Reception of Jesus in the First Three Centuries - Böcker

Alan Kirk argues that memory theory, in its social, cultural, and cognitive dimensions, is able to provide a comprehensive account of the origins and history of the Jesus tradition, one capable of displacing the moribund form-critical model. He shows that memory research gives new leverage on a range of classic problems in gospels, historical Jesus, and Christian origins scholarship. This volume brings together 12 essays published between 2001 and 2016, newly revised for this edition and organized under the rubrics of: ‘Memory and the Formation of the Jesus Tradition’; ‘Memory and Manuscript’; ‘Memory and Historical Jesus Research’; and ‘Memory in 2nd Century Gospel Writing’. The introductory essay, written for this volume, argues that the old form critical model, in marginalizing memory, abandoned the one factor actually capable of accounting for the origins of the gospel tradition, its manifestation in oral and written media, and its historical trajectory.

This study of the Protevangelium of James explores the interrelationship of authors, readers, texts, and meaning. Its central aim is to better understand how the process of repetition gave rise to the narratives of the early Christian movement, and how that process continued to fuel the creativity and imagination of future generations. Divided into three parts, Vanden Eykel addresses first specific episodes in the life of the Virgin, consisting of Mary's childhood in the Jerusalem temple (PJ 7-9), her spinning thread for the temple veil (PJ 10-12), and Jesus' birth in a cave outside Bethlehem (PJ 17-20). The three episodes present a uniform picture of how the reader's discernment of intertexts can generate new layers of meaning, and that these layers may reveal new aspects of the author's meaning, some of which the author may not have anticipated.

Since the early 4th century, Christian pilgrims and visitors to Judea and Galilee have worshipped at and been inspired by monumental churches erected at sites traditionally connected with the life and ministry of Jesus of Nazareth. This book examines the history and archaeology of early Christian holy sites and traditions connected with specific places in order to understand them as interpretations of Jesus and to explore them as instantiations of memories of him. Ryan's overarching aim is to construe these places as instantiations of what historian Pierre Nora has called “lieux de mémoires,” sites where memory crystallizes and, where possible, to track the course and development of the traditions underlying them from their genesis in the Gospel narratives to their eventual solidification in the form of pilgrimage sites. So doing will bring rarely considered evidence to the study of early Christian memory, which in turn helps to illuminate the person of Jesus himself in both history and reception.

This volume examines the ‘counter-narratives’ of the core Christian story, proposed by texts from Nag Hammadi and elsewhere. A noteworthy body of highly respected scholars examine material that is sometimes difficult and often overlooked, contributing to the ongoing effort to integrate Nag Hammadi and related literature into the mainstream of New Testament and early Christian studies. By retracing the major elements of the Christian story in sequence, they are able to discuss how and why each aspect was disputed on inner-Christian grounds, and to reflect on the different accounts of Christian identity underlying these disputes. Together the essays in this book address a central issue: towards the end of the second century, Irenaeus could claim that the overwhelming majority of Christians throughout the world were agreed on a version of the core Christian story which is still recognisable today. Yet, as Irenaeus concedes and as the Nag Hammadi texts have confirmed, there were many who wished to tell the core Christian story differently. Those who criticized and rejected the standard story did so not because they were adherents of another religion, ‘Gnosticism’, but because they were Christians who believed that the standard account was wrong at point after point. Ranging from the Gospels of Judas and Mary to Galatians and Ptolemy’s Letter to Flora, this volume provides a fascinating analysis of how the Christian story as we know it today developed against counter-readings from other early Christian traditions.

This study of the Protevangelium of James explores the interrelationship of authors, readers, texts, and meaning. Its central aim is to better understand how the process of repetition gave rise to the narratives of the early Christian movement, and how that process continued to fuel the creativity and imagination of future generations. Divided into three parts, Vanden Eykel addresses first specific episodes in the life of the Virgin, consisting of Mary's childhood in the Jerusalem temple (PJ 7-9), her spinning thread for the temple veil (PJ 10-12), and Jesus' birth in a cave outside Bethlehem (PJ 17-20). The three episodes present a uniform picture of how the reader's discernment of intertexts can generate new layers of meaning, and that these layers may reveal new aspects of the author's meaning, some of which the author may not have anticipated.

Margaret H. Williams examines how classical writers saw and portrayed Jesus, engaging with the fact that as the originator of a new (and still existing) world religion, Jesus of Nazareth, otherwise known as Christus (Christ), is an individual of indisputable historical significance.Williams shows how from the outset Jesus was a controversial figure. Contemporary Jews in the Roman province of Judaea tended either to adore or to abhor him. When indue course his fame spread throughout the wider Roman empire, reactions to him there among both Jews and non-Jews were no less divergent. Each of the early classical writers who makes mention of him, the historian Tacitus, the biographer Suetonius, the epistolographer Pliny and the satirist Lucian, takes a different view of him and presents him in a different way. Williams considers these different depictions and questions why these writers had such differing views of Jesus. To answer this question Williams examines not only to the different literary conventions by which each of these writers was bound but also to the social, cultural and religious contexts in which they operated.

Alan Kirk argues that memory theory, in its social, cultural, and cognitive dimensions, is able to provide a comprehensive account of the origins and history of the Jesus tradition, one capable of displacing the moribund form-critical model. He shows that memory research gives new leverage on a range of classic problems in gospels, historical Jesus, and Christian origins scholarship. This volume brings together 12 essays published between 2001 and 2016, newly revised for this edition and organized under the rubrics of: ‘Memory and the Formation of the Jesus Tradition’; ‘Memory and Manuscript’; ‘Memory and Historical Jesus Research’; and ‘Memory in 2nd Century Gospel Writing’. The introductory essay, written for this volume, argues that the old form critical model, in marginalizing memory, abandoned the one factor actually capable of accounting for the origins of the gospel tradition, its manifestation in oral and written media, and its historical trajectory.

