SUNY series in Modern Jewish Literature and Culture – serie

Uses recent psychoanalytic theory to analyze the work of three contemporary scholars—Harold Bloom, Stanley Cavell, and Sacvan Bercovitch—while viewing their work as expressing Jewish immigrant desires for integration into American culture.This book primarily concerns the work of three prominent literary scholars, Harold Bloom, Stanley Cavell, and Sacvan Bercovitch, treating them as second-generation immigrant Jewish Americans. With at least two meanings of "transferring" in mind, the title alludes both to the historical, socio-cultural actualities of immigrancy, and to the psychoanalytic model used to describe the relations between these readers and the American texts they interpret. The central claim is that the theories and critical practices of Bercovitch, Bloom, and Cavell can be considered as the tools and tactics of an ambivalent, not yet fully realized desire for integration into America. Their cultural identity as members of the Jewish minority in America can thus still be seen to operate as a compelling source of anxiety and motivation.

Explores the connections between muteness and the complicated acts of survival, testimony, memory, and interpretation, through focused readings of Holocaust fiction by Kosinski, Wiesel, Tournier, Ida Fink, and others.CHOICE 1997 Outstanding Academic BooksThrough new close readings of Holocaust fiction, this book takes the field of Holocaust Studies in an important new direction. Reading a wide range of narratives representing different nationalities, styles, genders, and approaches, Horowitz demonstrates that muteness not only expresses the difficulty in saying anything meaningful about the Holocaust-it also represents something essential about the nature of the event itself. The radical negativity of the Holocaust ruptures the fabric of history and memory, emptying both narrative and life of meaning. At the heart of Holocaust fiction lies a tension between the silence that speaks the rupture, and the narrative forms that attempt to represent, to bridge it.This book argues that the central issues in Holocaust historiography and literary criticism are not simply prompted by the fictionality of imaginative literature-they are already embedded as self-critique in the fictional narratives. While the current critical discourse argues either for or against the unrepresentability of these events (and thus the appropriateness of imaginative literature), this book develops the theme of muteness as the central way in which literary texts explore and provisionally resolve these central issues. Focusing on the problem of muteness helps unfold the ambivalences and ambiguities that shape the way we read Holocaust fiction, and the way we think about the Holocaust itself.

Examines eight Jewish-American writers—Meyer Levin, Leon Uris, Saul Bellow, Hugh Nissenson, Chaim Potok, Philip Roth, Anne Roiphe, and Tova Reich—who have "imagined" Israel in their work.CHOICE 1997 Outstanding Academic BooksAnalyzing a wide array of Jewish-American fiction on Israel, Andrew Furman explores the evolving relationship between the Israeli and American Jew. He devotes individual chapters to eight Jewish-American writers who have "imagined" Israel substantially in one or more of their works. In doing so, he gauges the impact of the Jewish state in forging the identity of the American Jewish community and the vision of the Jewish-American writer.Furman devotes individual chapters to Meyer Levin, Leon Uris, Saul Bellow, Hugh Nissenson, Chaim Potok, Philip Roth, Anne Roiphe, and Tova Reich. To chart the evolution of the Jewish-American relationship with Israel from pre-statehood until the present, he considers works from 1928 to 1995, examining them in their historical and political contexts. The writers Furman examines address the central issues which have linked and divided the American and Israeli Jewish communities: the role of Israel as both safe haven and spiritual core for Jews everywhere pitted against its secularism, militarism, and entrenched sexism.While the writers Furman examines depict contrasting images of the Middle East, the very persistence of Israel in occupying that imagination reveals, above all, how prominent a role Israel played and continues to play in shaping the Jewish-American identity.

A comprehensive study of Israel's most internationally celebrated writer.In Somber Lust, Yair Mazor examines the work of the celebrated Israeli writer Amos Oz. In addition to providing a panoramic, comprehensive study of Oz's work, including his novels, novellas, short stories, and numerous essays on literary, social, and political subjects, Mazor also meticulously documents the evolution of Oz's aesthetic and ideological vision. The book concludes with an extensive interview with Oz himself, in which he offers insights into his own work as well as the creative process in general.

