Dr. Gina Emerson is a musicologist and curator. Her research explores and connects the topics of audience experience, sustainability and cultural participation in art music contexts. She is currently Postdoctoral Research Associate at the IASS Potsdam in the Art-Science Cooperations for Sustainability group.

• List of FiguresList of TablesList of AbbreviationsAcknowledgementsForeword by Professor Stephanie PittsChapter 1: IntroductionChapter 2: Conceptualising and Researching Audience Experience Chapter 3: Contemporary Classical Music and its AudiencesChapter 4: Who and Why? Demographics and Motivations to Attend Chapter 5: CCM as High Art Subculture: Audience Tastes and Perceptions Chapter 6: The Social and the Aesthetic I: Musical Expertise and Experiences with Live CCMChapter 7: The Social and the Aesthetic II: Aesthetic Experience and CCMChapter 8: CCM and Audience Participation: A Case StudyChapter 9: Institution–Audience Relationships in CCM Culture Chapter 10: ‘Written without regard to the audience’: Classical Music Attendees on CCMChapter 11: ConclusionAppendix 1: Methodological AppendixAppendix 2: Survey QuestionnairesAppendix 3: Supplementary TablesAppendix 4: Supplementary FiguresAppendix 5: Full List of Works Performed at the Survey ConcertsIndex

Dr. Gina Emerson is a musicologist and curator. Her research explores and connects the topics of audience experience, sustainability and cultural participation in art music contexts. She is currently Postdoctoral Research Associate at the IASS Potsdam in the Art-Science Cooperations for Sustainability group.

• List of FiguresList of TablesList of AbbreviationsAcknowledgementsForeword by Professor Stephanie PittsChapter 1: IntroductionChapter 2: Conceptualising and Researching Audience Experience Chapter 3: Contemporary Classical Music and its AudiencesChapter 4: Who and Why? Demographics and Motivations to Attend Chapter 5: CCM as High Art Subculture: Audience Tastes and Perceptions Chapter 6: The Social and the Aesthetic I: Musical Expertise and Experiences with Live CCMChapter 7: The Social and the Aesthetic II: Aesthetic Experience and CCMChapter 8: CCM and Audience Participation: A Case StudyChapter 9: Institution–Audience Relationships in CCM Culture Chapter 10: ‘Written without regard to the audience’: Classical Music Attendees on CCMChapter 11: ConclusionAppendix 1: Methodological AppendixAppendix 2: Survey QuestionnairesAppendix 3: Supplementary TablesAppendix 4: Supplementary FiguresAppendix 5: Full List of Works Performed at the Survey ConcertsIndex

Dr. Gina Emerson is a musicologist and curator. Her research explores and connects the topics of audience experience, sustainability and cultural participation in art music contexts. She is currently Postdoctoral Research Associate at the IASS Potsdam in the Art-Science Cooperations for Sustainability group.

• List of FiguresList of TablesList of AbbreviationsAcknowledgementsForeword by Professor Stephanie PittsChapter 1: IntroductionChapter 2: Conceptualising and Researching Audience Experience Chapter 3: Contemporary Classical Music and its AudiencesChapter 4: Who and Why? Demographics and Motivations to Attend Chapter 5: CCM as High Art Subculture: Audience Tastes and Perceptions Chapter 6: The Social and the Aesthetic I: Musical Expertise and Experiences with Live CCMChapter 7: The Social and the Aesthetic II: Aesthetic Experience and CCMChapter 8: CCM and Audience Participation: A Case StudyChapter 9: Institution–Audience Relationships in CCM Culture Chapter 10: ‘Written without regard to the audience’: Classical Music Attendees on CCMChapter 11: ConclusionAppendix 1: Methodological AppendixAppendix 2: Survey QuestionnairesAppendix 3: Supplementary TablesAppendix 4: Supplementary FiguresAppendix 5: Full List of Works Performed at the Survey ConcertsIndex