The contributors to this volume take as their theme the reception of Jewish traditions in early Christianity, and the ways in which the meaning of these traditions changed as they were put to work in new contexts and for new social ends. Special emphasis is placed on the internal variety and malleability of these traditions, which underwent continual processes of change within Judaism, and on reception as an active, strategic, and interested process. All the essays in this volume seek to bring out how acts of reception contribute to the social formation of early Christianity, in its social imagination (its speech and thought about itself) or in its social practices, or both. This volume challenges static notions of tradition and passive ideas of ‘reception’, stressing creativity and the significance of ‘strong’ readings of tradition. It thus complicates standard narratives of ‘the parting of the ways’ between ‘Christianity’ and ‘Judaism’, showing how even claims to continuity were bound to make the same different.

This volume examines the ‘counter-narratives’ of the core Christian story, proposed by texts from Nag Hammadi and elsewhere. A noteworthy body of highly respected scholars examine material that is sometimes difficult and often overlooked, contributing to the ongoing effort to integrate Nag Hammadi and related literature into the mainstream of New Testament and early Christian studies. By retracing the major elements of the Christian story in sequence, they are able to discuss how and why each aspect was disputed on inner-Christian grounds, and to reflect on the different accounts of Christian identity underlying these disputes. Together the essays in this book address a central issue: towards the end of the second century, Irenaeus could claim that the overwhelming majority of Christians throughout the world were agreed on a version of the core Christian story which is still recognisable today. Yet, as Irenaeus concedes and as the Nag Hammadi texts have confirmed, there were many who wished to tell the core Christian story differently. Those who criticized and rejected the standard story did so not because they were adherents of another religion, ‘Gnosticism’, but because they were Christians who believed that the standard account was wrong at point after point. Ranging from the Gospels of Judas and Mary to Galatians and Ptolemy’s Letter to Flora, this volume provides a fascinating analysis of how the Christian story as we know it today developed against counter-readings from other early Christian traditions.

Since the early 4th century, Christian pilgrims and visitors to Judea and Galilee have worshipped at and been inspired by monumental churches erected at sites traditionally connected with the life and ministry of Jesus of Nazareth. This book examines the history and archaeology of early Christian holy sites and traditions connected with specific places in order to understand them as interpretations of Jesus and to explore them as instantiations of memories of him. Ryan's overarching aim is to construe these places as instantiations of what historian Pierre Nora has called “lieux de mémoires,” sites where memory crystallizes and, where possible, to track the course and development of the traditions underlying them from their genesis in the Gospel narratives to their eventual solidification in the form of pilgrimage sites. So doing will bring rarely considered evidence to the study of early Christian memory, which in turn helps to illuminate the person of Jesus himself in both history and reception.

This volume combines some of the leading voices on the composition and collection of early Christian gospels in order to analyze Tatian’s Diatessaron. The rapid rise and sudden suppression of the Diatessaron has raised numerous questions about the nature and intent of this second-century composition. It has been claimed as both a vindication of the fourfold gospel’s early canonical status and as an argument for the canon’s on-going fluidity; it has been touted as both a premiere witness to the earliest recoverable gospel text and as an early corrupting influence on that text. Collectively, these essays provide the greatest advance in Diatessaronic scholarship in a quarter of a century.The contributors explore numerous questions: did Tatian intend to supplement or supplant the fourfold gospel? How many were his sources and how free was he with their text? How do we identify a Diatessaronic witness? Is it legitimate to use Tatian’s Diatessaron as a source in New Testament textual criticism? Is a reconstruction of the Diatessaron still possible? These queries in turn contribute to the question of what the Diatessaron signifies with respect to the broader context of gospel writing, and what this can tell us about how the writing, rewriting and reception of gospel material functioned in the first and second centuries and beyond.

The contributors to this volume take as their theme the reception of Jewish traditions in early Christianity, and the ways in which the meaning of these traditions changed as they were put to work in new contexts and for new social ends. Special emphasis is placed on the internal variety and malleability of these traditions, which underwent continual processes of change within Judaism, and on reception as an active, strategic, and interested process. All the essays in this volume seek to bring out how acts of reception contribute to the social formation of early Christianity, in its social imagination (its speech and thought about itself) or in its social practices, or both. This volume challenges static notions of tradition and passive ideas of ‘reception’, stressing creativity and the significance of ‘strong’ readings of tradition. It thus complicates standard narratives of ‘the parting of the ways’ between ‘Christianity’ and ‘Judaism’, showing how even claims to continuity were bound to make the same different.

Dieter T. Roth presents an extensive study of the so-called “staurogram,” argued to be the earliest visual depiction of the crucifixion of Christ. Roth examines the origins of this depiction in early New Testament manuscripts as a ligature or compendium of two letters in certain abbreviations of the words “cross” (stauros in Greek) or “crucify” (stauroo in Greek) in which the Greek letter rho is superimposed upon the Greek letter tau. In this work, the staurogram, ultimately understood to be a simple yet powerful depiction of Jesus crucified, is analyzed and located within the framework of ancient abbreviations, the nomina sacra, and the developing Christian visual culture in order to offer, for the first time, a wide-ranging presentation of this symbol in early Christianity. From the symbol’s origins within words in some of our earliest, extant New Testament manuscripts to its use as a free-standing Christogram, this volume provides important insight into how Christians, beginning with the staurogram, depicted visually their faith in a crucified Christ.