World Literature in Translation – serie

The four stories that make up the Mabinogi, along with three additional tales from the same tradition, form this collection and compose the core of the ancient Welsh mythological cycle. Included are only those stories that have remained unadulterated by the influence of the French Arthurian romances, providing a rare, authentic selection of the finest works in medieval Celtic literature. This landmark edition translated by Patrick K. Ford is a literary achievement of the highest order.

Eusebius’s groundbreaking History of the Church, remains the single most important source for the history of the first three centuries of Christianity and stands among the classics of Western literature. His iconic story of the church’s origins, endurance of persecution, and ultimate triumph—with its cast of martyrs, heretics, bishops, and emperors—has profoundly shaped the understanding of Christianity’s past and provided a model for all later ecclesiastical histories. This new translation, which includes detailed essays and notes, comes from one of the leading scholars of Eusebius’s work and offers rich context for the linguistic, cultural, social, and political background of this seminal text. Accessible for new readers and thought-provoking for specialists, this is the essential text for anyone interested in the history of Christianity.

One of the most celebrated poets of the classical world, Pindar wrote odes for athletes that provide a unique perspective on the social and political life of ancient Greece. Commissioned in honor of successful contestants at the Olympic games and other Panhellenic contests, these odes were performed in the victors’ hometowns and conferred enduring recognition on their achievements.  Andrew M. Miller’s superb new translation captures the beauty of Pindar’s forty-five surviving victory odes, preserving the rhythm, elegance, and imagery for which they have been admired since antiquity while adhering closely to the meaning of the original Greek. This edition provides a comprehensive introduction and interpretive notes to guide readers through the intricacies of the poems and the worldview that they embody.

These hundred poems and fragments constitute virtually all of Sappho that survives and effectively bring to life the woman whom the Greeks consider to be their greatest lyric poet. Mary Barnard's translations are lean, incisive, direct—the best ever published. She has rendered the beloved poet's verses, long the bane of translators, more authentically than anyone else in English.

The Dao De Jing is one of the richest, most suggestive, and most popular works of philosophy and literature. Composed in China between the sixth and fourth centuries B.C., its enigmatic verses have inspired artists, philosophers, poets, religious thinkers, and general readers past and present. This new translation captures the beauty and nuance of the original work. In addition, the extensive and accessible commentary by Moss Roberts sheds light on the work’s historical and philosophical contexts and shows how the Dao De Jing addresses topics of relevance to our own times, such as politics, statecraft, cosmology, aesthetics, and ethics.

Few works in world literature have inspired so vast an audience in nations with radically different languages and cultures as the Mahabharata. Written some 2,000 years ago and probably the longest Indian epic ever composed, it is a story of dynastic struggle that culminates in a fatal clash between two branches of a single ruling family. It is a moral and philosophical tale as well as a historical one. In his introduction, Sanskritist B. A. van Nooten notes that apart from William Buck’s rendition no other English version has been able to capture the blend of religion and martial spirit that pervades the original epic.

Prose fiction, although not always associated with classical antiquity, flourished in the early Roman Empire, not only in realistic Latin novels but also and indeed principally in the Greek ideal romance of love and adventure. Enormously popular in the Renaissance, these stories have been less familiar in later centuries. Translations of the Greek stories were not readily available in English before B.P. Reardon’s first appeared in 1989.Nine complete stories are included here as well as ten others, encompassing the whole range of classical themes: romance, travel, adventure, historical fiction, and comic parody. A foreword by J.R. Morgan examines the enormous impact this groundbreaking collection has had on our understanding of classical thought and our concept of the novel.