Essays and poems that offer insight into what it means to be a young Jewish woman today.Young Jewish women engage in almost every aspect of religious and cultural Jewish life, yet their unique perspectives have remained largely invisible. Through poetry and personal essays, Joining the Sisterhood sheds light on the lives of these young women as they search for both personal and universal truths. By writing about their thoughts and experiences, the women in this anthology join the sisterhood of women who work toward justice in their homes, synagogues, and communities.

Looks at the role of Jewish American fiction in the larger context of American culture.In American Talmud, Ezra Cappell redefines the genre of Jewish American fiction and places it squarely within the larger context of American literature. Cappell departs from the conventional approach of defining Jewish American authors solely in terms of their ethnic origins and sociological constructs, and instead contextualizes their fiction within the theological heritage of Jewish culture. By deliberately emphasizing historical and ethnographic links to religions, religious texts, and traditions, Cappell demonstrates that twentieth-century and contemporary Jewish American fiction writers have been codifying a new Talmud, an American Talmud, and argues that the literary production of Jews in America might be seen as one more stage of rabbinic commentary on the scriptural inheritance of the Jewish people.

Includes new and updated material, as well as a readers' guide with questions for writing and discussion groups.The revised edition of this beloved classic features a readers' and writers' guide to facilitate book group conversations and informal adult education, and also offers prompts for personal journaling exploration. Merle Feld's emotionally powerful prose and highly accessible poetry open the hearts of readers of all ages and religious persuasions who are traveling through the cycle of life and sharing in the search for meaning.

In this groundbreaking study, Susan Handelman examines the theological roots of the modern science of interpretation. She defines current structures of thought and patterns of organizing reality, clearly distinguishes them from previously reigning Hellenic modes of abstract thought, and connects them with important elements of the Rabbinic interpretive tradition. Hers is the first comprehensive treatment of the undeniable, and undeniably significant, influence of Jewish religious thought on contemporary literary criticism. Dr. Handelman shows how they provide a crucial link among several of the most influential modern theories of textual interpretation, from Freud to the Deconstructionist School of Lacan and Derrida, as well as current literary theorists who revive Rabbinic hermeneutics, such as Harold Bloom and Geoffrey Hartman.

The Alliance Israélite Universelle-an international organization representing a community of over 240,000 Jews-was founded in France in 1860. Its goal was to achieve the intellectual regeneration and social and political elevation of the Jewish people. This book examines the impact of the AIU on Moroccan Jewry. It answers such questions as: How did the AIU establish itself in Morocco's communities? How did it go on to become a power not to be underestimated by either the Moroccan government or the Europeans? And more importantly, how did the AIU improve the conditions of the Jews in Morocco, creating an important French-speaking urban elite? Also discussed are such topics as Zionism and Jewish-Muslim relations in Morocco.

Now available for the first time to the English-speaking public, the captivating short stories of master storyteller Meir Blinkin are the charming prose equivalents of the film Hester Street. These delightful and touching stories also give an authentic account of the Jewish immigrant experience at the turn of the century.This collection is introduced by the renowned Yiddish scholar, Ruth R. Wisse, professor of Yiddish literature at McGill University, and co-author, with Irving Howe, of Tales of Sholem of Aleichem. Her introduction provides bibliographical information on Meir Blinkin and places his work in the context of the development of Yiddish literature.Born in the same small town as Sholem Aleichem, Meir Blinkin was driven by poverty and anti-semitism to America. He arrived in New York in 1904; at the age of 25-one of the 105,000 Jews to reach America that year. At his untimely death eleven years later, Blinkin was well known to his Jewish-American contemporaries as one of their finest prose writers, a leader of the yunge literary movement, and a frequent contributor to the major Yiddish periodicals.Meir Blinkin's stories tell us what life was like in the immigrant community, conveying a strong sense of the stresses and changes to be endured. These stories not illuminate the social conditions of the times but provide deft psychological analyses of troubled immigrants, with their conflicting claims of loyalty to the secular world and Jewish orthodoxy.Blinkin is also a master at the evocation of mood, of psychic tensions and the claustrophobia of tenement life. In the best traditions of mimetic realism, he captures the vividly demotic speech of his characters, with their Anglicisms and malapropisms.This unique collection of stories helps preserve the vibrant immigrant world. A tribal memory man, Meir Blinkin saves us from cultural amnesia.

