Routledge Research in Art and Race – serie
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30 produkter
30 produkter
Inbunden, Engelska, 2022
2 248 kr
Skickas inom 10-15 vardagar
This book examines the artistic practices of a range of British-based artists of East Asian (Chinese, Japanese, Korean and Taiwanese) heritage to consider the social, political and cultural effects of migration or diaspora on their creative production.Beccy Kennedy-Schtyk demonstrates three themes: the multiplicity and expansive contemporaneity of these artists’ visual oeuvres; the physical impact or interpretation of migratory circumstances on their artistic practices; and the necessity to continue to evolve ways of thinking about migration, race and border crossings in the current political climate of the 21st century.The book will be of interest to scholars studying art history, Asian studies, British studies, migration and diaspora studies, and cultural studies.
Inbunden, Engelska, 2021
2 248 kr
Skickas inom 10-15 vardagar
Employing anthropology, field research, and humanities methodologies as well as digital cartography, and foregrounding the voices of Indigenous scholars, this text examines digital projects currently underway, and includes alternative modes of "mapping" Native American, Alaskan Native, Indigenous Hawaiian and First Nations land. The work of both established and emerging scholars addressing a range of geographic regions and cultural issues is also represented. Issues addressed include the history of maps made by Native Americans; healing and reconciliation projects related to boarding schools; language and land reclamation; Western cartographic maps created in collaboration with Indigenous nations; and digital resources that combine maps with narrative, art, and film, along with chapters on archaeology, place naming, and the digital presence of elders. This text is of interest to scholars working in history, cultural studies, anthropology, Native American studies, and digital cartography.
Inbunden, Engelska, 2020
2 248 kr
Skickas inom 10-15 vardagar
This book examines Théodore Géricault’s images of black men, women and children who suffered slavery’s trans-Atlantic passage in the late eighteenth and early nineteenth centuries, including his 1819 painting The Raft of the Medusa. The book focuses on Géricault’s depiction of black people, his approach towards slavery, and the voices that advanced or denigrated them. By turning to documents, essays and critiques, both before and after Waterloo (1815), and, most importantly, Géricault’s own oeuvre, this study explores the fetters of slavery that Gericault challenged—alongside a growing number of abolitionists—overtly or covertly. This book will be of interest to scholars in art history, race and ethnic studies and students of modernism.
Häftad, Engelska, 2019
672 kr
Skickas inom 10-15 vardagar
Over the last forty years, renewed interest in the career of Henry Ossawa Tanner (1859–1937) has vaulted him into expanding scholarly discourse on American art. Consequently, he has emerged as the most studied and recognized representative of African American art during the nineteenth century. In fact, Tanner, in the spirit of political correctness and racial inclusiveness, has gained a prominent place in recent textbooks on mainstream American art and his painting, The Banjo Lesson (1893), has become an iconic symbol of black creativity. In addition, Tanner achieved national recognition when the Philadelphia Museum of Art in 1991 and the Pennsylvania Academy of the Fine Arts in 2012 celebrated him with major retrospectives. The latter exhibition brought in a record number of viewers. While Tanner lived a relatively simple life where his faith and family dictated many of the choices he made daily, his emergence as a prominent black artist in the late nineteenth century often thrust him openly into coping with the social complexities inherent with America’s great racial divide. In order to fully appreciate how he negotiated prevailing prejudices to find success, this book places him in the context of a uniquely talented black man experiencing the demands and rewards of nineteenth-century high art and culture. By careful examination on multiple levels previously not detailed, this book adds greatly to existing Tanner scholarship and provides readers with a more complete, richly deserved portrait of this preeminent American master.
Inbunden, Engelska, 2025
2 421 kr
Skickas inom 10-15 vardagar
This book interprets relationships between art and ethics in the context of contemporary South African art.Nearly three decades after inaugurating political freedom in a democratic form, the infrastructure of South Africa faces palpable issues and challenges to the social fabric. The social tension involves painful struggles for decolonization and violent debates about the removal of colonial statues, change of colonial names, transformation of universities, and curriculum change. This book does critical work in art history, theory, criticism, and visual culture by looking from and looking after social differences to interpret the potential impact of contemporary media and mediation. Artists examined include Zanele Muholi, Mohau Modisekeng, Dineo Seshee Bopape, Hasan and Husain Essop, and Kemang Wa Lehulere.This book will be of interest to scholars working in art history, contemporary art, visual culture, art theory, ethics, aesthetics, philosophy of art, and African studies.