First published in 1973, this anthology has assumed classic status in the field of Egyptology and portrays the remarkable evolution of the literary forms of one of the world’s earliest civilizations. Beginning with the early and gradual evolution of Egyptian genres, it includes biographical and historical inscriptions carved on stone, the various classes of works written with pen on papyrus, and the mortuary literature that focuses on life after death. It then shows the culmination of these literary genres within the single period known as the New Kingdom (1550–1080 B.C.) and ends in the last millennium of Pharaonic civilization, from the tenth century B.C. to the beginning of the Christian era. An introduction written in three parts by Antonio Loprieno, Hans-W. Fischer-Elfert, and Joseph G. Manning completes this classic anthology.

Renowned poet and acclaimed translator Charles Martin faithfully captures Euripides’s dramatic tone and style in this searing tale of revenge and sacrifice.The Medea of Euripides is one of the greatest of all Greek tragedies and arguably the one with the most significance today. A barbarian woman brought to Corinth and there abandoned by her Greek husband, Medea seeks vengeance on Jason and is willing to strike out against his new wife and family—even slaughtering the sons she has born him. At its center is Medea herself, a character who refuses definition: Is she a hero, a witch, a psychopath, a goddess? All that can be said for certain is that she is a woman who has loved, has suffered, and will stop at nothing for vengeance.  In this stunning translation, poet Charles Martin captures the rhythms of Euripides’ original text through contemporary rhyme and meter that speak directly to modern readers. An introduction by classicist and poet A.E. Stallings examines the complex and multifaceted Medea in patriarchal ancient Greece. Perfect in and out of the classroom as well as for theatrical performance, this faithful translation succeeds like no other.

One of the greatest works of Spanish literature, this eight-hundred-year-old saga narrates the legendary exploits of the soldier-adventurer Ruy Díaz of Bivar, known as El Cid—“the Lord”—and his part in the long struggle between Christianity and Islam. The poem recounts the adventures of a broad cast of characters: the Cid; his peerless steed, Babieca, and his two famous swords, Colada and Tizón; his wife, Doña Ximena, and his two daughters, Doña Elvira and Doña Sol, who found sanctuary with Abbot Don Sancho in the monastery of San Pedro de Cardeña during the Cid’s exile; and the black-hearted princes of Carrión, Diego and Fernando González. This powerful epic sings of universal human values and failures, loyalty and betrayal.

A fresh translation of one of the most recognized texts of the premodern world: The Analects is a must-read for those interested in China's past, present, and future. This new translation by renowned East Asian scholar Moss Roberts offers a fresh interpretation of this classic work, sharpening and clarifying Confucius's positions on ethics, politics, and social organization. While no new edition of The Analects will wholly transform our understanding of Confucius’s teachings, Roberts’s translation attends to the many nuances in the text that are often overlooked, allowing readers a richer understanding of Confucius’ historic and heroic attempt to restore order and morality to government.  This edition features a critical introduction by the translator as well as notes on key terms and historical figures, a topical index, and suggestions for further reading in recent English and Chinese scholarship to extend the rich contextual background of the translation. This ambitious new edition of The Analects will enhance the understanding of specialists and newcomers to Confucius alike.

The classical tradition in Telugu, the mellifluous language of Andhra Pradesh in southern India, is one of the richest yet least explored of all South Asian literatures. In this volume, Velcheru Narayana Rao and David Shulman have brought together mythological, religious, and secular texts by twenty major poets who wrote between the eleventh and nineteenth centuries, providing an authoritative volume overview of one of the world's most creative poetic traditions. An informative, engaging introduction fleshes out the history of Telugu literature, situating its poets in relation to significant literary themes and historical developments and discussing the relationship between Telugu and the classical literature and poetry of Sanskrit.

“A material epic with an astonishing fidelity to history."—New York Times Book ReviewThree Kingdoms tells the story of the fateful last reign of the Han dynasty (206 B.C.–A.D. 220), when the Chinese empire was divided into three warring kingdoms. Writing some twelve hundred years later, the Ming author Luo Guanzhong drew on histories, dramas, and poems portraying the crisis to fashion a sophisticated, compelling narrative that has become the Chinese national epic. This abridged edition captures the novel's intimate and unsparing view of how power is wielded, how diplomacy is conducted, and how wars are planned and fought. As important for Chinese culture as the Homeric epics have been for the West, this Ming dynasty masterpiece continues to be widely influential in China, Korea, Japan, and Vietnam and remains a great work of world literature.

