Writing History in the Middle Ages – serie

Interdisciplinary study of one of the most important texts of the Anglo-Norman period.When Dudo of Saint-Quentin's Historia Normannorum first appeared in or around 1015, written for the then Duke of Normandy, Richard II, Dudo created a text without precedent. By committing the lives and deeds of Richard II'sancestors to written memory for the first time since the foundation of Normandy under the Viking Rollo in 911, Dudo provided the Norman court at Rouen with both an official dynastic historiography and a treasured record of theircollective past. The Historia Normannorum was conceived, from the outset, as an idiosyncratic text which purported to be both staunchly traditional and remarkably innovative.This book's analysis of the Historiauses historical and manuscript evidence, alongside literary theory and approaches from memory studies, to provide fresh insights into the text. It shows the Historia to be one of the most influential and important historical narratives of the Middle Ages, perhaps even the earliest surviving example of an illustrated chronicle from the entire Latin West.BENJAMIN POHL teaches in the Department of History, University of Bristol.

A comparative reading of the "literary" works of Thomas Walsingham, highlighting his reaction to contemporary historical events.The literary career of Thomas Walsingham, a significant figure in late fourteenth-century classicist letters in England and an overlooked contemporary of Chaucer, has been neglected - which this book remedies. Following the texts,rather than individuals or institutions, it demonstrates both authors' participation in a previously unrecognized discursive field that spans Latinate clerical prose and secular vernacular poetry, opening for reexamination the "idea" of public literature in the late Middle Ages and recalibrating the terms of the conversation about the advent of humanistic textual practice in England. Providing a connected and comparative reading of Walsingham's works, alongside those of Chaucer, and taking both historical and literary approaches, the book extends our understanding of Chaucer through the exploration of his relationship to the clerical constituencies of London, Oxford, and monasteries in the South-East, and inserts Walsingham into the modern study of the reception of the Latin classics among the vernacular authors of his period.Sylvia Federico is Professor of English and member of the Classical and Medieval Studies Program at Bates College.

First full-length study of the role and duties of the medieval cantor.Cantors made unparalleled contributions to the way time was understood and history was remembered in the medieval Latin West. The men and women who held this office in cathedrals and monasteries were responsible for calculating the date of Easter and the feasts dependent on it, for formulating liturgical celebrations season by season, managing the library and preparing manuscripts and other sources necessary to sustain the liturgical framework of time, andpromoting the cults of saints. Crucially, their duties also often included committing the past to writing, from simple annals and chronicles to more fulsome histories, necrologies, and cartularies, thereby ensuring that towns, churches, families, and individuals could be commemorated for generations to come.This volume seeks to address the fundamental question of how the range of cantors' activities can help us to understand the many different waysin which the past was written and, in the liturgy, celebrated across the Middle Ages. Its essays are studies of constructions, both of the building blocks of time and of the people who made and performed them, in acts of ritual remembrance and in written records; cantors, as this book makes clear, shaped the communal experience of the past in the Middle Ages.Katie Ann-Marie Bugyis is Assistant Professor of Religious Studies at St. Martin's University; Margot Fassler is Kenough-Hesburgh Professor of Music History and Liturgy at the University of Notre Dame and Robert Tangeman Professor Emerita of Music History at Yale University; A.B. Kraebel is Assistant Professor of English at Trinity University.Contributors: Cara Aspesi, Anna de Bakker, Alison I. Beach, Katie Ann-Marie Bugyis, Margot E. Fassler, David Ganz, James Grier, Paul Antony Hayward, Peter Jeffery, Claire Taylor Jones, A.B.Kraebel, Lori Kruckenberg, Rosamond McKitterick, Henry Parkes, Susan Rankin, C.C. Rozier, Sigbjorn Olsen Sonnesyn, Teresa Webber, Lauren Whitnah

New perspectives on and interpretations of the popular medieval genre of the universal chronicle.Found in pre-modern cultures of every era and across the world, from the ancient Near East to medieval Latin Christendom, the universal chronicle is simultaneously one of the most ubiquitous pre-modern cultural forms and one of the most overlooked. Universal chronicles narrate the history of the whole world from the time of its creation up to the then present day, treating the world's affairs as though they were part of a single organic reality, and uniting various strands of history into a unifed, coherent story. They reveal a great deal about how the societies that produced them understood their world and how historical narrative itself can work to produce that understanding.The essays here offer new perspectives on the genre, from a number of different disciplines, demonstrating their vitality, flexibility and cultural importance, They reveal them to be deeply political texts, which allowed history-writers and their audiences to locate themselves in space, time and in the created universe. Several chapters address the manuscript context, looking at the innovative techniques of compilation, structure and layout that placed them at the cutting edge of medieval book technology. Others analyse the background of universal chronicles, and identify their circulation amongst different social groups; there are also investigations into their literary discourse, patronage, authorship and diffusion.Michele Campopiano is Senior Lecturer in Medieval Latin Literature at the University of York; Henry Bainton is Lecturer in High Medieval Literature at the University of York.Contributors:Tobias Andersson, Michele Campopiano, Cornelia Dreer, Catherine Gaullier-Bougassas, Elena Koroleva, Keith Lilley, Andrew Marsham, Rosa M. Rodriguez Porto, Christophe Thierry, Elizabeth M. Tyler, Steven Vanderputten, Bjorn Weiler, Claudia Wittig.

