Marita Sturken, New York University Lisa Cartwright, University of California at San Diego

The greatest strength of Practices of Looking is its thorough treatment of the conceptual and material landscape of postmodern visual culture, and this definitely distinguishes it from similar textbooks I've seen.

• Acknowledgements Introduction Chapter 1. Images, Power, and Politics Representation Vision and Visuality The Myth of Photographic Truth Myth, Connotation, and the Meaning of Images Semiotics and Signs Images and Ideology Image Icons Chapter 2. Viewers Make Meaning Producers' Intended Meanings Aesthetics and Taste Value, Collecting, and Institutional Critique Reading Images as Ideological Subjects Viewing Strategies Appropriation and Re-Appropriation Chapter 3. Modernity: Spectatorship, the Gaze, and Power Modernity and the Modern City Modernism The Concept of the Modern Subject Spectatorship and the Gaze Power and the Surveillance GazeThe Other Gender and the Gaze Gaming and the Gaze Chapter 4. Realism and Perspective:From Renaissance Painting to Digital Media Types of Realism Perspective Perspective and the Body The Camera Obscura Challenges to Perspective Perspective in Digital Media Chapter 5. Visual Technologies:Image Reproduction, Generation, and the Copy Visualization and Technology Visual Technologies The Reproduced Image and the Copy Walter Benjamin and Mechanical Reproduction The Politics of Reproducibility Ownership and Copyright Reproduction and the Digital Image 3D Reproduction and Simulation Chapter 6. Media Culture Media, Singular and Plural Propaganda and the Media Environment Popular Culture Studies Media Geographies Media Infrastructures Media as Nation and Public Sphere Citizen Journalism Global Media Events Chapter 7. Brand Culture: Visual Culture and the Spaces of Consumption Consumer Societies and the Spaces ofModern Consumerism Brands as Image, Symbol, and Icon Brand Ideologies and Commodity Fetishism The Knowing Consumer Selling Social Awareness Chapter 8. The Postmodernism Condition and Twenty-First Futurisms The Postmodern Condition Poststructuralism in the Wake of the Holocaust Atomic Media Postmodern Architecture in Social Context Kitsch and the Vernacular Futurisms and Simulation Reflexivity And Distanced Knowing Appropriation and Postmodern Subjectivity Remix, Parody, and Pastiche Chapter 9. Visual Cultures of Data and Science Numbers and Structures of Feeling Modern Western Science and the Data Body Evidence, Classification, and Normative Science Bodily Interiors and Biomedical Personhood Biopower and the Quantified Self The Genetic and Digital Body Data in the Global Pandemic The Infodemic: Data in the Service of Propaganda The Sensory Body, the Cyborg, and Disability Chapter 10. The World Image and Globalization Being in the World The Universal Image: A Star is Born The World Image Geolocation The Digital Twin and the Point Cloud The World Ocean The Cloud Image Concepts of Globalization Social Movements and Visual ActivismThe Global Museum Refugees and Borders Glossary Credits Index

Marita Sturken, New York University Lisa Cartwright, University of California at San Diego

The greatest strength of Practices of Looking is its thorough treatment of the conceptual and material landscape of postmodern visual culture, and this definitely distinguishes it from similar textbooks I've seen.

