Singing Early Music

The Pronunciation of European Languages in the Late Middle Ages and Renaissance

AvTimothy J McGee,Timothy J. McGee

Häftad, Engelska, 2004

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Beskrivning

Praise for the cloth edition:"Commendable in its scholarship . . . should prove of interest to linguists, medievalists, and Renaissance academicians, as well as to fastidious performers of early music." —Choice"Singing Early Music is a pioneering work of surpassing quality that cannot be too highly recommended." —Journal of Singing"Addresses the needs of the performer directly, giving historical pronunciations for a range of languages [and] sample texts. . . . The CD that comes with the book will prove invaluable. . . . David Klausner's recording is admirably consistent and convincing across the wide range of languages." —Early Music

Produktinformation

Utgivningsdatum:2004-08-25
Mått:178 x 254 x 23 mm
Vikt:644 g
Format:Häftad
Språk:Engelska
Serie:Music Scholarship and Performance
Antal sidor:320
Förlag:Indiana University Press
ISBN:9780253210265

Utforska kategorier

Klassisk musik, konstmusik och orkestermusik inom Kultur

Mer om författaren

Timothy J. McGee is Professor Emeritus of Musicology at the University of Toronto, and author of Medieval and Renaissance Music: A Performer's Guide and Medieval Instrumental Dances (IUP, 1989).

Recensioner i media

"... it certainly belongs in every institutional library and among the holdings of all those interested in any way in early music and literature. Singing Early Music is a pioneering work of surpassing quality that can not be too highly recommended." Journal of Singing "Commendable in its scholarship, this sturdily bound book should prove of interest to linguists, medievalists, and Renaissance academicians, as well as to fastidious performers of early music." Choice "This book ... addresses the needs of the performer directly, giving historical pronunciation for a range of languages, sample texts, and just enough explanation of how we know... " Early Music "... required study for any musician venturing seriously into the performance of early Western European vocal music." Notes "I highly recommend this book for singers and teachers of early music eager to add an extra dimension to their singing." European Journal of Early Music

Innehållsförteckning

PrefaceAcknowledgmentsHow to Use This GuideCommon Abbreviations1. IntroductionPhonetics, David N. KlausnerOverview of European Languages, A. G. RiggLatin, A. G. RiggBritain2. English, David N. KlausnerDiachronic Sound Chart Sample Texts3. Sixteenth-Century Scots, David N. KlausnerSample Texts4. Anglo-Latin, A. G. RiggDiachronic Sound ChartSample TextsFrance5. Old French, Robert TaylorDiachronic Sound ChartPicard Sounds (Typical Picard Sounds)Sample Texts6. French Latin, Harold CopemanDiachronic Sound ChartSample Texts7. Occitan, Robert TaylorSample TextsIberian Peninsula8. Catalan, Beata FitzPatrickDiachronic Sound ChartSample Texts9. Spanish (Castilian), James F. BurkeDiachronic Sound ChartSample Texts10. Spanish Latin, Harold CopemanSample Texts11. Galician-Portuguese, Joseph T. Snow and James BurkeDiachronic Sound ChartSample Texts12. Portuguese Latin, Harold CopemanSample TextsItaly13. Italian, Gianrenzo ClivioSample Texts14. Italian Latin, harold CopemanSample TextsGermany and the Low Countries15. Middle High German, Peter FrenzelSample Texts16. Late Medieval German and Early New High German, Peter FrenzelDiachronic Sound ChartSample Texts17. German Latin, Harold Copeman and Vera U. G. ScherrSample Texts18. Flemish (Dutch), William Z. ShetterSample Texts19. Netherlands Latin, harold CopemanSample TextsGlossaryIndex to Compact DiskContributorsPhonetic Chart, David N. Klausner