First full-length interpretive study of the prose Brut tradition, setting its manuscript context alongside textual analysis.The prose Brut chronicle was the most popular vernacular work of the late Middle Ages in England, setting a standard for vernacular historical writing well into the age of print, but until recently it has attracted little scholarly attention. This book combines a study of the chronicle's sources, content, and methods of composition, with its manuscript contexts. Using the Anglo-Norman Oldest Version as a touchstone, it investigates the chronicle's social ideals, its representation of women, and its distinctive versions of such elements of British history as the Trojan foundation myth, the ruin of the Britons, the Norman Conquest, and Arthur and Merlin, arguing that its humane, populist vision demands reassessment of medieval popular understandings of British history, and of the presumed dominance of imperialism, next-worldly piety, misogyny, and a taste for violence in late-medieval culture. The book also analyses evidence for the production of the Anglo-Norman Brut, and examines the ways in which its makers and users reconstructed British history through manuscript context, ordinatio and apparatus, annotationand illustration. Julia Marvin is a Fellow of the Medieval Institute and Associate Professor in the Program of Liberal Studies at the University of Notre Dame.

The contexts for the works of eleventh and twelfth-century historians are here brought to the fore.History was a subject popular with authors and readers in the Anglo-Norman world. The volume and richness of historical writing in the lands controlled by the kings of England, particularly from the twelfth century, has long attracted the attention of historians and literary scholars, whilst editions of works by such writers as Orderic Vitalis, John of Worcester, Symeon of Durham, William of Malmesbury, Gerald of Wales, Roger of Howden, and Matthew Paris has made them well known. Yet the easy availability of modern editions obscures both the creation and circulation of histories in the Middle Ages.This collection of essays returns to the processes involved in writing history, and in particular to the medieval manuscript sources in which the works of such historians survive. It explores the motivations of those writing about the past in the Middle Ages, and the evidence provided by manuscripts for the circumstances in which copies were made. It also addresses the selection of material for copying, combinations of text and imagery, and the demand for copies of particular works, shedding new light on how and why history was being read, reproduced, discussed, adapted, and written.LAURA CLEAVER is Senior Lecturer in Manuscript Studies, Institute of English Studies, University of London; ANDREA WORM is Professor of Art History. Kunsthistorischen Institut, Eberhard Karls University, Tubingen. Contributors: Stephen Church, Kathryn Gerry, Anne Lawrence-Mathers, Laura Pani, Charles C. Rozier, Gleb Schmidt, Laura Slater, Michael Staunton, Caoimhe Whelan, Andrea Worm

First full-length study of the role and duties of the medieval cantor.Cantors made unparalleled contributions to the way time was understood and history was remembered in the medieval Latin West. The men and women who held this office in cathedrals and monasteries were responsible for calculating the date of Easter and the feasts dependent on it, for formulating liturgical celebrations season by season, managing the library and preparing manuscripts and other sources necessary to sustain the liturgical framework of time, andpromoting the cults of saints. Crucially, their duties also often included committing the past to writing, from simple annals and chronicles to fuller histories, necrologies, and cartularies, thereby ensuring that towns, churches, families, and individuals could be commemorated for generations to come.This volume seeks to address the fundamental question of how the range of cantors' activities can help us to understand the many different ways in which the past was written and, in the liturgy, celebrated across the Middle Ages. Its essays are studies of constructions, both of the building blocks of time and of the people who made and performed them, in acts of ritual remembrance and in written records; cantors, as this book makes clear, shaped the communal experience of the past in the Middle Ages.KATIE ANN-MARIE BUGYIS is Assistant Professor in the Program of Liberal Studies at the University of Notre Dame; A.B. KRAEBEL is Assistant Professor of English at Trinity University; MARGOT FASSLER is Kenough-Hesburgh Professor of Music History and Liturgy at the University of Notre Dame and Robert Tangeman Professor Emerita of Music History at Yale University.Contributors: Cara Aspesi, Anna de Bakker, Alison I. Beach, Katie Ann-Marie Bugyis, Margot E. Fassler, David Ganz, James Grier, Paul Antony Hayward, Peter Jeffery, Claire TaylorJones, A.B. Kraebel, Lori Kruckenberg, Rosamond McKitterick, Henry Parkes, Susan Rankin, C.C. Rozier, Sigbjorn Olsen Sonnesyn, Teresa Webber, Lauren Whitnah

