Routledge Library Editions: Lord Byron – serie

First published in 1972. John D. Jump, a leading authority on Byron and the Romantic period, here gives an account of Byron’s literary achievement in relation to the age of revolutions in which he lived and in relation to his own character and personal circumstances. Professor Jump focuses upon the major poems and also discusses Byron’s prose, principally his letters and journals. In doing so he covers all of the important aspects of Byron’s work.

First published in 1972. John D. Jump, a leading authority on Byron and the Romantic period, here gives an account of Byron’s literary achievement in relation to the age of revolutions in which he lived and in relation to his own character and personal circumstances. Professor Jump focuses upon the major poems and also discusses Byron’s prose, principally his letters and journals. In doing so he covers all of the important aspects of Byron’s work.

First published in 1957. This title explores the brief marriage of Lord Byron and his wife Annabella Millbanke, and the scandal that surrounded their relationship. The exact reason for their separation and eventual divorce was never confirmed, but G. Wilson Knight uses Byron’s poetry, letters and other published works to develop and expand the theories of other literary critics. This title will be of interest to students of literature.

First published in 1957. This title explores the brief marriage of Lord Byron and his wife Annabella Millbanke, and the scandal that surrounded their relationship. The exact reason for their separation and eventual divorce was never confirmed, but G. Wilson Knight uses Byron’s poetry, letters and other published works to develop and expand the theories of other literary critics. This title will be of interest to students of literature.

First published in 1985. What sort of poem is Don Juan, and how does it maintain its momentum through its long and often struggling narrative? These are the questions that Bernard Beatty proposes in this subtle and elegant discussion of Byron’s masterwork. The legend of Don Juan was entrenched in European literature and other arts long before it came under Byron’s hands, yet Byron’s treatment of the story is often almost unrecognisably far from its forebears. Beatty indicates how deeply Byron has assimilated his predecessors in order to produce his own work. The sustained argument of this book raises questions of interest not only to students of Byron but of comedy in general, as well as of the place of religious motifs in apparently secularised modes.

First published in 1985. What sort of poem is Don Juan, and how does it maintain its momentum through its long and often struggling narrative? These are the questions that Bernard Beatty proposes in this subtle and elegant discussion of Byron’s masterwork. The legend of Don Juan was entrenched in European literature and other arts long before it came under Byron’s hands, yet Byron’s treatment of the story is often almost unrecognisably far from its forebears. Beatty indicates how deeply Byron has assimilated his predecessors in order to produce his own work. The sustained argument of this book raises questions of interest not only to students of Byron but of comedy in general, as well as of the place of religious motifs in apparently secularised modes.

When this book was published in 1945, interest in Byron’s poetry and appreciation of his titanic role in Romanticism had been steadily increasing. Of all his vast poetic production, Don Juan, the last and greatest of his major works, offers the highest rewards to the modern reader. It not only stands out among his poems as the best expression of Byron, but it ranks with the great poems of the nineteenth century as representative of the era, and of modern European civilization. This title will be of interest to students of literature.

When this book was published in 1945, interest in Byron’s poetry and appreciation of his titanic role in Romanticism had been steadily increasing. Of all his vast poetic production, Don Juan, the last and greatest of his major works, offers the highest rewards to the modern reader. It not only stands out among his poems as the best expression of Byron, but it ranks with the great poems of the nineteenth century as representative of the era, and of modern European civilization. This title will be of interest to students of literature.

First published in 2005. Since the early nineteenth century, Byron, the man and his image, have captured the hearts and minds of untold legions of people of all political and social stripes in Britain, Europe, America, and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day, Thomas Sulley’s Byron has never before been the subject of scholarly study. Beginning with the discovery of the portrait in 1999 and a 200-year narrative of the portrait’s provenance and its relation to other well-known Byron portraits, the author discusses the work within the broad context of British and American portraiture of the late eighteenth and early nineteenth centuries.

First published in 2005. Since the early nineteenth century, Byron, the man and his image, have captured the hearts and minds of untold legions of people of all political and social stripes in Britain, Europe, America, and around the world. This book focuses on the history and cultural significance for Federal America of the only portrait of Byron known to have been painted by a major artist. In private hands from 1826 until this day, Thomas Sulley’s Byron has never before been the subject of scholarly study. Beginning with the discovery of the portrait in 1999 and a 200-year narrative of the portrait’s provenance and its relation to other well-known Byron portraits, the author discusses the work within the broad context of British and American portraiture of the late eighteenth and early nineteenth centuries.

This title, first published in 1987, comprises of three essays which examine Lord Byron’s poetry. Some of Byron’s most famous poems are examined, including Don Juan and Childe Harold's Pilgrimage. This title will be of interest to students of literature.

This title, first published in 1987, comprises of three essays which examine Lord Byron’s poetry. Some of Byron’s most famous poems are examined, including Don Juan and Childe Harold's Pilgrimage. This title will be of interest to students of literature.

The papers collected in this volume, first published in 1993, were delivered at Hofstra University in October 1988 at a conference celebrating the bicentennial of Lord Byron’s birth. The shared goal of these essays was to reassess Byron’s poetry, his poetic development, and his relation to his contemporaries in light of recent scholarship and criticism. This title will be of interest to students of literature.

The papers collected in this volume, first published in 1993, were delivered at Hofstra University in October 1988 at a conference celebrating the bicentennial of Lord Byron’s birth. The shared goal of these essays was to reassess Byron’s poetry, his poetic development, and his relation to his contemporaries in light of recent scholarship and criticism. This title will be of interest to students of literature.