Social Imaginaries – serie

A select group of young men and women take part in an experiment designed to free them of sexual inhibitions and fears by learning and living together at college.

By engaging with the notions of indeterminacy and embodiment within the writings of Immanuel Kant, Johann Fichte and Cornelius Castoriadis, this book addresses and brings to the fore the significance of the creative imagination as an ontological source of human creation. Principally inspired by Castoriadis’ revolutionary elucidation of the imagination and the imaginary, this book actively contributes to this neglected line of enquiry by exposing deep lines of continuity and rupture both within and between the writings of Kant, Fichte, and Castoriadis. Beginning with Kant’s hesitation in describing the productive imagination as a creative and embodied power of the soul, this book traces these lines of continuity and rupture through Fichte’s innovative depiction of the creative imagination as an ontological power of creation and through Castoriadis’ radical extension of this idea into the social-historical realm. Given the notions of indeterminacy and embodiment actively inform these lines of continuity and of rupture, this book contributes to the landscape of thinking by proposing the creative imagination must be envisaged an embodied power of the human soul.

Why are women so frequently targeted with hate speech online and what can we do about it? Psychological explanations for the problem of woman-hating overlook important features of our social world that encourage latent feelings of hostility toward women, even despite our consciously-held ideals of equality. Louise Richardson-Self investigates the woman-hostile norms of the English-speaking internet, the ‘rules’ of engagement in these social spaces, and the narratives we tell ourselves about who gets to inhabit such spaces. It examines the dominant imaginings (images, impressions, stereotypes, and ideas) of women that are shared in acts of hate speech, highlighting their ‘emotional stickiness’. But offering strategies through which we may reimagine our norms of online engagement, the stories that justify those norms, and the logic that makes sense of it all, this book shows how we can create alternative visions of what it means to take up online space as a woman and to ensure that women are seen as entitled to be there. By exploring aspects of ‘social imaginaries’ theory and applying it to the problem of hate speech against women online, this book illuminates why woman-hating has become such a prominent feature of this environment and how we can make these spaces safer for women.

Why are women so frequently targeted with hate speech online and what can we do about it? Psychological explanations for the problem of woman-hating overlook important features of our social world that encourage latent feelings of hostility toward women, even despite our consciously-held ideals of equality. Louise Richardson-Self investigates the woman-hostile norms of the English-speaking internet, the ‘rules’ of engagement in these social spaces, and the narratives we tell ourselves about who gets to inhabit such spaces. It examines the dominant imaginings (images, impressions, stereotypes, and ideas) of women that are shared in acts of hate speech, highlighting their ‘emotional stickiness’. But offering strategies through which we may reimagine our norms of online engagement, the stories that justify those norms, and the logic that makes sense of it all, this book shows how we can create alternative visions of what it means to take up online space as a woman and to ensure that women are seen as entitled to be there. By exploring aspects of ‘social imaginaries’ theory and applying it to the problem of hate speech against women online, this book illuminates why woman-hating has become such a prominent feature of this environment and how we can make these spaces safer for women.

Historical Imagination defends a phenomenological and hermeneutical account of historical knowledge. The book’s central questions are what is historical imagination, what is the relation between the imaginative and the empirical, in what sense is historical knowledge always already imaginative, how does such knowledge serve us, and what is the relation of historical understanding and self-understanding? Paul Fairfield revisits some familiar hermeneutical themes and endeavors to develop these further while examining two important periods in which historical reassessments or re-imaginings of the past occurred on a large scale. The conception of historical imagination that emerges seeks to advance beyond the debate between empiricists and postmodern constructivists while focusing on narrative as well as a more encompassing interpretation of who an historical people were, how things stood with them, and how this comes to be known. Fairfield supplements the philosophical argument with an historical examination of how and why during late antiquity, early Christian thinkers began to reimagine their Greek and Roman past, followed by how and why renaissance and later enlightenment figures reimagined their ancient and medieval past.

Historical Imagination defends a phenomenological and hermeneutical account of historical knowledge. The book’s central questions are what is historical imagination, what is the relation between the imaginative and the empirical, in what sense is historical knowledge always already imaginative, how does such knowledge serve us, and what is the relation of historical understanding and self-understanding? Paul Fairfield revisits some familiar hermeneutical themes and endeavors to develop these further while examining two important periods in which historical reassessments or re-imaginings of the past occurred on a large scale. The conception of historical imagination that emerges seeks to advance beyond the debate between empiricists and postmodern constructivists while focusing on narrative as well as a more encompassing interpretation of who an historical people were, how things stood with them, and how this comes to be known. Fairfield supplements the philosophical argument with an historical examination of how and why during late antiquity, early Christian thinkers began to reimagine their Greek and Roman past, followed by how and why renaissance and later enlightenment figures reimagined their ancient and medieval past.