The first English translation of a Kalmyk epic nearly lost to history.This is the first English translation of Jangar, the heroic epic of the Kalmyk nomads, who are the Western Mongols of Genghis Khan’s medieval empire in Europe. Today, Kalmykia is situated in the territory that was once the Golden Horde, founded by the son of Genghis Khan, Juchi. Although their famed khanates and cities have long since disappeared under the sands of the Great Eurasian Steppe, the Kalmyks have witnessed, memorized, and orally transmitted some of the most transformative developments, both victorious and tragic, in the history of civilizations. A tribute to the protectors of the mythical country Bumba, Jangar reflects the hopes and aspirations of the Kalmyk people as well as their centuries-long struggle for their cultural existence.  This new English translation is more than a tribute to the artistic creativity and imagination of the Kalmyk people—it is also an important step in their struggle for cultural survival. It was only after centuries of oral transmission that the songs and stories surrounding Jangar were written down. When the first translation, into Russian, finally appeared, Stalin had the entire Kalmyk population deported to Siberia and ordered that their national literature be eliminated from the published world. This Soviet repression has had enormous consequences for world literature, silencing nomadic voices and keeping hidden their distinctive contributions. Making Jangar available in English is a landmark event, bringing a lost classic to the world’s attention and restoring the voices of an almost-erased tradition at the heart of the history of Eurasia.

A dynamic translation of the timeless African epic.The feats of the hero Mwindo are glorified in this epic work, sung and narrated in a Bantu language and acted out by a member of the Nyanga tribe in the remote forest regions of what is now the Democratic Republic of the Congo. Beautifully structured and richly poetic, the epic is in prose form, interspersed with song and proverbs in verse. As an example of the classic tradition of oral folk literature, the tale provides profound insights into the social structure, values, and cosmology of this African people.

This abridged edition introduces readers to the power and drama of the electrifying classic Chinese novel.One of the great works of Chinese literature, beloved in East Asia but virtually unknown in the West, Kingdoms in Peril is an epic historical novel charting the five hundred years leading to the unification of China under the rule of the legendary First Emperor. Writing some fourteen hundred years after the unification, the Ming-era author Feng Menglong drew on a vast trove of literary and historical documents to compose a gripping narrative account of how China came to be China.  Here, translated into English for the first time, Kingdoms in Peril recounts the triumphs and tragedies of those five hundred years, through stories taken from the lives of the unforgettable characters that defined and shaped the ages in which they lived. This abridged edition distills the novel’s distinct style and its most dramatic episodes into a single volume. Maintaining the spirit and excitement of the original novel, this edition weaves together nine of the most pivotal storylines––some extremely famous, others less well known. Readers will glimpse the intensity of tectonic events that shaped everyday lives, loves, and struggles, with powerful women featuring as prominently in the novel as they have in Chinese history. There are many historical works that provide an account of some of these events, but none are as thrilling and breathtakingly memorable as Kingdoms in Peril.

An elegant translation of the beloved epic tale of Prince RamaFew works of literature have inspired so vast an audience across so many radically different languages and cultures as the Ramayana, written in Sanskrit over 2,000 years ago by a poet known to us as Valmiki. William Buck has retold the story of Prince Rama—with all its nobility of spirit, courtly intrigue, heroic renunciation, fierce battles, and triumph of good over evil—in a length and with a style that make the great epic accessible without compromising the spirit and lyricism of the original.

