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      1. Historia och arkeologi
      2. Historia
      3. Forntidens historia

      The Oxford Handbook of Digital Classical Studies

      AvElton Barker,Olympia Bobou

      Inbunden, Engelska, 2026

      Del i serien Oxford Handbooks

      2 431 kr

      Kommande

      Beskrivning

      The Oxford Handbook of Digital Classical Studies offers three distinct views: (1) an expansive approach to classical studies, which encompasses sub-disciplines that are usually treated separately, such as archaeology and philology; (2) concise overviews of the various digital tools, methods, and approaches currently in use; and (3) an exploration of their uses in and beyond academia, taking in research, pedagogy and heritage. As well as giving a sense of what is now possible, the handbook places digital technology within a theoretical framework that examines its use critically, advocates for ethical practices in the production and management of data, and considers its impact on the material and digital world. The handbook is divided into four sections that: sketch out the historiography of the field and articulate the impact that the digital turn has had on classical studies (Section II: Contexts); explore the importance that digitization and data management plays in shaping the field (Section III: Data); provide concise and up-to-date introductions to new digital methods and approaches (Section IV: Methods); and present a selection of case studies that exemplify how these can be used in various sectors as a source of inspiration for readers (Section V: Case Studies).

      Produktinformation

      • Utgivningsdatum:2026-11-28
      • Mått:184 x 249 x 41 mm
      • Vikt:1 969 g
      • Format:Inbunden
      • Språk:Engelska
      • Serie:Oxford Handbooks
      • Antal sidor:904
      • Förlag:OUP USA
      • ISBN:9780197835210

      Utforska kategorier

      • Forntidens historia inom Historia och arkeologi
      • Arkeologiska perioder och områden inom Historia och arkeologi

      Mer om författaren

      Elton Barker is Professor of Greek Literature and Culture at The Open University, and the author of Entering the Agon. Since 2008, he has led digital initiatives for studying the ancient world, from the Hestia project to the Digital Periegesis. In 2011, he founded Pelagios, a humanities linked data initiative, and now serves as Partnership Secretary of the Pelagios Network, a community launched in 2019 to link information online.Olympia Bobou is Assistant Professor in Classical Archaeology at Aarhus University's Centre for Urban Network Evolutions and Department of History and Classical Studies.Rubina Raja is Professor of Classical Archaeology and Art at Aarhus University and Director of the Danish National Research Foundation's Centre of Excellence for Urban Network Evolutions. Her previous publications include Pearl of the Desert: A History of Palmyra and, as editor, The Oxford Handbook of Palmyra and The Oxford Handbook of the Hellenistic and Roman Near East.

