Typography and Motion Graphics: The 'Reading-Image'

Inbunden, Engelska, 2018

Del i serien Routledge Studies in Media Theory and Practice

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Beskrivning

In his latest book, Michael Betancourt explores the nature and role of typography in motion graphics as a way to consider its distinction from static design using the concept of the ‘reading-image’ to model the ways that motion typography dramatizes the process of reading and audience recognition of language on-screen. Using both classic and contemporary title sequences—including The Man With the Golden Arm (1955), Alien (1979), Flubber (1998), Six Feet Under (2001), The Number 23 (2007) and Scott Pilgrim vs. The World (2010)—Betancourt develops an argument about what distinguishes motion graphics from graphic design. Moving beyond title sequences, Betancourt also analyzes moving or kinetic typography in logo designs, commercials, film trailers, and information graphics, offering a striking theoretical model for understanding typography in media.

Produktinformation

Utgivningsdatum:2018-11-29
Mått:138 x 216 x 11 mm
Vikt:340 g
Format:Inbunden
Språk:Engelska
Serie:Routledge Studies in Media Theory and Practice
Antal sidor:148
Förlag:Taylor & Francis Ltd
ISBN:9780367029289

Utforska kategorier

Medievetenskap inom Samhälle och politik
Övrig bildkonst inom Kultur
Television inom Kultur

Mer om författaren

Michael Betancourt is a research artist/theorist concerned with digital technology and capitalist ideology. His writing has been translated into Chinese, French, German, Greek, Italian, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo. He is the author of The ____________ Manifesto, and books such as The History of Motion Graphics, and The Critique of Digital Capitalism, as well as three books on the semiotics of motion graphics: Semiotics and Title Sequences, Synchronization and Title Sequences, and Title Sequences as Paratexts. These publications complement his movies, which have screened internationally at the Black Maria Film Festival, Art Basel Miami Beach, Contemporary Art Ruhr, Athens Video Art Festival, Festival des Cinemas Differents de Paris, Anthology Film Archives, Millennium Film Workshop, the San Francisco Cinematheque’s Crossroads, and Experiments in Cinema, among many others.

Innehållsförteckning

List of FiguresAcknowledgmentsMotion TypographyA History of Formalist ApproachesLegibilityThe Technical LineageTypography and TitlingThe ‘Reading-Image'Kinetic ActionGraphic ExpressionChronic ProgressionConclusionsMotion versus Static DesignReading / DiscourseThe Role of Kinesis Constraints on SemiosisIndex