Roger W. H. Savage is a professor at the University of California, Los Angeles. His publications include Hermeneutics and Music Criticism and the edited volume Paul Ricoeur in the Age of Hermeneutical Reason: Poetics, Praxis and Critique. He was a Fulbright Scholar and a Moore Institute Visiting Fellow at the National University of Ireland, Galway.

• Introduction 1. Music and time 2. The myth of Syrinx 3. To the glory of God 4. Hope’s despair 5. Figure of solicitude 6. The ends of time 7. Mimesis, aesthetic experience, and politics

Roger W. H. Savage is a professor at the University of California, Los Angeles. His publications include Hermeneutics and Music Criticism and the edited volume Paul Ricoeur in the Age of Hermeneutical Reason: Poetics, Praxis and Critique. He was a Fulbright Scholar and a Moore Institute Visiting Fellow at the National University of Ireland, Galway.

• Introduction 1. Music and time 2. The myth of Syrinx 3. To the glory of God 4. Hope’s despair 5. Figure of solicitude 6. The ends of time 7. Mimesis, aesthetic experience, and politics

Roger W. H. Savage is a professor at the University of California, Los Angeles. His publications include Hermeneutics and Music Criticism and the edited volume Paul Ricoeur in the Age of Hermeneutical Reason: Poetics, Praxis and Critique. He was a Fulbright Scholar and a Moore Institute Visiting Fellow at the National University of Ireland, Galway.

• Introduction 1. Music and time 2. The myth of Syrinx 3. To the glory of God 4. Hope’s despair 5. Figure of solicitude 6. The ends of time 7. Mimesis, aesthetic experience, and politics