Jack Lynch – författare

In the most comprehensive and up-to-date overview of the poetry published in Britain between the Restoration and the end of the eighteenth century, forty-four authorities from six countries survey the poetry of the age in all its richness and diversity--serious and satirical, public and private, by men and women, nobles and peasants, whether published in deluxe editions or sung on the streets. The contributors discuss poems in social contexts, poetic identities, poetic subjects, poetic form, poetic genres, poetic devices, and criticism. Even experts in eighteenth-century poetry will see familiar poems from new angles, and all readers will encounter poems they''ve never read before. The book is not a chronologically organized literary history, nor an encyclopaedia, nor a collection of thematically related essays; rather it is an attempt to provide a systematic overview of these poetic works, and to restore it to a position of centrality in modern criticism.

In the most comprehensive and up-to-date overview of the poetry published in Britain between the Restoration and the end of the eighteenth century, forty-four authorities from six countries survey the poetry of the age in all its richness and diversity--serious and satirical, public and private, by men and women, nobles and peasants, whether published in deluxe editions or sung on the streets. The contributors discuss poems in social contexts, poetic identities, poetic subjects, poetic form, poetic genres, poetic devices, and criticism. Even experts in eighteenth-century poetry will see familiar poems from new angles, and all readers will encounter poems they''ve never read before. The book is not a chronologically organized literary history, nor an encyclopaedia, nor a collection of thematically related essays; rather it is an attempt to provide a systematic overview of these poetic works, and to restore it to a position of centrality in modern criticism.

No major author worked in more genres than Samuel Johnson--essays, poetry, fiction, criticism, biography, scholarly editing, lexicography, translation, sermons, journalism. His works are more extensive than those of any other canonical English writer, and no earlier writer''s life was documented as thoroughly by contemporaries.Because it''s so difficult to know him thoroughly, people have made do with surrogates and simplifications. But Johnson was much more complicated than the popular image of ''Dr. Johnson'' suggests: socially conservative but also one of the most radical abolitionists of his age, a firm believer in social hierarchy but an outspoken supporter of women intellectuals, an uncompromising Christian moralist but also a penetrating critic of family structures. Labels fit him poorly.In The Oxford Handbook of Samuel Johnson, an international team of thirty-six scholars offers the most comprehensive examination ever attempted of one of the most complex figures in English literature. The book''s first section examines Johnson''s life and the texts of his works; the second, organized by genre, explores all his major works and many of his minor ones; the third, organized by topic, covers the subjects that were most important to him as a writer, as a thinker, and as a moralist.

No major author worked in more genres than Samuel Johnson--essays, poetry, fiction, criticism, biography, scholarly editing, lexicography, translation, sermons, journalism. His works are more extensive than those of any other canonical English writer, and no earlier writer''s life was documented as thoroughly by contemporaries.Because it''s so difficult to know him thoroughly, people have made do with surrogates and simplifications. But Johnson was much more complicated than the popular image of ''Dr. Johnson'' suggests: socially conservative but also one of the most radical abolitionists of his age, a firm believer in social hierarchy but an outspoken supporter of women intellectuals, an uncompromising Christian moralist but also a penetrating critic of family structures. Labels fit him poorly.In The Oxford Handbook of Samuel Johnson, an international team of thirty-six scholars offers the most comprehensive examination ever attempted of one of the most complex figures in English literature. The book''s first section examines Johnson''s life and the texts of his works; the second, organized by genre, explores all his major works and many of his minor ones; the third, organized by topic, covers the subjects that were most important to him as a writer, as a thinker, and as a moralist.

In 1773, James Boswell made a long-planned journey across the Scottish Highlands with his English friend Samuel Johnson; the two spent more than a hundred days together. Their tour of the Hebrides resulted in two books, A Journey to the Western Islands of Scotland (1775), a kind of locodescriptive ethnography and Johnson''s most important work between his Shakespeare edition and his Lives of the Poets. The other, Boswell''s Journal of a Tour to the Hebrides with Samuel Johnson (1785), a travel narrative experimenting with biography, the first application of the techniques he would use in his Life of Samuel Johnson (1791). These two works form a natural pair and, owing that they cover much of the same material, are often read together, focusing on the Scottish highlands.The text presents a lightly-edited version of both works, preserving the original orthography and corrected typographical errors to fit modern grammar standards. The introduction and notes provide clear and concise explanations on Johnson and Boswell''s respective careers, their friendship and grand biographical projects. It also examines the Scottish Enlightenment, the status of England and Scotland during the Reformation through to the Union of the Crowns, and the Jacobite

