Penguin Modern Poets – serie

The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment.". . . And I was grown up, with your face on,heating spice after spice to smoke out the smell of books, to burnthe taste buds off this bitten tongue, avoid ever speaking of you."- Emily Berry, 'Her Inheritance'"If you are not the free person you want to be you must find a place to tell the truth about that. To tell how things go for you."- Anne Carson, 'Candor'"I had a moment thereamong the balustradesand once that moment had expiredit graduatedfrom a moment to a life"- Sophie Collins, 'Dear No. 24601'

The latest volume in Penguin Modern Poets series - moving and unflinchingly honest poems from three different cultures about experiences of the female body, the family, sexual politics and conflictYour Family, Your Body features the work of Malika Booker, the Guyanese-British writer and performer behind London- and Chicago-based collective Malika's Kitchen; the Pulitzer Prize-winning Sharon Olds, one of America's most brilliant, beloved and candid voices; and Warsan Shire, the award-winning poet and first ever Young Poetry Laureate of London who also lent her words to Beyoncé's visual album Lemonade.Inspired by Penguin's enormously successful '60s series of the same name, the Penguin Modern Poets are succinct, collectible, lovingly-assembled guides to the richness and diversity of contemporary poetry, from the UK, America and beyond. Every volume brings together representative selections from the work of three poets now writing, allowing the seasoned poetry fan and the curious reader alike to encounter our most exciting new voices.

Other Ways to Leave the Room features the work of three of the most beloved and lauded poets currently at large. Between them, Kathleen Jamie, Don Paterson and Nick Laird write lyrical, luminous and often darkly witty poems about the rugged wildness of the Scottish landscape; about fatherhood; about whisky-drinking, alcohol abuse and tenement life; about sex, love and the pursuit of the spiritual; about childhood in the Ireland of the Troubles, and about the strange possibilities of the technological future. What all three have in common is an ability to combine observations of gritty real life with a sense of the mythical proportions always lurking just under the surface of the everyday.The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment.

Other Ways to Leave the Room features the work of three of the most beloved and lauded poets currently at large. Between them, Kathleen Jamie, Don Paterson and Nick Laird write lyrical, luminous and often darkly witty poems about the rugged wildness of the Scottish landscape; about fatherhood; about whisky-drinking, alcohol abuse and tenement life; about sex, love and the pursuit of the spiritual; about childhood in the Ireland of the Troubles, and about the strange possibilities of the technological future. What all three have in common is an ability to combine observations of gritty real life with a sense of the mythical proportions always lurking just under the surface of the everyday.The Penguin Modern Poets are succinct guides to the richness and diversity of contemporary poetry. Every volume brings together representative selections from the work of three poets now writing, allowing the curious reader and the seasoned lover of poetry to encounter the most exciting voices of our moment.

Occasional Wild Parties brings together Sam Riviere, one of the most discussed of the new generation of British poets, whose 'post-internet' poetry sees him acting now as scribe, now as DJ, taking in everything from technologized romance to celebrity culture as filtered through Kim Kardashian's make-up routine; the 'elegant ghoul' Frederick Seidel, zooming through the dark underbelly of international high society on his Ducati racing bike; and the wonderfully observant Kathryn Maris, whose work ranges with a dark wit over incomprehensible deities, wayward mothers, the politics of children's sports contests, and psychoanalysis. All three lift the lid on their corners of civilized society to show the less glittering realities that lie just beneath the surface."On the verge of perpetrating acts of artistic barbarism"I perceived a spoon as the title of a plate of food"- SAM RIVIERE, 'Mindfulness'"Deer garter-belt across our visionAnd stand there waiting for our decision."Our only decision was how to cook the venison.I am civilized butI see the silenceAnd write the words for the thought balloon."- FREDERICK SEIDEL, 'Kill Poem'"The man in the basement wrote stories about heroin.The woman in the attic read stories with heroines.The woman in the attic noticed a bruise that ran from the top to the base of her thigh.The bruise looked like Europe.The man in the basement was in love with the sister of the secretive man who loved him more.He whooped to the woman, 'You killed your student?'To himself he wept, 'I killed my father.'"- KATHRYN MARIS, 'The House with Only an Attic and a Basement'

The Penguin Modern Poets are succinct, collectible, lovingly-assembled guides to the richness and diversity of contemporary poetry, from the UK, America and beyond. Every volume brings together representative selections from the work of three poets now writing, allowing the seasoned poetry lover and the curious reader alike to encounter our most exciting new voices.Volume 6, Dark Looks, features the work of Maggie Nelson and Claudia Rankine, the two American poets who, in hybrid books bridging the divide between poetry, lyric prose, life-writing and theory such as Bluets, The Argonauts, Don't Let Me Be Lonely and Citizen, have transformed the literary landscape over the last 15 years, alongside that of Denise Riley, who for decades has been exploring closely related concerns - motherhood; identity and oppression; loss; the language and words that build, or assault, our selves - as one of the best-kept secrets of British poetry, now fittingly recognized by a string of shortlistings and awards. These are writers who combine deep thought with deep feeling to illuminate our world, how we suffer in it, how we resist it, and how we can live with and love it.