Häftad, Engelska, 2024
597 kr
Skickas inom 10-15 vardagar
Travel, Art and Collecting in South Asia questions what are ideas of vertiginous collecting, art-making and museums as expanded fields, including wonder houses and missionary museums (or museobuses) in Britain and South Asia. If the historiography of British India has privileged photography and the 'Imperial Picturesque', the emphasis here is on the formation of a creole modernity, one that considers the relationship between art and labour, including pearlescence and pearl fishing in Sri Lanka, and the iconoclastic/fetish debates and forms of collecting amongst missionaries. Eaton explores these themes alongside the genealogies and modernities of white(ness) in contemporary curating and amateur female practice, and how the museobus or museum as a unique object has informed the work of contemporary artist group Raqs Media Collective. This book will be of interest to scholars in art history, Asian history, and imperial and colonial history.
Häftad, Engelska, 2020
701 kr
Skickas inom 10-15 vardagar
This book examines a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972. It begins with case studies of artist groups, including Spiral, OBAC and AfriCOBRA, who began questioning Western aesthetic traditions and created work that honored leaders, affirmed African American culture, and embraced an African lineage. Also showcased is an Oakland Museum exhibition of 1968 called "New Perspectives in Black Art," as a way to consider if Black Panther Party activities in the neighborhood might have impacted local artists’ work. The concluding chapters concentrate on the relationship between selected Black Panther Party members and visual culture, focusing on how they were covered by the mainstream press, and how they self-represented to promote Party doctrine and agendas.
Inbunden, Engelska, 2022
2 494 kr
Skickas inom 10-15 vardagar
This book examines Afrofuturism in African American art, focusing specifically on images of black women and how those images expand the discourse of representation in visual culture of the United States. This volume defines a visual language of Afrofuturism that includes materiality, temporality, and black liberation. Elizabeth Hamilton discusses the visual progenitors of Afrofuturism. In the artworks of Pierre Bennu, Sanford Biggers, Alison Saar, Mequitta Ahuja, Robert Pruitt, Renee Cox, Dawolu Jabari Anderson, Alma Thomas, and Harriet Powers, the fantastic narratives of Afrofuturism are uncovered through in-depth case studies. These case studies engage with Afrofuturism as a black feminist visual theory that helps to unburden the images of black women from the stereotypical visual scripts that are so common in contemporary visual culture of the United States. The book will be of interest to scholars working in art history, visual studies, American literature, gender studies, popular culture, and African American studies.
Häftad, Engelska, 2024
643 kr
Skickas inom 10-15 vardagar
This book examines Afrofuturism in African American art, focusing specifically on images of black women and how those images expand the discourse of representation in visual culture of the United States. This volume defines a visual language of Afrofuturism that includes materiality, temporality, and black liberation. Elizabeth Hamilton discusses the visual progenitors of Afrofuturism. In the artworks of Pierre Bennu, Sanford Biggers, Alison Saar, Mequitta Ahuja, Robert Pruitt, Renee Cox, Dawolu Jabari Anderson, Alma Thomas, and Harriet Powers, the fantastic narratives of Afrofuturism are uncovered through in-depth case studies. These case studies engage with Afrofuturism as a black feminist visual theory that helps to unburden the images of black women from the stereotypical visual scripts that are so common in contemporary visual culture of the United States. The book will be of interest to scholars working in art history, visual studies, American literature, gender studies, popular culture, and African American studies.
Häftad, Engelska, 2023
614 kr
Skickas inom 10-15 vardagar
Employing anthropology, field research, and humanities methodologies as well as digital cartography, and foregrounding the voices of Indigenous scholars, this text examines digital projects currently underway, and includes alternative modes of "mapping" Native American, Alaskan Native, Indigenous Hawaiian and First Nations land. The work of both established and emerging scholars addressing a range of geographic regions and cultural issues is also represented. Issues addressed include the history of maps made by Native Americans; healing and reconciliation projects related to boarding schools; language and land reclamation; Western cartographic maps created in collaboration with Indigenous nations; and digital resources that combine maps with narrative, art, and film, along with chapters on archaeology, place naming, and the digital presence of elders. This text is of interest to scholars working in history, cultural studies, anthropology, Native American studies, and digital cartography.
