Industrial Networks and Cinemas of India

Monika Mehta is Associate Professor of English at State University of New York, Binghamton, USA. She is the author of Censorship and Sexuality in Bombay Cinema (2011/ 2012) and has also co-edited Pop Empires: Transnational and Diasporic Flows of Korea and India (2019).Madhuja Mukherjee is involved with art-practice, curatorial projects, and filmmaking. She is Professor of Film Studies at Jadavpur University, Kolkata, India. Her research papers have been published in academic journals; she is the author of New Theatres Ltd.: The Emblem of Art, The Picture of Success (Pune: 2009), editor of Aural Films, Oral Cultures: Essays on Cinema from the Early Sound Era (Kolkata: 2012), Voices of the Talking Stars: The Women of Indian Cinema and Beyond (Kolkata/ Delhi: 2017), and Popular Cinema in Bengal: Genre, Stars, Public Cultures (London / New York: 2020).

• Introduction: Detouring Networks PART I The Female Star, Traveling Figures and Transgressions 1. Fatma Begum, South Asia’s ‘First’ Female Director: Resurrections from Media and Legal Archives 2. The ‘Problem of Respectable Ladies Joining Films’: Industrial Traffic, Female Stardom and the First Talkies in Bombay and Tehran 3. Sabita’s Journey from Calcutta to Bombay: Gender and Modernity in the Circuits of Cinemas in India 4. Travels of the Female Star in the Indian Cinemas of the 1940s and 50s: The Career of Bhanumathi 5. Bringing Bharatanatyam to Bombay Cinema: Mapping Tamil-Hindi Film Industry Traffic through Vyjayanthimala’s Dancing Body PART II Networks of Circulation, Production, and Imaginings 6. Film exhibition in Hyderabad in 1930s: The Case of Motimahal Theatre and Film Circulation 7. Arriving at Bombay: Bimal Roy, Transits, Transitions, and Cinema of Intersection 8. Circumambient Geographies of Cinema: The Shaw Brothers’ Malay Film Production Studios in mid-century Singapore 9. Filmfare, the Bombay Industry and Internationalism (1952-1962) 10. Traversing The Evil Within (1971) – Transnational aspirations, Gender, Infrastructure in a post-war Asia PART III Media Geographies, Agencies and Technologies 11. Habits and Worlds: Malayalam Cinema’s Travels with the Gulf 12. Celluloid Visions in a Video Frame: Bhojpuri Cinema between Insurrections and Catharsis 13. Mixing Industrial Elements, Generating Sexual Agency in Aiyyaa 14. Blurring the Boundaries Between Hollywood and Bollywood: The Production of Dubbed Films in Mumbai” 15. Making-of Videos: Of Placeless Studios and Pioneering Music Directors 16. The Materiality of Digital Footprints: Video industries, media networks and the “located mobility” of Malegon films