Ernesto Capello is Professor of History at Macalester College.Julia B. Rosenbaum is Associate Professor of Art History and Visual Culture at Bard College.

• 1. Introduction: The Expeditionary Impulse Part I: Seeing and Not Seeing 3. Triangulating the View: Art and the Great Surveys of the American West in the 1870s 4. Cartographic Representation in the Age of Vernacular Landscape: Pictorial Metaphor in Stephen Long’s Map of the Country Drained by the Mississippi (1822) 5. Seeing Solitary Deserts Full of People: The Chorographic Commission in Colombia’s Eastern Plains, 1856 Part II: Lines and Tracings 6. Intervisible Border: Photographs and Monuments Along the US-Mexico Boundary 7. "Visual Expeditions" Supporting Geopolitical Vindications: Maps, Photographs and Other Visual Devices in the Diplomatic Dispute over the Andes as a Natural Border (1900) 8. Female Eyes on South America: Maria Graham in Brazil 9. Science, Wonder, and Tourism in the Early Mapping of Yellowstone National Park Part III: Art and the Expeditionary Impulse 10. Delineating Land: Art, Mapping, and the Work of Frederic Edwin Church 11. Albert Operti: An Arctic Historical Painter and the Popular Sublime

Ernesto Capello is Professor of History at Macalester College.Julia B. Rosenbaum is Associate Professor of Art History and Visual Culture at Bard College.

• 1. Introduction: The Expeditionary Impulse Part I: Seeing and Not Seeing 3. Triangulating the View: Art and the Great Surveys of the American West in the 1870s 4. Cartographic Representation in the Age of Vernacular Landscape: Pictorial Metaphor in Stephen Long’s Map of the Country Drained by the Mississippi (1822) 5. Seeing Solitary Deserts Full of People: The Chorographic Commission in Colombia’s Eastern Plains, 1856 Part II: Lines and Tracings 6. Intervisible Border: Photographs and Monuments Along the US-Mexico Boundary 7. "Visual Expeditions" Supporting Geopolitical Vindications: Maps, Photographs and Other Visual Devices in the Diplomatic Dispute over the Andes as a Natural Border (1900) 8. Female Eyes on South America: Maria Graham in Brazil 9. Science, Wonder, and Tourism in the Early Mapping of Yellowstone National Park Part III: Art and the Expeditionary Impulse 10. Delineating Land: Art, Mapping, and the Work of Frederic Edwin Church 11. Albert Operti: An Arctic Historical Painter and the Popular Sublime

Ernesto Capello is Professor of History at Macalester College.Julia B. Rosenbaum is Associate Professor of Art History and Visual Culture at Bard College.

• 1. Introduction: The Expeditionary Impulse Part I: Seeing and Not Seeing 3. Triangulating the View: Art and the Great Surveys of the American West in the 1870s 4. Cartographic Representation in the Age of Vernacular Landscape: Pictorial Metaphor in Stephen Long’s Map of the Country Drained by the Mississippi (1822) 5. Seeing Solitary Deserts Full of People: The Chorographic Commission in Colombia’s Eastern Plains, 1856 Part II: Lines and Tracings 6. Intervisible Border: Photographs and Monuments Along the US-Mexico Boundary 7. "Visual Expeditions" Supporting Geopolitical Vindications: Maps, Photographs and Other Visual Devices in the Diplomatic Dispute over the Andes as a Natural Border (1900) 8. Female Eyes on South America: Maria Graham in Brazil 9. Science, Wonder, and Tourism in the Early Mapping of Yellowstone National Park Part III: Art and the Expeditionary Impulse 10. Delineating Land: Art, Mapping, and the Work of Frederic Edwin Church 11. Albert Operti: An Arctic Historical Painter and the Popular Sublime