Inbunden, Engelska, 2019
2 183 kr
Skickas inom 10-15 vardagar
This book reinterprets Wifredo Lam’s work with particular attention to its political implications, focusing on how these implications emerge from the artist’s critical engagement with 20th-century anthropology. Field work conducted in Cuba, including the witnessing of actual Afro-Cuban religious ritual ceremonies and information collected from informants, enhances the interpretive background against which we can construe the meanings of Lam's art. In the process, Claude Cernuschi argues that Lam hoped to fashion a new hybrid style to foster pride and dignity in the Afro-Cuban community, as well as counteract the acute racism of Cuban culture.
Inbunden, Engelska, 2022
2 183 kr
Skickas inom 10-15 vardagar
This volume examines the evolution of the depictions of black femininity in French visual culture as a prism through which to understand the Global North’s destructive relationship with the natural world. Drawing on a broad spectrum of archives extending back to the late 18th century – paintings, fashion plates, prints, photographs, and films – this study traces the intricate ways a patriarchal imperialism and a global capitalism have paired black women with the realm of nature to justify the exploitation both of people and of ecosystems. These dehumanizing and speciesist strategies of subjugation have perpetuated interlocking patterns of social injustice and environmental depletion that constitute the most salient challenges facing humankind today. Through a novel approach that merges visual studies, critical race theory, and animal studies, this interdisciplinary investigation historicizes the evolution of the boundaries between human and non-human animals during the modern period. The book will be of interest to scholars working in art history, visual studies, critical race theory, colonial and post-colonial studies, animal studies, and French studies.
Häftad, Engelska, 2024
600 kr
Skickas inom 10-15 vardagar
This volume examines the evolution of the depictions of black femininity in French visual culture as a prism through which to understand the Global North’s destructive relationship with the natural world. Drawing on a broad spectrum of archives extending back to the late 18th century – paintings, fashion plates, prints, photographs, and films – this study traces the intricate ways a patriarchal imperialism and a global capitalism have paired black women with the realm of nature to justify the exploitation both of people and of ecosystems. These dehumanizing and speciesist strategies of subjugation have perpetuated interlocking patterns of social injustice and environmental depletion that constitute the most salient challenges facing humankind today. Through a novel approach that merges visual studies, critical race theory, and animal studies, this interdisciplinary investigation historicizes the evolution of the boundaries between human and non-human animals during the modern period. The book will be of interest to scholars working in art history, visual studies, critical race theory, colonial and post-colonial studies, animal studies, and French studies.
Häftad, Engelska, 2022
672 kr
Skickas inom 10-15 vardagar
This book reinterprets Wifredo Lam’s work with particular attention to its political implications, focusing on how these implications emerge from the artist’s critical engagement with 20th-century anthropology. Field work conducted in Cuba, including the witnessing of actual Afro-Cuban religious ritual ceremonies and information collected from informants, enhances the interpretive background against which we can construe the meanings of Lam's art. In the process, Claude Cernuschi argues that Lam hoped to fashion a new hybrid style to foster pride and dignity in the Afro-Cuban community, as well as counteract the acute racism of Cuban culture.
Häftad, Engelska, 2022
672 kr
Skickas inom 10-15 vardagar
This book examines Théodore Géricault’s images of black men, women and children who suffered slavery’s trans-Atlantic passage in the late eighteenth and early nineteenth centuries, including his 1819 painting The Raft of the Medusa. The book focuses on Géricault’s depiction of black people, his approach towards slavery, and the voices that advanced or denigrated them. By turning to documents, essays and critiques, both before and after Waterloo (1815), and, most importantly, Géricault’s own oeuvre, this study explores the fetters of slavery that Gericault challenged—alongside a growing number of abolitionists—overtly or covertly. This book will be of interest to scholars in art history, race and ethnic studies and students of modernism.
Inbunden, Engelska, 2025
2 494 kr
Skickas inom 10-15 vardagar
In this book, Lori Nel Johnson examines the work of Henry Ossawa Tanner (1859-1937), Meta Warrick Fuller (1877-1968), and F. Holland Day (1864-1933) in relation to the development of modernism during the turn of the century, and the official narratives surrounding this movement.While Tanner and Fuller have been consistently linked in the history of American Art, the Pictorialist photographer and publisher, Day has rarely if ever been discussed with these two artists, despite the fact that all three were rough contemporaries and affiliated with Symbolism. The book compares the historical and social conditions that determined the lives and careers of these three artists, which curtailed their ambitions because of the intersections of class, race, gender, or sexuality. By examining each artist’s respective proximity to language on the basis of class, race, gender, and sexuality, this study avoids categorizing artists solely on the basis of difference, and thus, offers a more fulsome and radical reading of the development of modernism in the United States.The book will be of interest to scholars of art history, design history, history of photography, American studies, and African American studies.
