Routledge Companion to Popular Music and Humor

Thomas M. Kitts is Professor of English at St. John's University, NY, USA, author of a recent book on John Fogerty, and coeditor of Popular Music and Society and Rock Music Studies.Nick Baxter-Moore is Associate Professor in the Department of Communication, Popular Culture and Film, Brock University, St Catharine’s, Ontario, Canada.

"Overall, The Routledge Companion to Popular Music and Humor is a refreshing assessment of the integration of humor within music and how this speaks of society on various levels. The text is creative and presents a commonly nonspecialist topic in a highly scholarly format. Summing Up: Recommended."—A. E. Handfield, Manhattan College, CHOICE"Music and humor can come together in ways obvious or hidden, silly or even serious. The Routledge Companion to Popular Music and Humor looks at their rich interplay from a great variety of perspectives. Indeed, variety stands as a key component to this volume. Over eight parts and forty-two chapters, scholars and artists from many fields tackle music from different genres and different parts of the world. The volume’s fine introduction grounds these disparate contributions for a work which stands as a coherent whole. ... The great variety of topics addressed in The Routledge Companion to Popular Music and Humor demonstrates how wide-reaching and important this volume is."—John Littlejohn, Popular Music and Society

• Popular Music and Humor: An Introduction (Thomas M. Kitts & Nick Baxter-Moore) / Part 1: Historical Antecedents / 1. Humor in Early Twentieth-Century Sheet Music: Problems of Contexts and Receptions (C. Matthew Balensuela) / 2. What Might Have Been Left Behind: Popular African-American Female Singers in an Age of Liberal Reform (James Martens) / 3. Jazz Humor from a Musical Perspective (Garth Alper) / 4. Rubes, Rednecks, and Novelty Songs: The Comedic Tradition in Country Music (Don Cusic) / Part 2: Humor in Rock Music Genres / 5. Grumbly Grimblies, Frozen Dogs, and Other Boojums: Eccentricity from Chaucer to Carroll in English Psychedelia (Peter Grant) / 6. The Clown Figure in 1970s Rock Music (Andy Bennett) / 7. Humor in Metal Music (Deena Weinstein) / 8. "Anarchy in Woolworths": Punk Comedy and Humor (Russ Bestley) / 9. "Mommy’s Dead": The Gallows Humor of Hardcore Punk (Dennis D. McDaniel) / 10. Hip Hop’s Sophisticated Comedy (David Caplan) / 11. "The Earth Is Doomed": Geek Rock, Humor, and the End of the World (Victoria Willis) / Part 3: Humor in Global Music / 12. From Kaiso to Get on Bad: Humor in Trinidad’s Calypso and Soca Music (Amelia Ingram) / 13. "Call de Contracta!" Humor, Innovation, and Competition in Jamaican Music (Sonjah Stanley Niaah) / 14. Play and Irony in the Kwaito Music of Postapartheid South Africa (Tuulikki Pietilä) / 15. Humor in Ugandan Popular Music (David Pier) / 16. Absurdity and Nostalgia: Humor in K-Pop (Sarah Keith) / 17. Negotiating Blackness in French Rural Spaces: Kamini’s Hip-Hop Comedy (Mich Yonah Nyawalo) / Part 4: Selected Artists I: Humor in Popular Music / 18. The "Sly Wit" of Chuck Berry (Wayne Robins) / 19. The British Invasion of the Wild West: Country Parody in the Rolling Stones and Other British Bands (Oliver Lovesey) / 20. "I N