The Oxford Handbook of Shakespeare and Early Modern Authorship draws together leading and emerging scholars of Shakespeare and early modern literature to consider anew how authorship worked in the time in which Shakespeare wrote, and to interrogate the construction of the Shakespeare-as-author figure. Composed of four main sections, it offers fresh analysis of the literary and cultural influences and forces that 'formed' authors in the period; the 'mechanics' of early modern authorship; the 'mediation' of Shakespeare and others' works in performance, manuscript, and print; and the critical and popular reimagining across times of Shakespeare as an author figure. Diving into modern debates about early modern authorship, authority, and identity politics, contributors supply rich new accounts of the wider scene of professional authorship in early modern England, of how Shakespeare's writings contributed to it, and of what made him distinctive within it. Looking beyond Shakespeare, the Handbook seeks to provide a vital testing ground for new research into early modern literature and culture more broadly.
