Lars Kristensen is a Research Assistant at the School of Journalism, Media and Communication, University of Central Lancashire, UK.

• Part I: Cultural Strategies, Industry and Reception 1. The Russian Postcommunist Blockbuster: Fyodor Bondarchuk’s 9th Company 2. Baltic Cinema; Between National and Transnational Strategies 3. Cultural Aspirations and the Voluntary Americanisation of Serbian Cinema 4. ‘Haven’t you heard of Internationalism?’ Communist Cinema in Mozambique 5. The Remains of Socialist Realism: Cyclo and Beijing Bicycle 6. Spotting the Eagle on Anglophone Turf: Postcommunist Reception and Albanian Cinema Part II: People, Place and Nation 7. Demolish or Love: Representations of Socialist Leftover in Postcommunist Polish Cinema 8. Treading New Paths: Czech and German Postcommunist Road Movies 9. The Crime that Changed Serbia: The Belgrade Ghetto Film 10. Projected Nation and Projected Self: Atom Egoyan’s Calendar 11. Truancy, or Thought from the Provinces: On Jia Zhangke's Platform 12. Representations of Former USSR Identities in Turkish Cinema

Lars Kristensen is a Research Assistant at the School of Journalism, Media and Communication, University of Central Lancashire, UK.

• Part I: Cultural Strategies, Industry and Reception 1. The Russian Postcommunist Blockbuster: Fyodor Bondarchuk’s 9th Company 2. Baltic Cinema; Between National and Transnational Strategies 3. Cultural Aspirations and the Voluntary Americanisation of Serbian Cinema 4. ‘Haven’t you heard of Internationalism?’ Communist Cinema in Mozambique 5. The Remains of Socialist Realism: Cyclo and Beijing Bicycle 6. Spotting the Eagle on Anglophone Turf: Postcommunist Reception and Albanian Cinema Part II: People, Place and Nation 7. Demolish or Love: Representations of Socialist Leftover in Postcommunist Polish Cinema 8. Treading New Paths: Czech and German Postcommunist Road Movies 9. The Crime that Changed Serbia: The Belgrade Ghetto Film 10. Projected Nation and Projected Self: Atom Egoyan’s Calendar 11. Truancy, or Thought from the Provinces: On Jia Zhangke's Platform 12. Representations of Former USSR Identities in Turkish Cinema

Lars Kristensen is a Research Assistant at the School of Journalism, Media and Communication, University of Central Lancashire, UK.

• Part I: Cultural Strategies, Industry and Reception 1. The Russian Postcommunist Blockbuster: Fyodor Bondarchuk’s 9th Company 2. Baltic Cinema; Between National and Transnational Strategies 3. Cultural Aspirations and the Voluntary Americanisation of Serbian Cinema 4. ‘Haven’t you heard of Internationalism?’ Communist Cinema in Mozambique 5. The Remains of Socialist Realism: Cyclo and Beijing Bicycle 6. Spotting the Eagle on Anglophone Turf: Postcommunist Reception and Albanian Cinema Part II: People, Place and Nation 7. Demolish or Love: Representations of Socialist Leftover in Postcommunist Polish Cinema 8. Treading New Paths: Czech and German Postcommunist Road Movies 9. The Crime that Changed Serbia: The Belgrade Ghetto Film 10. Projected Nation and Projected Self: Atom Egoyan’s Calendar 11. Truancy, or Thought from the Provinces: On Jia Zhangke's Platform 12. Representations of Former USSR Identities in Turkish Cinema