The question of imaginary starts where its opposition to reality ends. Once this opposition is dismissed, it becomes possible thinking of imaginary as a mean of construction and transformation of the social reality. A series of essays – regarding the taking form of socio-anthropological environments; the collective dynamics of social integration; the mass media metamorphosis; the politics legitimation processes; the symbolic dimension of economics and that of the material culture; the representation of otherness – trace an analytical perspective in which imaginary represents an essential tool for a deep understanding of social phenomena. Contributors: Sergio Brancato, Francesca Colella, Stefano Cristante, Fabio D'Andrea, Valentina Grassi, Pier Luca Marzo, Milena Meo, Luca Mori, Maria Giovanna Musso, Domenico Secondulfo, Antonio Tramontana, and Pier Paolo Zampieri

Chaos and Cosmos offers a new and unique interpretation of Argentine essayist and fiction writer Jorge Luis Borges as a thinker of what continental twentieth century political theory called the political. While not a political writer in the traditional sense, Borges was indeed an author whose response to the advent of totalitarianism, in particular in its Nazi form, generated the most experimental, insightful, and rigorous short fiction and non-fiction political interrogation. As is well known, Borges’ writing went beyond originality; it created a genre of its own, and the Borgesian style is not limited to form. This Borgesian style fundamentally relates to how his response to the advent of totalitarianism led to sharp and philosophically sophisticated interrogations-in-fiction of the political, understood in this book as related to three main distinctive dimensions: that of the question of the forms of society, that of the relationship between the imaginary and the real, and that of the relationship between the same and the other. Chaos and Cosmos introduces the reader to Borges as an experimental writer, as an Argentine citizen, as a thinker of global political phenomena, and as a South American Pragmatist. The book also makes incursions in a political theorizing of its own, intertwining an interpretation of Borges’ essays and fiction pieces from the 1930s and 1940s with the central concerns of philosophers and political thinkers such as William James, Maurice Merleau-Ponty, Hannah Arendt, Claude Lefort, Michael Foucault, Richard Rorty, and Judith Butler.

Choice 2025 Outstanding Academic TitleThis book offers a new and unique interpretation of Argentine essayist and fiction writer Jorge Luis Borges as a thinker of what continental twentieth century political theory called the political. While not a political writer in the traditional sense, Borges was indeed an author whose response to the advent of totalitarianism, in particular in its Nazi form, generated the most experimental, insightful, and rigorous short fiction and non-fiction political interrogation. As is well known, Borges’ writing went beyond originality; it created a genre of its own, and the Borgesian style is not limited to form. This Borgesian style fundamentally relates to how his response to the advent of totalitarianism led to sharp and philosophically sophisticated interrogations-in-fiction of the political, understood in this book as related to three main distinctive dimensions: that of the question of the forms of society, that of the relationship between the imaginary and the real, and that of the relationship between the same and the other. Chaos and Cosmos introduces the reader to Borges as an experimental writer, as an Argentine citizen, as a thinker of global political phenomena, and as a South American Pragmatist. The book also makes incursions in a political theorizing of its own, intertwining an interpretation of Borges’ essays and fiction pieces from the 1930s and 1940s with the central concerns of philosophers and political thinkers such as William James, Maurice Merleau-Ponty, Hannah Arendt, Claude Lefort, Michael Foucault, Richard Rorty, and Judith Butler.

This book features a highly significant discussion between Paul Ricoeur and Cornelius Castoriadis. Recorded for Radio France (Culture) in 1985, it is the only known encounter between these two great philosophers of the imagination. Their wide ranging conversation covers such themes as the productive imagination, human creation, social imaginaries, and the possibility of historical novelty; it reveals points of surprising commonality as well as divergence in their approaches. The dialogue is supplemented by critical essays by specialist scholars in Castoriadis and Ricoeur studies, and includes contributions from Johann P. Arnason, George H. Taylor, François Dosse, Johann Michel, Jean-Luc Amalric, and Suzi Adams. The book is a must read for all scholars interested in Ricoeur and Castoriadis studies, as well as those interested in debates on the possibilities and limits of human creation, and the importance of the imagination for social change.

Although the concept of productive imagination plays a fundamental role in Kant, German Idealism, Romanticism, Phenomenology and Hermeneutics, the meaning of this central concept remains largely undetermined. The significance of productive imagination is therefore all-too-often either inflated or underrated. The articles collected in this volume trace the development of productive imagination through the history of philosophy, identify the different meanings this concept has been ascribed in different philosophical frameworks, and raise the question anew concerning this concept’s philosophical significance. Special attention is given to the historical background that underlies the emergence of productive imagination in modernity, to Kant’s concept of productive imagination, to the further development of this concept in German Idealism, Wilhelm Dilthey, Edmund Husserl, Ernst Cassirer and Martin Heidegger, Jean-Paul Sartre and Paul Ricoeur. A group of leading scholars present a systematic and comprehensive reference tool for anyone working in the fields of social imaginaries.

Although the concept of productive imagination plays a fundamental role in Kant, German Idealism, Romanticism, Phenomenology and Hermeneutics, the meaning of this central concept remains largely undetermined. The significance of productive imagination is therefore all-too-often either inflated or underrated. The articles collected in this volume trace the development of productive imagination through the history of philosophy, identify the different meanings this concept has been ascribed in different philosophical frameworks, and raise the question anew concerning this concept’s philosophical significance. Special attention is given to the historical background that underlies the emergence of productive imagination in modernity, to Kant’s concept of productive imagination, to the further development of this concept in German Idealism, Wilhelm Dilthey, Edmund Husserl, Ernst Cassirer and Martin Heidegger, Jean-Paul Sartre and Paul Ricoeur. A group of leading scholars present a systematic and comprehensive reference tool for anyone working in the fields of social imaginaries.

