George Houle, Professor Emeritus of Music at Stanford University and former music director of the New York Pro Musica, is a performer and music historian particularly interested in the Renaissance and Baroque periods. He is editor of Doulce mémoire, Le ballet des fâcheux, and Ockeghem's Missa Cuiusvis Toni, and co-editor of The Music for Viola Bastarda by Jason Paras (all from Indiana University Press).

"More than the notation was different! ... fine addition ... " --Early Music News "All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." -Continuo "This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar ... " --Early Music " ... the book offers a vast quantity of data from a wide range of sources... George Houle is to be congratulated for his honest presentation of the entire spectrum." --Music Educators Journal

• Introduction1. The Origins of the Measure in the Seventeenth Century2. Time Signatures in the Eighteenth Century3. Rhythmopoeia: Quantitative Meters in Poetry and Music4. Quantitas Intrinseca: The Perception of Meter5. Articulation of Quantitative Meter6. Accent as Measure Articulation and as Measure DefinitionAppendix: Rhythmopoeia according to Johann Mattheson and Wolfgang Caspar PrintzNotesBibliographyIndex

George Houle, Professor Emeritus of Music at Stanford University and former music director of the New York Pro Musica, is a performer and music historian particularly interested in the Renaissance and Baroque periods. He is editor of Doulce mémoire, Le ballet des fâcheux, and Ockeghem's Missa Cuiusvis Toni, and co-editor of The Music for Viola Bastarda by Jason Paras (all from Indiana University Press).

"More than the notation was different! ... fine addition ... " --Early Music News "All practising musicians with an interest in the baroque owe it to themselves to be exposed to the ideas contained in this book." -Continuo "This is a book from an excellent musician in the early field who turns out also to be a most persistent scholar ... " --Early Music " ... the book offers a vast quantity of data from a wide range of sources... George Houle is to be congratulated for his honest presentation of the entire spectrum." --Music Educators Journal

• Introduction1. The Origins of the Measure in the Seventeenth Century2. Time Signatures in the Eighteenth Century3. Rhythmopoeia: Quantitative Meters in Poetry and Music4. Quantitas Intrinseca: The Perception of Meter5. Articulation of Quantitative Meter6. Accent as Measure Articulation and as Measure DefinitionAppendix: Rhythmopoeia according to Johann Mattheson and Wolfgang Caspar PrintzNotesBibliographyIndex