Frieden explores methods of dream interpretation in the Bible, the Talmud, and in the writings of Sigmund Freud, and brings to light Freud's troubled relationship to his Judaic forerunners. This book reveals unfamiliar associations in intellectual history and challenges received ideas in biblical, Talmudic, and Freudian scholarship.Freud distanced himself from dream interpreters such as Joseph and Daniel by rejecting their intuitive methods and their claims to predict the future. While biblical and Talmudic dream interpretation generally involve prophecy, Freud sought to limit himself to the determination of prior causes in the dreamer's life. Nevertheless, Frieden demonstrates that Freud's strategies of interpretation, and especially his use of "free association," inevitably guide the dreamer toward a future. This resonance between ancient prophecy and modern psychology is merely one example of the concealed relationship between Judaic and psychoanalytic dream interpretation. Frieden shows the role both of actual influences and influences denied by Freud.

Frieden explores methods of dream interpretation in the Bible, the Talmud, and in the writings of Sigmund Freud, and brings to light Freud's troubled relationship to his Judaic forerunners. This book reveals unfamiliar associations in intellectual history and challenges received ideas in biblical, Talmudic, and Freudian scholarship.Freud distanced himself from dream interpreters such as Joseph and Daniel by rejecting their intuitive methods and their claims to predict the future. While biblical and Talmudic dream interpretation generally involve prophecy, Freud sought to limit himself to the determination of prior causes in the dreamer's life. Nevertheless, Frieden demonstrates that Freud's strategies of interpretation, and especially his use of "free association," inevitably guide the dreamer toward a future. This resonance between ancient prophecy and modern psychology is merely one example of the concealed relationship between Judaic and psychoanalytic dream interpretation. Frieden shows the role both of actual influences and influences denied by Freud.

Cohen takes an in-depth critical look at three novelists and two poets who stand at the forefront of contemporary Israeli literature, and whose works have been widely read, studied, and admired in the Western world. The critiques examine all English translations of these Israeli writers' major works from the beginning of their careers up to the present. Cohen demonstrates the vitality and virtuosity of the so-called New Wave Israeli writers whose sources and influences are as ancient as the stories of the Hebrew Bible and as modern as the interiorization of reality found in Proust, Faulkner, Woolf, and Joyce; and the literary adaptation of relativity found in Borges, Lowry, and Durrell.Complementing the critiques are interviews with the five Israeli writers. The issues discussed-the relation of politics and literature, the influence of literature on life, the role of the writer in society, the moral responsibility of the writer-combine with the essays to provide comprehensive insight into the contemporary Israeli psyche.

This is an original, philosophical discussion in which André Neher relates the lives of prominent nineteenth- and twentieth-century Jews to traditional Jewish thought on issues of assimilation, the Holocaust, and liberal intellectualism.

This innovative study of the modern Hebrew writer, S. Y. Agnon, offers new insight into his literary transformations of Jewish themes and sources. With particular attention to Kafka, Hoffman situates Agnon in the context of twentieth-century literature and examines such central issues in Agnon's art as the relationship of the literary text to traditions of sacred writings, the place of the book in culture, and the relationship of writing to the body.Agnon's writing moves between exile and return, enacting dramas of presence and absence, and attachment and loss. From the images of sacred texts found in some of his short fiction to the ideological conflicts that inform his larger novels, this book traces the geographical-cultural sweep of Agnon's writing, as it moves through Eastern and Western Europe, positioning the Diaspora in relation to a Jerusalem that is both mundane and spiritual.Hoffman examines the ways in which Agnon's writing produces an autobiographical myth that joins the figure of the writer to the life-history of the larger community of Israel. Moving from stories of writer and writing to the broader cultural canvas of several major novels, the author concludes with an analysis of the ways in which the fiction prompts interrogation of major cultural constructions concerning gender, the formative passage of the subject through the Oedipus complex, and the dissociation of culture from the body.