In 1773, James Boswell made a long-planned journey across the Scottish Highlands with his English friend Samuel Johnson; the two spent more than a hundred days together. Their tour of the Hebrides resulted in two books, A Journey to the Western Islands of Scotland (1775), a kind of locodescriptive ethnography and Johnson''s most important work between his Shakespeare edition and his Lives of the Poets. The other, Boswell''s Journal of a Tour to the Hebrides with Samuel Johnson (1785), a travel narrative experimenting with biography, the first application of the techniques he would use in his Life of Samuel Johnson (1791). These two works form a natural pair and, owing that they cover much of the same material, are often read together, focusing on the Scottish highlands.The text presents a lightly-edited version of both works, preserving the original orthography and corrected typographical errors to fit modern grammar standards. The introduction and notes provide clear and concise explanations on Johnson and Boswell''s respective careers, their friendship and grand biographical projects. It also examines the Scottish Enlightenment, the status of England and Scotland during the Reformation through to the Union of the Crowns, and the Jacobite

No major author worked in more genres than Samuel Johnson--essays, poetry, fiction, criticism, biography, scholarly editing, lexicography, translation, sermons, journalism. His works are more extensive than those of any other canonical English writer, and no earlier writer's life was documented as thoroughly by contemporaries.Because it's so difficult to know him thoroughly, people have made do with surrogates and simplifications. But Johnson was much more complicated than the popular image of 'Dr. Johnson' suggests: socially conservative but also one of the most radical abolitionists of his age, a firm believer in social hierarchy but an outspoken supporter of women intellectuals, an uncompromising Christian moralist but also a penetrating critic of family structures. Labels fit him poorly.In The Oxford Handbook of Samuel Johnson, an international team of thirty-six scholars offers the most comprehensive examination ever attempted of one of the most complex figures in English literature. The book's first section examines Johnson's life and the texts of his works; the second, organized by genre, explores all his major works and many of his minor ones; the third, organized by topic, covers the subjects that were most important to him as a writer, as a thinker, and as a moralist.

In 1773, James Boswell made a long-planned journey across the Scottish Highlands with his English friend Samuel Johnson; the two spent more than a hundred days together. Their tour of the Hebrides resulted in two books, A Journey to the Western Islands of Scotland (1775), a kind of locodescriptive ethnography and Johnson's most important work between his Shakespeare edition and his Lives of the Poets. The other, Boswell's Journal of a Tour to the Hebrides with Samuel Johnson (1785), a travel narrative experimenting with biography, the first application of the techniques he would use in his Life of Samuel Johnson (1791). These two works form a natural pair and, owing that they cover much of the same material, are often read together, focusing on the Scottish highlands.The text presents a lightly-edited version of both works, preserving the original orthography and corrected typographical errors to fit modern grammar standards. The introduction and notes provide clear and concise explanations on Johnson and Boswell's respective careers, their friendship and grand biographical projects. It also examines the Scottish Enlightenment, the status of England and Scotland during the Reformation through to the Union of the Crowns, and the Jacobite

In the most comprehensive and up-to-date overview of the poetry published in Britain between the Restoration and the end of the eighteenth century, forty-four authorities from six countries survey the poetry of the age in all its richness and diversity--serious and satirical, public and private, by men and women, nobles and peasants, whether published in deluxe editions or sung on the streets. The contributors discuss poems in social contexts, poetic identities, poetic subjects, poetic form, poetic genres, poetic devices, and criticism. Even experts in eighteenth-century poetry will see familiar poems from new angles, and all readers will encounter poems they've never read before. The book is not a chronologically organized literary history, nor an encyclopaedia, nor a collection of thematically related essays; rather it is an attempt to provide a systematic overview of these poetic works, and to restore it to a position of centrality in modern criticism.

In the most comprehensive and up-to-date overview of the poetry published in Britain between the Restoration and the end of the eighteenth century, forty-four authorities from six countries survey the poetry of the age in all its richness and diversity--serious and satirical, public and private, by men and women, nobles and peasants, whether published in deluxe editions or sung on the streets. The contributors discuss poems in social contexts, poetic identities, poetic subjects, poetic form, poetic genres, poetic devices, and criticism. Even experts in eighteenth-century poetry will see familiar poems from new angles, and all readers will encounter poems they've never read before. The book is not a chronologically organized literary history, nor an encyclopedia, nor a collection of thematically related essays; rather it is an attempt to provide a systematic overview of these poetic works, and to restore it to a position of centrality in modern criticism.