• Acknowledgements Introduction Chapter 1. Images, Power, and Politics Representation Vision and Visuality The Myth of Photographic Truth Myth, Connotation, and the Meaning of Images Semiotics and Signs Images and Ideology Image Icons Chapter 2. Viewers Make Meaning Producers' Intended Meanings Aesthetics and Taste Value, Collecting, and Institutional Critique Reading Images as Ideological Subjects Viewing Strategies Appropriation and Re-Appropriation Chapter 3. Modernity: Spectatorship, the Gaze, and Power Modernity and the Modern City Modernism The Concept of the Modern Subject Spectatorship and the Gaze Power and the Surveillance GazeThe Other Gender and the Gaze Gaming and the Gaze Chapter 4. Realism and Perspective:From Renaissance Painting to Digital Media Types of Realism Perspective Perspective and the Body The Camera Obscura Challenges to Perspective Perspective in Digital Media Chapter 5. Visual Technologies:Image Reproduction, Generation, and the Copy Visualization and Technology Visual Technologies The Reproduced Image and the Copy Walter Benjamin and Mechanical Reproduction The Politics of Reproducibility Ownership and Copyright Reproduction and the Digital Image 3D Reproduction and Simulation Chapter 6. Media Culture Media, Singular and Plural Propaganda and the Media Environment Popular Culture Studies Media Geographies Media Infrastructures Media as Nation and Public Sphere Citizen Journalism Global Media Events Chapter 7. Brand Culture: Visual Culture and the Spaces of Consumption Consumer Societies and the Spaces ofModern Consumerism Brands as Image, Symbol, and Icon Brand Ideologies and Commodity Fetishism The Knowing Consumer Selling Social Awareness Chapter 8. The Postmodernism Condition and Twenty-First Futurisms The Postmodern Condition Poststructuralism in the Wake of the Holocaust Atomic Media Postmodern Architecture in Social Context Kitsch and the Vernacular Futurisms and Simulation Reflexivity And Distanced Knowing Appropriation and Postmodern Subjectivity Remix, Parody, and Pastiche Chapter 9. Visual Cultures of Data and Science Numbers and Structures of Feeling Modern Western Science and the Data Body Evidence, Classification, and Normative Science Bodily Interiors and Biomedical Personhood Biopower and the Quantified Self The Genetic and Digital Body Data in the Global Pandemic The Infodemic: Data in the Service of Propaganda The Sensory Body, the Cyborg, and Disability Chapter 10. The World Image and Globalization Being in the World The Universal Image: A Star is Born The World Image Geolocation The Digital Twin and the Point Cloud The World Ocean The Cloud Image Concepts of Globalization Social Movements and Visual ActivismThe Global Museum Refugees and Borders Glossary Credits Index

Marita Sturken, New York University Lisa Cartwright, University of California at San Diego

The greatest strength of Practices of Looking is its thorough treatment of the conceptual and material landscape of postmodern visual culture, and this definitely distinguishes it from similar textbooks I've seen.

• Acknowledgements Introduction Chapter 1. Images, Power, and Politics Representation Vision and Visuality The Myth of Photographic Truth Myth, Connotation, and the Meaning of Images Semiotics and Signs Images and Ideology Image Icons Chapter 2. Viewers Make Meaning Producers' Intended Meanings Aesthetics and Taste Value, Collecting, and Institutional Critique Reading Images as Ideological Subjects Viewing Strategies Appropriation and Re-Appropriation Chapter 3. Modernity: Spectatorship, the Gaze, and Power Modernity and the Modern City Modernism The Concept of the Modern Subject Spectatorship and the Gaze Power and the Surveillance GazeThe Other Gender and the Gaze Gaming and the Gaze Chapter 4. Realism and Perspective:From Renaissance Painting to Digital Media Types of Realism Perspective Perspective and the Body The Camera Obscura Challenges to Perspective Perspective in Digital Media Chapter 5. Visual Technologies:Image Reproduction, Generation, and the Copy Visualization and Technology Visual Technologies The Reproduced Image and the Copy Walter Benjamin and Mechanical Reproduction The Politics of Reproducibility Ownership and Copyright Reproduction and the Digital Image 3D Reproduction and Simulation Chapter 6. Media Culture Media, Singular and Plural Propaganda and the Media Environment Popular Culture Studies Media Geographies Media Infrastructures Media as Nation and Public Sphere Citizen Journalism Global Media Events Chapter 7. Brand Culture: Visual Culture and the Spaces of Consumption Consumer Societies and the Spaces ofModern Consumerism Brands as Image, Symbol, and Icon Brand Ideologies and Commodity Fetishism The Knowing Consumer Selling Social Awareness Chapter 8. The Postmodernism Condition and Twenty-First Futurisms The Postmodern Condition Poststructuralism in the Wake of the Holocaust Atomic Media Postmodern Architecture in Social Context Kitsch and the Vernacular Futurisms and Simulation Reflexivity And Distanced Knowing Appropriation and Postmodern Subjectivity Remix, Parody, and Pastiche Chapter 9. Visual Cultures of Data and Science Numbers and Structures of Feeling Modern Western Science and the Data Body Evidence, Classification, and Normative Science Bodily Interiors and Biomedical Personhood Biopower and the Quantified Self The Genetic and Digital Body Data in the Global Pandemic The Infodemic: Data in the Service of Propaganda The Sensory Body, the Cyborg, and Disability Chapter 10. The World Image and Globalization Being in the World The Universal Image: A Star is Born The World Image Geolocation The Digital Twin and the Point Cloud The World Ocean The Cloud Image Concepts of Globalization Social Movements and Visual ActivismThe Global Museum Refugees and Borders Glossary Credits Index