Victor Hugo meets Papillon in this effervescent memoir of war, slavery, and self-discovery, told with aplomb and humor in its first English translation.  A pioneering work of Ottoman Turkish literature, Prisoner of the Infidels brings the seventeenth-century memoir of Osman Agha of Timişoara—slave, adventurer, and diplomat—into English for the first time. The sweeping story of Osman’s life begins upon his capture and subsequent enslavement during the Ottoman–Habsburg Wars. Adrift in a landscape far from his home and traded from one master to another, Osman tells a tale of indignation and betrayal but also of wonder and resilience, punctuated with queer trysts, back-alley knife fights, and elaborate ruses to regain his freedom.  Throughout his adventures, Osman is forced to come to terms with his personhood and sense of belonging: What does it mean to be alone in a foreign realm and treated as subhuman chattel, yet surrounded by those who see him as an object of exotic desire or even genuine affection? Through his eyes, we are treated to an intimate view of seventeenth-century Europe from the singular perspective of an insider/outsider, who by the end his account can no longer reckon the boundary between Islam and Christendom, between the land of his capture and the land of his birth, or even between slavery and redemption.

Uncovering an ancient foundation myth, and literary tour de force, obscured within the modern Bible.   Embedded within the Bible lies a largely unknown story of the founding of ancient Israel and its religion, interwoven with other ancient tales more than two thousand years ago in the process of creating the Torah. Generations of scholars have painstakingly worked to recreate the “Priestly Source,” also known as “P.” The complete text has not appeared until now on its own in either Hebrew or English.  Beginning with the creation of the world and ending at the edge of the promised land, the Priestly Source offers a distinctive account of the origins of the people of Israel and a unique perspective on their relationship with their god, Yahweh—one in stark contrast to what is found when we read the Bible now. With a translation by Liane Feldman, an authority on the text, The Consuming Fire reveals the mythical foundation for the practice of sacrifice in ancient Israelite and Jewish religion. By presenting this fascinating material on its own, The Consuming Fire offers an opportunity to expand our understanding of ancient traditions and to find something new and beautiful at the source.

The first English translation of a strange and unusual Persian epic, this action-packed tale of an evil, monstrous king explores questions of nature and nurture and brings the global middle ages to life.The great Persian epic known as the Kushnameh follows the entangled lives of Kush the Tusked––a monstrous antihero with tusks and ears like an elephant, descended from the evil emperor Zahhak––and Abtin, the exiled grandson of the last true Persian emperor. Abandoned at birth in the forests of China and raised by Abtin, Kush grows into a powerful and devious warrior. Kush and his foes scheme and wage war across a global stage reaching from Spain and Africa to China and Korea. Between epic battles and magnificent feasts are disturbing, sometimes realistic portrayals of abuse and oppression and philosophical speculation about nature and nurture and the origins of civilization.  A fantastical adventure story stretching across the known world and a literary classic of unparalleled richness, this important work of medieval Persian literature is a valuable source for understanding the history of racism and constructions of race and the flows of lore and legend from the Central Asian Silk Road and the Sahara to the sea routes of the Indian Ocean and the Mediterranean. The Kushnameh is a treasure trove of Islamic and pre-Islamic Persian cultural history and a striking contemporary document of the “global middle ages,” now available to English-speaking readers for the first time.

This is the essential English edition of the complete poems of the eminent Japanese master of the haiku, Matsuo Bashō.  Matsuo Bashō (1644–1694) is arguably the greatest figure in the history of Japanese literature and the master of the haiku. Bashō: The Complete Haiku of Matsuo Bashō offers in English a full picture of the haiku of Bashō, 980 poems in all. Andrew Fitzsimons’ translation is the first to adhere strictly to form: all of the poems are translated following the syllabic count of the originals. This book also translates a number of Bashō’s headnotes to poems ignored by previous English-language translators.  In Fitzsimons’ beautiful rendering, Bashō is much more than a philosopher of the natural world and the leading exponent of a refined Japanese sensibility. He is also a poet of queer love and eroticism; of the city as well as the country, the indoors and the outdoors, travel and staying put; of lonesomeness as well as the desire to be alone.His poetry explores the full range of social experience in Edo Japan as he moved among friends and followers high and low, the elite and the demi-monde, the less fortunate: poor farmers, abandoned children, disregarded elders. Bashō: The Complete Haiku of Matsuo Bashō reveals how this work speaks to our concerns today as much as it captures a Japan emerging from the Middle Ages. For dedicated scholars and those coming upon Bashō for the first time, Fitzsimons’ elegant translation—with an insightful introduction and helpful notes—allows readers to enjoy these works in all their glory.