Samuel Johnson's Dictionary of the English Language, the first great English dictionary and one of the most famous books in the English language, appeared in April 1755. To commemorate the 250th anniversary, this volume brings together fourteen original essays by international scholars representing several disciplines: literature, lexicology, linguistics and bibliography. The essays explore familiar and unfamiliar aspects of Johnson's masterpiece, ranging from the history of patronage to the book's typographical design, from the political background to the treatment of compound words. Challenging the myths surrounding the book and offering the most comprehensive and wide-ranging study of the Dictionary ever attempted, these essays present fresh scholarship on the Dictionary and open up novel perspectives and directions for future research.

In The Age of Elizabeth in the Age of Johnson, Jack Lynch explores eighteenth-century British conceptions of the Renaissance, and the historical, intellectual, and cultural uses to which the past was put during the period. Scholars, editors, historians, religious thinkers, linguists and literary critics of the period all defined themselves in relation to 'the last age' or 'the age of Elizabeth'. Seventeenth- and eighteenth-century thinkers reworked older historical schemes to suit their own needs, turning to the ages of Petrarch and Poliziano, Erasmus and Scaliger, Shakespeare, Spenser, and Queen Elizabeth to define their culture in contrast to the preceding age. They derived a powerful sense of modernity from the comparison, which proved essential to the constitution of a national character. This interdisciplinary study will be of interest to cultural as well as literary historians of the eighteenth century.

Few authors benefit from being set in their contemporary context more than Samuel Johnson. Samuel Johnson in Context is a guide to his world, offering readers a comprehensive account of eighteenth-century life and culture as it relates to his work. Short, lively and eminently readable chapters illuminate not only Johnson's own life, writings and career, but the literary, critical, journalistic, social, political, scientific, artistic, medical and financial contexts in which his works came into being. Written by leading experts in Johnson and in eighteenth-century studies, these chapters offer both depth and range of information and suggestions for further study and research. Richly illustrated, with a chronology of Johnson's life and works and an extensive bibliography, this book is a major new work of reference on eighteenth-century culture and the age of Johnson.

In The Age of Elizabeth in the Age of Johnson, Jack Lynch explores eighteenth-century British conceptions of the Renaissance, and the historical, intellectual, and cultural uses to which the past was put during the period. Scholars, editors, historians, religious thinkers, linguists and literary critics of the period all defined themselves in relation to 'the last age' or 'the age of Elizabeth'. Seventeenth- and eighteenth-century thinkers reworked older historical schemes to suit their own needs, turning to the ages of Petrarch and Poliziano, Erasmus and Scaliger, Shakespeare, Spenser, and Queen Elizabeth to define their culture in contrast to the preceding age. They derived a powerful sense of modernity from the comparison, which proved essential to the constitution of a national character. This interdisciplinary study will be of interest to cultural as well as literary historians of the eighteenth century.

Samuel Johnson's Dictionary of the English Language, the first great English dictionary and one of the most famous books in the English language, appeared in April 1755. To commemorate the 250th anniversary, this volume brings together fourteen original essays by international scholars representing several disciplines: literature, lexicology, linguistics and bibliography. The essays explore familiar and unfamiliar aspects of Johnson's masterpiece, ranging from the history of patronage to the book's typographical design, from the political background to the treatment of compound words. Challenging the myths surrounding the book and offering the most comprehensive and wide-ranging study of the Dictionary ever attempted, these essays present fresh scholarship on the Dictionary and open up novel perspectives and directions for future research.

In the first extended treatment of the debates surrounding public deception in eighteenth-century Britain, Jack Lynch contends that forgery, fakery, and fraud make explicit the usually unspoken grounds on which Britons made sense of their world. Confrontations with inauthenticity, in other words, bring tacitly understood conceptions of reality to the surface. Drawing on a wide range of contemporary print and manuscript sources”not only books and pamphlets, but ballads, comic prints, legal proceedings, letters, and diaries”Lynch focuses on the debates they provoked, rather than the forgers themselves. He offers a comprehensive treatment of the criticism surrounding fraud in most of the noteworthy controversies of the long eighteenth century. To this end, his study is structured around topics related to the arguments over deception in Britain, whether they concerned George Psalmanazar's Formosan hoax at the beginning of the eighteenth century or William Henry Ireland's Shakespearean imposture at the end. Beginning with the question of what constitutes deception and ending with an illuminating chapter on what was at stake in these debates for eighteenth-century British thinkers, Lynch's accessibly written study takes the reader through the means”whether simple, sophisticated, or tortuously argued”by which partisans on both sides struggled to define which of the apparent contradictions were sufficient to disqualify a claim to authenticity. Fakery, Lynch persuasively argues, transports us to the heart of eighteenth-century notions of the value of evidence, of the mechanisms of perception and memory, of the relationship between art and life, of historicism, and of human motivation.

