Michael Betancourt is a theorist, historian, and artist concerned with digital technology and capitalist ideology. He is the author of The ____________ Manifesto, The History of Motion Graphics, Beyond Spatial Montage, Glitch Art in Theory and Practice, Semiotics and Title Sequences, and The Critique of Digital Capitalism. He has exhibited internationally, and his work has been translated into Chinese, French, German, Greek, Italian, Japanese, Persian, Portuguese, and Spanish, and published in journals such as The Atlantic, Make Magazine, CTheory, and Leonardo.

Select Guide Rating

• Introduction; 1: The Progressive Myth; 2: A Precarious Balance; 3: The Tilt in the States; 4: Federal Repercussions; 5: The Anomalous Counterweight; 6: Beveling the Congress; 7: The Deliberation to End All Deliberations; Epilogue