Saw Tiong Guan currently teaches at the Faculty of Law at the University of Malaya, Malaysia. He is also an independent film director and producer.

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• 1. Introduction 2. The Film Industries in Malaysia, Hong Kong and Australia in their Socio-legal Context 3. Film Censorship Systems in Malaysia, Hong Kong and Australia: The Laws, Guidelines and Processes 4. Film Censorship Systems in Malaysia, Hong Kong and Australia: The Key Issues 5. Film Censorship Systems in Malaysia, Hong Kong and Australia: The Practitioners’ Opinions and Experiences 6. Judicial Review of Film Censorship Decisions 7. Conclusion: Proposals for the Reform of the Malaysian Film Censorship System and Further Research

Saw Tiong Guan currently teaches at the Faculty of Law at the University of Malaya, Malaysia. He is also an independent film director and producer.

Select Guide Rating

• 1. Introduction 2. The Film Industries in Malaysia, Hong Kong and Australia in their Socio-legal Context 3. Film Censorship Systems in Malaysia, Hong Kong and Australia: The Laws, Guidelines and Processes 4. Film Censorship Systems in Malaysia, Hong Kong and Australia: The Key Issues 5. Film Censorship Systems in Malaysia, Hong Kong and Australia: The Practitioners’ Opinions and Experiences 6. Judicial Review of Film Censorship Decisions 7. Conclusion: Proposals for the Reform of the Malaysian Film Censorship System and Further Research

Saw Tiong Guan currently teaches at the Faculty of Law at the University of Malaya, Malaysia. He is also an independent film director and producer.

Select Guide Rating

• 1. Introduction 2. The Film Industries in Malaysia, Hong Kong and Australia in their Socio-legal Context 3. Film Censorship Systems in Malaysia, Hong Kong and Australia: The Laws, Guidelines and Processes 4. Film Censorship Systems in Malaysia, Hong Kong and Australia: The Key Issues 5. Film Censorship Systems in Malaysia, Hong Kong and Australia: The Practitioners’ Opinions and Experiences 6. Judicial Review of Film Censorship Decisions 7. Conclusion: Proposals for the Reform of the Malaysian Film Censorship System and Further Research