In its long history, the English language has had many lawmakers--those who have tried to regulate or otherwise organize the way we speak. Proper Words in Proper Places offers the first narrative history of these endeavors and shows clearly that what we now regard as the only "correct" way to speak emerged out of specific historical and social conditions over the course of centuries. As historian Jack Lynch has discovered, every rule has a human history and the characters peopling his narrative are as interesting for their obsession as for their erudition: the sharp-tongued satirist Jonathan Swift, who called for a government-sponsored academy to issue rulings on the language; the polymath Samuel Johnson, who put dictionaries on a new footing; the eccentric Hebraist Robert Lowth, the first modern to understand the workings of biblical poetry; the crackpot linguist John Horne Tooke, whose bizarre theories continue to baffle scholars; the chemist and theologian Joseph Priestly, whose political radicalism prompted violent riots; the ever-crotchety Noah Webster, who worked to Americanize the English language; the long-bearded lexicographer James A. H. Murray, who devoted his life to a survey of the entire language in the Oxford English Dictionary; and the playwright George Bernard Shaw, who worked without success to make English spelling rational. Grammatical "rules" or "laws" are not like the law of gravity, or even laws against murder and theft--they''re more like rules of etiquette, made by fallible people and subject to change. Witty, smart, full of passion for the world''s language, Proper Words in Proper Places will entertain and educate in equal measure.

"Knowledge is of two kinds," said Samuel Johnson in 1775. "We know a subject ourselves, or we know where we can find information upon it." Today we think of Wikipedia as the source of all information, the ultimate reference. Yet it is just the latest in a long line of aggregated knowledge--reference works that have shaped the way we''ve seen the world for centuries. You Could Look It Up chronicles the captivating stories behind these great works and their contents, and the way they have influenced each other. From The Code of Hammurabi, the earliest known compendium of laws in ancient Babylon almost two millennia before Christ to Pliny''s Natural History; from the 11th-century Domesday Book recording land holdings in England to Abraham Ortelius''s first atlas of the world; from Samuel Johnson''s A Dictionary of the English Language to The Whole Earth Catalog to Google, Jack Lynch illuminates the human stories and accomplishment behind each, as well as its enduring impact on civilization. In the process, he offers new insight into the value of knowledge.

Few authors benefit from being set in their contemporary context more than Samuel Johnson. Samuel Johnson in Context is a guide to his world, offering readers a comprehensive account of eighteenth-century life and culture as it relates to his work. Short, lively and eminently readable chapters illuminate not only Johnson's own life, writings and career, but the literary, critical, journalistic, social, political, scientific, artistic, medical and financial contexts in which his works came into being. Written by leading experts in Johnson and in eighteenth-century studies, these chapters offer both depth and range of information and suggestions for further study and research. Richly illustrated, with a chronology of Johnson's life and works and an extensive bibliography, this book is a major new work of reference on eighteenth-century culture and the age of Johnson.

In the first extended treatment of the debates surrounding public deception in eighteenth-century Britain, Jack Lynch contends that forgery, fakery, and fraud make explicit the usually unspoken grounds on which Britons made sense of their world. Confrontations with inauthenticity, in other words, bring tacitly understood conceptions of reality to the surface. Drawing on a wide range of contemporary print and manuscript sources”not only books and pamphlets, but ballads, comic prints, legal proceedings, letters, and diaries”Lynch focuses on the debates they provoked, rather than the forgers themselves. He offers a comprehensive treatment of the criticism surrounding fraud in most of the noteworthy controversies of the long eighteenth century. To this end, his study is structured around topics related to the arguments over deception in Britain, whether they concerned George Psalmanazar's Formosan hoax at the beginning of the eighteenth century or William Henry Ireland's Shakespearean imposture at the end. Beginning with the question of what constitutes deception and ending with an illuminating chapter on what was at stake in these debates for eighteenth-century British thinkers, Lynch's accessibly written study takes the reader through the means”whether simple, sophisticated, or tortuously argued”by which partisans on both sides struggled to define which of the apparent contradictions were sufficient to disqualify a claim to authenticity. Fakery, Lynch persuasively argues, transports us to the heart of eighteenth-century notions of the value of evidence, of the mechanisms of perception and memory, of the relationship between art and life, of historicism, and of human motivation.

