The innovative work in design, typography, and content of music printer and publisher Ottaviano Petrucci (1446-1539) became the standard by which all following printers measured themselves. He created the defining moment when Italy took the lead in book printing in the Renaissance. This book is a bibliographic study of the output of the Petrucci presses, laying emphasis on the professional career of Petrucci. It includes a detailed study of technique and house-style, examining the market forces that drove Petrucci''s publishing decisions, and provides a detailed catalogue of editions and copies. Stanley Boorman has made a study of the output of Petrucci''s presses for 25 years. This long-awaited contribution to the field of bibliography will have an audience both in music and in rare book bibliography.

The innovative work in design, typography, and content of music printer and publisher Ottaviano Petrucci (1446-1539) became the standard by which all following printers measured themselves. He created the defining moment when Italy took the lead in book printing in the Renaissance. This book is a bibliographic study of the output of the Petrucci presses, laying emphasis on the professional career of Petrucci. It includes a detailed study of technique and house-style, examining the market forces that drove Petrucci''s publishing decisions, and provides a detailed catalogue of editions and copies. Stanley Boorman has made a study of the output of Petrucci''s presses for 25 years. This long-awaited contribution to the field of bibliography will have an audience both in music and in rare book bibliography.

The innovative work in design, typography, and content of music printer and publisher Ottaviano Petrucci (1446-1539) became the standard by which all following printers measured themselves. He created the defining moment when Italy took the lead in book printing in the Renaissance. This book is a bibliographic study of the output of the Petrucci presses, laying emphasis on the professional career of Petrucci. It includes a detailed study of technique and house-style, examining the market forces that drove Petrucci''s publishing decisions, and provides a detailed catalogue of editions and copies. Stanley Boorman has made a study of the output of Petrucci''s presses for 25 years. This long-awaited contribution to the field of bibliography will have an audience both in music and in rare book bibliography.