Häftad, Engelska, 2026
740 kr
Kommande
In this book, Lori Nel Johnson examines the work of Henry Ossawa Tanner (1859-1937), Meta Warrick Fuller (1877-1968), and F. Holland Day (1864-1933) in relation to the development of modernism during the turn of the century, and the official narratives surrounding this movement.While Tanner and Fuller have been consistently linked in the history of American Art, the Pictorialist photographer and publisher, Day has rarely if ever been discussed with these two artists, despite the fact that all three were rough contemporaries and affiliated with Symbolism. The book compares the historical and social conditions that determined the lives and careers of these three artists, which curtailed their ambitions because of the intersections of class, race, gender, or sexuality. By examining each artist’s respective proximity to language on the basis of class, race, gender, and sexuality, this study avoids categorizing artists solely on the basis of difference, and thus, offers a more fulsome and radical reading of the development of modernism in the United States.The book will be of interest to scholars of art history, design history, history of photography, American studies, and African American studies.
Inbunden, Engelska, 2024
2 494 kr
Skickas inom 10-15 vardagar
By studying multiple cultural expressions of Blackness throughout different regions of the Americas, the chapters of this book consider the relationship that social and historical processes such as sovereignty and colonialism have on cultural productions made by and about Black Latin American women.Rosita Scerbo analyzes a range of power dynamics as represented in different artistic media of the Afro-Latin/x American community, including photography, muralism, performance, paintings, and digital art. The book acknowledges that racial and gender equity cannot exist without Intersectionality and that is why the entirety of the chapters focus on cultural and visual productions exclusively created by Afro-descendant women. The Black Latin American women featured in the various chapters, spanning multiple artistic mediums and originating from various Latin American and Caribbean nations, including Mexico, Colombia, the Dominican Republic, Puerto Rico, Brazil, and Cuba, collectively pursue the central aim of foregrounding the Afro-descendant woman’s experience. Simultaneously, they strive to enhance the visibility and acknowledgment of gendered Afro-diasporic culture within the Latin American context.The book will be of interest to scholars working in art history, gender studies, women’s studies, Latin American studies, African diaspora studies, and race and ethnic studies.
- Nyhet
Häftad, Engelska, 2026
701 kr
Skickas inom 10-15 vardagar
By studying multiple cultural expressions of Blackness throughout different regions of the Americas, the chapters of this book consider the relationship that social and historical processes such as sovereignty and colonialism have on cultural productions made by and about Black Latin American women.Rosita Scerbo analyzes a range of power dynamics as represented in different artistic media of the Afro-Latin/x American community, including photography, muralism, performance, paintings, and digital art. The book acknowledges that racial and gender equity cannot exist without Intersectionality and that is why the entirety of the chapters focus on cultural and visual productions exclusively created by Afro-descendant women. The Black Latin American women featured in the various chapters, spanning multiple artistic mediums and originating from various Latin American and Caribbean nations, including Mexico, Colombia, the Dominican Republic, Puerto Rico, Brazil, and Cuba, collectively pursue the central aim of foregrounding the Afro-descendant woman’s experience. Simultaneously, they strive to enhance the visibility and acknowledgment of gendered Afro-diasporic culture within the Latin American context.The book will be of interest to scholars working in art history, gender studies, women’s studies, Latin American studies, African diaspora studies, and race and ethnic studies.
Inbunden, Engelska, 2025
2 494 kr
Skickas inom 10-15 vardagar
This study demonstrates how African American artists active since the 1970s have instrumentalized performance for the camera to intervene in existing representations of Black and Brown people in America and beyond.Majewska argues that producing carefully designed photographs, films, and videos via performance became a key strategy for dismantling the conceptions of race and gender fixed by US popular culture, jurisprudence, and pseudoscience. Studying the work of Adrian Piper, Glenn Ligon, Lyle Ashton Harris, Senga Nengudi, Maren Hassinger, Howardena Pindell, David Hammons, and Pope.L, this book examines the ways in which these artists incorporate their bodies and personal experience into their respective performances, simultaneously courting and foreclosing autobiographical readings. The strategies examined here, while diverse, all challenge conventional interpretations of performance art—especially those overdetermined by race, gender, and sexuality.The book will be of interest to scholars working in art history, performance studies, photography, and African American studies.