An examination of the extraordinary texts produced by the community of St Cuthbert, showing how they were used to construct and define an identity.Historical texts of all kinds were written in the community of St Cuthbert c.700-1130, from short annals to extended narrative history, political tracts and works on the lives and miracles of saints.At the same time, scribes in the community worked to copy and procure notable classics of historiography, from Classical Antiquity down to the Norman Conquest of England. But what did these various forms of writing about past events mean to their original authors and readers? What were these texts for? This book offers a narrative of historiographical production within St Cuthbert's community from the time of its foundation on the island of Lindisfarne, through subsequent translations to Chester-le-Street and Durham, down to the vibrant intellectual revival of the Anglo-Norman period. Focusing on several watershed moments in the story of this community, it identifies political, religious, intellectual andcultural triggers for historical writing, and argues that knowledge of past events gave successive guardians of Cuthbert's cult their single most valuable tool in the continuous effort to define who they were, where they had comefrom, and what they hoped to continue to be.

An investigation into the hugely significant works produced by the Worcester foundation at a period of turmoil and change.From the mid-eleventh to the mid-twelfth century Worcester was a monastic community of unparalleled importance. Not only was it home to many of the most famous bishops and monks of the period, including Bishop Wulfstan II: it was also a centre of notable and ambitious scholarly production. Under Wulfstan's guidance, a number of Worcester brethren undertook historical research that resulted in the writing of such renowned texts as Hemming's Cartulary and the Worcester Chronica Chronicarum. Significantly, these historical endeavours spanned the political chasm of the Norman Conquest.The essays collected here aim to shed new light on different aspects of the Worcester "historical workshop", whose literary output was, in several respects, pioneering in contemporary European scholarship. Several chapters address the different ways in which the monks organised and updated their archives of documents, both via their sequence of cartularies, with a special focus on the narrative parts of Hemming's Cartulary, and via an interesting (and previously unedited) prose account of the foundation of the see. Others focus on the famous Worcester Chronica Chronicarum, attributed both to Florence and to John, investigating the major model for its composition and structure (the work of Marianus Scotus), the stages in which it was completed, and its connections with Welsh chronicles, as well as the related and fascinating abbreviated version, written mostly in the hand of John himself, and known as the Chronicula. The volume thus elucidates how the Worcester monks navigated the period across the Conquest through the composition of different genres of texts, and how these texts shaped their own institutional memory.

Contemporary descriptions of objects no longer extant examined to reconstruct these lost treasures.Surviving accounts of the material culture of medieval Europe - including buildings, boats, reliquaries, wall paintings, textiles, ivory mirror cases, book bindings and much more - present a tantalising glimpse of medieval life, hinting at the material richness of that era. However, students and scholars of the period will be all too familiar with the frustration of trying to piece together a picture of the past from a handful of fragments. The "material turn" has put art, architecture, and other artefacts at the forefront of historical and cultural studies, and the resulting spotlight on the material culture of the past has been illuminating for researchers in many fields. Nevertheless, the loss of so much of the physical remnants of the Middle Ages continues to thwart our understanding of the period, and much of the knowledge we often take for granted is based on a series of arbitrary survivals. The twelve essays in this book draw on a wide array of sources and disciplines to explore how textual records, from the chronicles of John of Worcester and Matthew Paris and inventories of monastic treasuries and noble women to Beowulf and early English riddles, when combined with archaeological and art-historical evidence, can expand our awareness of artistic and cultural environments. Touching on a broad range of issues around how we imaginatively reconstruct the medieval past and a variety of objects, both precious and ephemeral, this volume will be of fundamental interest to medieval scholars, whatever their disciplinary field.Contributors: Katherine Baker, Marian Bleeke, Deirdre Carter, Laura Cleaver, Judith Collard, Joshua Davies, Kathryn Gerry, Karl Kinsella, Katherine A. Rush, Katherine Weikert, Beth Whalley, Victoria Yuskaitis