For Norma Rosen, the Holocaust is the central event of the twentieth century. In this book, she examines the relationship of post-Holocaust writers to their work in terms of subject, language, imagery, and facing up to the task of writing in a post-Holocaust era. She considers the work of such major influences on our time as T. S. Eliot, Simone Weil, Anne Frank, E. L. Doctorow, Norman Mailer, Eugenio Montale, Philip Roth, and Saul Bellow. Accidents of Influence combines critical analysis with personal response and autobiographical moments. It includes quotidian encounters in friendship, sex, society, art, politics, response to violence, and religious observance, which struggle for moral ground in this post-Holocaust era.

This book studies the rich repository of Latin American Jewish literature, exploring the issues of vanishing traditions along with the subject of assimilation and acculturation. It places in sharp relief the Jewish contribution to the Latin American literary boom. An important aspect of this study is an examination of the contributions of women authors to this field. It studies Jewish life in communities that are little known in either the Jewish or non-Jewish world, worlds unique within the diaspora experience. The book contains critical essays by internationally renowned scholars, along with in-depth interviews with major writers. Contributors include Regina Igel, Florinda Goldberg, Robert DiAntonio, Leonardo Senkman, Naomi Lindstrom, David Foster, Edna Aizenberg, Nora Glickman, Lois Bara, Judith Morganroth Schneider, Murray Baumgarten, Flor Schiminovich, Sandra Cypess, Edward Friedman, Ilan Stavans, Jacobo Sefarmi, and Mario A. Rojas.

This book studies the rich repository of Latin American Jewish literature, exploring the issues of vanishing traditions along with the subject of assimilation and acculturation. It places in sharp relief the Jewish contribution to the Latin American literary boom. An important aspect of this study is an examination of the contributions of women authors to this field. It studies Jewish life in communities that are little known in either the Jewish or non-Jewish world, worlds unique within the diaspora experience. The book contains critical essays by internationally renowned scholars, along with in-depth interviews with major writers. Contributors include Regina Igel, Florinda Goldberg, Robert DiAntonio, Leonardo Senkman, Naomi Lindstrom, David Foster, Edna Aizenberg, Nora Glickman, Lois Bara, Judith Morganroth Schneider, Murray Baumgarten, Flor Schiminovich, Sandra Cypess, Edward Friedman, Ilan Stavans, Jacobo Sefarmi, and Mario A. Rojas.

This book explores the variety of ways that the Jewish understanding of the Covenant relates to the notion of a contract or a shared grammar as developed in recent structural and post-structural theory. The book enters the debate on the relationship beween a variety of open-ended forms of text interpretation and traditional Jewish interpretive practice, expanding and deepening that debate. Until now, the discussion has focused primarily on Midrashic interpretation; these essays balance the assumption of the openness of interpretation with an exploration of the concurrent restrictions on interpretation imposed by a covenant.

Revisits fiction by the three major Yiddish authors who wrote between 1864 and 1916, exploring their literary and social worlds.Yiddish literature, despite its remarkable achievements during an era bounded by Russian reforms in the 1860s and the First World War, has never before been surveyed by a scholarly monograph in English. Classic Yiddish Fiction provides an overview and interprets the Yiddish fiction of S. Y. Abramovitsh, Sholem Aleichem, and I. L. Peretz. While analyzing their works, Frieden situates these three authors in their literary world and in relation to their cultural contexts.Two or three generations ago, Yiddish was the primary language of Jews in Europe and America. Today, following the Nazi genocide and half a century of vigorous assimilation, Yiddish is sinking into oblivion. By providing a bridge to the lost continent of Yiddish literature, Frieden returns to those European traditions. This journey back to Ashkenazic origins also encompasses broader horizons, since the development of Yiddish culture in Europe and America parallels the history of other ethnic traditions.