By combining their expertise in English literature and anthropology, Ibrahim Muhawi and Sharif Kanaana bring to these folktales an integral method of study that unites a sensitivity to language with a deep appreciation for culture.  As native Palestinians, the authors are well suited to their task. Over the course of several years, they collected tales from the regions of the Galilee, Gaza, and the West Bank, determining which were the most widely known and appreciated and selecting the ones that best represent the Palestinian Arab folk narrative tradition. Great care has been taken with the translations to maintain the original flavor, humor, and cultural nuances in tales that are at once earthy and whimsical and that also parallel stories found in the larger Arab folk tradition. Featuring a new foreword by Ibtisam Barakat, Speak, Bird, Speak Again is an essential text in Palestinian culture and a must for those who want to deepen their understanding of an enduring people.

An absorbing, joyous, and colorful collection of stories from the qissa genre.  Fabulous Machinery for the Curious presents the first English translation of some of the finest texts from the qissa genre. In this book, acclaimed translator Musharraf Ali Farooqi gathers the greatest of these tales, written or transcribed in the Urdu language by master storytellers in the eighteenth and nineteenth centuries.  Spreading from Persia to Arabia to South Asia over 1,500 years, the qissa appropriated verse and prose narratives to become the preeminent storytelling genre. The combined traditions of the many cultures of Indo-Islamic civilization resulted in a flowering of qissas in Urdu. This collection distills a vast body of oral and written literature, from resplendent sagas of romantic love and thrilling adventures in fairyland to picaresque stories of deception and haunting tales of nobility and viciousness. Fabulous Machinery for the Curious brings these forgotten gems to a new generation of readers and reminds us of the abiding power that great stories and ancient genres have for engaging the contemporary world.

“Brave and vivid.”—New York Review of BooksThese enchanting stories from early modern Bengal reveal how Hindu and Muslim traditions converged on timeless themes of human morality, social culture, and survival.  The Bengali stories in this collection are first and foremost tales of survival. Each story in Needle at the Bottom of the Sea underscores the need for people to work together—not just to overcome the challenges of living in the Sundarban swamps of Bengal, but also to ease hostilities born of social differences in religion, caste, and economic class.  Translated by award-winning scholar of early modern Bengali literature Tony K. Stewart, Needle at the Bottom of the Sea brims with fantasy and excitement. Sufi protagonists travel through a world of wonder where tigers talk and men magically grow into giants, a Hindu princess falls in love with a Muslim holy man, and goddesses rub shoulders with kings and merchants. Across religion, class, and gender, what binds these fabulous stories together is the characters’ pursuit of living honorably and morally in a difficult, corrupt world.

The original Welsh stories of these beloved characters and their world for the first time in English  The stories in Tales of Merlin, Arthur, and the Magic Arts deal with well-known figures from medieval Britain who will be familiar to many readers—though not from the versions presented here. These freshly translated tales emerge from the remarkable and enormous sixteenth-century Chronicle of the Six Ages of the World by the Welshman Elis Gruffydd.  Tales of Merlin, Arthur, and the Magic Arts revives the original legends of these Welsh heroes alongside stories of the continued survival of the magical arts, from antiquity to the Renaissance, and the broader cultural world of the Welsh. These stories provide a vivid and faithful rendering of Merlin, Arthur, and the many original folktales left out of the widespread accounts of their exploits.