Mark Dixon works as a principal examiner for Eduqas and is the head of Media and Film at Durham Sixth Form Centre. He is also the author of Essential Theory for Media A Level (also published by Routledge) as well as having written for the Guardian, Media Magazine, TES magazine and Wired.

"This is an invaluable resource for anyone studying Film A level. The book is split into three accessible and logical sections; Film Forms, Theories and Context and Forms and is well supported throughout by relevant and interesting examples. Written with the student in mind, the revision activities and exemplars ought to help pupils achieve at a high level in their A level exams. The ‘experimental film’ and ‘lighting’ chapters are great examples of how to break down complex topics into digestible and fathomable content, allowing access across all ability ranges. This text is equally useful for 1st year undergraduate students who are bridging into a film related course."- Leigh Adams, British Film Institute: Director of Education and Skills"Essential in more than just name! With written examples relating to exam set texts and chapters on technical aspects of film, theories and contexts, Mark Dixon’s Essential Revision for A Level Film is the perfect companion for any student embarking on an A level Film Studies course, or any teacher who wants to secure their subject knowledge." - Claire Pollard, Editor of EMC MediaMagazine

• Part One: Film Forms1 Cinematography2 Mise en scene and performance3 Editing4 Sound5 LightingPart Two: Film Theories6 Theories of narrative7 Auteur-based approaches8 Ideology9 SpectatorshipPart Three: Contexts and forms10 Silent cinema11 Classical Hollywood 1930-6012 Experimental film13 New Hollywood 1961-90 14 Contemporary British cinema since 199515 Documentary film16 Contemporary American cinema since 2005BibliographyIndex

Mark Dixon works as a principal examiner for Eduqas and is the head of Media and Film at Durham Sixth Form Centre. He is also the author of Essential Theory for Media A Level (also published by Routledge) as well as having written for the Guardian, Media Magazine, TES magazine and Wired.

"This is an invaluable resource for anyone studying Film A level. The book is split into three accessible and logical sections; Film Forms, Theories and Context and Forms and is well supported throughout by relevant and interesting examples. Written with the student in mind, the revision activities and exemplars ought to help pupils achieve at a high level in their A level exams. The ‘experimental film’ and ‘lighting’ chapters are great examples of how to break down complex topics into digestible and fathomable content, allowing access across all ability ranges. This text is equally useful for 1st year undergraduate students who are bridging into a film related course."- Leigh Adams, British Film Institute: Director of Education and Skills"Essential in more than just name! With written examples relating to exam set texts and chapters on technical aspects of film, theories and contexts, Mark Dixon’s Essential Revision for A Level Film is the perfect companion for any student embarking on an A level Film Studies course, or any teacher who wants to secure their subject knowledge." - Claire Pollard, Editor of EMC MediaMagazine

• Part One: Film Forms1 Cinematography2 Mise en scene and performance3 Editing4 Sound5 LightingPart Two: Film Theories6 Theories of narrative7 Auteur-based approaches8 Ideology9 SpectatorshipPart Three: Contexts and forms10 Silent cinema11 Classical Hollywood 1930-6012 Experimental film13 New Hollywood 1961-90 14 Contemporary British cinema since 199515 Documentary film16 Contemporary American cinema since 2005BibliographyIndex

Mark Dixon works as a principal examiner for Eduqas and is the head of Media and Film at Durham Sixth Form Centre. He is also the author of Essential Theory for Media A Level (also published by Routledge) as well as having written for the Guardian, Media Magazine, TES magazine and Wired.

"This is an invaluable resource for anyone studying Film A level. The book is split into three accessible and logical sections; Film Forms, Theories and Context and Forms and is well supported throughout by relevant and interesting examples. Written with the student in mind, the revision activities and exemplars ought to help pupils achieve at a high level in their A level exams. The ‘experimental film’ and ‘lighting’ chapters are great examples of how to break down complex topics into digestible and fathomable content, allowing access across all ability ranges. This text is equally useful for 1st year undergraduate students who are bridging into a film related course."- Leigh Adams, British Film Institute: Director of Education and Skills"Essential in more than just name! With written examples relating to exam set texts and chapters on technical aspects of film, theories and contexts, Mark Dixon’s Essential Revision for A Level Film is the perfect companion for any student embarking on an A level Film Studies course, or any teacher who wants to secure their subject knowledge." - Claire Pollard, Editor of EMC MediaMagazine

• Part One: Film Forms1 Cinematography2 Mise en scene and performance3 Editing4 Sound5 LightingPart Two: Film Theories6 Theories of narrative7 Auteur-based approaches8 Ideology9 SpectatorshipPart Three: Contexts and forms10 Silent cinema11 Classical Hollywood 1930-6012 Experimental film13 New Hollywood 1961-90 14 Contemporary British cinema since 199515 Documentary film16 Contemporary American cinema since 2005BibliographyIndex