Uses recent psychoanalytic theory to analyze the work of three contemporary scholars—Harold Bloom, Stanley Cavell, and Sacvan Bercovitch—while viewing their work as expressing Jewish immigrant desires for integration into American culture.This book primarily concerns the work of three prominent literary scholars, Harold Bloom, Stanley Cavell, and Sacvan Bercovitch, treating them as second-generation immigrant Jewish Americans. With at least two meanings of "transferring" in mind, the title alludes both to the historical, socio-cultural actualities of immigrancy, and to the psychoanalytic model used to describe the relations between these readers and the American texts they interpret. The central claim is that the theories and critical practices of Bercovitch, Bloom, and Cavell can be considered as the tools and tactics of an ambivalent, not yet fully realized desire for integration into America. Their cultural identity as members of the Jewish minority in America can thus still be seen to operate as a compelling source of anxiety and motivation.

Examines Philip Roth's use of Jewish ideas and materials in his novels, considering also the responses to Roth's work and his relations with the Jewish community and contemporary Jewish writers.In a style richly accessible to the general reader, this book presents Roth's secular Jewishness, with its own mysteries and humor, as most representative of the American Jewish experience. Thirty years into his career as a writer, Philip Roth remains known to most readers as a self-hating Jew or a flawed would-be comic. Philip Roth and the Jews shows Roth the ironist, the master of absurdity, for whom twentieth-century America and modern Jewish history resonate with each other's signal accomplishments and anxieties. Roth's "egoism" is a persona, an abashed moralist discomfited by the world. Cooper shows that in the "Jewish" works Roth has taken the pulse of America and read the pressures of the world. Modernism, the universal tug for individual sovereignty and against tribal definition, is an issue everywhere. Roth's own odyssey of betrayal, loss, and return-the pattern of the Jewish writer in the last 200 years-is so shaped by his origins that Roth has carried his home and neighborhood into the corners of the earth and thus never left them.

Explores the connections between muteness and the complicated acts of survival, testimony, memory, and interpretation, through focused readings of Holocaust fiction by Kosinski, Wiesel, Tournier, Ida Fink, and others.CHOICE 1997 Outstanding Academic BooksThrough new close readings of Holocaust fiction, this book takes the field of Holocaust Studies in an important new direction. Reading a wide range of narratives representing different nationalities, styles, genders, and approaches, Horowitz demonstrates that muteness not only expresses the difficulty in saying anything meaningful about the Holocaust-it also represents something essential about the nature of the event itself. The radical negativity of the Holocaust ruptures the fabric of history and memory, emptying both narrative and life of meaning. At the heart of Holocaust fiction lies a tension between the silence that speaks the rupture, and the narrative forms that attempt to represent, to bridge it.This book argues that the central issues in Holocaust historiography and literary criticism are not simply prompted by the fictionality of imaginative literature-they are already embedded as self-critique in the fictional narratives. While the current critical discourse argues either for or against the unrepresentability of these events (and thus the appropriateness of imaginative literature), this book develops the theme of muteness as the central way in which literary texts explore and provisionally resolve these central issues. Focusing on the problem of muteness helps unfold the ambivalences and ambiguities that shape the way we read Holocaust fiction, and the way we think about the Holocaust itself.

An original contribution to Holocaust studies that demonstrates the theological and psychosocial issues emerging in novels and films by sons and daughters of survivors.Focusing on the novels and films of daughters and sons of Holocaust survivors, this book sheds light on the relationship between the Holocaust and contemporary Jewish identity. It is the first systematic analysis of a body of work that introduces a new generation of Jewish writers and filmmakers, as well as revealing how the survivors' legacy is shaping—and being shaped by—the second generation.Carefully studying the work of these contemporary children of Job, Berger demonstrates how the offspring, like the survivors themselves, represent a variety of orientations to Judaism, have significant theological differences, and share the legacy of the Shoah. Berger clearly shows that members of the second generation participate fully in both the American and Jewish dimensions of their identity and articulates distinctive second-generation theological and psychosocial themes.