A survey of the different literary forms adopted by history writers after the Conquest, exploring why and for what effects they were used.Histories of Britain composed during the "twelfth-century renaissance" display a remarkable amount of literary variety (Latin varietas). Furthermore, British historians writing after the Norman Conquest often draw attention to the differing forms of their texts. But why would historians of this period associate literary variety with the work of history-writing?Drawing on theories of literary variety found in classical and medieval rhetoric, this book traces how British writers came to believe that varietas could help them construct comprehensive, continuous accounts of Britain's past. It shows how Latin prose historians, such as William of Malmesbury, Henry of Huntingdon, and Geoffrey of Monmouth, filled their texts with a diverse array of literary forms, which they carefully selected and ordered in accordance with their broader historiographical aims. The pronounced literary variety of these influential histories inspired some Middle English verse chroniclers, including Laȝamon and Robert Mannyng, to adopt similar principles in their vernacular poetry. By uncovering the rhetorical and historiographical theories beneath their literary variety, this book provides a new framework for interpreting the stylistic and organizational choices of medieval historians.

The contexts for the works of eleventh and twelfth-century historians are here brought to the fore.History was a subject popular with authors and readers in the Anglo-Norman world. The volume and richness of historical writing in the lands controlled by the kings of England, particularly from the twelfth century, has long attracted the attention of historians and literary scholars, whilst editions of works by such writers as Orderic Vitalis, John of Worcester, Symeon of Durham, William of Malmesbury, Gerald of Wales, Roger of Howden, and Matthew Paris has made them well known. Yet the easy availability of modern editions obscures both the creation and circulation of histories in the Middle Ages.This collection of essays returns to the processes involved in writing history, and in particular to the medieval manuscript sources in which the works of such historians survive. It explores the motivations of those writing about the past in the Middle Ages, and the evidence provided by manuscripts for the circumstances in which copies were made. It also addresses the selection of material for copying, combinations of text and imagery, and the demand for copies of particular works, shedding new light on how and why history was being read, reproduced, discussed, adapted, and written.LAURA CLEAVER is Senior Lecturer in Manuscript Studies, Institute of English Studies, University of London; ANDREA WORM is Professor of Art History. Kunsthistorischen Institut, Eberhard Karls University, Tubingen. Contributors: Stephen Church, Kathryn Gerry, Anne Lawrence-Mathers, Laura Pani, Charles C. Rozier, Gleb Schmidt, Laura Slater, Michael Staunton, Caoimhe Whelan, Andrea Worm

Offers insights into the political, social and cultural interests that informed the shaping of England's pre-Conquest history.The Norman Conquest brought about great change in England: new customs, a new language, and new political and ecclesiastical hierarchies. It also saw the emergence of an Anglo-Norman intellectual culture, with an innate curiosity in the past. For the pre-eminent twelfth-century English historians - such as Eadmer of Canterbury, William of Malmesbury and Henry of Huntingdon - the pre-Conquest past was of abiding interest. While they recognised the disruptions of the Conquest, this was accompanied by an awareness that it was but one part of a longer story, stretching back to sub-Roman Britain. This concept of a continuum of English history that traversed the events of 1066 would prove enduring, being transmitted into and by the works of successive generations of medieval English historians. This collection sheds new light on the perceptions and uses of the pre-Conquest past in post-Conquest historiography, drawing on a variety of approaches, from historical and literary studies, to codicology, historiography, memory theory and life writing. Its essays are arranged around two main interlinked themes: post-Conquest historiographical practice and how identities - institutional, regional and personal - could be constructed in reference to this past. Alongside their analyses of the works of Eadmer, William and Henry, contributors offer engaging studies of the works of such authors as Aelred of Rievaulx, Orderic Vitalis, Gervase of Canterbury, John of Worcester, Richard of Devizes, and Walter Map, as well as numerous anonymous hagiographies and histories.

Offers a reassessment of universal chronicle-writing and its ideological implications in the twelfth century.The Chronography of Robert of Torigni is a key source for the political landscapes of twelfth-century Normandy, England, and wider Western Europe. Robert was at the heart of the Norman political network that revolved around Empress Matilda and her son Henry II, and so a crucial witness to the intense political transformations occurring in the Anglo-Norman world.This book places his chronicle within its wider textual community, casting new light on the social practices, intellectual rationale, and ambitions of the chroniclers who followed the historiographical traditions of Eusebius of Caesarea, Jerome and Sigebert of Gembloux. Along with Torigni's Chronography, the book examines how independent chroniclers and continuators at Savigny, Mortemer, Ourscamp as well as John of Salisbury adapted the chronicles of Eusebius-Jerome and Sigebert, openly engaging with - or reacting against - their understanding of time, empire and power. It demonstrates how textual traditions and ideological discourses can move across geopolitical boundaries, illuminating the specific circumstances that made the Eusebius-Jerome and Sigebert tradition of chronicle-writing successful in this period.