Häftad, Engelska, 2026
740 kr
Kommande
This study demonstrates how African American artists active since the 1970s have instrumentalized performance for the camera to intervene in existing representations of Black and Brown people in America and beyond.Majewska argues that producing carefully designed photographs, films, and videos via performance became a key strategy for dismantling the conceptions of race and gender fixed by US popular culture, jurisprudence, and pseudoscience. Studying the work of Adrian Piper, Glenn Ligon, Lyle Ashton Harris, Senga Nengudi, Maren Hassinger, Howardena Pindell, David Hammons, and Pope.L, this book examines the ways in which these artists incorporate their bodies and personal experience into their respective performances, simultaneously courting and foreclosing autobiographical readings. The strategies examined here, while diverse, all challenge conventional interpretations of performance art—especially those overdetermined by race, gender, and sexuality.The book will be of interest to scholars working in art history, performance studies, photography, and African American studies.
Inbunden, Engelska, 2027
2 292 kr
Kommande
This book expands the history of French art to include multicultural perspectives and a reckoning with colonial history, both of which have been suppressed by homogenizing French political and social forces.The creative practices of ten contemporary French artists of African descent are considered through formal analyses as well as their contextualization within personal and art historical accounts. Ghada Amer, Myriam Mihindou, dalila mahdjoub, Ymane Fakhir, Katia Kameli, Moussa Sarr, Tabita Rezaire, Mounir Ayache, Josèfa Ntjam, and Sara Sadik are compared for their creative affinities in both subject and methods. Explorations of archiving, language and text, healing and repair, heroic resilience, refuting stereotypes, futuristic visions, and ecofeminist perspectives are seen in the works of many of them. Collaborative methods of working, “craft” materials, and digital technology are also points in common. The conclusion considers whether their rising visibility in high profile exhibitions may change the monocultural French art scene to one of multiculturalism.This book will appeal to academic and curatorial scholars in the disciplines of art history and cultural studies, especially those interested in feminist, post-colonial, and critical race theories. Its diasporic lens is especially suited to contemporary art analyses that seek a more global perspective.
Inbunden, Engelska, 2025
2 494 kr
Skickas inom 10-15 vardagar
This study demonstrates the significance of using contemporary art in scholarly debates about cultural aspects of skin, in particular “whiteness” as a phenomenon that is both overly visible and invisible.There is a need for a study of these artists’ strategies, which consist of drawing attention to whiteness by means of making whiteness “strange” through alternative visibilities. By increasing skin awareness, the selected socio-critical artworks also pertain to fostering visual literacy as another important contemporary concern. Chapters mainly focus on recent artworks that address ongoing skin-related debates in countries in Europe and North America, rooted in histories of ideology of white supremacy. Moreover, these artworks critically reflect on the alleged superiority of the history of Western European painting, including a focus on the representation of pale skin as model of beauty.The book will be of interest to scholars working in art history, race and ethnicity studies, and cultural studies.
Häftad, Engelska, 2026
740 kr
Kommande
This study demonstrates the significance of using contemporary art in scholarly debates about cultural aspects of skin, in particular “whiteness” as a phenomenon that is both overly visible and invisible.There is a need for a study of these artists’ strategies, which consist of drawing attention to whiteness by means of making whiteness “strange” through alternative visibilities. By increasing skin awareness, the selected socio-critical artworks also pertain to fostering visual literacy as another important contemporary concern. Chapters mainly focus on recent artworks that address ongoing skin-related debates in countries in Europe and North America, rooted in histories of ideology of white supremacy. Moreover, these artworks critically reflect on the alleged superiority of the history of Western European painting, including a focus on the representation of pale skin as model of beauty.The book will be of interest to scholars working in art history, race and ethnicity studies, and cultural studies.
Inbunden, Engelska, 2025
2 494 kr
Skickas inom 10-15 vardagar
This volume delves into the complex topic of race relations in 1980s Britain by examining the concept of ‘whiteness’ and how it was portrayed visually in popular art and mass media.Chapters explore pivotal moments in which the appropriation of race occurred during this critical decade as they relate to the nation’s evolving postcolonial identity. This book analyses pivotal cultural moments in print media, fashion, film, television, music video, art, and live events that exemplify how race, gender, and sexuality became operative in the way Britain imagined itself in this crucial decade. It contends that the lens of its former colonial empire played a significant role in shaping Britain’s self-image throughout the 1980s despite its appearance as a postcolonial and multicultural nation.The book will be of interest to scholars working in art history, visual culture, media studies, cultural studies, and critical race theory.