Tells the stories of the Jewish women who came of age in Brownsville, Brooklyn, in the 1940s and 1950s—the choices they made, and the boundaries within which they made them.This book tells the stories of the Jewish women who came of age in Brownsville, Brooklyn, in the 1940s and 1950s. Through in-depth interviews with more than forty women, Carole Bell Ford explores the choices these women made and the boundaries within which they made them, offering fresh insights into the culture and values of Jewish women in the postwar period. Not content to remain in the past, The Girls is also a story of women who live in the present, who lead fulfilling lives even as they struggle to adjust to changes in American society that conflict with their own values and that have profoundly affected the lives of their children and grandchildren.

Offers a penetrating cross-cultural analysis of the enduring genre of parables, revealing a dramatic social, cultural, and political shift in the way we view the divine.In Biblical Parables and Their Modern Re-creations, Gila Safran Naveh carefully charts the historical transformation of these deceptively simple narratives to reveal fundamental shifts in their form, function, and most significantly, their readers' cognitive processes. Bringing together for the first time parables from the Scriptures, the synoptic Gospels, Chassidic tales, and medieval philosophy with the mashal, the rabbinic parables commonly used to interpret Scripture, this book brilliantly contrasts the rhetorical strategies of ancient parables with more recent examples of the genre by Kafka, Borges, Calvino, and Agnon. By using an interdisciplinary approach and insights from current semiotic, linguistic, psychoanalytic, and gender theories, Naveh reveals a dramatic social, cultural, and political shift in the way we view the divine.

This anthology of contemporary fiction and poetry by Israeli women writers includes works originally written in Hebrew, Arabic, Russian, and English.This book introduces the powerful and provocative new fiction and poetry of Israel's women writers to an English-speaking audience. Read together, the stories and poems in this book will help to create a more sophisticated understanding of Middle Eastern passions and realities, and will foster a wealth of discussion about the meanings of homeland, exile, and diaspora; women's sexuality and spirituality; gender roles; the legacy of the Holocaust; the tensions and reconciliations of religion and secular life; the effects of war; and the power of memory.In her introduction, Miriyam Glazer vividly reconstructs the diversities, tensions, and complexity of current Israeli literature, and the book reflects the multiculturality of modern-day Israel by including stories and poems originally written in Arabic, Russian, Hebrew, and English. Brief biographical and critical introductions are provided for each writer, and the book features specially commissioned and new translations of twenty stories and seventy-five poems, many available here for the first time in English.

This anthology of contemporary fiction and poetry by Israeli women writers includes works originally written in Hebrew, Arabic, Russian, and English.This book introduces the powerful and provocative new fiction and poetry of Israel's women writers to an English-speaking audience. Read together, the stories and poems in this book will help to create a more sophisticated understanding of Middle Eastern passions and realities, and will foster a wealth of discussion about the meanings of homeland, exile, and diaspora; women's sexuality and spirituality; gender roles; the legacy of the Holocaust; the tensions and reconciliations of religion and secular life; the effects of war; and the power of memory.In her introduction, Miriyam Glazer vividly reconstructs the diversities, tensions, and complexity of current Israeli literature, and the book reflects the multiculturality of modern-day Israel by including stories and poems originally written in Arabic, Russian, Hebrew, and English. Brief biographical and critical introductions are provided for each writer, and the book features specially commissioned and new translations of twenty stories and seventy-five poems, many available here for the first time in English.

In this literary memoir, poet and essayist Michael Heller interweaves family and personal history with reflections on language, poetry, religion, and memory itself.Living Root is the story of an education, a writer's wandering through personal and family history, through texts and traditions. Recalling his family's origins in Bialystok as well as his own childhood in Brooklyn and Miami Beach, poet and essayist Michael Heller creates a rich mosaic of reflections on his past, his origins, and the entanglements of thought and religion that have shaped his life and writing. Living Root enlarges the memoir genre, vividly illuminating the interactions of memory, autobiography, and the evolving creative self.