In the first extended treatment of the debates surrounding public deception in eighteenth-century Britain, Jack Lynch contends that forgery, fakery, and fraud make explicit the usually unspoken grounds on which Britons made sense of their world. Confrontations with inauthenticity, in other words, bring tacitly understood conceptions of reality to the surface. Drawing on a wide range of contemporary print and manuscript sources”not only books and pamphlets, but ballads, comic prints, legal proceedings, letters, and diaries”Lynch focuses on the debates they provoked, rather than the forgers themselves. He offers a comprehensive treatment of the criticism surrounding fraud in most of the noteworthy controversies of the long eighteenth century. To this end, his study is structured around topics related to the arguments over deception in Britain, whether they concerned George Psalmanazar''s Formosan hoax at the beginning of the eighteenth century or William Henry Ireland''s Shakespearean imposture at the end. Beginning with the question of what constitutes deception and ending with an illuminating chapter on what was at stake in these debates for eighteenth-century British thinkers, Lynch''s accessibly written study takes the reader through the means”whether simple, sophisticated, or tortuously argued”by which partisans on both sides struggled to define which of the apparent contradictions were sufficient to disqualify a claim to authenticity. Fakery, Lynch persuasively argues, transports us to the heart of eighteenth-century notions of the value of evidence, of the mechanisms of perception and memory, of the relationship between art and life, of historicism, and of human motivation.

In the first extended treatment of the debates surrounding public deception in eighteenth-century Britain, Jack Lynch contends that forgery, fakery, and fraud make explicit the usually unspoken grounds on which Britons made sense of their world. Confrontations with inauthenticity, in other words, bring tacitly understood conceptions of reality to the surface. Drawing on a wide range of contemporary print and manuscript sources”not only books and pamphlets, but ballads, comic prints, legal proceedings, letters, and diaries”Lynch focuses on the debates they provoked, rather than the forgers themselves. He offers a comprehensive treatment of the criticism surrounding fraud in most of the noteworthy controversies of the long eighteenth century. To this end, his study is structured around topics related to the arguments over deception in Britain, whether they concerned George Psalmanazar''s Formosan hoax at the beginning of the eighteenth century or William Henry Ireland''s Shakespearean imposture at the end. Beginning with the question of what constitutes deception and ending with an illuminating chapter on what was at stake in these debates for eighteenth-century British thinkers, Lynch''s accessibly written study takes the reader through the means”whether simple, sophisticated, or tortuously argued”by which partisans on both sides struggled to define which of the apparent contradictions were sufficient to disqualify a claim to authenticity. Fakery, Lynch persuasively argues, transports us to the heart of eighteenth-century notions of the value of evidence, of the mechanisms of perception and memory, of the relationship between art and life, of historicism, and of human motivation.

Provides a comprehensive overview of all aspects of the poetry, drama, fiction, and literary and cultural criticism produced from the Restoration of the English monarchy to the onset of the French RevolutionComprises over 340 entries arranged in A-Z format across three fully indexed and cross-referenced volumesWritten by an international team of leading and emerging scholarsFeatures an impressive scope and range of subjects: from courtship and circulating libraries, to the works of Samuel Johnson and Sarah ScottIncludes coverage of both canonical and lesser-known authors, as well as entries addressing gender, sexuality, and other topics that have previously been underrepresented in traditional scholarshipRepresents the most comprehensive resource available on this period, and an indispensable guide to the rich diversity of British writing that ushered in the modern literary era3 Volumeswww.literatureencyclopedia.com