- Nyhet
Häftad, Engelska, 2026
681 kr
Skickas inom 10-15 vardagar
This book interprets relationships between art and ethics in the context of contemporary South African art.Nearly three decades after inaugurating political freedom in a democratic form, the infrastructure of South Africa faces palpable issues and challenges to the social fabric. The social tension involves painful struggles for decolonization and violent debates about the removal of colonial statues, change of colonial names, transformation of universities, and curriculum change. This book does critical work in art history, theory, criticism, and visual culture by looking from and looking after social differences to interpret the potential impact of contemporary media and mediation. Artists examined include Zanele Muholi, Mohau Modisekeng, Dineo Seshee Bopape, Hasan and Husain Essop, and Kemang Wa Lehulere.This book will be of interest to scholars working in art history, contemporary art, visual culture, art theory, ethics, aesthetics, philosophy of art, and African studies.
Inbunden, Engelska, 2017
2 248 kr
Skickas inom 10-15 vardagar
Over the last forty years, renewed interest in the career of Henry Ossawa Tanner (1859–1937) has vaulted him into expanding scholarly discourse on American art. Consequently, he has emerged as the most studied and recognized representative of African American art during the nineteenth century. In fact, Tanner, in the spirit of political correctness and racial inclusiveness, has gained a prominent place in recent textbooks on mainstream American art and his painting, The Banjo Lesson (1893), has become an iconic symbol of black creativity. In addition, Tanner achieved national recognition when the Philadelphia Museum of Art in 1991 and the Pennsylvania Academy of the Fine Arts in 2012 celebrated him with major retrospectives. The latter exhibition brought in a record number of viewers. While Tanner lived a relatively simple life where his faith and family dictated many of the choices he made daily, his emergence as a prominent black artist in the late nineteenth century often thrust him openly into coping with the social complexities inherent with America’s great racial divide. In order to fully appreciate how he negotiated prevailing prejudices to find success, this book places him in the context of a uniquely talented black man experiencing the demands and rewards of nineteenth-century high art and culture. By careful examination on multiple levels previously not detailed, this book adds greatly to existing Tanner scholarship and provides readers with a more complete, richly deserved portrait of this preeminent American master.
Inbunden, Engelska, 2019
2 494 kr
Skickas inom 10-15 vardagar
This book examines a range of visual expressions of Black Power across American art and popular culture from 1965 through 1972. It begins with case studies of artist groups, including Spiral, OBAC and AfriCOBRA, who began questioning Western aesthetic traditions and created work that honored leaders, affirmed African American culture, and embraced an African lineage. Also showcased is an Oakland Museum exhibition of 1968 called "New Perspectives in Black Art," as a way to consider if Black Panther Party activities in the neighborhood might have impacted local artists’ work. The concluding chapters concentrate on the relationship between selected Black Panther Party members and visual culture, focusing on how they were covered by the mainstream press, and how they self-represented to promote Party doctrine and agendas.
Inbunden, Engelska, 2020
2 183 kr
Skickas inom 10-15 vardagar
Travel, Art and Collecting in South Asia questions what are ideas of vertiginous collecting, art-making and museums as expanded fields, including wonder houses and missionary museums (or museobuses) in Britain and South Asia. If the historiography of British India has privileged photography and the 'Imperial Picturesque', the emphasis here is on the formation of a creole modernity, one that considers the relationship between art and labour, including pearlescence and pearl fishing in Sri Lanka, and the iconoclastic/fetish debates and forms of collecting amongst missionaries. Eaton explores these themes alongside the genealogies and modernities of white(ness) in contemporary curating and amateur female practice, and how the museobus or museum as a unique object has informed the work of contemporary artist group Raqs Media Collective. This book will be of interest to scholars in art history, Asian history, and imperial and colonial history.
Inbunden, Engelska, 2026
1 570 kr
Tillfälligt slut
This book explores the ambiguity of racial and caste categories in Louisiana in the eighteenth and nineteenth centuries, which is essential for a more nuanced understanding of the role of Americans of African descent in American art history as artists and as patrons. Wendy Castenell argues that that black Creoles deliberately employed the French Neoclassical style to assert their Latin roots and equality status. The book sheds new light on the under-studied genre of portraiture and the role of academically trained itinerant portrait painters. The book complicates dominant conceptions of race in American art by looking to Louisiana and its free people of color as an entry point into the controversial history of race mixing and racial identity in the United States.