Jack Lynch is Professor of English at Rutgers University-Newark, and the author or editor of eighteen books, including The Age of Elizabeth in the Age of Johnson and Deception and Detection in Eighteenth-Century Britain. He is co-editor of The Age of Johnson: A Scholarly Annual.

...[I]ts eclectic contextual and thematic studies, wonderfully reflective of the current state of the eighteenth-century studies as a discipline, will reveal the period's relationship to poetry in all its complexity and contradiction.

• PART I: POEMS IN SOCIAL SETTINGS; PART II: POETIC IDENTITIES; PART III: POETIC SUBJECTS; PART IV: POETIC FORM; PART V: POETIC GENRES; PART VI: POETIC DEVICES; PART VII: CRITICISM

Jack Lynch is Professor of English at Rutgers University-Newark, and the author or editor of eighteen books, including The Age of Elizabeth in the Age of Johnson and Deception and Detection in Eighteenth-Century Britain. He is co-editor of The Age of Johnson: A Scholarly Annual.

...[I]ts eclectic contextual and thematic studies, wonderfully reflective of the current state of the eighteenth-century studies as a discipline, will reveal the period's relationship to poetry in all its complexity and contradiction.

• PART I: POEMS IN SOCIAL SETTINGS; PART II: POETIC IDENTITIES; PART III: POETIC SUBJECTS; PART IV: POETIC FORM; PART V: POETIC GENRES; PART VI: POETIC DEVICES; PART VII: CRITICISM

Jack Lynch is Professor of English at Rutgers University-Newark, and the author or editor of eighteen books, including The Age of Elizabeth in the Age of Johnson and Deception and Detection in Eighteenth-Century Britain. He is co-editor of The Age of Johnson: A Scholarly Annual.

...[I]ts eclectic contextual and thematic studies, wonderfully reflective of the current state of the eighteenth-century studies as a discipline, will reveal the period's relationship to poetry in all its complexity and contradiction.

• PART I: POEMS IN SOCIAL SETTINGS; PART II: POETIC IDENTITIES; PART III: POETIC SUBJECTS; PART IV: POETIC FORM; PART V: POETIC GENRES; PART VI: POETIC DEVICES; PART VII: CRITICISM