      Innehållsförteckning

      • Section I. Introduction 1: Elton Barker, Olympia Bobou and Rubina Raja: Digital Classical Studies: Past Approaches and Future Directions Section II. Contexts 2: Monica Berti, Gregory R. Crane and Alison Babeu: Philology and Digital Texts 3: Katharine Shields: Digital Linguistic Methods and Approaches 4: Paul Reilly: Digitalizing Digital Archaeology: Some Implications 5: Costis Dallas: Archaeology and Digital Heritage 6: J.A. Baird and Rubina Raja: From Dirt to Digital Archives 7: Kre%simir Matijevi'c: Digital Epigraphy and Possible Future Developments 8: Andrew Meadows, David Wigg-Wolf and Ethan Gruber: Digital Ancient Numismatics: Coins, Linked Open Data and Nomisma 9: Sarah E. Bond: Digital Maps and Mapping 10: Stuart Dunn: Place 11: Jeremy Huggett: Ethics and Digital Archaeology 12: Eleni Bozia: Ethics and AI 13: Isto Huvila: Datafication of Archaeological Information 14: Neha Gupta: Decolonizing Archaeology through Digital Means 15: William Michael Carter: Reflexive Futures: AI, Interpretation, and the Making of Virtual Heritage Section III. Data 16: Isto Huvila: Archiving Archaeology as Data 17: Julian D. Richards: Archaeological Data and Digital Archives 18: Katharina Meinecke: Digital Approaches to the Study of Greek and Roman Sculpture 19: Dario Calomino: New Digital Technologies in the Study of Ancient Coinage 20: Catherine Bouras: Digital Gazetteers 21: Angelos Barmpoutis and Eleni Bozia: Epigraphy Going Digital: Tools and Methods 22: Francesca Dell'Oro: Linguistics and Inscriptions 23: Leah Packard-Grams: Digitally Reuniting Papyri and Other Textual Artifacts 24: C. Michael Sampson: Integrated Digital Papyrology 25: Franz Fischer and Paolo Monella: Digital Philology and Editing Texts 26: Francesco Mambrini: Language Resources and Editions 27: Charles Pletcher and Matteo Romanello: Commentaries in the Digital Age Section IV. Methods 28: Steven Dey: Digitizing 3D Heritage and the Opportunities and Limitations of Imaging from 3D Content 29: Nicoló Dell'Unto: 3D Digital Replicas and New Archives 30: Nicolas Klenert and Daniel Baum: Digital Unfolding of Writing Materials 31: Thomas J. Keep: Virtual Reality and Communicating the Past 32: Barbara Birley and Claire Stocks: Virtual Gaming and Heritage: Is the Console Mightier than the Trowel? 33: Marja Vierros and Polina Yordanova-Nanev: Scaled Linguistic Analysis of Papyri 34: Nicoletta Bruno: Lexicography of Ancient Greek and Latin in the Digital Age 35: Patrick J. Burns: Latin Intertext Detection 36: Margherita Fantoli: Semantic Annotation: Resources, Tools, and Methods 37: William Michael Short: Problems in the Semantic Annotation of Ancient Language Corpora 38: Barbara McGillivray: Latin Corpus Linguistics and Big Data 39: Thea Sommerschield and Yannis Assael: Machine Learning and Classical Studies 40: Chiara Palladino and Tariq Yousef: Training on the Shoulders of Giants: Large Language Models and the Digital Classics Infrastructure 41: Nicola Reggiani: Machine Learning and Papyrology 42: Andreas Angourakis: Simulation and Agent-Based Modeling in Archaeology 43: Dries Daems: Agent-Based Modeling in Classical Archaeology 44: Anna Novokhatko: Agent-Based Modeling and Ancient Greek Drama 45: Anton Bonnier and Martin Finné: Digital Approaches to Landscape Changes and Human-Environment Dynamics 46: Stefano Campana: Investigating Roman Landscapes through Non-invasive Archaeology 47: Giacomo Landeschi: Sensory Archaeology in the Digital Age: Exploring Ancient Spaces through Computational Methods 48: Francesca Mazzilli and Tomá%s Glomb: Formal Approaches to Sociospatial Networks and Religions 49: Chiara Palladino: Digital Spatial Narratives Section V. Case Studies 50: Mar A Rodda: Digital Linguistic Approaches to Homer 51: Maria Konstantinidou and John Pavlopoulos: Approaching Homer with NLP 52: Kostas Vlassopoulos, Kyriaki Konstantinidou and Elton Barker: A Digital Prosopography of Enslaved Persons in Antiquity 53: Anna Foka, Brady Kiesling, Kyriaki Konstantinidou, Linda Talatas, and Elton Barker: A Digital Periegesis: From Annotation to Data Modeling; or: How to Make a Project Mapping Pausanias Useful 54: Jon M Frey and Fotini Kondyli: Digital Investigations into Old Excavations 55: Philip T. Stinson: Digital Roman Architecture in Aphrodisias 56: Hariclia Brecoulaki and Christos Simatos: Reconstructing Ancient Greek Painting in the Age of AI: Visualizing the Aigai Hunt Frieze 57: Alberto Dalla Rosa, Milagros Navarro Caballero and Nathalie Prévôt: PETRAE: Platform for Digital Epigraphy 58: Christy Chapman, Kenneth Lapatin and W. Brent Seales: Historical Unfolding and Virtual Unwrapping of the Papyri from the Villa dei Papiri 59: Marguerite Spoerri Butcher, Chris Howgego, Andrew Wilson, and Cristian GÇzdac: The Coin Hoards of the Roman Empire Project 60: Leif Scheuermann: Simulation of Transport between the Adriatic Sea and the Danube (STRADA) 61: Andrew Shapland and Felicity McDowall: Labyrinth: Knossos, Myth and Reality. Staging an Archaeological Exhibition in a Digital Era 62: Anne Hunnell Chen: Linked Open (Legacy) Data: The Case of Dura-Europos 63: Ian Dawson and Paul Reilly: Nessglyph Encounters New Materialism in an Art/Archaeology Phygital Nexus
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