Stefano Barone obtained his PhD from Griffith University, Australia in 2016. His publications include: ‘Feeling so Hood. Rap, Lifestyles, and the Neighbourhood Imaginary in Tunisia’. British Journal of Middle Eastern Studies, forthcoming; (with Elham Golpushnezad) "On n'est pas à vendre. L'économie politique du rap dans la Tunisie postrévolution" ["We are not for sale. The political economy of rap in post-revolutionary Tunisia"], Politique Africaine, 2016/1 (141): 27-51 and "Fragile scenes, fractured communities: Tunisian Metal and Sceneness". Journal of Youth Studies, 19.1:20-35.

• Part One – Fragile Scenes 1. From Subculture To Sceneness 2. Corpses, And Still No Life. The ‘Heinous Collapse’ Of Tunisian Metal 3. People In The Corner. The Weird Success Of Tunisian Rap 4. Downtown Vibes. Electronic Music And Clubbing In Tunisia. 5. The Construction And Structure Of Tunisian Scenes Part Two – Shades Of The Local 6. Tales of the Sandes. Ideoscapes Of Tunisian-Ness. 7.Only For Good People. Scenes, Lifestyles, And The Tunisian Social Structure 8. We're Not For Sale. The Political Dimension Of Tunisian Scenes

Stefano Barone obtained his PhD from Griffith University, Australia in 2016. His publications include: ‘Feeling so Hood. Rap, Lifestyles, and the Neighbourhood Imaginary in Tunisia’. British Journal of Middle Eastern Studies, forthcoming; (with Elham Golpushnezad) "On n'est pas à vendre. L'économie politique du rap dans la Tunisie postrévolution" ["We are not for sale. The political economy of rap in post-revolutionary Tunisia"], Politique Africaine, 2016/1 (141): 27-51 and "Fragile scenes, fractured communities: Tunisian Metal and Sceneness". Journal of Youth Studies, 19.1:20-35.

• Part One – Fragile Scenes 1. From Subculture To Sceneness 2. Corpses, And Still No Life. The ‘Heinous Collapse’ Of Tunisian Metal 3. People In The Corner. The Weird Success Of Tunisian Rap 4. Downtown Vibes. Electronic Music And Clubbing In Tunisia. 5. The Construction And Structure Of Tunisian Scenes Part Two – Shades Of The Local 6. Tales of the Sandes. Ideoscapes Of Tunisian-Ness. 7.Only For Good People. Scenes, Lifestyles, And The Tunisian Social Structure 8. We're Not For Sale. The Political Dimension Of Tunisian Scenes

Stefano Barone obtained his PhD from Griffith University, Australia in 2016. His publications include: ‘Feeling so Hood. Rap, Lifestyles, and the Neighbourhood Imaginary in Tunisia’. British Journal of Middle Eastern Studies, forthcoming; (with Elham Golpushnezad) "On n'est pas à vendre. L'économie politique du rap dans la Tunisie postrévolution" ["We are not for sale. The political economy of rap in post-revolutionary Tunisia"], Politique Africaine, 2016/1 (141): 27-51 and "Fragile scenes, fractured communities: Tunisian Metal and Sceneness". Journal of Youth Studies, 19.1:20-35.

• Part One – Fragile Scenes 1. From Subculture To Sceneness 2. Corpses, And Still No Life. The ‘Heinous Collapse’ Of Tunisian Metal 3. People In The Corner. The Weird Success Of Tunisian Rap 4. Downtown Vibes. Electronic Music And Clubbing In Tunisia. 5. The Construction And Structure Of Tunisian Scenes Part Two – Shades Of The Local 6. Tales of the Sandes. Ideoscapes Of Tunisian-Ness. 7.Only For Good People. Scenes, Lifestyles, And The Tunisian Social Structure 8. We're Not For Sale. The Political Dimension Of Tunisian Scenes