How has the concept of productive imagination been developed in post-Kantian philosophy? This important and innovative volume explores this question, with particular focus on hermeneutics, phenomenology and neo-Kantianism.The essays in this collection demonstrate that imagination is productive not only because it fabricates non-existent objects, but also because it shapes human experience and co-determines the meaning of the experienced world. The authors show how imagination forms experience at the kinaesthetic, pre-linguistic, poetic, historical, artistic, social and political levels.The volume offers both a thematic and a historical overview of productive imagination understood as Kant originally wanted us to understand it.

How has the concept of productive imagination been developed in post-Kantian philosophy? This important and innovative volume explores this question, with particular focus on hermeneutics, phenomenology and neo-Kantianism.The essays in this collection demonstrate that imagination is productive not only because it fabricates non-existent objects, but also because it shapes human experience and co-determines the meaning of the experienced world. The authors show how imagination forms experience at the kinaesthetic, pre-linguistic, poetic, historical, artistic, social and political levels.The volume offers both a thematic and a historical overview of productive imagination understood as Kant originally wanted us to understand it.

Written by members of the Social Imaginaries Editorial Collective, these programmatic essays showcase new critical interventions in understandings of social imaginaries and the human condition. They include a new comparative approach to theorizing Castoriadis, Ricoeur, and Taylor; the rethinking of the creative imagination in relation to common sense; analyses of political imaginaries in neoliberal and constitutional contexts from perspectives drawing on Gauchet and Lefort; and the taking up questions of historical continuity and discontinuity in civilizational worlds. In addressing pressing questions concerning social imaginaries, the book advances the field as a whole. The book includes a Foreword by George H. Taylor. This book is a must-read for all scholars interested in social and political imaginaries and will appeal to researchers and graduate students working across a wide variety of disciplines in the human sciences.

Written by members of the Social Imaginaries Editorial Collective, these programmatic essays showcase new critical interventions in understandings of social imaginaries and the human condition. They include a new comparative approach to theorizing Castoriadis, Ricoeur, and Taylor; the rethinking of the creative imagination in relation to common sense; analyses of political imaginaries in neoliberal and constitutional contexts from perspectives drawing on Gauchet and Lefort; and the taking up questions of historical continuity and discontinuity in civilizational worlds. In addressing pressing questions concerning social imaginaries, the book advances the field as a whole. The book includes a Foreword by George H. Taylor. This book is a must-read for all scholars interested in social and political imaginaries and will appeal to researchers and graduate students working across a wide variety of disciplines in the human sciences.

Offering a vital reflection on the unity and diversity of the modern world, this important new book connects with the current debate on multiple modernities and argues that this notion can only be properly understood in a civilizational context. Johann Arnason presupposes the idea of modernity as a new civilization with its specific social imaginary, centred on strong visions of human autonomy but open to differentiation on institutional and ideological levels, as well as in changing historical contexts. The book begins by connecting this perspective to a distinctive framework of social theory, centred on the differentiation of economic, political and cultural spheres. Arnason goes on to deal with Communism as the most important alternative version of modernity, and with East Asian developments as a particularly complex and instructive case of interacting modernities. The book concludes with reflections on globalization theory and ways of reformulating it in light of the civilizational approach.

Offering a vital reflection on the unity and diversity of the modern world, this important new book connects with the current debate on multiple modernities and argues that this notion can only be properly understood in a civilizational context. Johann Arnason presupposes the idea of modernity as a new civilization with its specific social imaginary, centred on strong visions of human autonomy but open to differentiation on institutional and ideological levels, as well as in changing historical contexts. The book begins by connecting this perspective to a distinctive framework of social theory, centred on the differentiation of economic, political and cultural spheres. Arnason goes on to deal with Communism as the most important alternative version of modernity, and with East Asian developments as a particularly complex and instructive case of interacting modernities. The book concludes with reflections on globalization theory and ways of reformulating it in light of the civilizational approach.

American Imaginaries examines the diverse societies and nations of the Western hemisphere as they have emerged across the course of the nineteenth and twentieth centuries. Exploring cities, capitalism, nations, nationalism, and politics from both comparative and transnational perspectives, the book develops a unique approach based on the paradigms of civilizational analysis and social imaginaries. In addition to providing a fresh perspective on the Americas, American Imaginaries gives proper analysis of multinational and intra-national regions and, crucially, the civilizational force of resurgent indigenous nations. The book also covers regions often underemphasized in histories of the hemisphere, such as Central America and the Caribbean.The book will appeal to scholars and students of history, Atlantic studies, comparative and historical sociology, and social theory. In addition, it will gain audiences amongst academics and graduate students who follow debates about modernity, civilizations, historical constellations, and social imaginaries.