“A delight”—BooklistA richly illustrated historical account of English-language dictionaries, and the people who made them, from the dawn of printing to the present day.Dictionaries are repositories of erudition, monuments to linguistic authority, and battlefields in cultural and political struggles. For centuries, they were also works of almost superhuman endurance, produced by people who devoted themselves for years, even decades, to the wearisome labor of corralling, recording, and defining the vocabulary of a language. Dictionaries also are often beautiful objects: typographically innovative, designed to project learning and authority.Painstakingly collected and lovingly presented, here are the stories behind great works of scholarship and the people who produced them—their prodigious endurance, their nationalist fervor, their philological elucubrations haphazardly mixed with crackpot theories, their petty rivalries, their need for sales, and their sometimes irrational conduct and visceral hatreds.Readers will find towering figures of English lexicography—Samuel Johnson, the American patriot Noah Webster, the Oxford English Dictionary’s James Murray—and many more obscure lexicographers whose achievements and biographies are no less fascinating. For one, meet Ann Fisher, England’s first female lexicographer, whose dictionary in 1773 introduced the radical innovation of alphabetically separating the letter pairs I and J and U and V (reacting against her predecessors who had “ever blended and confounded them”).The lesser-known works here include the small, unassuming 1604 book that is generally regarded as the “first English dictionary”; the early representatives of the “hard word” tradition as it evolves into attempts to cover the whole vocabulary; and the vast Century Dictionary—an American enterprise that rivaled the original OED.As the quest for completeness placed a dictionary beyond one author’s ability (or lifespan), editors and publishers adapted. For the OED, in 1918, J. R. R. Tolkien was hired to define select words beginning with W (and he tackled warm, wash, wasp, water, wick, and winter). Later in the 20th century, the Random House Dictionary of the English Language was marketed as relying not on famous literary figures or educators, but instead on computers for exactitude.However they may have been written and compiled, dictionaries induce us to ask about the basis of authority. Who gets to say what is an English word and what is not, what words mean, and how words should be used? The 19th century saw a craze for nonstandard, regional dialect, the collection of which led to crowdsourcing before that word had even been coined (the same basic method continues today with the Urban Dictionary website). In 1944, the first dictionary by a Black American (of slang “hepster jive”) appeared. The first gay dictionary emerged in the early 1970s, followed in the 1980s by the first dictionary for feminists and the first for hackers. Meanwhile, the form of dictionaries has changed—especially since 1995 and the start-up website Dictionary.com. Today, the future of the printed dictionary is in question, but the central relevance of dictionaries, whatever their format, to communication and culture endures.Hardly Harmless Drudgery is a long-overdue celebration of all those who toiled in service of language and meaning. It covers more than half a millennium, from the 15th century to the 21st, with biographical and bibliographical information, correspondence, and engrossing details never before published. Profusely illustrated with 750 photographs of books and ephemera, this is nothing less than a glorious celebration of words and the people who love them.

The move to a new publisher has given The Age of Johnson: A Scholarly Annual the opportunity to recommit to what it does best: present to a wide readership cant-free scholarly articles and essays and searching book reviews, all featuring a wide variety of approaches, written by both seasoned scholars and relative newcomers. Volume 24 features commentary on a range of Johnsonian topics: his reaction to Milton, his relation to the Allen family, his notes in his edition of Shakespeare, his use of Oliver Goldsmith in his Dictionary, and his always fascinating Nachleben. The volume also includes articles on topics of strong interest to Johnson: penal reform, Charlotte Lennox's professional literary career, and the "conjectural history" of Homer in the eighteenth century.For more than two decades, The Age of Johnson has presented a vast corpus of Johnsonian studies "in the broadest sense," as founding editor Paul J. Korshin put it in the preface to Volume 1, and it has retained the interest of a wide readership. In thousands of pages of articles, review essays, and reviews, The Age of Johnson has made a permanent contribution to our understanding of the eighteenth century, and particularly of Samuel Johnson, his circle, and his interests, and has also served as an outlet for writers who are not academics but have something important to say about the eighteenth century. ISSN 0884-5816.

For more than twenty years, The Age of Johnson has aspired to present to a wide readership a body of influential Johnsonian scholarship “in the broadest sense,” as founder Paul J. Korshin put it. In keeping with this sentiment, volume 25 contains cant-free scholarly articles and essays written by both leaders in the field and emerging scholars, among them a London barrister and a medical school professor. Featuring lively and penetrating work on Johnson’s medical conditions, his edition of Shakespeare, his books in the Hyde Collection at Harvard, and his relation to American writers, as well as fresh work on Boswell’s travel writing and his curious afterlife in mid-twentieth-century Chicago, volume 25 makes a substantial contribution to our understanding of Johnson and his world. Also included are learned and stimulating book reviews on the state of English studies, on Edmund Burke, on Jane Austen, and more.Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.ISSN 0884-5816