Synchronization and Title Sequences

Audio-Visual Semiosis in Motion Graphics

AvMichael Betancourt

Häftad, Engelska, 2019

Del i serien Routledge Studies in Media Theory and Practice

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Beskrivning

Synchronization and Title Sequences proposes a semiotic analysis of the synchronization of image and sound in motion pictures using title sequences. Through detailed historical close readings of title designs that use either voice-over, an instrumental opening, or title song to organize their visuals—from Vertigo (1958) to The Player (1990) and X-Men: First Class (2011)—author Michael Betancourt develops a foundational framework for the critique and discussion of motion graphics’ use of synchronization and sound, as well as a theoretical description of how sound-image relationships develop on-screen.

Produktinformation

Utgivningsdatum:2019-12-12
Mått:138 x 216 x 12 mm
Vikt:195 g
Format:Häftad
Språk:Engelska
Serie:Routledge Studies in Media Theory and Practice
Antal sidor:156
Förlag:Taylor & Francis Ltd
ISBN:9780367890391

Utforska kategorier

Digital konst, videokonst och new media arts inom Kultur
Television inom Kultur
Film inom Kultur

Mer om författaren

Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice , Semiotics and Title Sequences, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo .

Innehållsförteckning

Introduction; 1: The Progressive Myth; 2: A Precarious Balance; 3: The Tilt in the States; 4: Federal Repercussions; 5: The Anomalous Counterweight; 6: Beveling the Congress; 7: The Deliberation to End All Deliberations; Epilogue