edwardian insurance offices to decorous official buildings like the Mansion House and Royal Exchange, the buildings documented here are unified not only geographically and culturally but also by the use of a common ‘vocabulary’ — the Classical architectural language that has influenced Western architectural discourse for the better part of two and a half millennia.The volume is aimed both at as a reference work of architectural history and as a general interest book for the large community of present and past City of London workers and residents.
Uffizi Grotesques
A Guidebook
AvValentina Conticelli
Häftad, Engelska, 2027
323 kr
Kommande
The grotesques that adorn the Gallery of Statues and Paintings, the original name for the Uffizi's corridors, belong to different periods. The most imaginative and most artistically admirable, however, are the earliest ones, contrasting with the classical severity of the antique statues in the Medici collection there displayed. Commissioned by Francesco I de' Medici in 1581, they occupy the 46 bays of the eastern corridor (about 150 metres), then a simple loggia, but closed the following year probably to protect the new frescoes.The cycle celebrates the marriage between Francesco I and Bianca Cappello, which took place in 1579. The celebration of the Grand Ducal couple and the wish for offsprings explains the abundance of erotic themes, often depicted through ingenious iconography. The playful aspect, the pursuit of the marvellous and the monstrous prevail. The figurations move between great fantasy and allusiveness, originality and licentiousness, according to typical grotesque canons.
Colleoni Chapel and the Luogo Pio della Pietà
Guide
AvStefano Incontro,Marco Pellegrinim. fl.
Häftad, Engelska, 2027
165 kr
Kommande
Commissioned around 1470 by the commander Bartolomeo Colleoni and designed by the architect and sculptor Giovanni Antonio Amadeo, the chapel, situated in Bergamo, represents one of the finest examples of Lombard Renaissance architecture. Its façade, richly decorated with polychrome marble inlays, reflects the revival of classical antiquity that characterised late fifteenth-century Lombard art. The funerary monument of Colleoni combines biblical scenes with antique motifs and is crowned by an equestrian statue inspired by the tombs of medieval lords in Lombardy and Veneto. The chapel also preserves important artworks, including the Renaissance tomb of Medea Colleoni, sculptures by Pietro Lombardo and his workshop, and paintings by Giambattista Tiepolo, Giuseppe Maria Crespi, and Angelika Kauffmann. The guide also illustrates the history and artistic heritage of the Luogo Pio Colleoni, the institution responsible for completing the chapel and for its future upkeep.

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Colleoni Chapel and the Luogo Pio della Pietà